1. Home
  2. Search Results

Print Friendly Version Page

Print this page or go back to standard view.

2501741 Search Results

Tomyris the queen who reigned over the Massagetae (Fresco, 15th century)
Tomyris the queen who reigned over the Massagetae (Fresco, 15th century)

LRI4570387: Tomyris the queen who reigned over the Massagetae (Fresco, 15th century), Castagno, Andrea del (1410-57) / Bridgeman Images

ID: LRI4570387

Tomyris the queen who reigned over the Massagetae (Fresco, 15th century)

Castagno, Andrea del (1410-57)

Virgin and Child with Two Angels, Saint John the Baptist and another saint, and two children of the Pazzi family Detail representing one of the Pazzi sons (Virgin with child with saint John Baptist and another saint, two angels, and two children of the Pazzi family) Detail of one of the little Pazzi boy - Fresco by Andrea del Castagno (1421-1457) Florence, Palazzo Pitti
Virgin and Child with Two Angels, Saint John the Baptist and another saint, and two children of the Pazzi family Detail representing one of the Pazzi sons (Virgin with child with saint John Baptist and another saint, two angels, and two children of the Pazzi family) Detail of one of the little Pazzi boy - Fresco by Andrea del Castagno (1421-1457) Florence, Palazzo Pitti

LRI4570392: Virgin and Child with Two Angels, Saint John the Baptist and another saint, and two children of the Pazzi family Detail representing one of the Pazzi sons (Virgin with child with saint John Baptist and another saint, two angels, and two children of the Pazzi family) Detail of one of the little Pazzi boy - Fresco by Andrea del Castagno (1421-1457) Florence, Palazzo Pitti, Castagno, Andrea del (1410-57) / Bridgeman Images

ID: LRI4570392

Virgin and Child with Two Angels, Saint John the Baptist and another saint, and two children of the Pazzi family Detail representing one of the Pazzi sons (Virgin with child with saint John Baptist and another saint, two angels, and two children of the Pazzi family) Detail of one of the little Pazzi boy - Fresco by Andrea del Castagno (1421-1457) Florence, Palazzo Pitti

Castagno, Andrea del (1410-57)

Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570412: Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570412

Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

The disputation of the Holy Trinity, with St Peter, St Lawrence, St Augustine of Hippo, St Francis, St Sebastian, St Mary Magdalene (Painting, c.1517)
The disputation of the Holy Trinity, with St Peter, St Lawrence, St Augustine of Hippo, St Francis, St Sebastian, St Mary Magdalene (Painting, c.1517)

LRI4570458: The disputation of the Holy Trinity, with St Peter, St Lawrence, St Augustine of Hippo, St Francis, St Sebastian, St Mary Magdalene (Painting, c.1517), Sarto, Andrea del (1486-1530) / Bridgeman Images

ID: LRI4570458

The disputation of the Holy Trinity, with St Peter, St Lawrence, St Augustine of Hippo, St Francis, St Sebastian, St Mary Magdalene (Painting, c.1517)

Sarto, Andrea del (1486-1530)

Heavenly or sacred bamboo, Nandina domestica, native to China and Japan. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Heavenly or sacred bamboo, Nandina domestica, native to China and Japan. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570063: Heavenly or sacred bamboo, Nandina domestica, native to China and Japan. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4570063

Heavenly or sacred bamboo, Nandina domestica, native to China and Japan. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Little gem daffodil, Narcissus minor, native to France and Spain. Handcoloured stipple engraving on copper by Pater Guyard from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Little gem daffodil, Narcissus minor, native to France and Spain. Handcoloured stipple engraving on copper by Pater Guyard from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570104: Little gem daffodil, Narcissus minor, native to France and Spain. Handcoloured stipple engraving on copper by Pater Guyard from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4570104

Little gem daffodil, Narcissus minor, native to France and Spain. Handcoloured stipple engraving on copper by Pater Guyard from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

King Charles VI of France, Bien-Aime, 1368-1422. On horseback in suit of armour with coat of arms before a madonna and child. Handcoloured lithograph by Leopold Massard after a fresco in the Carmelite cloisters in Toulouse from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
King Charles VI of France, Bien-Aime, 1368-1422. On horseback in suit of armour with coat of arms before a madonna and child. Handcoloured lithograph by Leopold Massard after a fresco in the Carmelite cloisters in Toulouse from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570183: King Charles VI of France, Bien-Aime, 1368-1422. On horseback in suit of armour with coat of arms before a madonna and child. Handcoloured lithograph by Leopold Massard after a fresco in the Carmelite cloisters in Toulouse from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570183

King Charles VI of France, Bien-Aime, 1368-1422. On horseback in suit of armour with coat of arms before a madonna and child. Handcoloured lithograph by Leopold Massard after a fresco in the Carmelite cloisters in Toulouse from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Charles de Montaigu, Lord of Marcoussy, brother to Jean de Montaigu, killed at the Battle of Agincourt 1415. He wears a bourrelet or beret, tunic with angel sleeves and hose. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 6 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Charles de Montaigu, Lord of Marcoussy, brother to Jean de Montaigu, killed at the Battle of Agincourt 1415. He wears a bourrelet or beret, tunic with angel sleeves and hose. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 6 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570235: Charles de Montaigu, Lord of Marcoussy, brother to Jean de Montaigu, killed at the Battle of Agincourt 1415. He wears a bourrelet or beret, tunic with angel sleeves and hose. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 6 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570235

Charles de Montaigu, Lord of Marcoussy, brother to Jean de Montaigu, killed at the Battle of Agincourt 1415. He wears a bourrelet or beret, tunic with angel sleeves and hose. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 6 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Knights of the Order of the Golden Shield, knights of the order of the ecu d'or, founded by Louis II Duke of Bourbon in 1369. The ceremonial robes have gold shields on the chest. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript book of Hommages du Comte de Clermont from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Knights of the Order of the Golden Shield, knights of the order of the ecu d'or, founded by Louis II Duke of Bourbon in 1369. The ceremonial robes have gold shields on the chest. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript book of Hommages du Comte de Clermont from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570289: Knights of the Order of the Golden Shield, knights of the order of the ecu d'or, founded by Louis II Duke of Bourbon in 1369. The ceremonial robes have gold shields on the chest. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript book of Hommages du Comte de Clermont from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570289

Knights of the Order of the Golden Shield, knights of the order of the ecu d'or, founded by Louis II Duke of Bourbon in 1369. The ceremonial robes have gold shields on the chest. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript book of Hommages du Comte de Clermont from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570322: Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570322

Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Mary of Anjou, queen of France, wife to King Charles VII, Marie d'Anjou 1404-1463. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VI 15 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Mary of Anjou, queen of France, wife to King Charles VII, Marie d'Anjou 1404-1463. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VI 15 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570363: Mary of Anjou, queen of France, wife to King Charles VII, Marie d'Anjou 1404-1463. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VI 15 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570363

Mary of Anjou, queen of France, wife to King Charles VII, Marie d'Anjou 1404-1463. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VI 15 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Pierre des Essarts, advisor to King Charles VII of France, d. 1430. He wears a tunic with his coat of arms over a suit of armour. Handcoloured lithograph by Leopold Massard after a tomb in the church of the Mathurins in Roger de Gaignieres' portfolio V 74 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Pierre des Essarts, advisor to King Charles VII of France, d. 1430. He wears a tunic with his coat of arms over a suit of armour. Handcoloured lithograph by Leopold Massard after a tomb in the church of the Mathurins in Roger de Gaignieres' portfolio V 74 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570448: Pierre des Essarts, advisor to King Charles VII of France, d. 1430. He wears a tunic with his coat of arms over a suit of armour. Handcoloured lithograph by Leopold Massard after a tomb in the church of the Mathurins in Roger de Gaignieres' portfolio V 74 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570448

Pierre des Essarts, advisor to King Charles VII of France, d. 1430. He wears a tunic with his coat of arms over a suit of armour. Handcoloured lithograph by Leopold Massard after a tomb in the church of the Mathurins in Roger de Gaignieres' portfolio V 74 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Life of John the baptist (wood painting)
Life of John the baptist (wood painting)

LRI4570497: Life of John the baptist (wood painting) / Bridgeman Images

ID: LRI4570497

Life of John the baptist (wood painting)

french king Louis XI wearing Saint Michel order suit, 19th century (litho)
french king Louis XI wearing Saint Michel order suit, 19th century (litho)

FLO4570601: french king Louis XI wearing Saint Michel order suit, 19th century (litho), Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570601

french king Louis XI wearing Saint Michel order suit, 19th century (litho)

Massard, Leopold (1812-1889)

Charles the Bold, Duke of Burgundy, Charles the Temereire, Duke of Burgundy 1433-1477. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio Maisons etrangeres XI 35 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Charles the Bold, Duke of Burgundy, Charles the Temereire, Duke of Burgundy 1433-1477. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio Maisons etrangeres XI 35 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570623: Charles the Bold, Duke of Burgundy, Charles the Temereire, Duke of Burgundy 1433-1477. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio Maisons etrangeres XI 35 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570623

Charles the Bold, Duke of Burgundy, Charles the Temereire, Duke of Burgundy 1433-1477. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio Maisons etrangeres XI 35 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Virgin and Child surrounded by St. Dominica, St. John the Baptist, St. Thomas Aquinas and St. Peter martyr. (St. Peter of Verona Triptych, tempera on panel, 1428)
Virgin and Child surrounded by St. Dominica, St. John the Baptist, St. Thomas Aquinas and St. Peter martyr. (St. Peter of Verona Triptych, tempera on panel, 1428)

LRI4570641: Virgin and Child surrounded by St. Dominica, St. John the Baptist, St. Thomas Aquinas and St. Peter martyr. (St. Peter of Verona Triptych, tempera on panel, 1428), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

ID: LRI4570641

Virgin and Child surrounded by St. Dominica, St. John the Baptist, St. Thomas Aquinas and St. Peter martyr. (St. Peter of Verona Triptych, tempera on panel, 1428)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Jean Juvenal des Ursins, Archbishop of Reims, 1388-1473. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript Histoire de Charles VI in Roger de Gaignieres' portfolio VII 29 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Jean Juvenal des Ursins, Archbishop of Reims, 1388-1473. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript Histoire de Charles VI in Roger de Gaignieres' portfolio VII 29 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570649: Jean Juvenal des Ursins, Archbishop of Reims, 1388-1473. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript Histoire de Charles VI in Roger de Gaignieres' portfolio VII 29 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570649

Jean Juvenal des Ursins, Archbishop of Reims, 1388-1473. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript Histoire de Charles VI in Roger de Gaignieres' portfolio VII 29 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Anne d'Alencon, Lady of La Guerche, Marquise de Montserrat 1492-1562. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Anne d'Alencon, Lady of La Guerche, Marquise de Montserrat 1492-1562. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570901: Anne d'Alencon, Lady of La Guerche, Marquise de Montserrat 1492-1562. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4570901

Anne d'Alencon, Lady of La Guerche, Marquise de Montserrat 1492-1562. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Charles II of Amboise, Lord of Chaumont, Governor of Milan 1473-1511. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VII 95 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Charles II of Amboise, Lord of Chaumont, Governor of Milan 1473-1511. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VII 95 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570913: Charles II of Amboise, Lord of Chaumont, Governor of Milan 1473-1511. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VII 95 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570913

Charles II of Amboise, Lord of Chaumont, Governor of Milan 1473-1511. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VII 95 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Jeanne de Montagu, wife of Jacques de Bourbon, Baron de Thuri, d. 1420. She wears a bourrelet or beret, an ermine surcot, and skirt decorated with her coat of arms. Handcoloured lithograph after a stainless-glass window in the church of the Celestines at Marcoussis in Roger de Gaignieres' portfolio VI 28 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Jeanne de Montagu, wife of Jacques de Bourbon, Baron de Thuri, d. 1420. She wears a bourrelet or beret, an ermine surcot, and skirt decorated with her coat of arms. Handcoloured lithograph after a stainless-glass window in the church of the Celestines at Marcoussis in Roger de Gaignieres' portfolio VI 28 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570487: Jeanne de Montagu, wife of Jacques de Bourbon, Baron de Thuri, d. 1420. She wears a bourrelet or beret, an ermine surcot, and skirt decorated with her coat of arms. Handcoloured lithograph after a stainless-glass window in the church of the Celestines at Marcoussis in Roger de Gaignieres' portfolio VI 28 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570487

Jeanne de Montagu, wife of Jacques de Bourbon, Baron de Thuri, d. 1420. She wears a bourrelet or beret, an ermine surcot, and skirt decorated with her coat of arms. Handcoloured lithograph after a stainless-glass window in the church of the Celestines at Marcoussis in Roger de Gaignieres' portfolio VI 28 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Margaret of Scotland, first wife of King Louis XI of France, Margaret Stewart, Dauphine of France 1424-1445. Margarita of Scotland, first wife of Louis XI. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VI 142 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Margaret of Scotland, first wife of King Louis XI of France, Margaret Stewart, Dauphine of France 1424-1445. Margarita of Scotland, first wife of Louis XI. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VI 142 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570556: Margaret of Scotland, first wife of King Louis XI of France, Margaret Stewart, Dauphine of France 1424-1445. Margarita of Scotland, first wife of Louis XI. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VI 142 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570556

Margaret of Scotland, first wife of King Louis XI of France, Margaret Stewart, Dauphine of France 1424-1445. Margarita of Scotland, first wife of Louis XI. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VI 142 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Anne, Duchess of Brittany, Queen of France, 1477-1514. Anne of Brittany, Queen of France. In mourning clothes with pet dog and parakeet in a birdcage. Handcoloured lithograph by Georges Lafosse after a miniature by Jean Marot in Bernard de Montfaucon's collection IV VIII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Anne, Duchess of Brittany, Queen of France, 1477-1514. Anne of Brittany, Queen of France. In mourning clothes with pet dog and parakeet in a birdcage. Handcoloured lithograph by Georges Lafosse after a miniature by Jean Marot in Bernard de Montfaucon's collection IV VIII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570815: Anne, Duchess of Brittany, Queen of France, 1477-1514. Anne of Brittany, Queen of France. In mourning clothes with pet dog and parakeet in a birdcage. Handcoloured lithograph by Georges Lafosse after a miniature by Jean Marot in Bernard de Montfaucon's collection IV VIII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4570815

Anne, Duchess of Brittany, Queen of France, 1477-1514. Anne of Brittany, Queen of France. In mourning clothes with pet dog and parakeet in a birdcage. Handcoloured lithograph by Georges Lafosse after a miniature by Jean Marot in Bernard de Montfaucon's collection IV VIII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Holiday breakfast (painting)
Holiday breakfast (painting)

JLJ4570984: Holiday breakfast (painting), Collomb, Paul (b.1921) / Bridgeman Images

ID: JLJ4570984

Holiday breakfast (painting)

Collomb, Paul (b.1921)

Sheet music page for Salve Regina by Domenico Scarlatti
Sheet music page for Salve Regina by Domenico Scarlatti

LRI4568428: Sheet music page for Salve Regina by Domenico Scarlatti, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4568428

Sheet music page for Salve Regina by Domenico Scarlatti

Unknown artist, (18th century)

Frontispiece of musical score of Unfinished symphony by Franz Schubert
Frontispiece of musical score of Unfinished symphony by Franz Schubert

LRI4568447: Frontispiece of musical score of Unfinished symphony by Franz Schubert, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4568447

Frontispiece of musical score of Unfinished symphony by Franz Schubert

Unknown Artist, (19th century)

Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568522: Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568522

Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Frontispiece of Mechanica Hydraulico Pneumatica by Gaspar Schott, 1657
Frontispiece of Mechanica Hydraulico Pneumatica by Gaspar Schott, 1657

LRI4568527: Frontispiece of Mechanica Hydraulico Pneumatica by Gaspar Schott, 1657, Unknown Artist, (17th century) / Bridgeman Images

ID: LRI4568527

Frontispiece of Mechanica Hydraulico Pneumatica by Gaspar Schott, 1657

Unknown Artist, (17th century)

Page of musical score of the overture of Alruna by Louis Spohr, 1823
Page of musical score of the overture of Alruna by Louis Spohr, 1823

LRI4568582: Page of musical score of the overture of Alruna by Louis Spohr, 1823, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4568582

Page of musical score of the overture of Alruna by Louis Spohr, 1823

Unknown Artist, (19th century)

Page of musical score for the first violin of the opera Jessonda by Louis Spohr
Page of musical score for the first violin of the opera Jessonda by Louis Spohr

LRI4568597: Page of musical score for the first violin of the opera Jessonda by Louis Spohr / Bridgeman Images

ID: LRI4568597

Page of musical score for the first violin of the opera Jessonda by Louis Spohr

Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.
Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.

FLO4568609: Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785. / Bridgeman Images

ID: FLO4568609

Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.

Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777.
Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777.

FLO4568807: Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777. / Bridgeman Images

ID: FLO4568807

Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777.

Catherine de Vendome, wife of Jean d'Estrees, grand master of the French artillery, d.1567. Handcoloured lithograph after a miniature in a prayer book in Roger de Gaignieres' portfolio VIII 25 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Catherine de Vendome, wife of Jean d'Estrees, grand master of the French artillery, d.1567. Handcoloured lithograph after a miniature in a prayer book in Roger de Gaignieres' portfolio VIII 25 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571054: Catherine de Vendome, wife of Jean d'Estrees, grand master of the French artillery, d.1567. Handcoloured lithograph after a miniature in a prayer book in Roger de Gaignieres' portfolio VIII 25 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4571054

Catherine de Vendome, wife of Jean d'Estrees, grand master of the French artillery, d.1567. Handcoloured lithograph after a miniature in a prayer book in Roger de Gaignieres' portfolio VIII 25 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Bonaventure Desperiers, French writer, poet and painter, d. 1544. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Bonaventure Desperiers, French writer, poet and painter, d. 1544. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571142: Bonaventure Desperiers, French writer, poet and painter, d. 1544. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4571142

Bonaventure Desperiers, French writer, poet and painter, d. 1544. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Alderman of Paris, Echevin de Paris, reign of King Francis I. The livery features the coat of arms of Paris on the sleeve. Handcoloured lithograph after a contemporary woodblock from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Alderman of Paris, Echevin de Paris, reign of King Francis I. The livery features the coat of arms of Paris on the sleeve. Handcoloured lithograph after a contemporary woodblock from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571184: Alderman of Paris, Echevin de Paris, reign of King Francis I. The livery features the coat of arms of Paris on the sleeve. Handcoloured lithograph after a contemporary woodblock from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4571184

Alderman of Paris, Echevin de Paris, reign of King Francis I. The livery features the coat of arms of Paris on the sleeve. Handcoloured lithograph after a contemporary woodblock from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Claude de Lorraine, first Duke of Guise. Illustration drawn and lithographed by Leopold Massard after a portrait in Roger de Gaignieres' gallery portfolio VIII 102 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Claude de Lorraine, first Duke of Guise. Illustration drawn and lithographed by Leopold Massard after a portrait in Roger de Gaignieres' gallery portfolio VIII 102 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571250: Claude de Lorraine, first Duke of Guise. Illustration drawn and lithographed by Leopold Massard after a portrait in Roger de Gaignieres' gallery portfolio VIII 102 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4571250

Claude de Lorraine, first Duke of Guise. Illustration drawn and lithographed by Leopold Massard after a portrait in Roger de Gaignieres' gallery portfolio VIII 102 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

King Charles IX of France. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 9 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
King Charles IX of France. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 9 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571300: King Charles IX of France. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 9 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4571300

King Charles IX of France. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 9 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.


Back to top

Bridgeman Images • 17-19 Garway Road • London W2 4PH • United Kingdom • +44 (0)20 7727 4065

All contents © 1972-2015 Bridgeman Art Library Limited, All rights reserved.