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The Church of Santa Sabina, 1833 (etching with brown wash)
The Church of Santa Sabina, 1833 (etching with brown wash)

STC384816: The Church of Santa Sabina, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Temple of Venus after being cleared up, 1833 (etching with brown wash)
The Temple of Venus after being cleared up, 1833 (etching with brown wash)

STC384823: The Temple of Venus after being cleared up, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Temple of Fortuna Virilis, 1833 (etching with brown wash)
The Temple of Fortuna Virilis, 1833 (etching with brown wash)

STC384829: The Temple of Fortuna Virilis, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Temple of Venus Ericine, 1833 (etching with brown wash)
Temple of Venus Ericine, 1833 (etching with brown wash)

STC384834: Temple of Venus Ericine, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Temple of Fortune and Rest, 1833 (etching with brown wash)
Temple of Fortune and Rest, 1833 (etching with brown wash)

STC384835: Temple of Fortune and Rest, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Basement of the Temple of Fortune and Rest, 1833 (etching with brown wash)
Basement of the Temple of Fortune and Rest, 1833 (etching with brown wash)

STC384836: Basement of the Temple of Fortune and Rest, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Temple of the Tiburtine Sibyl, 1833 (etching with brown wash)
The Temple of the Tiburtine Sibyl, 1833 (etching with brown wash)

STC384838: The Temple of the Tiburtine Sibyl, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Quirinal Obelisk, 1833 (etching with brown wash)
The Quirinal Obelisk, 1833 (etching with brown wash)

STC384856: The Quirinal Obelisk, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Passeggiata Obelisk, from the Circus of Flora, 1833 (etching with brown wash)
The Passeggiata Obelisk, from the Circus of Flora, 1833 (etching with brown wash)

STC384858: The Passeggiata Obelisk, from the Circus of Flora, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Trajan's Column, cleared and cordoned off by Sixtus V, 1833 (etching with brown wash)
Trajan's Column, cleared and cordoned off by Sixtus V, 1833 (etching with brown wash)

STC384860: Trajan's Column, cleared and cordoned off by Sixtus V, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Trajan's column, surrounded with a fence by Pius VII, 1833 (etching with brown wash)
Trajan's column, surrounded with a fence by Pius VII, 1833 (etching with brown wash)

STC384861: Trajan's column, surrounded with a fence by Pius VII, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Arena of the Colosseum filled in and restored to its former state, 1833 (etching with brown wash)
The Arena of the Colosseum filled in and restored to its former state, 1833 (etching with brown wash)

STC384874: The Arena of the Colosseum filled in and restored to its former state, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Ponte Milvio, or Ponte Molle, 1833 (etching with brown wash)
Ponte Milvio, or Ponte Molle, 1833 (etching with brown wash)

STC384878: Ponte Milvio, or Ponte Molle, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Ponte Aquoria, or Aqua d'oro, 1833 (etching with brown wash)
Ponte Aquoria, or Aqua d'oro, 1833 (etching with brown wash)

STC384881: Ponte Aquoria, or Aqua d'oro, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Ponte Mammolo, 1833 (etching with brown wash)
The Ponte Mammolo, 1833 (etching with brown wash)

STC384883: The Ponte Mammolo, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

View of the exterior of the church of Santa Maria del Popolo, 1833 (etching with brown wash)
View of the exterior of the church of Santa Maria del Popolo, 1833 (etching with brown wash)

STC384888: View of the exterior of the church of Santa Maria del Popolo, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

View of the Porta Flaminia, or Porta del Popolo, 1833 (etching with brown wash)
View of the Porta Flaminia, or Porta del Popolo, 1833 (etching with brown wash)

STC384892: View of the Porta Flaminia, or Porta del Popolo, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Porta Maggiore or Prenestina, 1833 (etching with brown wash)
Porta Maggiore or Prenestina, 1833 (etching with brown wash)

STC384898: Porta Maggiore or Prenestina, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Porta Capena or Porta San Sebastiano, 1833 (etching with brown wash)
The Porta Capena or Porta San Sebastiano, 1833 (etching with brown wash)

STC384902: The Porta Capena or Porta San Sebastiano, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Porta Latina, closed, 1833 (etching with brown wash)
The Porta Latina, closed, 1833 (etching with brown wash)

STC384909: The Porta Latina, closed, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Tomb of the Horatii and Curiatii, 1833 (etching with brown wash)
The Tomb of the Horatii and Curiatii, 1833 (etching with brown wash)

STC384917: The Tomb of the Horatii and Curiatii, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Tomb of Marcus Aurelius Sintoma, 1833 (etching with brown wash)
Tomb of Marcus Aurelius Sintoma, 1833 (etching with brown wash)

STC384918: Tomb of Marcus Aurelius Sintoma, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Interior of the Tomb of Alexander Severus, 1833 (etching with brown wash)
Interior of the Tomb of Alexander Severus, 1833 (etching with brown wash)

STC384921: Interior of the Tomb of Alexander Severus, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Columbarium of the Freedmen of Augustus, 1833 (etching with brown wash)
Columbarium of the Freedmen of Augustus, 1833 (etching with brown wash)

STC384922: Columbarium of the Freedmen of Augustus, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Inside the Palazzo di Venezia, 1833 (etching with brown wash)
Inside the Palazzo di Venezia, 1833 (etching with brown wash)

STC384928: Inside the Palazzo di Venezia, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Interior of Michelangelo's House, 1833 (etching with brown wash)
Interior of Michelangelo's House, 1833 (etching with brown wash)

STC384946: Interior of Michelangelo's House, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Amphiteatrum Castrense, 1833 (etching with brown wash)
Amphiteatrum Castrense, 1833 (etching with brown wash)

STC384960: Amphiteatrum Castrense, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Torre delle Milizie, 1833 (etching with brown wash)
Torre delle Milizie, 1833 (etching with brown wash)

STC384972: Torre delle Milizie, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Stables of the Villa Maecenas, 1833 (etching with brown wash)
The Stables of the Villa Maecenas, 1833 (etching with brown wash)

STC384978: The Stables of the Villa Maecenas, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The waterfalls at Tivoli, 1833 (etching with brown wash)
The waterfalls at Tivoli, 1833 (etching with brown wash)

STC384982: The waterfalls at Tivoli, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Aqua Appia, 1833 (etching with brown wash)
The Aqua Appia, 1833 (etching with brown wash)

STC384984: The Aqua Appia, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Fighting for the Family, 1943 (etching)
Fighting for the Family, 1943 (etching)

JSC391819: Fighting for the Family, 1943 (etching), Peri, Peter Laszlo (Ladislas Weisz) (1889-1967) / Bridgeman Images

Guess Who?, 1960 (mixed media)
Guess Who?, 1960 (mixed media)

JSC391820: Guess Who?, 1960 (mixed media), Maddox, Conroy (1912-2005) / Bridgeman Images

Mask of Apollo in Autumn, 1933 (painted wood) (see also 391822)
Mask of Apollo in Autumn, 1933 (painted wood) (see also 391822)

JSC391821: Mask of Apollo in Autumn, 1933 (painted wood) (see also 391822), Underwood, Leon (1890-1975) / Bridgeman Images

Reclining Mother and Child, 1979 (bronze with green patina)
Reclining Mother and Child, 1979 (bronze with green patina)

JSC391827: Reclining Mother and Child, 1979 (bronze with green patina), Moore, Henry Spencer (1898-1986) / Bridgeman Images

Two Frogs (Copulating) (bronze)
Two Frogs (Copulating) (bronze)

JSC391829: Two Frogs (Copulating) (bronze), Hermes, Gertrude (1901-83) / Bridgeman Images


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