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The raising of the siege of Mahdia (Tunisia) and the departure of the French and English knights for Europe, in 1390 - Lithography after the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The raising of the siege of the strong town of Africa (Mahdia, Tunisia) and the return of the European ights, 1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The raising of the siege of Mahdia (Tunisia) and the departure of the French and English knights for Europe, in 1390 - Lithography after the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The raising of the siege of the strong town of Africa (Mahdia, Tunisia) and the return of the European ights, 1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630380: The raising of the siege of Mahdia (Tunisia) and the departure of the French and English knights for Europe, in 1390 - Lithography after the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The raising of the siege of the strong town of Africa (Mahdia, Tunisia) and the return of the European ights, 1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630380

The raising of the siege of Mahdia (Tunisia) and the departure of the French and English knights for Europe, in 1390 - Lithography after the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The raising of the siege of the strong town of Africa (Mahdia, Tunisia) and the return of the European ights, 1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Hundred Years War (1337-1453): the resumption and surrender of the castle of Ventadour (Correze), held by the Breton mercenary Geoffroy Tete Noir (died 1388), on behalf of the English - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The retaking and surrender of the strong castle of Montadour, 14th century - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Hundred Years War (1337-1453): the resumption and surrender of the castle of Ventadour (Correze), held by the Breton mercenary Geoffroy Tete Noir (died 1388), on behalf of the English - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The retaking and surrender of the strong castle of Montadour, 14th century - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630405: Hundred Years War (1337-1453): the resumption and surrender of the castle of Ventadour (Correze), held by the Breton mercenary Geoffroy Tete Noir (died 1388), on behalf of the English - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The retaking and surrender of the strong castle of Montadour, 14th century - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630405

Hundred Years War (1337-1453): the resumption and surrender of the castle of Ventadour (Correze), held by the Breton mercenary Geoffroy Tete Noir (died 1388), on behalf of the English - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The retaking and surrender of the strong castle of Montadour, 14th century - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The author Jean de Froissart presents his book of love poems to King Richard II of England (1367-1400), in 1395 - Lithography after the manuscript enluminated by John (Jehan) Froissart (1337-1404), 1868 - Sir John Froissart, presenting his book of Love Poems to King Richard liII, 1395 - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The author Jean de Froissart presents his book of love poems to King Richard II of England (1367-1400), in 1395 - Lithography after the manuscript enluminated by John (Jehan) Froissart (1337-1404), 1868 - Sir John Froissart, presenting his book of Love Poems to King Richard liII, 1395 - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630514: The author Jean de Froissart presents his book of love poems to King Richard II of England (1367-1400), in 1395 - Lithography after the manuscript enluminated by John (Jehan) Froissart (1337-1404), 1868 - Sir John Froissart, presenting his book of Love Poems to King Richard liII, 1395 - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630514

The author Jean de Froissart presents his book of love poems to King Richard II of England (1367-1400), in 1395 - Lithography after the manuscript enluminated by John (Jehan) Froissart (1337-1404), 1868 - Sir John Froissart, presenting his book of Love Poems to King Richard liII, 1395 - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630559: The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630559

The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The Debarking of Marguerite de Courcy (?) , Lady of Company of Queen Isabelle of France (Isabelle de Valois) (1389-1409), in Boulogne, returning from England in 1399, with news of the arrest of Richard II (1367-1400) - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The landing of Margaret, Lady de Courcy, at Boulogne on her return from England in 1399 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The Debarking of Marguerite de Courcy (?) , Lady of Company of Queen Isabelle of France (Isabelle de Valois) (1389-1409), in Boulogne, returning from England in 1399, with news of the arrest of Richard II (1367-1400) - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The landing of Margaret, Lady de Courcy, at Boulogne on her return from England in 1399 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630589: The Debarking of Marguerite de Courcy (?) , Lady of Company of Queen Isabelle of France (Isabelle de Valois) (1389-1409), in Boulogne, returning from England in 1399, with news of the arrest of Richard II (1367-1400) - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The landing of Margaret, Lady de Courcy, at Boulogne on her return from England in 1399 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630589

The Debarking of Marguerite de Courcy (?) , Lady of Company of Queen Isabelle of France (Isabelle de Valois) (1389-1409), in Boulogne, returning from England in 1399, with news of the arrest of Richard II (1367-1400) - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The landing of Margaret, Lady de Courcy, at Boulogne on her return from England in 1399 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Tournament of Saint Inglevert, 1389, near Calais (France), or three French knights, marechal Jean II Le Meingre, dit Boucicaut (Boucicault) (1364-1421) with two chamberlans, Regnault de Roye (?) and John I of Croy (circa 1365-1415), lord of Sempy, defend the square for thirty days, waiting for everything coming for the jousting - Lithograph from the enlumine manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Tournament held at St. Inglevere near Calais where three French knights (Sir Reginald by Roye, Sir Boucicaut and Lord de Saimpi) defend the lists for 30 days against all-comers from England and elsewhere, 1389 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Tournament of Saint Inglevert, 1389, near Calais (France), or three French knights, marechal Jean II Le Meingre, dit Boucicaut (Boucicault) (1364-1421) with two chamberlans, Regnault de Roye (?) and John I of Croy (circa 1365-1415), lord of Sempy, defend the square for thirty days, waiting for everything coming for the jousting - Lithograph from the enlumine manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Tournament held at St. Inglevere near Calais where three French knights (Sir Reginald by Roye, Sir Boucicaut and Lord de Saimpi) defend the lists for 30 days against all-comers from England and elsewhere, 1389 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630646: Tournament of Saint Inglevert, 1389, near Calais (France), or three French knights, marechal Jean II Le Meingre, dit Boucicaut (Boucicault) (1364-1421) with two chamberlans, Regnault de Roye (?) and John I of Croy (circa 1365-1415), lord of Sempy, defend the square for thirty days, waiting for everything coming for the jousting - Lithograph from the enlumine manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Tournament held at St. Inglevere near Calais where three French knights (Sir Reginald by Roye, Sir Boucicaut and Lord de Saimpi) defend the lists for 30 days against all-comers from England and elsewhere, 1389 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630646

Tournament of Saint Inglevert, 1389, near Calais (France), or three French knights, marechal Jean II Le Meingre, dit Boucicaut (Boucicault) (1364-1421) with two chamberlans, Regnault de Roye (?) and John I of Croy (circa 1365-1415), lord of Sempy, defend the square for thirty days, waiting for everything coming for the jousting - Lithograph from the enlumine manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Tournament held at St. Inglevere near Calais where three French knights (Sir Reginald by Roye, Sir Boucicaut and Lord de Saimpi) defend the lists for 30 days against all-comers from England and elsewhere, 1389 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Oiran courtesans dancing before a large folding screen. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Oiran courtesans dancing before a large folding screen. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630762: Oiran courtesans dancing before a large folding screen. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630762

Oiran courtesans dancing before a large folding screen. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Oiran courtesan having her hair treated with perfumed oil by a kamuro outside a barred shopfront in the pleasure quarters. Another maid brings a letter. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Oiran courtesan having her hair treated with perfumed oil by a kamuro outside a barred shopfront in the pleasure quarters. Another maid brings a letter. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630920: Oiran courtesan having her hair treated with perfumed oil by a kamuro outside a barred shopfront in the pleasure quarters. Another maid brings a letter. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630920

Oiran courtesan having her hair treated with perfumed oil by a kamuro outside a barred shopfront in the pleasure quarters. Another maid brings a letter. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Adrien Joly as a demon and Pepetit Veldeman as Coureur in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Adrien Joly as a demon and Pepetit Veldeman as Coureur in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631161: Adrien Joly as a demon and Pepetit Veldeman as Coureur in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631161

Adrien Joly as a demon and Pepetit Veldeman as Coureur in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Singer Miss Angelina Grave in the role of Desiree in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Singer Miss Angelina Grave in the role of Desiree in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631260: Singer Miss Angelina Grave in the role of Desiree in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631260

Singer Miss Angelina Grave in the role of Desiree in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Mme Atier or Anne Suzanne Potier as Leopoldine in Le Telegraphe D'Amour by Masson/Thomas, Theatre des Folies Dramatiques, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Mme Atier or Anne Suzanne Potier as Leopoldine in Le Telegraphe D'Amour by Masson/Thomas, Theatre des Folies Dramatiques, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631395: Mme Atier or Anne Suzanne Potier as Leopoldine in Le Telegraphe D'Amour by Masson/Thomas, Theatre des Folies Dramatiques, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631395

Mme Atier or Anne Suzanne Potier as Leopoldine in Le Telegraphe D'Amour by Masson/Thomas, Theatre des Folies Dramatiques, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Etienne Arnal as Nantouillet in L'Homme Blase by Duvert and Lauzanne, Theatre du Vaudeville, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Etienne Arnal as Nantouillet in L'Homme Blase by Duvert and Lauzanne, Theatre du Vaudeville, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631576: Etienne Arnal as Nantouillet in L'Homme Blase by Duvert and Lauzanne, Theatre du Vaudeville, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631576

Etienne Arnal as Nantouillet in L'Homme Blase by Duvert and Lauzanne, Theatre du Vaudeville, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

The scales of the Universe-Illustration - Schema illustrating the position of the solar system in our galaxy to the supercluster
The scales of the Universe-Illustration - Schema illustrating the position of the solar system in our galaxy to the supercluster

PIX4634602: The scales of the Universe-Illustration - Schema illustrating the position of the solar system in our galaxy to the supercluster, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634602

The scales of the Universe-Illustration - Schema illustrating the position of the solar system in our galaxy to the supercluster

Dixon, Don (b.1951)

Some Egyptian hieroglyphs and mummy in her urn as well as sarcophagus. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Examples of Egyptian hieroglyphs and writing on papyrus, an embalmed mummy in an urn, a mummy in its coffin and coffin lid. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Some Egyptian hieroglyphs and mummy in her urn as well as sarcophagus. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Examples of Egyptian hieroglyphs and writing on papyrus, an embalmed mummy in an urn, a mummy in its coffin and coffin lid. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634759: Some Egyptian hieroglyphs and mummy in her urn as well as sarcophagus. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Examples of Egyptian hieroglyphs and writing on papyrus, an embalmed mummy in an urn, a mummy in its coffin and coffin lid. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634759

Some Egyptian hieroglyphs and mummy in her urn as well as sarcophagus. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Examples of Egyptian hieroglyphs and writing on papyrus, an embalmed mummy in an urn, a mummy in its coffin and coffin lid. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Temple and pyramids on Lake Qarun, near the oasis of Fayoum (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple and pyramids on Lake Karun (Moeris) in El Faiyum, north Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Temple and pyramids on Lake Qarun, near the oasis of Fayoum (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple and pyramids on Lake Karun (Moeris) in El Faiyum, north Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634793: Temple and pyramids on Lake Qarun, near the oasis of Fayoum (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple and pyramids on Lake Karun (Moeris) in El Faiyum, north Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634793

Temple and pyramids on Lake Qarun, near the oasis of Fayoum (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple and pyramids on Lake Karun (Moeris) in El Faiyum, north Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Military exercises, the charge of Arab horsemen. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Arab military exercises: mounted cavalry armed with spears and muskets charging. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Military exercises, the charge of Arab horsemen. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Arab military exercises: mounted cavalry armed with spears and muskets charging. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635019: Military exercises, the charge of Arab horsemen. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Arab military exercises: mounted cavalry armed with spears and muskets charging. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4635019

Military exercises, the charge of Arab horsemen. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Arab military exercises: mounted cavalry armed with spears and muskets charging. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Touareg rider on his camel (North Africa). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tuareg man mounted on a camel carrying spears. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Touareg rider on his camel (North Africa). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tuareg man mounted on a camel carrying spears. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635039: Touareg rider on his camel (North Africa). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tuareg man mounted on a camel carrying spears. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4635039

Touareg rider on his camel (North Africa). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tuareg man mounted on a camel carrying spears. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

English bass Nicolas Levasseur as Don Juan in Dom Sebastien by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
English bass Nicolas Levasseur as Don Juan in Dom Sebastien by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631108: English bass Nicolas Levasseur as Don Juan in Dom Sebastien by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631108

English bass Nicolas Levasseur as Don Juan in Dom Sebastien by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Pierre-Cheri Lafont in the role of Frontin and Madame Bressant or Augustine Dupont as Marinette in Theophile Gautier's Le Tricorne Enchante, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Pierre-Cheri Lafont in the role of Frontin and Madame Bressant or Augustine Dupont as Marinette in Theophile Gautier's Le Tricorne Enchante, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631195: Pierre-Cheri Lafont in the role of Frontin and Madame Bressant or Augustine Dupont as Marinette in Theophile Gautier's Le Tricorne Enchante, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631195

Pierre-Cheri Lafont in the role of Frontin and Madame Bressant or Augustine Dupont as Marinette in Theophile Gautier's Le Tricorne Enchante, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Fanny Durand in the role of Toinette in Madame Bugolin, Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Fanny Durand in the role of Toinette in Madame Bugolin, Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631275: Fanny Durand in the role of Toinette in Madame Bugolin, Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631275

Fanny Durand in the role of Toinette in Madame Bugolin, Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Miss Judith or Judith Julie Bernat as Mademoiselle Salle in Gentil Bernard by Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Miss Judith or Judith Julie Bernat as Mademoiselle Salle in Gentil Bernard by Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631655: Miss Judith or Judith Julie Bernat as Mademoiselle Salle in Gentil Bernard by Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631655

Miss Judith or Judith Julie Bernat as Mademoiselle Salle in Gentil Bernard by Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Gonaqua, extinct Khoikhoi people, who lived on the south coast between Algoa Bay and Mphashe River. In fur capes, hats, beaded aprons and necklaces. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Gonaqua, extinct Khoikhoi people, who lived on the south coast between Algoa Bay and Mphashe River. In fur capes, hats, beaded aprons and necklaces. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620213: Gonaqua, extinct Khoikhoi people, who lived on the south coast between Algoa Bay and Mphashe River. In fur capes, hats, beaded aprons and necklaces. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620213

Gonaqua, extinct Khoikhoi people, who lived on the south coast between Algoa Bay and Mphashe River. In fur capes, hats, beaded aprons and necklaces. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Costumes of the tattooed natives of Dalagoa Bay (Maputo Bay), Mozambique, in front of a village of circular huts. Man smoking tobacco with a curious hookah pipe made of bamboo and cow horn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of the tattooed natives of Dalagoa Bay (Maputo Bay), Mozambique, in front of a village of circular huts. Man smoking tobacco with a curious hookah pipe made of bamboo and cow horn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620233: Costumes of the tattooed natives of Dalagoa Bay (Maputo Bay), Mozambique, in front of a village of circular huts. Man smoking tobacco with a curious hookah pipe made of bamboo and cow horn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620233

Costumes of the tattooed natives of Dalagoa Bay (Maputo Bay), Mozambique, in front of a village of circular huts. Man smoking tobacco with a curious hookah pipe made of bamboo and cow horn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620334: Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620334

Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Zerbabouc or goat grass, queen of herbs or herb a sorcerer - Lithograph by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Billygoat-weed or hairy ageratum, Ageratum conyzoides - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic Flora,” Blackwood, Edinburgh, 1823
Zerbabouc or goat grass, queen of herbs or herb a sorcerer - Lithograph by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Billygoat-weed or hairy ageratum, Ageratum conyzoides - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic Flora,” Blackwood, Edinburgh, 1823

FLO4619326: Zerbabouc or goat grass, queen of herbs or herb a sorcerer - Lithograph by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Billygoat-weed or hairy ageratum, Ageratum conyzoides - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic Flora,” Blackwood, Edinburgh, 1823 / Bridgeman Images

ID: FLO4619326

Zerbabouc or goat grass, queen of herbs or herb a sorcerer - Lithograph by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Billygoat-weed or hairy ageratum, Ageratum conyzoides - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic Flora,” Blackwood, Edinburgh, 1823

Yellow grass variete, known as edentulee - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Toothless-flowered yellow butterwort, Pinguicula edentula - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic “” Flora,”” Blackwood, Edinburgh, 1823
Yellow grass variete, known as edentulee - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Toothless-flowered yellow butterwort, Pinguicula edentula - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic “” Flora,”” Blackwood, Edinburgh, 1823

FLO4619333: Yellow grass variete, known as edentulee - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Toothless-flowered yellow butterwort, Pinguicula edentula - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic “” Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

ID: FLO4619333

Yellow grass variete, known as edentulee - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Toothless-flowered yellow butterwort, Pinguicula edentula - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic “” Flora,”” Blackwood, Edinburgh, 1823

Abyssinians relaxing with Nathaniel Pierce (in yellow skirt), a British sailor who deserted from ship The Antelope and went native. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Abyssinians relaxing with Nathaniel Pierce (in yellow skirt), a British sailor who deserted from ship The Antelope and went native. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619850: Abyssinians relaxing with Nathaniel Pierce (in yellow skirt), a British sailor who deserted from ship The Antelope and went native. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619850

Abyssinians relaxing with Nathaniel Pierce (in yellow skirt), a British sailor who deserted from ship The Antelope and went native. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Anthurium variete, with its purple fruit cluster - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Pearl laceleaf, Anthurium scandens subsp. scandens (Purple-fruited pothos, Pothos violacea) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823
Anthurium variete, with its purple fruit cluster - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Pearl laceleaf, Anthurium scandens subsp. scandens (Purple-fruited pothos, Pothos violacea) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619581: Anthurium variete, with its purple fruit cluster - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Pearl laceleaf, Anthurium scandens subsp. scandens (Purple-fruited pothos, Pothos violacea) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

ID: FLO4619581

Anthurium variete, with its purple fruit cluster - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Pearl laceleaf, Anthurium scandens subsp. scandens (Purple-fruited pothos, Pothos violacea) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

Fougere: short-leaved polypod variety - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Lepisorus nudus fern (glabrous scaly-fern, Pleopeltis nuda) - Handcoloured copperplate engraving by J. Swan after a botanical illustration W. J. Hooker from his own “” Exotic Flora ,”” Blackwood, Edinburgh, 1823
Fougere: short-leaved polypod variety - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Lepisorus nudus fern (glabrous scaly-fern, Pleopeltis nuda) - Handcoloured copperplate engraving by J. Swan after a botanical illustration W. J. Hooker from his own “” Exotic Flora ,”” Blackwood, Edinburgh, 1823

FLO4619630: Fougere: short-leaved polypod variety - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Lepisorus nudus fern (glabrous scaly-fern, Pleopeltis nuda) - Handcoloured copperplate engraving by J. Swan after a botanical illustration W. J. Hooker from his own “” Exotic Flora ,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

ID: FLO4619630

Fougere: short-leaved polypod variety - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Lepisorus nudus fern (glabrous scaly-fern, Pleopeltis nuda) - Handcoloured copperplate engraving by J. Swan after a botanical illustration W. J. Hooker from his own “” Exotic Flora ,”” Blackwood, Edinburgh, 1823

Natives of the kingdom of Ardra (Benin). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Natives of the kingdom of Ardra (Benin). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620050: Natives of the kingdom of Ardra (Benin). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620050

Natives of the kingdom of Ardra (Benin). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Abyssinian infantry with spear and shield, and Abyssinian cavalry with lance. In victory they were known to cut off the manhood of their vanquished enemies. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Abyssinian infantry with spear and shield, and Abyssinian cavalry with lance. In victory they were known to cut off the manhood of their vanquished enemies. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619825: Abyssinian infantry with spear and shield, and Abyssinian cavalry with lance. In victory they were known to cut off the manhood of their vanquished enemies. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619825

Abyssinian infantry with spear and shield, and Abyssinian cavalry with lance. In victory they were known to cut off the manhood of their vanquished enemies. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

African lion, Panthera leo, panther or leopard, Panthera pardus. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
African lion, Panthera leo, panther or leopard, Panthera pardus. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619936: African lion, Panthera leo, panther or leopard, Panthera pardus. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619936

African lion, Panthera leo, panther or leopard, Panthera pardus. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Audience of the Dutch with Garcia II of Kongo, 1642. The large red velvet throne was embroidered with Don Alvaro King of Kongo. The floor was covered with a magnificent Turkish carpet, and over his head hung a canopy of white satin with gold embroidery and fringe. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Audience of the Dutch with Garcia II of Kongo, 1642. The large red velvet throne was embroidered with Don Alvaro King of Kongo. The floor was covered with a magnificent Turkish carpet, and over his head hung a canopy of white satin with gold embroidery and fringe. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620079: Audience of the Dutch with Garcia II of Kongo, 1642. The large red velvet throne was embroidered with Don Alvaro King of Kongo. The floor was covered with a magnificent Turkish carpet, and over his head hung a canopy of white satin with gold embroidery and fringe. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620079

Audience of the Dutch with Garcia II of Kongo, 1642. The large red velvet throne was embroidered with Don Alvaro King of Kongo. The floor was covered with a magnificent Turkish carpet, and over his head hung a canopy of white satin with gold embroidery and fringe. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Costumes of the King of the Kongo, and a noble man. They wear hats with brims, and carry scimitars. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of the King of the Kongo, and a noble man. They wear hats with brims, and carry scimitars. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620085: Costumes of the King of the Kongo, and a noble man. They wear hats with brims, and carry scimitars. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620085

Costumes of the King of the Kongo, and a noble man. They wear hats with brims, and carry scimitars. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620191: Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620191

Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Khoikhoi people (Hottentot) of Korah travelling with their cattle, shields, assagays (spears) and blankets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Khoikhoi people (Hottentot) of Korah travelling with their cattle, shields, assagays (spears) and blankets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620199: Khoikhoi people (Hottentot) of Korah travelling with their cattle, shields, assagays (spears) and blankets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620199

Khoikhoi people (Hottentot) of Korah travelling with their cattle, shields, assagays (spears) and blankets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.


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