EVC5971145:
FRIEDA, David Farrar, 1947 / Bridgeman Images
ID: EVC5971145
FRIEDA, David Farrar, 1947
EVC5971151:
KRISCO KID, from left: Lili Damita, Ricardo Cortez, James Cagney at bar as director Lloyd Bacon (extrme right) and crew prepare to film on set, 1935 / Bridgeman Images
ID: EVC5971151
KRISCO KID, from left: Lili Damita, Ricardo Cortez, James Cagney at bar as director Lloyd Bacon (extrme right) and crew prepare to film on set, 1935
EVC5971157:
FRISCO LIL, from left, Minor Watson, Irene Hervey, Milburn Stone, 1942 / Bridgeman Images
ID: EVC5971157
FRISCO LIL, from left, Minor Watson, Irene Hervey, Milburn Stone, 1942
EVC5971163:
A French Mistress by Roy Boulting, 1960 / Bridgeman Images
EVC5970885:
THE FOUR HORSEMEN OF THE APOCALYPSE, from left: Ingrid Thulin, director Vincente Minnelli, Glenn Ford on location in Paris, 1962 / Bridgeman Images
ID: EVC5970885
THE FOUR HORSEMEN OF THE APOCALYPSE, from left: Ingrid Thulin, director Vincente Minnelli, Glenn Ford on location in Paris, 1962
EVC5970897:
FOOTSTEPS IN THE FOG, from left: Stewart Granger, Jean Simmons working on a crossword puzzle on set, 1955 / Bridgeman Images
ID: EVC5970897
FOOTSTEPS IN THE FOG, from left: Stewart Granger, Jean Simmons working on a crossword puzzle on set, 1955
EVC5970906:
FORCED LANDING, from left: Eva Gabor, Richard Arlen, J. Carrol Naish on set, 1941 / Bridgeman Images
ID: EVC5970906
FORCED LANDING, from left: Eva Gabor, Richard Arlen, J. Carrol Naish on set, 1941
EVC5970960:
THE FOUR POSTER, from left, Lilli Palmer, Rex Harrison, 1952 / Bridgeman Images
ID: EVC5970960
THE FOUR POSTER, from left, Lilli Palmer, Rex Harrison, 1952
EVC5970975:
42nd STREET, Bebe Daniels, in an ivory velvet gown with chiffon sleeves by Orry-Kelly, 1933 / Bridgeman Images
ID: EVC5970975
42nd STREET, Bebe Daniels, in an ivory velvet gown with chiffon sleeves by Orry-Kelly, 1933
EVC5970987:
FOLLOW THAT WOMAN, Audrey Young, 1945 / Bridgeman Images
ID: EVC5970987
FOLLOW THAT WOMAN, Audrey Young, 1945
EVC5970990:
FOR THE DEFENSE, Ethel Clayton, 1922 / Bridgeman Images
ID: EVC5970990
FOR THE DEFENSE, Ethel Clayton, 1922
EVC5971008:
FOLLOW THE BAND, from left, Anne Rooney, Robert Mitchum, Samuel S. Hinds, 1943 / Bridgeman Images
ID: EVC5971008
FOLLOW THE BAND, from left, Anne Rooney, Robert Mitchum, Samuel S. Hinds, 1943
EVC5971029:
FORT VENGEANCE, from left, James Craig, Emory Parnell, Michael Granger, Rita Moreno, 1953 / Bridgeman Images
ID: EVC5971029
FORT VENGEANCE, from left, James Craig, Emory Parnell, Michael Granger, Rita Moreno, 1953
EVC5971032:
FOOTLOOSE WIDOWS, Louise Fazenda, 1926 / Bridgeman Images
ID: EVC5971032
FOOTLOOSE WIDOWS, Louise Fazenda, 1926
EVC5971035:
THE FORGOTTEN WOMAN, Sigrid Gurie, 1939 / Bridgeman Images
ID: EVC5971035
THE FORGOTTEN WOMAN, Sigrid Gurie, 1939
EVC5971077:
The French Connection by William Friedkin, 1971 / Bridgeman Images
ID: EVC5971077
The French Connection by William Friedkin, 1971
EVC5971107:
Frenzy by Alfred Hitchcock, 1972 / Bridgeman Images
ID: EVC5971107
Frenzy by Alfred Hitchcock, 1972
EVC5971143:
FRIEDA, from left: Patrick Holt, Glynis Johns, 1947 / Bridgeman Images
ID: EVC5971143
FRIEDA, from left: Patrick Holt, Glynis Johns, 1947
EVC5971146:
Gina Lollobrigida, at a New York press event for the release of Bread, Love and Jealousy, 1954 (b/w photo) / Bridgeman Images
ID: EVC5971146
Gina Lollobrigida, at a New York press event for the release of Bread, Love and Jealousy, 1954 (b/w photo)
EVC5971184:
THE FROGMEN, from left, Richard Widmark, Jeffrey Hunter (lying down), Dana Andrews, 1951 / Bridgeman Images
ID: EVC5971184
THE FROGMEN, from left, Richard Widmark, Jeffrey Hunter (lying down), Dana Andrews, 1951
EVC5971193:
FRIENDLY PERSUASION, dorothy McGuire (left), director William Wyler (center) on set, 1956 / Bridgeman Images
ID: EVC5971193
FRIENDLY PERSUASION, dorothy McGuire (left), director William Wyler (center) on set, 1956
EVC5971217:
FRIDAY THE THIRTEENTH, Belle Chrystall, 1933 / Bridgeman Images
ID: EVC5971217
FRIDAY THE THIRTEENTH, Belle Chrystall, 1933
EVC5971232:
FUNNY BONES, director, screenwriter and producer Peter Chelsom, on location in Blackpool, England, 1995 / Bridgeman Images
ID: EVC5971232
FUNNY BONES, director, screenwriter and producer Peter Chelsom, on location in Blackpool, England, 1995
EVC5971259:
Funny Lady by Herbet Ross, 1975 / Bridgeman Images
ID: EVC5971259
Funny Lady by Herbet Ross, 1975
EVC5971271:
FULL OF LIFE, from left: Salvatore Baccaloni, Joe De Santis, Judy Holliday, Richard Conte, 1956 / Bridgeman Images
ID: EVC5971271
FULL OF LIFE, from left: Salvatore Baccaloni, Joe De Santis, Judy Holliday, Richard Conte, 1956
EVC5971289:
Gator Bait by Beverly and Ferd Sebastian, 1973 / Bridgeman Images
ID: EVC5971289
Gator Bait by Beverly and Ferd Sebastian, 1973
EVC5971298:
Gabriela, Cravo e Canela by Bruno Barreto, 1983 / Bridgeman Images
ID: EVC5971298
Gabriela, Cravo e Canela by Bruno Barreto, 1983
EVC5971337:
GALLANT LADY, from left, Clive Brook, Ann Harding, 1933 / Bridgeman Images
ID: EVC5971337
GALLANT LADY, from left, Clive Brook, Ann Harding, 1933
EVC5971349:
Gambit by Ronald Neame, 1966 / Bridgeman Images
ID: EVC5971349
Gambit by Ronald Neame, 1966
EVC5971373:
THE GARDEN OF ALLAH, from left: Charles Boyer, Ping Bodie on set, 1936 / Bridgeman Images
ID: EVC5971373
THE GARDEN OF ALLAH, from left: Charles Boyer, Ping Bodie on set, 1936
EVC5971382:
GARDEN OF EVIL, from left, Gary Cooper, Susan Hayward, Cameron Mitchell, 1954 / Bridgeman Images
ID: EVC5971382
GARDEN OF EVIL, from left, Gary Cooper, Susan Hayward, Cameron Mitchell, 1954
EVC5971415:
A GENTLEMAN AT HEART, from left, Richard Derr, Carole Landis, Cesar Romero, Milton Berle, Francis Pierlot, 1942 / Bridgeman Images
ID: EVC5971415
A GENTLEMAN AT HEART, from left, Richard Derr, Carole Landis, Cesar Romero, Milton Berle, Francis Pierlot, 1942