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Architecture: statue of St. Thomas by Bartolomeo Ribossi and Pompeo Marchesi. 1813. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy
Architecture: statue of St. Thomas by Bartolomeo Ribossi and Pompeo Marchesi. 1813. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

MRZ5032219: Architecture: statue of St. Thomas by Bartolomeo Ribossi and Pompeo Marchesi. 1813. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy
Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

MRZ5032271: Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy
Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

MRZ5032285: Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

17th century fresco by Giovenale Boetto e Giovanni Claret, pupils of Giovanni Antonio Molineri, representing the military exploits of Vittorio Amedeo I of Savoia (Victor Emmanuel I of Savoy 1587-1637), Duke of Savoy and Prince of Piemont. Episode of the sige of Verrua. Palazzo Taffini d'Acceglio, Savigliano (Cuneo).
17th century fresco by Giovenale Boetto e Giovanni Claret, pupils of Giovanni Antonio Molineri, representing the military exploits of Vittorio Amedeo I of Savoia (Victor Emmanuel I of Savoy 1587-1637), Duke of Savoy and Prince of Piemont. Episode of the sige of Verrua. Palazzo Taffini d'Acceglio, Savigliano (Cuneo).

MPH5032553: 17th century fresco by Giovenale Boetto e Giovanni Claret, pupils of Giovanni Antonio Molineri, representing the military exploits of Vittorio Amedeo I of Savoia (Victor Emmanuel I of Savoy 1587-1637), Duke of Savoy and Prince of Piemont. Episode of the sige of Verrua. Palazzo Taffini d'Acceglio, Savigliano (Cuneo). / Bridgeman Images

Virgin and Child. Painting by G. Stella. sd. 17th century. Museo Civico, Modene.
Virgin and Child. Painting by G. Stella. sd. 17th century. Museo Civico, Modene.

MPH5032650: Virgin and Child. Painting by G. Stella. sd. 17th century. Museo Civico, Modene. / Bridgeman Images

Little thug (oil on canvas)
Little thug (oil on canvas)

MPH5032671: Little thug (oil on canvas), Cappelli, Evaristo (1868-1951) / Bridgeman Images

Val de Panaro. Painting by Filippo Reggiani (1838 -1905). Museo Civico, Modene.
Val de Panaro. Painting by Filippo Reggiani (1838 -1905). Museo Civico, Modene.

MPH5032709: Val de Panaro. Painting by Filippo Reggiani (1838 -1905). Museo Civico, Modene. / Bridgeman Images

Man portrait. Painting by Vittore Ghislandi (1655-1743). Museo Civico, Galleria Campori, Modene.
Man portrait. Painting by Vittore Ghislandi (1655-1743). Museo Civico, Galleria Campori, Modene.

MPH5032733: Man portrait. Painting by Vittore Ghislandi (1655-1743). Museo Civico, Galleria Campori, Modene. / Bridgeman Images

Portrait d'Ercole II d'Este (1508-1559) (Hercule II) debout en armure. Detail. peinture de Girolamo da Carpi (vers 1501-1556) Galleria Estense de Modene, Italie.
Portrait d'Ercole II d'Este (1508-1559) (Hercule II) debout en armure. Detail. peinture de Girolamo da Carpi (vers 1501-1556) Galleria Estense de Modene, Italie.

MPH5032803: Portrait d'Ercole II d'Este (1508-1559) (Hercule II) debout en armure. Detail. peinture de Girolamo da Carpi (vers 1501-1556) Galleria Estense de Modene, Italie. / Bridgeman Images

Madonna in glory with the Child Jesus and Saints Michael, Catherine of Alexandria, Apolline (Apollonia) and Saint John the Evangelist. Painting by Pietro Vannucci dit Il Perugino (The Perugin) (1450-1523), 1500. Bologna, Pinacoteca Nazionale
Madonna in glory with the Child Jesus and Saints Michael, Catherine of Alexandria, Apolline (Apollonia) and Saint John the Evangelist. Painting by Pietro Vannucci dit Il Perugino (The Perugin) (1450-1523), 1500. Bologna, Pinacoteca Nazionale

MPH5032855: Madonna in glory with the Child Jesus and Saints Michael, Catherine of Alexandria, Apolline (Apollonia) and Saint John the Evangelist. Painting by Pietro Vannucci dit Il Perugino (The Perugin) (1450-1523), 1500. Bologna, Pinacoteca Nazionale / Bridgeman Images

Landscape with peasant and bridge has the countryside. Painting by Giuseppe Zais (1709-1789). Accademia dei Concordi, Rovigo.
Landscape with peasant and bridge has the countryside. Painting by Giuseppe Zais (1709-1789). Accademia dei Concordi, Rovigo.

MPH5032880: Landscape with peasant and bridge has the countryside. Painting by Giuseppe Zais (1709-1789). Accademia dei Concordi, Rovigo. / Bridgeman Images

Madonna and Child on the throne surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia, Saint Nicholas of Tolentino and Saint Paul Painting by Battista Dossi (ca. 1490-1548) 16th century Rovigo, Accademia dei Concordi
Madonna and Child on the throne surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia, Saint Nicholas of Tolentino and Saint Paul Painting by Battista Dossi (ca. 1490-1548) 16th century Rovigo, Accademia dei Concordi

MPH5032889: Madonna and Child on the throne surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia, Saint Nicholas of Tolentino and Saint Paul Painting by Battista Dossi (ca. 1490-1548) 16th century Rovigo, Accademia dei Concordi / Bridgeman Images

Youth and old age. Painting by Angelo Caroselli (1585-1652). Collegiale Alberoni, Piacenza (Piacenza).
Youth and old age. Painting by Angelo Caroselli (1585-1652). Collegiale Alberoni, Piacenza (Piacenza).

MPH5032890: Youth and old age. Painting by Angelo Caroselli (1585-1652). Collegiale Alberoni, Piacenza (Piacenza). / Bridgeman Images

Portrait of Marie Anne Charlotte Corday (1768-1793) Engraved by Pierre Michel Alix (1762-1817)
Portrait of Marie Anne Charlotte Corday (1768-1793) Engraved by Pierre Michel Alix (1762-1817)

XEE5033140: Portrait of Marie Anne Charlotte Corday (1768-1793) Engraved by Pierre Michel Alix (1762-1817) / Bridgeman Images

The vow of the judge of Israel Jephte's daughter, who vow to sacrifice the first person he sees, begins to meet her and will be condemned. Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy
The vow of the judge of Israel Jephte's daughter, who vow to sacrifice the first person he sees, begins to meet her and will be condemned. Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy

MRZ5033149: The vow of the judge of Israel Jephte's daughter, who vow to sacrifice the first person he sees, begins to meet her and will be condemned. Painting of the Italian School (18th century) Salon, Bank BNL, Turin Italy / Bridgeman Images

Charlotte Corday In Prison - by Charles Louis Lucien Muller - private collection
Charlotte Corday In Prison - by Charles Louis Lucien Muller - private collection

XEE5033160: Charlotte Corday In Prison - by Charles Louis Lucien Muller - private collection / Bridgeman Images

View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing the allegory of Peace and Good Government - Placentia, Italy
View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing the allegory of Peace and Good Government - Placentia, Italy

MRZ5033181: View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing the allegory of Peace and Good Government - Placentia, Italy / Bridgeman Images

View of the palace of the Arengario, Piazza Duomo, built between 1936 and 1956 Milan, Italy 5museo del Novecento 900) Photography
View of the palace of the Arengario, Piazza Duomo, built between 1936 and 1956 Milan, Italy 5museo del Novecento 900) Photography

MRZ5033225: View of the palace of the Arengario, Piazza Duomo, built between 1936 and 1956 Milan, Italy 5museo del Novecento 900) Photography / Bridgeman Images

View of the castle of the Sforza (Castello Sforzesco) in Milan, Italy Photography
View of the castle of the Sforza (Castello Sforzesco) in Milan, Italy Photography

MRZ5033237: View of the castle of the Sforza (Castello Sforzesco) in Milan, Italy Photography / Bridgeman Images

Philip the Bold Duke of Burgundy - Portrait of Philippe Le Hardi, Duke of Burgundy (1342-1404). engraving of the 17th century
Philip the Bold Duke of Burgundy - Portrait of Philippe Le Hardi, Duke of Burgundy (1342-1404). engraving of the 17th century

XEE5033254: Philip the Bold Duke of Burgundy - Portrait of Philippe Le Hardi, Duke of Burgundy (1342-1404). engraving of the 17th century / Bridgeman Images

Flora - Painting by Rembrandt van Rijn (1606-1669), circa 1654, oil on canvas, 100 x 91.8 cm. New York, The Metropolitan Museum of Art, inv. n* 26.101.10
Flora - Painting by Rembrandt van Rijn (1606-1669), circa 1654, oil on canvas, 100 x 91.8 cm. New York, The Metropolitan Museum of Art, inv. n* 26.101.10

XEE5033334: Flora - Painting by Rembrandt van Rijn (1606-1669), circa 1654, oil on canvas, 100 x 91.8 cm. New York, The Metropolitan Museum of Art, inv. n* 26.101.10, Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

A payment in the 15th century.
A payment in the 15th century.

GIA5033380: A payment in the 15th century. / Bridgeman Images

View of the statue of Alessandro Farnese (1545-1592) made by Francesco Mochi (1580-1654), 1620-1625 Piacenza, Italy Piacenza
View of the statue of Alessandro Farnese (1545-1592) made by Francesco Mochi (1580-1654), 1620-1625 Piacenza, Italy Piacenza

MRZ5033397: View of the statue of Alessandro Farnese (1545-1592) made by Francesco Mochi (1580-1654), 1620-1625 Piacenza, Italy Piacenza / Bridgeman Images

Beaver hunting Page taken from “Physiologus”” (Physiologos or physiologist), 11th century manuscript.
Beaver hunting Page taken from “Physiologus”” (Physiologos or physiologist), 11th century manuscript.

GIA5033411: Beaver hunting Page taken from “Physiologus”” (Physiologos or physiologist), 11th century manuscript. / Bridgeman Images

Alexander the Great Fight against the Russians. Persian manuscript from the 15th century.
Alexander the Great Fight against the Russians. Persian manuscript from the 15th century.

GIA5033416: Alexander the Great Fight against the Russians. Persian manuscript from the 15th century. / Bridgeman Images

Court of Alexander the Great. Persian manuscript from the 15th century.
Court of Alexander the Great. Persian manuscript from the 15th century.

GIA5033417: Court of Alexander the Great. Persian manuscript from the 15th century. / Bridgeman Images

View of the facade of the Pinacoteca di Brera projected by Francesco maria Ricchini and Giuseppe Piermarini Italy
View of the facade of the Pinacoteca di Brera projected by Francesco maria Ricchini and Giuseppe Piermarini Italy

MRZ5033421: View of the facade of the Pinacoteca di Brera projected by Francesco maria Ricchini and Giuseppe Piermarini Italy / Bridgeman Images

View of the facade of the Pinacoteca di Brera projected by Francesco maria Ricchini and Giuseppe Piermarini Italy
View of the facade of the Pinacoteca di Brera projected by Francesco maria Ricchini and Giuseppe Piermarini Italy

MRZ5033426: View of the facade of the Pinacoteca di Brera projected by Francesco maria Ricchini and Giuseppe Piermarini Italy / Bridgeman Images

View of the church Santa Maria alla Fontana built in 1508 by architect Giovanni Antonio Amedeo, Milan, Italy
View of the church Santa Maria alla Fontana built in 1508 by architect Giovanni Antonio Amedeo, Milan, Italy

MRZ5033437: View of the church Santa Maria alla Fontana built in 1508 by architect Giovanni Antonio Amedeo, Milan, Italy / Bridgeman Images

Portrait of Young Peasant Painting by Francesco Paolo Michetti (1851-1929) 1887 Milan, Casa Verdi
Portrait of Young Peasant Painting by Francesco Paolo Michetti (1851-1929) 1887 Milan, Casa Verdi

MRZ5033455: Portrait of Young Peasant Painting by Francesco Paolo Michetti (1851-1929) 1887 Milan, Casa Verdi / Bridgeman Images

Saint Pacôme. 15th century miniature.
Saint Pacôme. 15th century miniature.

GIA5033474: Saint Pacôme. 15th century miniature. / Bridgeman Images

Angelique et Medor Sculpture by Gaetano Matteo Monti (1776-1847) 1841 Fondazione Biblioteca Morelli, Pinacoteca Repossi, Chiari, Italy
Angelique et Medor Sculpture by Gaetano Matteo Monti (1776-1847) 1841 Fondazione Biblioteca Morelli, Pinacoteca Repossi, Chiari, Italy

MRZ5033496: Angelique et Medor Sculpture by Gaetano Matteo Monti (1776-1847) 1841 Fondazione Biblioteca Morelli, Pinacoteca Repossi, Chiari, Italy / Bridgeman Images

Plan of Milan with the churches, 1700
Plan of Milan with the churches, 1700

MRZ5033530: Plan of Milan with the churches, 1700 / Bridgeman Images

The Adoration of the Magi - Painting by Luigi Primo (Louis Cousin or Luigi Gentile) (ca. 1605-1667) Pesaro - Convento dei Frati Capuccini Italy
The Adoration of the Magi - Painting by Luigi Primo (Louis Cousin or Luigi Gentile) (ca. 1605-1667) Pesaro - Convento dei Frati Capuccini Italy

MRZ5033555: The Adoration of the Magi - Painting by Luigi Primo (Louis Cousin or Luigi Gentile) (ca. 1605-1667) Pesaro - Convento dei Frati Capuccini Italy / Bridgeman Images

The Annunciation “” the Virgin”” Painting by Luigi Primo (Louis Cousin or Luigi Gentile) (ca. 1605-1667) Pesaro - Convento dei Frati Capuccini Italy
The Annunciation “” the Virgin”” Painting by Luigi Primo (Louis Cousin or Luigi Gentile) (ca. 1605-1667) Pesaro - Convento dei Frati Capuccini Italy

MRZ5033567: The Annunciation “” the Virgin”” Painting by Luigi Primo (Louis Cousin or Luigi Gentile) (ca. 1605-1667) Pesaro - Convento dei Frati Capuccini Italy / Bridgeman Images

An ostrich - Arabic manuscript from Syria Kitab al-Hayawan (Zoology) “The Book of Animals””, by Al-Jahiz (Al Gahiz). Half of the 14th century, 15th century.
An ostrich - Arabic manuscript from Syria Kitab al-Hayawan (Zoology) “The Book of Animals””, by Al-Jahiz (Al Gahiz). Half of the 14th century, 15th century.

GIA5033591: An ostrich - Arabic manuscript from Syria Kitab al-Hayawan (Zoology) “The Book of Animals””, by Al-Jahiz (Al Gahiz). Half of the 14th century, 15th century. / Bridgeman Images


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