1. Home
  2. Search Results

Print Friendly Version Page

Print this page or go back to standard view.

2501741 Search Results

Common ash or ash eleve - European ash tree, Fraxinus excelsior. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Common ash or ash eleve - European ash tree, Fraxinus excelsior. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600385: Common ash or ash eleve - European ash tree, Fraxinus excelsior. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4600385

Common ash or ash eleve - European ash tree, Fraxinus excelsior. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Nenuphar blanc ou grand nenuphar - European white waterlily, Nymphaea alba. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Nenuphar blanc ou grand nenuphar - European white waterlily, Nymphaea alba. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600421: Nenuphar blanc ou grand nenuphar - European white waterlily, Nymphaea alba. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4600421

Nenuphar blanc ou grand nenuphar - European white waterlily, Nymphaea alba. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Shon-ka-ki-he-ga, Horse Chief of the Grand Pawnee Nation 138, and Haw-che-ke-sug-ga, He Who Kills the Osage, aged chief of the Missouries (Missouria or Niuachi) 139. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Shon-ka-ki-he-ga, Horse Chief of the Grand Pawnee Nation 138, and Haw-che-ke-sug-ga, He Who Kills the Osage, aged chief of the Missouries (Missouria or Niuachi) 139. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600582: Shon-ka-ki-he-ga, Horse Chief of the Grand Pawnee Nation 138, and Haw-che-ke-sug-ga, He Who Kills the Osage, aged chief of the Missouries (Missouria or Niuachi) 139. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4600582

Shon-ka-ki-he-ga, Horse Chief of the Grand Pawnee Nation 138, and Haw-che-ke-sug-ga, He Who Kills the Osage, aged chief of the Missouries (Missouria or Niuachi) 139. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Warrior tal-lee of the Osage nation. His head is shaved and adorned with a dyed-red deer hair crest. He carries a lance, quiver and shield, and wears leggings and moccasins fringed with scalps. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Warrior tal-lee of the Osage nation. His head is shaved and adorned with a dyed-red deer hair crest. He carries a lance, quiver and shield, and wears leggings and moccasins fringed with scalps. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600585: Warrior tal-lee of the Osage nation. His head is shaved and adorned with a dyed-red deer hair crest. He carries a lance, quiver and shield, and wears leggings and moccasins fringed with scalps. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4600585

Warrior tal-lee of the Osage nation. His head is shaved and adorned with a dyed-red deer hair crest. He carries a lance, quiver and shield, and wears leggings and moccasins fringed with scalps. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Crow people skinning bison and preparing hides outside a teepee decorated with paintings, porcupine quills and scalps. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Crow people skinning bison and preparing hides outside a teepee decorated with paintings, porcupine quills and scalps. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600620: Crow people skinning bison and preparing hides outside a teepee decorated with paintings, porcupine quills and scalps. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4600620

Crow people skinning bison and preparing hides outside a teepee decorated with paintings, porcupine quills and scalps. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Comanche village on the move: women dismantling teepees and preparing to move encampment by dragging baggage behind horses and dogs. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Comanche village on the move: women dismantling teepees and preparing to move encampment by dragging baggage behind horses and dogs. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600676: Comanche village on the move: women dismantling teepees and preparing to move encampment by dragging baggage behind horses and dogs. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4600676

Comanche village on the move: women dismantling teepees and preparing to move encampment by dragging baggage behind horses and dogs. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Cherokee nation: head chief John Ross 215 of the Georgia Cherokee and woman or squaw 216. Chief Jol-lee 217 and second chief Teh-ke-neh-kee, Blackcoat 218 of the Arkansas Cherokee. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Cherokee nation: head chief John Ross 215 of the Georgia Cherokee and woman or squaw 216. Chief Jol-lee 217 and second chief Teh-ke-neh-kee, Blackcoat 218 of the Arkansas Cherokee. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600825: Cherokee nation: head chief John Ross 215 of the Georgia Cherokee and woman or squaw 216. Chief Jol-lee 217 and second chief Teh-ke-neh-kee, Blackcoat 218 of the Arkansas Cherokee. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4600825

Cherokee nation: head chief John Ross 215 of the Georgia Cherokee and woman or squaw 216. Chief Jol-lee 217 and second chief Teh-ke-neh-kee, Blackcoat 218 of the Arkansas Cherokee. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Chippewa bark canoe a, Sioux dug-out canoe b, Mandan skin canoe c, Sioux snow shoes d, and Chippewa snoe shoes e. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Chippewa bark canoe a, Sioux dug-out canoe b, Mandan skin canoe c, Sioux snow shoes d, and Chippewa snoe shoes e. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600933: Chippewa bark canoe a, Sioux dug-out canoe b, Mandan skin canoe c, Sioux snow shoes d, and Chippewa snoe shoes e. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4600933

Chippewa bark canoe a, Sioux dug-out canoe b, Mandan skin canoe c, Sioux snow shoes d, and Chippewa snoe shoes e. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Central panel of the Polyptych of Revelation: the Vision of Saint John the Evangelist. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390. Gallerie dell'Accademia, Venice
Central panel of the Polyptych of Revelation: the Vision of Saint John the Evangelist. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390. Gallerie dell'Accademia, Venice

LRI4600994: Central panel of the Polyptych of Revelation: the Vision of Saint John the Evangelist. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390. Gallerie dell'Accademia, Venice, Alberegno, Jacopo (d. 1397) / Bridgeman Images

ID: LRI4600994

Central panel of the Polyptych of Revelation: the Vision of Saint John the Evangelist. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390. Gallerie dell'Accademia, Venice

Alberegno, Jacopo (d. 1397)

La Fontaine Stravinski (Stravinsky), Place Stravinsky, Paris 4th arrondissement. Inaugural in March 1983, the fountain in tribute to Igor Stravinsky is composed of aluminum and steel sculptures painted in black and electric motors by Jean Tinguely (1925-1991). The figures of Niki de Saint-Phalle (Saint Phalle) (1930-2002) are made of polyester. View of the “Fire Bird”. Photography 12/04/83.
La Fontaine Stravinski (Stravinsky), Place Stravinsky, Paris 4th arrondissement. Inaugural in March 1983, the fountain in tribute to Igor Stravinsky is composed of aluminum and steel sculptures painted in black and electric motors by Jean Tinguely (1925-1991). The figures of Niki de Saint-Phalle (Saint Phalle) (1930-2002) are made of polyester. View of the “Fire Bird”. Photography 12/04/83.

TEC4601065: La Fontaine Stravinski (Stravinsky), Place Stravinsky, Paris 4th arrondissement. Inaugural in March 1983, the fountain in tribute to Igor Stravinsky is composed of aluminum and steel sculptures painted in black and electric motors by Jean Tinguely (1925-1991). The figures of Niki de Saint-Phalle (Saint Phalle) (1930-2002) are made of polyester. View of the “Fire Bird”. Photography 12/04/83., Tinguely, Jean (1925-1991) & Saint-Phalle, Niki de (1930-2002) / Bridgeman Images

ID: TEC4601065

La Fontaine Stravinski (Stravinsky), Place Stravinsky, Paris 4th arrondissement. Inaugural in March 1983, the fountain in tribute to Igor Stravinsky is composed of aluminum and steel sculptures painted in black and electric motors by Jean Tinguely (1925-1991). The figures of Niki de Saint-Phalle (Saint Phalle) (1930-2002) are made of polyester. View of the “Fire Bird”. Photography 12/04/83.

Tinguely, Jean (1925-1991) & Saint-Phalle, Niki de (1930-2002)

Mandan village with earth domes and spears, and interior of a Mandan dwelling with skylight, fireplace and people resting on mats of rushes. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Mandan village with earth domes and spears, and interior of a Mandan dwelling with skylight, fireplace and people resting on mats of rushes. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601107: Mandan village with earth domes and spears, and interior of a Mandan dwelling with skylight, fireplace and people resting on mats of rushes. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601107

Mandan village with earth domes and spears, and interior of a Mandan dwelling with skylight, fireplace and people resting on mats of rushes. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Kickapoo chief Kee-an-ne-kuk, Foremost Man 185, Ah-ton-we-tuck, Cock Turkey 186, the Prophet. Wea warriors Go-t-kow-pah-a, He Who Stands by Himself 187 and Wa-Pon-je-a, Swan 188. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Kickapoo chief Kee-an-ne-kuk, Foremost Man 185, Ah-ton-we-tuck, Cock Turkey 186, the Prophet. Wea warriors Go-t-kow-pah-a, He Who Stands by Himself 187 and Wa-Pon-je-a, Swan 188. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600729: Kickapoo chief Kee-an-ne-kuk, Foremost Man 185, Ah-ton-we-tuck, Cock Turkey 186, the Prophet. Wea warriors Go-t-kow-pah-a, He Who Stands by Himself 187 and Wa-Pon-je-a, Swan 188. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4600729

Kickapoo chief Kee-an-ne-kuk, Foremost Man 185, Ah-ton-we-tuck, Cock Turkey 186, the Prophet. Wea warriors Go-t-kow-pah-a, He Who Stands by Himself 187 and Wa-Pon-je-a, Swan 188. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Potawatomi warrior in prayer On-Saw-kie, the Sac 189, and chief Na-pow-sa, The Bear Travelling in the Night 190. Kaskasia man in western dress Kee-mon-saw, Little Chief 191 and his aged mother Wah-pe-Seh-see 192. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Potawatomi warrior in prayer On-Saw-kie, the Sac 189, and chief Na-pow-sa, The Bear Travelling in the Night 190. Kaskasia man in western dress Kee-mon-saw, Little Chief 191 and his aged mother Wah-pe-Seh-see 192. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600738: Potawatomi warrior in prayer On-Saw-kie, the Sac 189, and chief Na-pow-sa, The Bear Travelling in the Night 190. Kaskasia man in western dress Kee-mon-saw, Little Chief 191 and his aged mother Wah-pe-Seh-see 192. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4600738

Potawatomi warrior in prayer On-Saw-kie, the Sac 189, and chief Na-pow-sa, The Bear Travelling in the Night 190. Kaskasia man in western dress Kee-mon-saw, Little Chief 191 and his aged mother Wah-pe-Seh-see 192. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Iroquois warrior Not-o-way, the Thinker, with blanket and tomahawk. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Iroquois warrior Not-o-way, the Thinker, with blanket and tomahawk. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600766: Iroquois warrior Not-o-way, the Thinker, with blanket and tomahawk. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4600766

Iroquois warrior Not-o-way, the Thinker, with blanket and tomahawk. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Meskwaki warriors Muk-a-tah-mish-o-kah-kaik, Black Hawk 283, his son NAH-se-US-kuk, Whirling Thunder 284, Wah-pe-kee-suck, White Cloud or the Prophet 285, and Wee-sheet, Sturgeon's Head 286. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Meskwaki warriors Muk-a-tah-mish-o-kah-kaik, Black Hawk 283, his son NAH-se-US-kuk, Whirling Thunder 284, Wah-pe-kee-suck, White Cloud or the Prophet 285, and Wee-sheet, Sturgeon's Head 286. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601039: Meskwaki warriors Muk-a-tah-mish-o-kah-kaik, Black Hawk 283, his son NAH-se-US-kuk, Whirling Thunder 284, Wah-pe-kee-suck, White Cloud or the Prophet 285, and Wee-sheet, Sturgeon's Head 286. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601039

Meskwaki warriors Muk-a-tah-mish-o-kah-kaik, Black Hawk 283, his son NAH-se-US-kuk, Whirling Thunder 284, Wah-pe-kee-suck, White Cloud or the Prophet 285, and Wee-sheet, Sturgeon's Head 286. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Vallombrosa Altarpiece: st John Baptist and st Bernard degli Uberti, side panels. (oil on panel, 1528)
Vallombrosa Altarpiece: st John Baptist and st Bernard degli Uberti, side panels. (oil on panel, 1528)

LRI4601069: Vallombrosa Altarpiece: st John Baptist and st Bernard degli Uberti, side panels. (oil on panel, 1528), Sarto, Andrea del (1486-1530) / Bridgeman Images

ID: LRI4601069

Vallombrosa Altarpiece: st John Baptist and st Bernard degli Uberti, side panels. (oil on panel, 1528)

Sarto, Andrea del (1486-1530)

History of Joseph, son of Jacob: “” Joseph interpreting his father's dreams”” Painting on wood by Andrea del Sarto (1486-1530) 1515-1517 Dim. 98x135 cm Florence, Palazzo Pitti, Galleria Palatina
History of Joseph, son of Jacob: “” Joseph interpreting his father's dreams”” Painting on wood by Andrea del Sarto (1486-1530) 1515-1517 Dim. 98x135 cm Florence, Palazzo Pitti, Galleria Palatina

LRI4601094: History of Joseph, son of Jacob: “” Joseph interpreting his father's dreams”” Painting on wood by Andrea del Sarto (1486-1530) 1515-1517 Dim. 98x135 cm Florence, Palazzo Pitti, Galleria Palatina, Sarto, Andrea del (1486-1530) / Bridgeman Images

ID: LRI4601094

History of Joseph, son of Jacob: “” Joseph interpreting his father's dreams”” Painting on wood by Andrea del Sarto (1486-1530) 1515-1517 Dim. 98x135 cm Florence, Palazzo Pitti, Galleria Palatina

Sarto, Andrea del (1486-1530)

Meskwaki braves performing the Discovery Dance. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Meskwaki braves performing the Discovery Dance. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601101: Meskwaki braves performing the Discovery Dance. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601101

Meskwaki braves performing the Discovery Dance. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Meskwaki men performing the Dance to the Medicine of the Brave. Bag warriors dancing with scalps of their enemy in front of the teepee of a fallen warrior's widow. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Meskwaki men performing the Dance to the Medicine of the Brave. Bag warriors dancing with scalps of their enemy in front of the teepee of a fallen warrior's widow. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601113: Meskwaki men performing the Dance to the Medicine of the Brave. Bag warriors dancing with scalps of their enemy in front of the teepee of a fallen warrior's widow. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601113

Meskwaki men performing the Dance to the Medicine of the Brave. Bag warriors dancing with scalps of their enemy in front of the teepee of a fallen warrior's widow. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Jamie Steele (Jason Dean (JD)) and Carrie Hope Fletcher (Veronica Sawyer) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)
Jamie Steele (Jason Dean (JD)) and Carrie Hope Fletcher (Veronica Sawyer) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)

KNT4597819: Jamie Steele (Jason Dean (JD)) and Carrie Hope Fletcher (Veronica Sawyer) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597819

Jamie Steele (Jason Dean (JD)) and Carrie Hope Fletcher (Veronica Sawyer) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)

Kenton, Tristam

Roberto Vega, Joshua Thake and Kevin Garcia in La Trovatiara Pas De Cinq by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)
Roberto Vega, Joshua Thake and Kevin Garcia in La Trovatiara Pas De Cinq by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)

KNT4597843: Roberto Vega, Joshua Thake and Kevin Garcia in La Trovatiara Pas De Cinq by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597843

Roberto Vega, Joshua Thake and Kevin Garcia in La Trovatiara Pas De Cinq by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)

Kenton, Tristam

Allison Cook (Salome), right, in Salome by Richard Strauss at London Coliseum, September 2018 (photo)
Allison Cook (Salome), right, in Salome by Richard Strauss at London Coliseum, September 2018 (photo)

KNT4597928: Allison Cook (Salome), right, in Salome by Richard Strauss at London Coliseum, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597928

Allison Cook (Salome), right, in Salome by Richard Strauss at London Coliseum, September 2018 (photo)

Kenton, Tristam

Eurasian blackcap pair, Sylvia atricapilla, female in nest and male bringing food, and common whitethroat. Handcoloured engraving on steel by Pardinel after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Eurasian blackcap pair, Sylvia atricapilla, female in nest and male bringing food, and common whitethroat. Handcoloured engraving on steel by Pardinel after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4597977: Eurasian blackcap pair, Sylvia atricapilla, female in nest and male bringing food, and common whitethroat. Handcoloured engraving on steel by Pardinel after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4597977

Eurasian blackcap pair, Sylvia atricapilla, female in nest and male bringing food, and common whitethroat. Handcoloured engraving on steel by Pardinel after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Matador preparing to stab a bull with two banderillas in the bullring. Chromolithograph by E. Casanova after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894.
Matador preparing to stab a bull with two banderillas in the bullring. Chromolithograph by E. Casanova after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894.

FLO4598118: Matador preparing to stab a bull with two banderillas in the bullring. Chromolithograph by E. Casanova after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894. / Bridgeman Images

ID: FLO4598118

Matador preparing to stab a bull with two banderillas in the bullring. Chromolithograph by E. Casanova after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894.

Matador making a pass with the muleta (cape) and sword. Chromolithograph by L. Gomez after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894.
Matador making a pass with the muleta (cape) and sword. Chromolithograph by L. Gomez after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894.

FLO4598138: Matador making a pass with the muleta (cape) and sword. Chromolithograph by L. Gomez after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894. / Bridgeman Images

ID: FLO4598138

Matador making a pass with the muleta (cape) and sword. Chromolithograph by L. Gomez after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894.

The common slag (Polygala vulgaris). Medicinal plant, description of two varieties, the most common, with root, stem, leaf and flowers, blue for one, pale pink for the other. Details of flowers and fruits. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.
The common slag (Polygala vulgaris). Medicinal plant, description of two varieties, the most common, with root, stem, leaf and flowers, blue for one, pale pink for the other. Details of flowers and fruits. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.

FLO4598289: The common slag (Polygala vulgaris). Medicinal plant, description of two varieties, the most common, with root, stem, leaf and flowers, blue for one, pale pink for the other. Details of flowers and fruits. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist. / Bridgeman Images

ID: FLO4598289

The common slag (Polygala vulgaris). Medicinal plant, description of two varieties, the most common, with root, stem, leaf and flowers, blue for one, pale pink for the other. Details of flowers and fruits. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.

Carrie Hope Fletcher (Veronica Sawyer) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)
Carrie Hope Fletcher (Veronica Sawyer) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)

KNT4597791: Carrie Hope Fletcher (Veronica Sawyer) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597791

Carrie Hope Fletcher (Veronica Sawyer) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)

Kenton, Tristam

Black or American scoter, Melanitta americana, Eurasian teal, Anas crecca, wandering albatross, Diomedea exulans, and Cape petrel, Daption capense. Handcoloured engraving on steel by Pardinel after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Black or American scoter, Melanitta americana, Eurasian teal, Anas crecca, wandering albatross, Diomedea exulans, and Cape petrel, Daption capense. Handcoloured engraving on steel by Pardinel after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4597795: Black or American scoter, Melanitta americana, Eurasian teal, Anas crecca, wandering albatross, Diomedea exulans, and Cape petrel, Daption capense. Handcoloured engraving on steel by Pardinel after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4597795

Black or American scoter, Melanitta americana, Eurasian teal, Anas crecca, wandering albatross, Diomedea exulans, and Cape petrel, Daption capense. Handcoloured engraving on steel by Pardinel after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo)
Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo)

KNT4597821: Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597821

Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo)

Kenton, Tristam

Bull, cow and calf, Bos taurus. Handcoloured engraving on steel by Bruneliere after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Bull, cow and calf, Bos taurus. Handcoloured engraving on steel by Bruneliere after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4597845: Bull, cow and calf, Bos taurus. Handcoloured engraving on steel by Bruneliere after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4597845

Bull, cow and calf, Bos taurus. Handcoloured engraving on steel by Bruneliere after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Finty Williams (Barbara Jackson) and Tracy-Ann Oberman (Helen Kroger) in Pack Of Lies by Hugh Whitemore at Menier Chocolate Factory, 2018 (photo)
Finty Williams (Barbara Jackson) and Tracy-Ann Oberman (Helen Kroger) in Pack Of Lies by Hugh Whitemore at Menier Chocolate Factory, 2018 (photo)

KNT4597880: Finty Williams (Barbara Jackson) and Tracy-Ann Oberman (Helen Kroger) in Pack Of Lies by Hugh Whitemore at Menier Chocolate Factory, 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597880

Finty Williams (Barbara Jackson) and Tracy-Ann Oberman (Helen Kroger) in Pack Of Lies by Hugh Whitemore at Menier Chocolate Factory, 2018 (photo)

Kenton, Tristam

Lesley Sharp in The Woods by Robert Alan Evans at Royal Court, Jerwood Theatre Upstairs, September 2018 (photo)
Lesley Sharp in The Woods by Robert Alan Evans at Royal Court, Jerwood Theatre Upstairs, September 2018 (photo)

KNT4597945: Lesley Sharp in The Woods by Robert Alan Evans at Royal Court, Jerwood Theatre Upstairs, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597945

Lesley Sharp in The Woods by Robert Alan Evans at Royal Court, Jerwood Theatre Upstairs, September 2018 (photo)

Kenton, Tristam

Tom Mothersdale and Lesley Sharp in The Woods by Robert Alan Evans at Royal Court, Jerwood Theatre Upstairs, September 2018 (photo)
Tom Mothersdale and Lesley Sharp in The Woods by Robert Alan Evans at Royal Court, Jerwood Theatre Upstairs, September 2018 (photo)

KNT4597960: Tom Mothersdale and Lesley Sharp in The Woods by Robert Alan Evans at Royal Court, Jerwood Theatre Upstairs, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597960

Tom Mothersdale and Lesley Sharp in The Woods by Robert Alan Evans at Royal Court, Jerwood Theatre Upstairs, September 2018 (photo)

Kenton, Tristam

Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4598031: Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4598031

Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

La Sabine, the Savinier Juniperus fabina. Venenous plant, description of a male (centre) and female (left) branch, with details of fruit at different stages of maturity. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.
La Sabine, the Savinier Juniperus fabina. Venenous plant, description of a male (centre) and female (left) branch, with details of fruit at different stages of maturity. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.

FLO4598229: La Sabine, the Savinier Juniperus fabina. Venenous plant, description of a male (centre) and female (left) branch, with details of fruit at different stages of maturity. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist. / Bridgeman Images

ID: FLO4598229

La Sabine, the Savinier Juniperus fabina. Venenous plant, description of a male (centre) and female (left) branch, with details of fruit at different stages of maturity. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.

Alice Franziska in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)
Alice Franziska in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)

KNT4597763: Alice Franziska in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597763

Alice Franziska in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)

Kenton, Tristam


Back to top

Bridgeman Images • 17-19 Garway Road • London W2 4PH • United Kingdom • +44 (0)20 7727 4065

All contents © 1972-2015 Bridgeman Art Library Limited, All rights reserved.