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Warren G. Harding (1865-1923), smokes a cigarette in public. c. 1920
Warren G. Harding (1865-1923), smokes a cigarette in public. c. 1920

EVB2934263: Warren G. Harding (1865-1923), smokes a cigarette in public. c. 1920 / Bridgeman Images

President's train in Alaska with some of the entourage of seventy-five on the cabouse, Left to right: Mrs. Harding, President Harding, Mrs. Jennings, Gov. Bone, Steese, Sec. of Interior Wallace, Sec. of Commerce Hoove, Sec. of Agriculture Work
President's train in Alaska with some of the entourage of seventy-five on the cabouse, Left to right: Mrs. Harding, President Harding, Mrs. Jennings, Gov. Bone, Steese, Sec. of Interior Wallace, Sec. of Commerce Hoove, Sec. of Agriculture Work

EVB2934265: President's train in Alaska with some of the entourage of seventy-five on the cabouse, Left to right: Mrs. Harding, President Harding, Mrs. Jennings, Gov. Bone, Steese, Sec. of Interior Wallace, Sec. of Commerce Hoove, Sec. of Agriculture Work / Bridgeman Images

President Warren G. Harding (1865-1923), swinging golf club
President Warren G. Harding (1865-1923), swinging golf club

EVB2934266: President Warren G. Harding (1865-1923), swinging golf club / Bridgeman Images

Warren G. Harding (1865-1923), standing on back of Northern Pacific train, with wife Florence and others as they leave Washington, D.C. for a tour of the Western states and Alaska on June 20, 1923
Warren G. Harding (1865-1923), standing on back of Northern Pacific train, with wife Florence and others as they leave Washington, D.C. for a tour of the Western states and Alaska on June 20, 1923

EVB2934267: Warren G. Harding (1865-1923), standing on back of Northern Pacific train, with wife Florence and others as they leave Washington, D.C. for a tour of the Western states and Alaska on June 20, 1923 / Bridgeman Images

Ethel Barrymore (1879-1959), in a 1901 studio portrait by Burr McIntosh
Ethel Barrymore (1879-1959), in a 1901 studio portrait by Burr McIntosh

EVB2934299: Ethel Barrymore (1879-1959), in a 1901 studio portrait by Burr McIntosh / Bridgeman Images

Rookery Building (1886), interior court provided shops and offices around a graceful square that exposed cast iron columns, wrought iron spandrel, and steel beams
Rookery Building (1886), interior court provided shops and offices around a graceful square that exposed cast iron columns, wrought iron spandrel, and steel beams

EVB2934310: Rookery Building (1886), interior court provided shops and offices around a graceful square that exposed cast iron columns, wrought iron spandrel, and steel beams / Bridgeman Images

Dymaxion House, designed by futurist engineer Buckminster Fuller (1885-1983) in 1927, was factory built, transportable by air, and contained basic utilities
Dymaxion House, designed by futurist engineer Buckminster Fuller (1885-1983) in 1927, was factory built, transportable by air, and contained basic utilities

EVB2934323: Dymaxion House, designed by futurist engineer Buckminster Fuller (1885-1983) in 1927, was factory built, transportable by air, and contained basic utilities / Bridgeman Images

McKim, Mead, and White, partners of the most prominent American architectural firm of the early 20th century, built monumental buildings of classical style. Surviving buildings include: Columbia University Library, NYC Municipal Building, and the Rhode Island State House
McKim, Mead, and White, partners of the most prominent American architectural firm of the early 20th century, built monumental buildings of classical style. Surviving buildings include: Columbia University Library, NYC Municipal Building, and the Rhode Island State House

EVB2934327: McKim, Mead, and White, partners of the most prominent American architectural firm of the early 20th century, built monumental buildings of classical style. Surviving buildings include: Columbia University Library, NYC Municipal Building, and the Rhode Island State House / Bridgeman Images

Interior of the New York State Library designed by Henry Richardson, the most prominent American architect from 1870 to his death in 1886. His neo-Romanesque style masked functional design which inspired both Louis Sullivan and Frank Lloyd Wright. 1890
Interior of the New York State Library designed by Henry Richardson, the most prominent American architect from 1870 to his death in 1886. His neo-Romanesque style masked functional design which inspired both Louis Sullivan and Frank Lloyd Wright. 1890

EVB2934332: Interior of the New York State Library designed by Henry Richardson, the most prominent American architect from 1870 to his death in 1886. His neo-Romanesque style masked functional design which inspired both Louis Sullivan and Frank Lloyd Wright. 1890, Wright, Frank Lloyd (1867-1959) / Bridgeman Images

Battle of the early 16th century, showing troops advancing on a fortress. It possibly depicts a surprise attack on Maastricht (now Netherlands) by Holy Roman Emperor, Maximilian I. Woodcut from 1512-1516
Battle of the early 16th century, showing troops advancing on a fortress. It possibly depicts a surprise attack on Maastricht (now Netherlands) by Holy Roman Emperor, Maximilian I. Woodcut from 1512-1516

EVB2934354: Battle of the early 16th century, showing troops advancing on a fortress. It possibly depicts a surprise attack on Maastricht (now Netherlands) by Holy Roman Emperor, Maximilian I. Woodcut from 1512-1516 / Bridgeman Images

THE RHINOCEROS, Woodcut by Albrecht Durer, (1471-1528), drawn from the description of an Indian rhinoceros. While inaccurate, it was published as the authoritative natural history illustration for the next 300 years
THE RHINOCEROS, Woodcut by Albrecht Durer, (1471-1528), drawn from the description of an Indian rhinoceros. While inaccurate, it was published as the authoritative natural history illustration for the next 300 years

EVB2934361: THE RHINOCEROS, Woodcut by Albrecht Durer, (1471-1528), drawn from the description of an Indian rhinoceros. While inaccurate, it was published as the authoritative natural history illustration for the next 300 years / Bridgeman Images

Rube Goldberg (1883-1970), with his family, 1929 (photo)
Rube Goldberg (1883-1970), with his family, 1929 (photo)

EVB2934363: Rube Goldberg (1883-1970), with his family, 1929 (photo) / Bridgeman Images

THE GRAND SCHOOL MASTER, 1780, is a self-portrait etching of Jean-Jacques de Boissieu (1736-1810). The studio scene shows Boissieu painting a portrait of an elderly man while the another peers at the artist's work
THE GRAND SCHOOL MASTER, 1780, is a self-portrait etching of Jean-Jacques de Boissieu (1736-1810). The studio scene shows Boissieu painting a portrait of an elderly man while the another peers at the artist's work

EVB2934377: THE GRAND SCHOOL MASTER, 1780, is a self-portrait etching of Jean-Jacques de Boissieu (1736-1810). The studio scene shows Boissieu painting a portrait of an elderly man while the another peers at the artist's work / Bridgeman Images

Paul Cezanne (1839-1906), French Post Impressionist painter, in a self portrait at his easel. c. 1900
Paul Cezanne (1839-1906), French Post Impressionist painter, in a self portrait at his easel. c. 1900

EVB2934385: Paul Cezanne (1839-1906), French Post Impressionist painter, in a self portrait at his easel. c. 1900 / Bridgeman Images

Frederick E. Church (1826-1900), American landscape painter of the Hudson River School. He created detailed, monumental landscapes with dramatic space and lighting
Frederick E. Church (1826-1900), American landscape painter of the Hudson River School. He created detailed, monumental landscapes with dramatic space and lighting

EVB2934389: Frederick E. Church (1826-1900), American landscape painter of the Hudson River School. He created detailed, monumental landscapes with dramatic space and lighting / Bridgeman Images

Arthur B. Davies (1862-1928), the American symbolist painter, posed in Gertrude Kasebier's New York City studio in 1907. Davies promoted modern art and was one of the organizers of the 1913 Armory Show
Arthur B. Davies (1862-1928), the American symbolist painter, posed in Gertrude Kasebier's New York City studio in 1907. Davies promoted modern art and was one of the organizers of the 1913 Armory Show

EVB2934393: Arthur B. Davies (1862-1928), the American symbolist painter, posed in Gertrude Kasebier's New York City studio in 1907. Davies promoted modern art and was one of the organizers of the 1913 Armory Show, Käsebier, Gertrude (1852-1934) / Bridgeman Images

Hendrik Goltzius (1558-1617), Netherlandish master engraver and printer from Haarlem, Netherlands
Hendrik Goltzius (1558-1617), Netherlandish master engraver and printer from Haarlem, Netherlands

EVB2934396: Hendrik Goltzius (1558-1617), Netherlandish master engraver and printer from Haarlem, Netherlands / Bridgeman Images

Marsden Hartley (1877-1943), American painter influenced by expressionism and cubism, created powerful Maine landscapes and still life paintings
Marsden Hartley (1877-1943), American painter influenced by expressionism and cubism, created powerful Maine landscapes and still life paintings

EVB2934398: Marsden Hartley (1877-1943), American painter influenced by expressionism and cubism, created powerful Maine landscapes and still life paintings / Bridgeman Images

Robert Henri (1865-1929), the American painter, posed in the Gertrude Kasebier's New York City studio in 1900. Henri was a bold painter associated with the Ashcan School of urban realist painters
Robert Henri (1865-1929), the American painter, posed in the Gertrude Kasebier's New York City studio in 1900. Henri was a bold painter associated with the Ashcan School of urban realist painters

EVB2934402: Robert Henri (1865-1929), the American painter, posed in the Gertrude Kasebier's New York City studio in 1900. Henri was a bold painter associated with the Ashcan School of urban realist painters, Käsebier, Gertrude (1852-1934) / Bridgeman Images

SAVED (1888), an etching by Winslow Homer (1836-1910), shows an unconscious woman being rescued from a stormy sea. Themes of man's struggle against the sea was a major theme of Homer's late work
SAVED (1888), an etching by Winslow Homer (1836-1910), shows an unconscious woman being rescued from a stormy sea. Themes of man's struggle against the sea was a major theme of Homer's late work

EVB2934404: SAVED (1888), an etching by Winslow Homer (1836-1910), shows an unconscious woman being rescued from a stormy sea. Themes of man's struggle against the sea was a major theme of Homer's late work / Bridgeman Images

Augustus John (1978-1961), Welsh figurative painter sustained a long, successful career in century that favored abstract art. c. 1925
Augustus John (1978-1961), Welsh figurative painter sustained a long, successful career in century that favored abstract art. c. 1925

EVB2934409: Augustus John (1978-1961), Welsh figurative painter sustained a long, successful career in century that favored abstract art. c. 1925 / Bridgeman Images

Page from the notebooks of Leonardo da Vinci (1452-1519) showing geared device assembled. c. 1500
Page from the notebooks of Leonardo da Vinci (1452-1519) showing geared device assembled. c. 1500

EVB2934414: Page from the notebooks of Leonardo da Vinci (1452-1519) showing geared device assembled. c. 1500 / Bridgeman Images

Art-students and copyists, among them many women, in the a long, sky-lit gallery of Louvre Museum in Paris. Wood engraving based on Winslow Homer's drawing is from Harper's Weekly, 1868
Art-students and copyists, among them many women, in the a long, sky-lit gallery of Louvre Museum in Paris. Wood engraving based on Winslow Homer's drawing is from Harper's Weekly, 1868

EVB2934416: Art-students and copyists, among them many women, in the a long, sky-lit gallery of Louvre Museum in Paris. Wood engraving based on Winslow Homer's drawing is from Harper's Weekly, 1868 / Bridgeman Images

1805 NAPOLEON AT AUSTERLITZ, 1908 by Ernest Meissonier (1815-1891). A long line of French cavalry with artillery moving behind them at Austerlitz
1805 NAPOLEON AT AUSTERLITZ, 1908 by Ernest Meissonier (1815-1891). A long line of French cavalry with artillery moving behind them at Austerlitz

EVB2934420: 1805 NAPOLEON AT AUSTERLITZ, 1908 by Ernest Meissonier (1815-1891). A long line of French cavalry with artillery moving behind them at Austerlitz / Bridgeman Images

Two couples dancing a Scottish reel. The ladies wear the monstrous feathered coiffures then fashionable. c. 1775
Two couples dancing a Scottish reel. The ladies wear the monstrous feathered coiffures then fashionable. c. 1775

EVB2933532: Two couples dancing a Scottish reel. The ladies wear the monstrous feathered coiffures then fashionable. c. 1775 / Bridgeman Images

Members of the Monaghan Men's Irish Dancing Class and their partners perform the Irish quadrille. By the turn of the century, many Irish-Americans adopted refined entertainments. 1905
Members of the Monaghan Men's Irish Dancing Class and their partners perform the Irish quadrille. By the turn of the century, many Irish-Americans adopted refined entertainments. 1905

EVB2933535: Members of the Monaghan Men's Irish Dancing Class and their partners perform the Irish quadrille. By the turn of the century, many Irish-Americans adopted refined entertainments. 1905 / Bridgeman Images

19th century song writers experimented with many themes, here combining polka rhythms with a baseball lyric. 1867
19th century song writers experimented with many themes, here combining polka rhythms with a baseball lyric. 1867

EVB2933545: 19th century song writers experimented with many themes, here combining polka rhythms with a baseball lyric. 1867 / Bridgeman Images

Ludwig van Beethoven (1770-1827). 1819 portrait by Ferdinand Schimon (1797-1852)
Ludwig van Beethoven (1770-1827). 1819 portrait by Ferdinand Schimon (1797-1852)

EVB2933547: Ludwig van Beethoven (1770-1827). 1819 portrait by Ferdinand Schimon (1797-1852) / Bridgeman Images

Ludwig van Beethoven (1770-1827). 20th century etching by Wilibald Wolf Rudinoff, 1930
Ludwig van Beethoven (1770-1827). 20th century etching by Wilibald Wolf Rudinoff, 1930

EVB2933548: Ludwig van Beethoven (1770-1827). 20th century etching by Wilibald Wolf Rudinoff, 1930 / Bridgeman Images

Georges Bizet (1838-1875), French composer based his famous opera, CARMEN (1875), on a story by the contemporary French author Prosper Merimee
Georges Bizet (1838-1875), French composer based his famous opera, CARMEN (1875), on a story by the contemporary French author Prosper Merimee

EVB2933553: Georges Bizet (1838-1875), French composer based his famous opera, CARMEN (1875), on a story by the contemporary French author Prosper Merimee / Bridgeman Images

Enrico Caruso (1873-1921), dressed in buckskin, for his role as Dick Johnson in GIRL OF THE GOLDEN WEST by Giacomo Puccini. c. 1910
Enrico Caruso (1873-1921), dressed in buckskin, for his role as Dick Johnson in GIRL OF THE GOLDEN WEST by Giacomo Puccini. c. 1910

EVB2933555: Enrico Caruso (1873-1921), dressed in buckskin, for his role as Dick Johnson in GIRL OF THE GOLDEN WEST by Giacomo Puccini. c. 1910 / Bridgeman Images

Enrico Caruso (1873-1921) seated at the piano in his New York apartment. c. 1915
Enrico Caruso (1873-1921) seated at the piano in his New York apartment. c. 1915

EVB2933556: Enrico Caruso (1873-1921) seated at the piano in his New York apartment. c. 1915 / Bridgeman Images

Chinese immigrants, wearing their native clothing, perform with traditional instruments on Iona Island in Hudson Valley north of New York City. 1883
Chinese immigrants, wearing their native clothing, perform with traditional instruments on Iona Island in Hudson Valley north of New York City. 1883

EVB2933570: Chinese immigrants, wearing their native clothing, perform with traditional instruments on Iona Island in Hudson Valley north of New York City. 1883 / Bridgeman Images

Mischa Elman (1891-1967), Ukrainian born violin virtuoso first performed as a child prodigy in 1904 at the age of thirteen. Photo shows the young performer, c. 1915
Mischa Elman (1891-1967), Ukrainian born violin virtuoso first performed as a child prodigy in 1904 at the age of thirteen. Photo shows the young performer, c. 1915

EVB2933582: Mischa Elman (1891-1967), Ukrainian born violin virtuoso first performed as a child prodigy in 1904 at the age of thirteen. Photo shows the young performer, c. 1915 / Bridgeman Images

Alma Gluck, with husband Efrem Zimbalist and their son, and future actor, Efrem Zimbalist Jr. c. 1919
Alma Gluck, with husband Efrem Zimbalist and their son, and future actor, Efrem Zimbalist Jr. c. 1919

EVB2933589: Alma Gluck, with husband Efrem Zimbalist and their son, and future actor, Efrem Zimbalist Jr. c. 1919 / Bridgeman Images

Edward Alexander MacDowell (1861-1908), American composer and pianist, best known for his romantic compositions for piano, including, WOODLAND SKETCHES, NEW ENGLAND IDYLLS, and TO A WILD ROSE
Edward Alexander MacDowell (1861-1908), American composer and pianist, best known for his romantic compositions for piano, including, WOODLAND SKETCHES, NEW ENGLAND IDYLLS, and TO A WILD ROSE

EVB2933605: Edward Alexander MacDowell (1861-1908), American composer and pianist, best known for his romantic compositions for piano, including, WOODLAND SKETCHES, NEW ENGLAND IDYLLS, and TO A WILD ROSE / Bridgeman Images


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