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EVC5971188: The Front Page by Billy Wilder, 1974 / Bridgeman Images
ID: EVC5971188
The Front Page by Billy Wilder, 1974
EVC5971194: FRIENDLY PERSUASION, from left: Gary Cooper, director William Wyler, dorothy McGuire on set, 1956 / Bridgeman Images
ID: EVC5971194
FRIENDLY PERSUASION, from left: Gary Cooper, director William Wyler, dorothy McGuire on set, 1956
EVC5971120: Friday Foster by Arthur Marks, 1975 / Bridgeman Images
ID: EVC5971120
Friday Foster by Arthur Marks, 1975
EVC5971237: FULL CONFESSION, from left, Victor McLaglen, Robert Homans, 1939 / Bridgeman Images
ID: EVC5971237
FULL CONFESSION, from left, Victor McLaglen, Robert Homans, 1939
EVC5970722: Flight from Ashiya by Michael Anderson, 1964 / Bridgeman Images
ID: EVC5970722
Flight from Ashiya by Michael Anderson, 1964
EVC5971273: FULL OF LIFE, Judy Holliday, 1956 / Bridgeman Images
ID: EVC5971273
FULL OF LIFE, Judy Holliday, 1956
EVC5971251: THE FUGITIVE KIND, Anna Magnani, 1959 / Bridgeman Images
ID: EVC5971251
THE FUGITIVE KIND, Anna Magnani, 1959
EVC5970773: FLAMINGO ROAD, Joan Crawford on-set, 1949 / Bridgeman Images
ID: EVC5970773
FLAMINGO ROAD, Joan Crawford on-set, 1949
EVC5970779: Flaming Star by Don Siegel, 1960 / Bridgeman Images
ID: EVC5970779
Flaming Star by Don Siegel, 1960
EVC5971342: Gambit by Ronald Neame, 1966 / Bridgeman Images
ID: EVC5971342
Gambit by Ronald Neame, 1966
EVC5970806: FM by John A. Alonzo, 1978 / Bridgeman Images
ID: EVC5970806
FM by John A. Alonzo, 1978
EVC5971371: THE GARDEN OF ALLAH, Tilly Losch, 1936 / Bridgeman Images
ID: EVC5971371
THE GARDEN OF ALLAH, Tilly Losch, 1936
EVC5971381: GARDEN OF EVIL, from left, Richard Widmark, Gary Cooper, Susan Hayward, Victor Mendoza, 1954 / Bridgeman Images
ID: EVC5971381
GARDEN OF EVIL, from left, Richard Widmark, Gary Cooper, Susan Hayward, Victor Mendoza, 1954
EVC5970881: FOR HEAVEN'S SAKE, Edmund Gwenn, 1950 / Bridgeman Images
ID: EVC5970881
FOR HEAVEN'S SAKE, Edmund Gwenn, 1950
EVC5971396: GALLANT SONS, from left: Jackie Cooper, Bonita Granville, 1940, photo by Clarence Bull / Bridgeman Images
ID: EVC5971396
GALLANT SONS, from left: Jackie Cooper, Bonita Granville, 1940, photo by Clarence Bull
EVC5970911: For Love or Money by Michael Gordon, 1963 / Bridgeman Images
ID: EVC5970911
For Love or Money by Michael Gordon, 1963
EVC5971428: THE GENTLE GUNMAN, John Mills, 1952 / Bridgeman Images
ID: EVC5971428
THE GENTLE GUNMAN, John Mills, 1952
EVC5970914: FOR ME AND MY GAL, from left, Gene Kelly, Judy Garland, 1942 / Bridgeman Images
ID: EVC5970914
FOR ME AND MY GAL, from left, Gene Kelly, Judy Garland, 1942
EVC5971431: THE GENE KRUPA STORY, from left: Susan Kohner, Sal Mineo, 1959 / Bridgeman Images
ID: EVC5971431
THE GENE KRUPA STORY, from left: Susan Kohner, Sal Mineo, 1959
EVC5971414: GENTLEMAN'S AGREEMENT, from left, Ransom Sherman, Celeste Holm, Gregory Peck, 1947 / Bridgeman Images
ID: EVC5971414
GENTLEMAN'S AGREEMENT, from left, Ransom Sherman, Celeste Holm, Gregory Peck, 1947
EVC5971491: THE GHOST AND MR. CHICKEN, Don Knotts, 1966 / Bridgeman Images
ID: EVC5971491
THE GHOST AND MR. CHICKEN, Don Knotts, 1966
TBI5972303: A place to live 57, 2013 (oil on plywood), Burgess, Trevor (b.1960) / Bridgeman Images
ID: TBI5972303
A place to live 57, 2013 (oil on plywood)
Burgess, Trevor (b.1960)
TBI5972312: A place to live L4, 2013 (oil on plywood), Burgess, Trevor (b.1960) / Bridgeman Images
ID: TBI5972312
A place to live L4, 2013 (oil on plywood)
TBI5972324: A place to live 8, 2011 (oil on plywood), Burgess, Trevor (b.1960) / Bridgeman Images
ID: TBI5972324
A place to live 8, 2011 (oil on plywood)
DEN5972196: Flower, 2007 (oil on canvas), Warden, Penny / Bridgeman Images
ID: DEN5972196
Flower, 2007 (oil on canvas)
Warden, Penny
SBS5972396: Chloraka Coastline, 2017 (w/c and ink on Khadi paper), Charalambous, Sophie (b.1973) / Bridgeman Images
ID: SBS5972396
Chloraka Coastline, 2017 (w/c and ink on Khadi paper)
Charalambous, Sophie (b.1973)
MLO5972225: Frederic Rouvillois, Monier, Louis / Bridgeman Images
ID: MLO5972225
Frederic Rouvillois
Monier, Louis
DCL5972331: Glossary of terms no 11, 2018 (pastel and w/c on paper), Clarke, Daniel (b.1971) / Bridgeman Images
ID: DCL5972331
Glossary of terms no 11, 2018 (pastel and w/c on paper)
Clarke, Daniel (b.1971)
DCL5972337: Liberté, 2019 (pastel and w/c on paper), Clarke, Daniel (b.1971) / Bridgeman Images
ID: DCL5972337
Liberté, 2019 (pastel and w/c on paper)
TBI5972382: A place to live 46, 2012 (oil on plywood), Burgess, Trevor (b.1960) / Bridgeman Images
ID: TBI5972382
A place to live 46, 2012 (oil on plywood)
EVC5971913: GO INTO YOUR DANCE, Al Jolson, 1935 / Bridgeman Images
ID: EVC5971913
GO INTO YOUR DANCE, Al Jolson, 1935
SBS5972403: The House on the Hill, 2017 (w/c and ink on Khadi paper), Charalambous, Sophie (b.1973) / Bridgeman Images
ID: SBS5972403
The House on the Hill, 2017 (w/c and ink on Khadi paper)
EVC5970657: FLESH AND FANTASY, Thomas Mitchell, 1943 / Bridgeman Images
ID: EVC5970657
FLESH AND FANTASY, Thomas Mitchell, 1943
EVC5970152: FAT CITY, director John Huston on set, 1972 / Bridgeman Images
ID: EVC5970152
FAT CITY, director John Huston on set, 1972
EVC5970658: FLESH AND FANTASY, Thomas Mitchell, 1943 / Bridgeman Images
ID: EVC5970658
EVC5970167: FAR FROM THE MADDING CROWD, from left, Julie Christie, cinematographer Nicolas Roeg, on location, 1967 / Bridgeman Images
ID: EVC5970167
FAR FROM THE MADDING CROWD, from left, Julie Christie, cinematographer Nicolas Roeg, on location, 1967