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Last scene of Act III of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Last scene of Act III of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century

GIA4793491: Last scene of Act III of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

Scene 15 of Act III of the comic piece “” Il matrimonio per concorso”” by Carlo Goldoni (1707-1793). Engraving of the 18th century.
Scene 15 of Act III of the comic piece “” Il matrimonio per concorso”” by Carlo Goldoni (1707-1793). Engraving of the 18th century.

GIA4793575: Scene 15 of Act III of the comic piece “” Il matrimonio per concorso”” by Carlo Goldoni (1707-1793). Engraving of the 18th century., Italian School, (18th century) / Bridgeman Images

Portrait of Mikhail Aleksandrovich Bakunin (Bakunin) (1814-1876), Russian anarchist.
Portrait of Mikhail Aleksandrovich Bakunin (Bakunin) (1814-1876), Russian anarchist.

GIA4793652: Portrait of Mikhail Aleksandrovich Bakunin (Bakunin) (1814-1876), Russian anarchist., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Luigi CAPUANA (1839-1915) Italian writer. Photograph glue on drawing with dedication by Marco Praga. Milanese .
Portrait of Luigi CAPUANA (1839-1915) Italian writer. Photograph glue on drawing with dedication by Marco Praga. Milanese .

GIA4793693: Portrait of Luigi CAPUANA (1839-1915) Italian writer. Photograph glue on drawing with dedication by Marco Praga. Milanese ., Italian Photographer, (19th century) / Bridgeman Images

Owl with glasses, symbol of wisdom. Engraving of the “Amphitheatrum sapientiae aeternae”. (Amphitheatre of eternal wisdom) (Hamburg: n.n., 1595) by Heinrich Khunrath (1560 circa 1605). Study of Upper Kabbalah and Alchemy. 12 boards. This is the reference work of the Rose-Croix (Rose Croix) around 1610.
Owl with glasses, symbol of wisdom. Engraving of the “Amphitheatrum sapientiae aeternae”. (Amphitheatre of eternal wisdom) (Hamburg: n.n., 1595) by Heinrich Khunrath (1560 circa 1605). Study of Upper Kabbalah and Alchemy. 12 boards. This is the reference work of the Rose-Croix (Rose Croix) around 1610.

GIA4793761: Owl with glasses, symbol of wisdom. Engraving of the “Amphitheatrum sapientiae aeternae”. (Amphitheatre of eternal wisdom) (Hamburg: n.n., 1595) by Heinrich Khunrath (1560 circa 1605). Study of Upper Kabbalah and Alchemy. 12 boards. This is the reference work of the Rose-Croix (Rose Croix) around 1610., German School, (17th century) / Bridgeman Images

Saint Bonaventure (Giovanni di Fidanza, known as Doctor Seraphique, San Bonaventura) (1221-1274) receiving the hat of the cardinal. He was consecrated Cardinal-Eveque of Albano in 1273 by Gregoire X in 1273. Engraving by Bauchart from Santar's painting.
Saint Bonaventure (Giovanni di Fidanza, known as Doctor Seraphique, San Bonaventura) (1221-1274) receiving the hat of the cardinal. He was consecrated Cardinal-Eveque of Albano in 1273 by Gregoire X in 1273. Engraving by Bauchart from Santar's painting.

GIA4793801: Saint Bonaventure (Giovanni di Fidanza, known as Doctor Seraphique, San Bonaventura) (1221-1274) receiving the hat of the cardinal. He was consecrated Cardinal-Eveque of Albano in 1273 by Gregoire X in 1273. Engraving by Bauchart from Santar's painting., French School, (19th century) / Bridgeman Images

Portrait of Louis Pasteur (1822-1895), French chemist and biologist. From the painting by Aristide Albert Gustaf Edelfelt (1854-1905) of the Musee d'orsay in Paris. Engraving of the 19th century
Portrait of Louis Pasteur (1822-1895), French chemist and biologist. From the painting by Aristide Albert Gustaf Edelfelt (1854-1905) of the Musee d'orsay in Paris. Engraving of the 19th century

GIA4793842: Portrait of Louis Pasteur (1822-1895), French chemist and biologist. From the painting by Aristide Albert Gustaf Edelfelt (1854-1905) of the Musee d'orsay in Paris. Engraving of the 19th century, Edelfelt, Albert Gustaf Aristides (1854-1905) / Bridgeman Images

Recit “” Ligeia”” by Edgar Allan Poe (1809-1849), published in 1838: the ghost of the disappeared loved woman haunts the narrator. Illustration by Almery Lobel-Riche (Lobel Riche) (1880-1950) 1927
Recit “” Ligeia”” by Edgar Allan Poe (1809-1849), published in 1838: the ghost of the disappeared loved woman haunts the narrator. Illustration by Almery Lobel-Riche (Lobel Riche) (1880-1950) 1927

GIA4793964: Recit “” Ligeia”” by Edgar Allan Poe (1809-1849), published in 1838: the ghost of the disappeared loved woman haunts the narrator. Illustration by Almery Lobel-Riche (Lobel Riche) (1880-1950) 1927, Lobel-Riche, Almery (1877-1950) / Bridgeman Images

Portrait of Andrea Doria (1466-1560), Italian warman. Anonymous painting. Roma Galleria Doria Pamphili.
Portrait of Andrea Doria (1466-1560), Italian warman. Anonymous painting. Roma Galleria Doria Pamphili.

GIA4791110: Portrait of Andrea Doria (1466-1560), Italian warman. Anonymous painting. Roma Galleria Doria Pamphili., Unknown Artist, (16th century) / Bridgeman Images

A Roman bireme (sort of galere has two rows) Detail of a mosaic in Palestrina.
A Roman bireme (sort of galere has two rows) Detail of a mosaic in Palestrina.

GIA4791183: A Roman bireme (sort of galere has two rows) Detail of a mosaic in Palestrina., Roman / Bridgeman Images

Swordfish harpoon fishing in the Detroit of Messina in Sicily. Watercolour 1898
Swordfish harpoon fishing in the Detroit of Messina in Sicily. Watercolour 1898

GIA4791257: Swordfish harpoon fishing in the Detroit of Messina in Sicily. Watercolour 1898, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Gaetano Salvemini Italian historian (1873-1957).
Portrait of Gaetano Salvemini Italian historian (1873-1957).

GIA4791413: Portrait of Gaetano Salvemini Italian historian (1873-1957)., Unknown Artist, (20th century) / Bridgeman Images

Freemaking: Seance of magic by Giuseppe Balsamo, known as Alexander, Count of Cagliostro (1743 - 1795). Engraving from “” Picturesque Histoire de la Franc Maconnerie et des Societes Secretes antique et modernes” by F.-T. B. Clavel. Pagnerre, editor, 1843.
Freemaking: Seance of magic by Giuseppe Balsamo, known as Alexander, Count of Cagliostro (1743 - 1795). Engraving from “” Picturesque Histoire de la Franc Maconnerie et des Societes Secretes antique et modernes” by F.-T. B. Clavel. Pagnerre, editor, 1843.

GIA4791504: Freemaking: Seance of magic by Giuseppe Balsamo, known as Alexander, Count of Cagliostro (1743 - 1795). Engraving from “” Picturesque Histoire de la Franc Maconnerie et des Societes Secretes antique et modernes” by F.-T. B. Clavel. Pagnerre, editor, 1843., French School, (19th century) / Bridgeman Images

Portrait of George Bizet (1838-1875), French composer.
Portrait of George Bizet (1838-1875), French composer.

GIA4791561: Portrait of George Bizet (1838-1875), French composer., French Photographer, (19th century) / Bridgeman Images

Portrait of Marguerite de LUSSAN woman of French letters (1682-1758).
Portrait of Marguerite de LUSSAN woman of French letters (1682-1758).

GIA4791687: Portrait of Marguerite de LUSSAN woman of French letters (1682-1758)., Unknown artist, (18th century) / Bridgeman Images

Constellation of the dog (Canis). Miniature from “” Astronomica” by Biasino da Parma (Blaise de Parma) (1425-1457), 15th century CPM
Constellation of the dog (Canis). Miniature from “” Astronomica” by Biasino da Parma (Blaise de Parma) (1425-1457), 15th century CPM

GIA4791730: Constellation of the dog (Canis). Miniature from “” Astronomica” by Biasino da Parma (Blaise de Parma) (1425-1457), 15th century CPM, Italian School, (15th century) / Bridgeman Images

Representation of a fantastic creature. Xilography taken from Sebastien Munster's “Universal Cosmography”. Bale, 1558.
Representation of a fantastic creature. Xilography taken from Sebastien Munster's “Universal Cosmography”. Bale, 1558.

GIA4791767: Representation of a fantastic creature. Xilography taken from Sebastien Munster's “Universal Cosmography”. Bale, 1558., German School, (16th century) / Bridgeman Images

A whale attacks a ship. Plate from an edition of “Theatrum Orbis Terrarum” by cartographer Abraham Ortelius (1527-1598), 1584
A whale attacks a ship. Plate from an edition of “Theatrum Orbis Terrarum” by cartographer Abraham Ortelius (1527-1598), 1584

GIA4791792: A whale attacks a ship. Plate from an edition of “Theatrum Orbis Terrarum” by cartographer Abraham Ortelius (1527-1598), 1584, Ortelius, Abraham (1527-98) / Bridgeman Images

Representation of basilics in flight burning wheat fields. Engraving from “Prodigiorum ac ostentorum chronicon” by Conrad Lycosthenes (1518-1561). 1557.
Representation of basilics in flight burning wheat fields. Engraving from “Prodigiorum ac ostentorum chronicon” by Conrad Lycosthenes (1518-1561). 1557.

GIA4791827: Representation of basilics in flight burning wheat fields. Engraving from “Prodigiorum ac ostentorum chronicon” by Conrad Lycosthenes (1518-1561). 1557., Unknown Artist, (16th century) / Bridgeman Images

Representation of the mythological monster Basil Xilography taken from the Universal Cosmography of Sebastien Munster. Bale, 1558.
Representation of the mythological monster Basil Xilography taken from the Universal Cosmography of Sebastien Munster. Bale, 1558.

GIA4791850: Representation of the mythological monster Basil Xilography taken from the Universal Cosmography of Sebastien Munster. Bale, 1558., German School, (16th century) / Bridgeman Images

Different types of monstrous animals, with multiple bodies or an abnormal amount of limbs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of monstrous animals, with multiple bodies or an abnormal amount of limbs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791947: Different types of monstrous animals, with multiple bodies or an abnormal amount of limbs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of human monsters. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791982: Different types of human monsters. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of monstrous animals. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of monstrous animals. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4792002: Different types of monstrous animals. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of human monsters: face and face of monster head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: face and face of monster head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4792049: Different types of human monsters: face and face of monster head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

House on the banks of a river. 17th century illustration. Historic Museum of Amsterdam
House on the banks of a river. 17th century illustration. Historic Museum of Amsterdam

GIA4787990: House on the banks of a river. 17th century illustration. Historic Museum of Amsterdam, Unknown Artist, (17th century) / Bridgeman Images

18/11/1935. Poster representing foreign Italy by a noose. Economic sanctions are being imposed on Italy by the League of Nations because of the invasion of Ethiopia.
18/11/1935. Poster representing foreign Italy by a noose. Economic sanctions are being imposed on Italy by the League of Nations because of the invasion of Ethiopia.

GIA4788234: 18/11/1935. Poster representing foreign Italy by a noose. Economic sanctions are being imposed on Italy by the League of Nations because of the invasion of Ethiopia., Italian School, (20th century) / Bridgeman Images

Portrait of Georges Cuvier (1769-1832) determining the remains of fossil animals. Engraving from the end of the 19th century.
Portrait of Georges Cuvier (1769-1832) determining the remains of fossil animals. Engraving from the end of the 19th century.

GIA4788280: Portrait of Georges Cuvier (1769-1832) determining the remains of fossil animals. Engraving from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Revolte a Cento (Ferrara in Italy) because of the taxes on flour on January 7, 1878. Engraving by Cenni. sd. 19th century.
Revolte a Cento (Ferrara in Italy) because of the taxes on flour on January 7, 1878. Engraving by Cenni. sd. 19th century.

GIA4788307: Revolte a Cento (Ferrara in Italy) because of the taxes on flour on January 7, 1878. Engraving by Cenni. sd. 19th century., Cenni, (19th century) / Bridgeman Images

Fridtjof Nansen (1861-1930), Norwegian explorer, attacked by a walrus during the expedition of the North Pole in 1896. He's carrying the Schlitte on the kayak. Engraving of the 19th century.
Fridtjof Nansen (1861-1930), Norwegian explorer, attacked by a walrus during the expedition of the North Pole in 1896. He's carrying the Schlitte on the kayak. Engraving of the 19th century.

GIA4788382: Fridtjof Nansen (1861-1930), Norwegian explorer, attacked by a walrus during the expedition of the North Pole in 1896. He's carrying the Schlitte on the kayak. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Henry Purcell (1659-1695), English composer based on the drawing of Albert Rosenthal.
Portrait of Henry Purcell (1659-1695), English composer based on the drawing of Albert Rosenthal.

GIA4790734: Portrait of Henry Purcell (1659-1695), English composer based on the drawing of Albert Rosenthal., Rosenthal, Albert (1863-1939) / Bridgeman Images

Portrait of the Norwegian explorer Fridtjof Nansen (1861-1930), scientist and diplomat, with his wife.
Portrait of the Norwegian explorer Fridtjof Nansen (1861-1930), scientist and diplomat, with his wife.

GIA4790830: Portrait of the Norwegian explorer Fridtjof Nansen (1861-1930), scientist and diplomat, with his wife., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Lejzer Ludwik Zamenhof (1859-1917), Polish doctor and linguist (multilingual), creator of Esperanto as an international language. 20th century
Portrait of Lejzer Ludwik Zamenhof (1859-1917), Polish doctor and linguist (multilingual), creator of Esperanto as an international language. 20th century

GIA4790862: Portrait of Lejzer Ludwik Zamenhof (1859-1917), Polish doctor and linguist (multilingual), creator of Esperanto as an international language. 20th century, Unknown Artist, (20th century) / Bridgeman Images

Church of the Knights of the Templars in Roumoulds (Alpes de Haute provence). 13th or 14th century
Church of the Knights of the Templars in Roumoulds (Alpes de Haute provence). 13th or 14th century

GIA4790884: Church of the Knights of the Templars in Roumoulds (Alpes de Haute provence). 13th or 14th century, French School, (13th-14th century) / Bridgeman Images

Geographic map of the 17th century Dutch Atlas by Wilhelm Blaeu (1571-1638) showing American and Canadian territories fur animal peoples. The North is below according to medieval custom.
Geographic map of the 17th century Dutch Atlas by Wilhelm Blaeu (1571-1638) showing American and Canadian territories fur animal peoples. The North is below according to medieval custom.

GIA4790968: Geographic map of the 17th century Dutch Atlas by Wilhelm Blaeu (1571-1638) showing American and Canadian territories fur animal peoples. The North is below according to medieval custom., Blaeu, Willem (1571-1638) / Bridgeman Images

Portrait of Richard Owen (1810-1890), English naturalist.
Portrait of Richard Owen (1810-1890), English naturalist.

GIA4791069: Portrait of Richard Owen (1810-1890), English naturalist., Unknown photographer, (19th century) / Bridgeman Images

Milanese metier: a chimney chimney chimney. 1830 Locarno engraving.
Milanese metier: a chimney chimney chimney. 1830 Locarno engraving.

GIA4789759: Milanese metier: a chimney chimney chimney. 1830 Locarno engraving., Italian School, (19th century) / Bridgeman Images


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