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FLO4607965: Edward Russell, 1st Earl of Orford, Admiral of the Fleet, 1653-1727, in oval, above vignette of a naval battle. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images
FLO4608006: Frederick Hermann, 1st Duke of Schomberg, 1616-1690, within oval in suit of armour, above vignette of his death at the Battle of the Boyne. Copperplate engraving by Ryder after a portrait by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images
FLO4608023: Rene Descartes, English philosopher and writer. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images
FLO4607839: Telemaque, by order of Astarbe (Astebe), escapes from the persecutions of Pygmalion -Telemachus, by order of Astarbe, avoids the pursuits of Pygmalion. Copperplate engraving by Thomas Cook after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images
LRI4607899: Virgin and Child (tempera and gold leaf on wood, c. 1335), Lorenzetti, Ambrogio (1285-c.1348) / Bridgeman Images
FLO4608095: John Hampden, English Parliamentarian, in oval above vignette of his death at the Battle of Chalgrove Field. Copperplate engraving by Robert Pollard from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images
FLO4608177: Portrait of Sir Anthony Ashley Cooper, 1st Earl of Shaftesbury, English politician, 1621-1683. In an oval, with putto, sword and bell. Copperplate engraving by Ryder from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images
FLO4608180: Portrait of Sir Samuel Garth, English physician and poet, 1661-1719. Vignette of a scientist in a laboratory. Copperplate engraving by Thomas Cook after a painting by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images
LRI4608228: Still Life 1926 Painting by Mino Maccari (1840-1919) 20th century Sun. 46 x 56.5 cm Florence, Galleria d'Arte Moderna, Maccari, Mino (1898-1989) / Bridgeman Images
LRI4607833: Virgin and Child, detail. Triptych of Saint Prosecutor (Tempera on wood, 1332), Lorenzetti, Ambrogio (1285-c.1348) / Bridgeman Images
FLO4608026: Denis Diderot, French philosopher, art critic and writer. Copperplate engraving by Ryder from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images
FLO4608083: King George III of Great Britain. Copperplate engraving by William Walker from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1775. / Bridgeman Images
FLO4608252: British antiquite (pre-Roman period, before 1st century): great Breton festival in Stonehenge (England), druidic ceremony on the eve of May, the stones are covered with veils in the effigy of the Dragon King - Forte Water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from original Costume of British Islanders, by Samuel Meyrick (1783-1848), 1821 - Grand Conventional Festival of the Britons at Stonehenge, Pre-Roman era. Druidic Helio-arkite ceremony on May eve, the stones covered with veils depicting the dragon king. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821. / Bridgeman Images
LRI4608477: Saint Anthony of Padua presenting Giulia Trivulzio. Detail( Tempera on wood, 16th century), D'Oggiono, Marco (1470-1549) / Bridgeman Images
FLO4608666: Coriander and Oenanthe fake locage. Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Coriander, Coriandrum sativum and Pimpinell dropwort. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653. / Bridgeman Images
FLO4608700: Napoleon Bonapart's first interview with his second wife, Maria Louise, Duchess of Palma, at Compiegne, 1810. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images
FLO4608415: Roman period in Great Britain (1st to 5th century): Romans Britto pretresses, one in ancient fashion, bare breasts and linen dress, the other in Roman tunic on a long petticoat, in front of the temples of Minerve and Sul minerve in Bath (England) - Eau forte by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), extracted from Original costume of the inhabitants of the British Isles, by Samuel Meyrick (1783-1848), 1821 - Roman British Priestesses. One in ancient style with bare breasts and white linen gown with girdle of brassels, and one in later Roman tunic with zigzag borders over a long petticoat. In the background are the temples of Minerva and Sul-Minerva at Bath. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821. / Bridgeman Images
FLO4608480: Marriage of Napoleon Bonaparte and Josephine de Beauharnais at Notre Dame, 1804. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images
FLO4608704: Black flowered gonolobus, Gonolobus niger. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images
FLO4608348: Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821. / Bridgeman Images
FLO4608565: Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images
FLO4608628: Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images
FLO4608720: Shrubby Chinese baeckea, Baeckea frutescens (Baeckia frutescens). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images
FLO4608803: Zygosepalum labiosum orchid (Rostrate zygopetalon, Zygopetalum rostratum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images
FLO4608853: Cabbage palm, Cordyline australis. (White-flowered New Zealand dracaena, Dracaena australis.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images
FLO4608919: Markea viridiflora (Solandra viridiflora). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1817. / Bridgeman Images
LRI4608979: Studying of the head of a screaming man.16th century (Drawing), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images
FLO4609080: Chinese honeysuckle or Rangoon creeper, Combretum indicum (Quisqualis indica). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818. / Bridgeman Images
LRI4609154: Christ and the Samaritan woman at the well. (Oil on canvas, 17th century), Morazzone, Pier Francesco (1573-1626) / Bridgeman Images
LRI4609222: Virgin and Child in Glory, with Saint Jerome, Saint Francis of Assisi and Saint Anthony (oil on canvas, c.1543), Moretto, Alessandro Bonvicino (1498-1554) / Bridgeman Images
FLO4609245: Hummy sea urchin. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England. / Bridgeman Images
FLO4608775: Pitcairnia bifrons (Bracteated pitcairnia, Pitcairnia bracteata). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images
LRI4608790: The Pretenders (oil on canvas, 1932), Masson, André (1896-1987) / Bridgeman Images
FLO4608802: Rhipsalis pachyptera. (Wing-stemmed cactus, Cactus alatus.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images
FLO4608852: Cempedak, Artocarpus integer. (Jack tree or whole-leaved breadfruit, Artocarpus integrifolia.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images
FLO4608882: Green-tip forest lily, Clivia nobilis (Handsome-flowered imatophyllum, Imatophyllum aitoni). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images