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Iris sanguin - Blood iris, Iris sanguinea (Red-leaved flower de luce, Iris haematophylla). Handcoloured copperplate engraving by A. Bailey after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Iris sanguin - Blood iris, Iris sanguinea (Red-leaved flower de luce, Iris haematophylla). Handcoloured copperplate engraving by A. Bailey after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4713258: Iris sanguin - Blood iris, Iris sanguinea (Red-leaved flower de luce, Iris haematophylla). Handcoloured copperplate engraving by A. Bailey after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Golden iris or golden flag, Iris crocea (golden flower de luce, Iris aurea). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Golden iris or golden flag, Iris crocea (golden flower de luce, Iris aurea). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4713265: Golden iris or golden flag, Iris crocea (golden flower de luce, Iris aurea). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Forked-petaled flower de luce, Iris dichotoma. Handcoloured copperplate engraving by A. Bailey after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Forked-petaled flower de luce, Iris dichotoma. Handcoloured copperplate engraving by A. Bailey after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4713270: Forked-petaled flower de luce, Iris dichotoma. Handcoloured copperplate engraving by A. Bailey after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Portrait of Hannibal or Annibal Barca (ca. 247-183 BC), Carthaginian general and statesman.
Portrait of Hannibal or Annibal Barca (ca. 247-183 BC), Carthaginian general and statesman.

GIA4713296: Portrait of Hannibal or Annibal Barca (ca. 247-183 BC), Carthaginian general and statesman., Unknown Artist, (19th century) / Bridgeman Images

Portrait of King Etienne (Stephen) dit de Blois (1096-1154), last Norman king of England.
Portrait of King Etienne (Stephen) dit de Blois (1096-1154), last Norman king of England.

GIA4713326: Portrait of King Etienne (Stephen) dit de Blois (1096-1154), last Norman king of England., Unknown Artist, (19th century) / Bridgeman Images

E: Ecuyere  Where is his horse? c.1930 (chromolithograph)
E: Ecuyere  Where is his horse? c.1930 (chromolithograph)

DUV4710984: E: Ecuyere Where is his horse? c.1930 (chromolithograph), Gougeon, Louis (20th) / Bridgeman Images

Sante (hygiene) during the First World War 1914-1918: “” You kept fit and defeated the Hun. Now set a high standard a clean america! “”. Poster for an American prevention campaign to get soldiers checked for venereal diseases. Illustration by Ernest Fuhr (1874-1933). United States, 1919.
Sante (hygiene) during the First World War 1914-1918: “” You kept fit and defeated the Hun. Now set a high standard a clean america! “”. Poster for an American prevention campaign to get soldiers checked for venereal diseases. Illustration by Ernest Fuhr (1874-1933). United States, 1919.

GIA4711012: Sante (hygiene) during the First World War 1914-1918: “” You kept fit and defeated the Hun. Now set a high standard a clean america! “”. Poster for an American prevention campaign to get soldiers checked for venereal diseases. Illustration by Ernest Fuhr (1874-1933). United States, 1919., Unknown Artist, (20th century) / Bridgeman Images

Goniolimon incanum (Hoary sea lavender, Taxanthema incana). Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.
Goniolimon incanum (Hoary sea lavender, Taxanthema incana). Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.

FLO4711050: Goniolimon incanum (Hoary sea lavender, Taxanthema incana). Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828. / Bridgeman Images

Surgical interventions on the female and male sexes. Engraving in “Armamentarium Surgical” by J. Scultetus, Venice, 1665.
Surgical interventions on the female and male sexes. Engraving in “Armamentarium Surgical” by J. Scultetus, Venice, 1665.

GIA4711054: Surgical interventions on the female and male sexes. Engraving in “Armamentarium Surgical” by J. Scultetus, Venice, 1665., Unknown Artist, (17th century) / Bridgeman Images

Syphilis may cause: heart disorder, blindness, deafness and mental disorders. Have your blood tested. Preventive poster (propaganda) for soldiers of the Second World War (1939-1945), 1941.
Syphilis may cause: heart disorder, blindness, deafness and mental disorders. Have your blood tested. Preventive poster (propaganda) for soldiers of the Second World War (1939-1945), 1941.

GIA4711085: Syphilis may cause: heart disorder, blindness, deafness and mental disorders. Have your blood tested. Preventive poster (propaganda) for soldiers of the Second World War (1939-1945), 1941., Unknown Artist, (20th century) / Bridgeman Images

A: Robinson Crusoe - search for the bird (fictional character of Daniel Defoe's novel (ca. 1660-1731), published in 1719) , c.1920 (chromolithograph)
A: Robinson Crusoe - search for the bird (fictional character of Daniel Defoe's novel (ca. 1660-1731), published in 1719) , c.1920 (chromolithograph)

DUV4711096: A: Robinson Crusoe - search for the bird (fictional character of Daniel Defoe's novel (ca. 1660-1731), published in 1719) , c.1920 (chromolithograph) / Bridgeman Images

S : Sherlock Holmes - cherchez l'assassin en 1887) - Alphabet devinettes alphabetiques. Personnages reels ou de fiction du monde du cinema, du theatre ou de la litterature. Serie de chromolithographies editees par Ch. Duffit, Paris, s. d. pour differentes enseignes de magasin. Dimensions : 9,5 x 6,5 cm
S : Sherlock Holmes - cherchez l'assassin en 1887) - Alphabet devinettes alphabetiques. Personnages reels ou de fiction du monde du cinema, du theatre ou de la litterature. Serie de chromolithographies editees par Ch. Duffit, Paris, s. d. pour differentes enseignes de magasin. Dimensions : 9,5 x 6,5 cm

DUV4711117: S : Sherlock Holmes - cherchez l'assassin en 1887) - Alphabet devinettes alphabetiques. Personnages reels ou de fiction du monde du cinema, du theatre ou de la litterature. Serie de chromolithographies editees par Ch. Duffit, Paris, s. d. pour differentes enseignes de magasin. Dimensions : 9,5 x 6,5 cm, French School, (20th century) / Bridgeman Images

Q: Don Quixote -where is Sancho Panca? (Heros du romande Miguel de Cervantes (1547-1616), published in 1605 and 1615) c.1920 (chromolithograph)
Q: Don Quixote -where is Sancho Panca? (Heros du romande Miguel de Cervantes (1547-1616), published in 1605 and 1615) c.1920 (chromolithograph)

DUV4711143: Q: Don Quixote -where is Sancho Panca? (Heros du romande Miguel de Cervantes (1547-1616), published in 1605 and 1615) c.1920 (chromolithograph) / Bridgeman Images

M: Max Linder - who does he offer his bouquet? (Gabriel Leuvielle called Max Linder (1883-1925) French actor and producer of silent cinema) c.1920 (chromolithograph)
M: Max Linder - who does he offer his bouquet? (Gabriel Leuvielle called Max Linder (1883-1925) French actor and producer of silent cinema) c.1920 (chromolithograph)

DUV4711166: M: Max Linder - who does he offer his bouquet? (Gabriel Leuvielle called Max Linder (1883-1925) French actor and producer of silent cinema) c.1920 (chromolithograph) / Bridgeman Images

Hydrangea Variete - Japan hydrangea, Hydrangea japonica. Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Hydrangea Variete - Japan hydrangea, Hydrangea japonica. Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4711274: Hydrangea Variete - Japan hydrangea, Hydrangea japonica. Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

A: Harlequin - look for Pierrot (Arlecchino, character of the commedia dell'arte), c.1920 (chromolithograph)
A: Harlequin - look for Pierrot (Arlecchino, character of the commedia dell'arte), c.1920 (chromolithograph)

DUV4711275: A: Harlequin - look for Pierrot (Arlecchino, character of the commedia dell'arte), c.1920 (chromolithograph) / Bridgeman Images

Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707060: Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Portrait of Count Carlo di Persano Pellion (1806-1883), patriot of the Italian Unite.
Portrait of Count Carlo di Persano Pellion (1806-1883), patriot of the Italian Unite.

GIA4707191: Portrait of Count Carlo di Persano Pellion (1806-1883), patriot of the Italian Unite., Unknown Artist, (19th century) / Bridgeman Images

Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707208: Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Ring (Anello) (1859) by Antonio Pacinotti (1841-1912), Italian physicist.
Ring (Anello) (1859) by Antonio Pacinotti (1841-1912), Italian physicist.

GIA4707212: Ring (Anello) (1859) by Antonio Pacinotti (1841-1912), Italian physicist. / Bridgeman Images

Frontispice of “” Nina Pazza per Amore”” by Giovanni Paisiello (or Paesiello or Paesieillo) (1740-1816), Italian composer. Bologna Conservatorio di musica
Frontispice of “” Nina Pazza per Amore”” by Giovanni Paisiello (or Paesiello or Paesieillo) (1740-1816), Italian composer. Bologna Conservatorio di musica

GIA4707235: Frontispice of “” Nina Pazza per Amore”” by Giovanni Paisiello (or Paesiello or Paesieillo) (1740-1816), Italian composer. Bologna Conservatorio di musica, Unknown Artist / Bridgeman Images

Portrait of Giovanni Paisiello (or Paesiello or Paesieillo) (1740-1816), Italian composer. Engraving of the 19th century
Portrait of Giovanni Paisiello (or Paesiello or Paesieillo) (1740-1816), Italian composer. Engraving of the 19th century

GIA4707245: Portrait of Giovanni Paisiello (or Paesiello or Paesieillo) (1740-1816), Italian composer. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707247: Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

The compsole in its most ancient form floating on the water surface. Illustration from a treatise on magnetism by J. Taisnier, 1562.
The compsole in its most ancient form floating on the water surface. Illustration from a treatise on magnetism by J. Taisnier, 1562.

GIA4707268: The compsole in its most ancient form floating on the water surface. Illustration from a treatise on magnetism by J. Taisnier, 1562., Unknown Artist, (16th century) / Bridgeman Images

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707281: Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707290: A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707301: Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707314: Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707340: First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

S: Switzerland (Swiss guard)  Where is the cure? c.1930 (chromolithograph)
S: Switzerland (Swiss guard)  Where is the cure? c.1930 (chromolithograph)

DUV4710831: S: Switzerland (Swiss guard) Where is the cure? c.1930 (chromolithograph), Gougeon, Louis (20th) / Bridgeman Images

Glaucescent-leaved primrose, Primula glaucescens. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.
Glaucescent-leaved primrose, Primula glaucescens. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.

FLO4710861: Glaucescent-leaved primrose, Primula glaucescens. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828. / Bridgeman Images

Caucasean iris, Iris caucasica. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.
Caucasean iris, Iris caucasica. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.

FLO4710872: Caucasean iris, Iris caucasica. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828. / Bridgeman Images

L: Washer  Where is her battoir? c.1930 (chromolithograph)
L: Washer  Where is her battoir? c.1930 (chromolithograph)

DUV4710914: L: Washer Where is her battoir? c.1930 (chromolithograph), Gougeon, Louis (20th) / Bridgeman Images

Conanthera campanulata (Hyacinth-flowered cummingia, Cummingia campanulata). Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.
Conanthera campanulata (Hyacinth-flowered cummingia, Cummingia campanulata). Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.

FLO4710918: Conanthera campanulata (Hyacinth-flowered cummingia, Cummingia campanulata). Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828. / Bridgeman Images

F: Factor  Who called him? c.1930 (chromolithograph)
F: Factor  Who called him? c.1930 (chromolithograph)

DUV4710955: F: Factor Who called him? c.1930 (chromolithograph), Gougeon, Louis (20th) / Bridgeman Images

The circumcision of Christ in a lettrine P. Partition (Choral) of the 15th century by Cristoforo Cortese (first half of the 15th century). Biblioteca Brera, Milan
The circumcision of Christ in a lettrine P. Partition (Choral) of the 15th century by Cristoforo Cortese (first half of the 15th century). Biblioteca Brera, Milan

GIA4710960: The circumcision of Christ in a lettrine P. Partition (Choral) of the 15th century by Cristoforo Cortese (first half of the 15th century). Biblioteca Brera, Milan, Cortese, Cristoforo (c.1350-1445) / Bridgeman Images


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