Print Friendly Version Page

2534267 Search Results

English opera singer Miss Palar as Nair in the fairy comic opera La Clochette by Ferdinand Herold at the Feydeau room in the Opera Comique, 1817. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1821.
English opera singer Miss Palar as Nair in the fairy comic opera La Clochette by Ferdinand Herold at the Feydeau room in the Opera Comique, 1817. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1821.

FLO4562780: English opera singer Miss Palar as Nair in the fairy comic opera La Clochette by Ferdinand Herold at the Feydeau room in the Opera Comique, 1817. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1821. / Bridgeman Images

English comic actor Adrien Perlet (1795-1850) as Fringale in le Gastronome sans Argent by Eugene Scribe at the Theatre du Gymnasium, 1821. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1822.
English comic actor Adrien Perlet (1795-1850) as Fringale in le Gastronome sans Argent by Eugene Scribe at the Theatre du Gymnasium, 1821. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1822.

FLO4562851: English comic actor Adrien Perlet (1795-1850) as Fringale in le Gastronome sans Argent by Eugene Scribe at the Theatre du Gymnasium, 1821. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1822. / Bridgeman Images

English actor Jean Baptiste Emmanuel Marie Legrand (1782-1854) as Lesec in La Merchant de Goujons by Francis and Dartois at the Theatre des Varietes, 1821. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1822.
English actor Jean Baptiste Emmanuel Marie Legrand (1782-1854) as Lesec in La Merchant de Goujons by Francis and Dartois at the Theatre des Varietes, 1821. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1822.

FLO4562860: English actor Jean Baptiste Emmanuel Marie Legrand (1782-1854) as Lesec in La Merchant de Goujons by Francis and Dartois at the Theatre des Varietes, 1821. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1822. / Bridgeman Images

English opera tenor Jean-Blaise Martin 1768-1837 as Senechal in the comic opera Jean de Paris by Francois-Adrien Boieldieu at the Opera Comique, Paris. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. and Z, Chez Janet, Paris, 1818.
English opera tenor Jean-Blaise Martin 1768-1837 as Senechal in the comic opera Jean de Paris by Francois-Adrien Boieldieu at the Opera Comique, Paris. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. and Z, Chez Janet, Paris, 1818.

FLO4562900: English opera tenor Jean-Blaise Martin 1768-1837 as Senechal in the comic opera Jean de Paris by Francois-Adrien Boieldieu at the Opera Comique, Paris. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. and Z, Chez Janet, Paris, 1818. / Bridgeman Images

Observation night - Sky watchers - Observation night between amateur astronomers. Three amateur astronomers observe the sky and set up for a night of astrophotography
Observation night - Sky watchers - Observation night between amateur astronomers. Three amateur astronomers observe the sky and set up for a night of astrophotography

PIX4565786: Observation night - Sky watchers - Observation night between amateur astronomers. Three amateur astronomers observe the sky and set up for a night of astrophotography / Bridgeman Images

A woman clothed in the fashion of the English Regence (1811-1820), in a bookstore in Bath (England), asking the bookseller to stick together pages so that her daughter could not read a “” evil Methodist hymn”” - Eau forte by Francis Eginton (1737-1805), extracted from Bath's New Guide or Memories of the Blunderhead family, published in 1807 - ( Fashionable Regency woman at a booksellers in Bath, requesting the bookseller paste some offending pages together so that her daughter may not read a “” vile methodistical hymn”” - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)
A woman clothed in the fashion of the English Regence (1811-1820), in a bookstore in Bath (England), asking the bookseller to stick together pages so that her daughter could not read a “” evil Methodist hymn”” - Eau forte by Francis Eginton (1737-1805), extracted from Bath's New Guide or Memories of the Blunderhead family, published in 1807 - ( Fashionable Regency woman at a booksellers in Bath, requesting the bookseller paste some offending pages together so that her daughter may not read a “” vile methodistical hymn”” - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)

FLO4565801: A woman clothed in the fashion of the English Regence (1811-1820), in a bookstore in Bath (England), asking the bookseller to stick together pages so that her daughter could not read a “” evil Methodist hymn”” - Eau forte by Francis Eginton (1737-1805), extracted from Bath's New Guide or Memories of the Blunderhead family, published in 1807 - ( Fashionable Regency woman at a booksellers in Bath, requesting the bookseller paste some offending pages together so that her daughter may not read a “” vile methodistical hymn”” - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807) / Bridgeman Images

Observation of the sky - Amateur astronomers - Observation with the naked eye
Observation of the sky - Amateur astronomers - Observation with the naked eye

PIX4565820: Observation of the sky - Amateur astronomers - Observation with the naked eye / Bridgeman Images

Galaxies cluster Abell 2744 - This image of the galaxy cluster Abell 2744 located in the constellation of the Sculptor, combines images obtained in visible form by the Hubble Space Telescope (HST) and the Very Large Telescope (VLT). This image of galaxy cluster Abell 2744 combines data from the NASA/ESA Hubble Space Telescope's Advanced Camera for Surveys, with an image taken with the European Southern Observatory's Very Large Telescope (VLT). Hubble provides the central, most detailed part of the image, while the VLT, which has a wider field of view, provides the outer parts of the image. This object has been nicknamed Pandora's Cluster because of the many different and strange phenomena that were unleashed by a huge collision that occurred over a period of 350 million years. A simultaneous pile - up between at least four separate clusters has produced strange effects that have never been seen together before
Galaxies cluster Abell 2744 - This image of the galaxy cluster Abell 2744 located in the constellation of the Sculptor, combines images obtained in visible form by the Hubble Space Telescope (HST) and the Very Large Telescope (VLT). This image of galaxy cluster Abell 2744 combines data from the NASA/ESA Hubble Space Telescope's Advanced Camera for Surveys, with an image taken with the European Southern Observatory's Very Large Telescope (VLT). Hubble provides the central, most detailed part of the image, while the VLT, which has a wider field of view, provides the outer parts of the image. This object has been nicknamed Pandora's Cluster because of the many different and strange phenomena that were unleashed by a huge collision that occurred over a period of 350 million years. A simultaneous pile - up between at least four separate clusters has produced strange effects that have never been seen together before

PIX4565849: Galaxies cluster Abell 2744 - This image of the galaxy cluster Abell 2744 located in the constellation of the Sculptor, combines images obtained in visible form by the Hubble Space Telescope (HST) and the Very Large Telescope (VLT). This image of galaxy cluster Abell 2744 combines data from the NASA/ESA Hubble Space Telescope's Advanced Camera for Surveys, with an image taken with the European Southern Observatory's Very Large Telescope (VLT). Hubble provides the central, most detailed part of the image, while the VLT, which has a wider field of view, provides the outer parts of the image. This object has been nicknamed Pandora's Cluster because of the many different and strange phenomena that were unleashed by a huge collision that occurred over a period of 350 million years. A simultaneous pile - up between at least four separate clusters has produced strange effects that have never been seen together before / Bridgeman Images

Observation night - Amateur astronomer
Observation night - Amateur astronomer

PIX4565851: Observation night - Amateur astronomer / Bridgeman Images

Hellebore fetide or griffon's foot. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Stinking hellebore, Helleborus foetidus. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Hellebore fetide or griffon's foot. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Stinking hellebore, Helleborus foetidus. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565909: Hellebore fetide or griffon's foot. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Stinking hellebore, Helleborus foetidus. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Sea cabbage or sea cramp. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Sea kale, Crambe maritima. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Sea cabbage or sea cramp. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Sea kale, Crambe maritima. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565933: Sea cabbage or sea cramp. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Sea kale, Crambe maritima. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Gazing at the stars - Observation of the sky with a bezel
Gazing at the stars - Observation of the sky with a bezel

PIX4565936: Gazing at the stars - Observation of the sky with a bezel / Bridgeman Images

Sagittarius has leaves in arrows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Arrow head, Sagittaria sagittifolia. Handcoloured copperplate engraving by W.E. Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Sagittarius has leaves in arrows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Arrow head, Sagittaria sagittifolia. Handcoloured copperplate engraving by W.E. Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565947: Sagittarius has leaves in arrows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Arrow head, Sagittaria sagittifolia. Handcoloured copperplate engraving by W.E. Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Amateur Astronomers - Amateur Astronomers - Amateur astronomers prepare their evening of observation at the ratings of professional astronomers. Calar Alto Observatory - Spain. Amateur astronomers preparing their night sky observation beside the professionals at Calar Alto Observatory, Spain
Amateur Astronomers - Amateur Astronomers - Amateur astronomers prepare their evening of observation at the ratings of professional astronomers. Calar Alto Observatory - Spain. Amateur astronomers preparing their night sky observation beside the professionals at Calar Alto Observatory, Spain

PIX4565989: Amateur Astronomers - Amateur Astronomers - Amateur astronomers prepare their evening of observation at the ratings of professional astronomers. Calar Alto Observatory - Spain. Amateur astronomers preparing their night sky observation beside the professionals at Calar Alto Observatory, Spain / Bridgeman Images

Viorne lantane. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Mealy guelder pink, Viburnum lantana. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Viorne lantane. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Mealy guelder pink, Viburnum lantana. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566090: Viorne lantane. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Mealy guelder pink, Viburnum lantana. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Yellow glauciere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Yellow horned poppy, Glaucium luteum. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Yellow glauciere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Yellow horned poppy, Glaucium luteum. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566105: Yellow glauciere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Yellow horned poppy, Glaucium luteum. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Amateur astronomer - Amateur astronomer - Amateur astronomer at the Paranal Observatory in Chile. FS128 bezel. Amateur astronomer at Paranal observatory in Chile. Takahashi FS128 refractor
Amateur astronomer - Amateur astronomer - Amateur astronomer at the Paranal Observatory in Chile. FS128 bezel. Amateur astronomer at Paranal observatory in Chile. Takahashi FS128 refractor

PIX4566132: Amateur astronomer - Amateur astronomer - Amateur astronomer at the Paranal Observatory in Chile. FS128 bezel. Amateur astronomer at Paranal observatory in Chile. Takahashi FS128 refractor / Bridgeman Images

English actor Charles Potier and Miss Pauline in the comedy L'Homme de Sixty Ans by d'Artois, Simonnin and Ferdinand at the Theatre des Varietes, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1825.
English actor Charles Potier and Miss Pauline in the comedy L'Homme de Sixty Ans by d'Artois, Simonnin and Ferdinand at the Theatre des Varietes, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1825.

FLO4562942: English actor Charles Potier and Miss Pauline in the comedy L'Homme de Sixty Ans by d'Artois, Simonnin and Ferdinand at the Theatre des Varietes, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1825. / Bridgeman Images

Ipomee, nemophile, flax flower and hosta (formerly funkia). Lithograph by James Andrews (1801-1876), published in Fleurs des pays etrangers, by Robert Tyas, London, 1853, edited by Houlston and Stoneman.
Ipomee, nemophile, flax flower and hosta (formerly funkia). Lithograph by James Andrews (1801-1876), published in Fleurs des pays etrangers, by Robert Tyas, London, 1853, edited by Houlston and Stoneman.

FLO4563001: Ipomee, nemophile, flax flower and hosta (formerly funkia). Lithograph by James Andrews (1801-1876), published in Fleurs des pays etrangers, by Robert Tyas, London, 1853, edited by Houlston and Stoneman. / Bridgeman Images

Bignone has large flowers or Chinese bignone. Lithograph in The New Practical Gardener, by James Anderson, published in Glascow in 1872.
Bignone has large flowers or Chinese bignone. Lithograph in The New Practical Gardener, by James Anderson, published in Glascow in 1872.

FLO4563028: Bignone has large flowers or Chinese bignone. Lithograph in The New Practical Gardener, by James Anderson, published in Glascow in 1872. / Bridgeman Images

Pink swamp rose, Rosa pensylvanica (Rosa palustris). Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths.
Pink swamp rose, Rosa pensylvanica (Rosa palustris). Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths.

FLO4563076: Pink swamp rose, Rosa pensylvanica (Rosa palustris). Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths. / Bridgeman Images

White rose, Rosa lucida. Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths.
White rose, Rosa lucida. Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths.

FLO4563113: White rose, Rosa lucida. Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths. / Bridgeman Images

Botanical board: Scent dill (Anethum graveolens). Coloured copper prints from a drawing by B. Thanner by Johannes Zorn “” Afbeeldingen der Artseny-Gewassen”” (Icons de plantes medicinales) published by Jan Christiaan Sepp in 1796. Zorn (1739-1799) was a German pharmacist and botanist who travelled all over Europe looking for medicinal plants.
Botanical board: Scent dill (Anethum graveolens). Coloured copper prints from a drawing by B. Thanner by Johannes Zorn “” Afbeeldingen der Artseny-Gewassen”” (Icons de plantes medicinales) published by Jan Christiaan Sepp in 1796. Zorn (1739-1799) was a German pharmacist and botanist who travelled all over Europe looking for medicinal plants.

FLO4563141: Botanical board: Scent dill (Anethum graveolens). Coloured copper prints from a drawing by B. Thanner by Johannes Zorn “” Afbeeldingen der Artseny-Gewassen”” (Icons de plantes medicinales) published by Jan Christiaan Sepp in 1796. Zorn (1739-1799) was a German pharmacist and botanist who travelled all over Europe looking for medicinal plants. / Bridgeman Images

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

FLO4563181: Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Flora, crowned with a garden of flowers, offering floral tributes to three figures - Botany (shown holding an alembic), Physics (who is looking through a magnifying glass) and Pomona (who holds a spade and basket of fruit). Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.
Flora, crowned with a garden of flowers, offering floral tributes to three figures - Botany (shown holding an alembic), Physics (who is looking through a magnifying glass) and Pomona (who holds a spade and basket of fruit). Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

FLO4563185: Flora, crowned with a garden of flowers, offering floral tributes to three figures - Botany (shown holding an alembic), Physics (who is looking through a magnifying glass) and Pomona (who holds a spade and basket of fruit). Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771. / Bridgeman Images

Plans for formal gardens, 18th century. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.
Plans for formal gardens, 18th century. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

FLO4563195: Plans for formal gardens, 18th century. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771. / Bridgeman Images

Cowslip varieties, Primula veris 1-6, and pellitory, Achillea ptarmica 7-8. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.
Cowslip varieties, Primula veris 1-6, and pellitory, Achillea ptarmica 7-8. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

FLO4563277: Cowslip varieties, Primula veris 1-6, and pellitory, Achillea ptarmica 7-8. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771. / Bridgeman Images

Guelder-rose, Viburnum opulus 1, red scabious, Scabiosa peregrina 2, mountain scabious, Pterocephalus dumetorum 3, devil's bit, Succisa pratensis 4, and thistle protea, Protea scolymocephala 5-7. (Sambucus, Scabiosa, Scolymocephalus.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.
Guelder-rose, Viburnum opulus 1, red scabious, Scabiosa peregrina 2, mountain scabious, Pterocephalus dumetorum 3, devil's bit, Succisa pratensis 4, and thistle protea, Protea scolymocephala 5-7. (Sambucus, Scabiosa, Scolymocephalus.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

FLO4563281: Guelder-rose, Viburnum opulus 1, red scabious, Scabiosa peregrina 2, mountain scabious, Pterocephalus dumetorum 3, devil's bit, Succisa pratensis 4, and thistle protea, Protea scolymocephala 5-7. (Sambucus, Scabiosa, Scolymocephalus.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771. / Bridgeman Images

Silver fir, Abies alba (Pinus picea). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.
Silver fir, Abies alba (Pinus picea). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

FLO4563349: Silver fir, Abies alba (Pinus picea). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876. / Bridgeman Images

Buckbean or bogbean, Menyanthes trifoliata.
Buckbean or bogbean, Menyanthes trifoliata.

FLO4563458: Buckbean or bogbean, Menyanthes trifoliata. / Bridgeman Images

Bittersweet nightshade, Solanum dulcamara. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.
Bittersweet nightshade, Solanum dulcamara. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

FLO4563487: Bittersweet nightshade, Solanum dulcamara. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876. / Bridgeman Images

Jimsonweed or Devil's snare, Datura stramonium. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.
Jimsonweed or Devil's snare, Datura stramonium. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

FLO4563523: Jimsonweed or Devil's snare, Datura stramonium. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876. / Bridgeman Images

Trullo, Alberobello, Puglia, Italy
Trullo, Alberobello, Puglia, Italy

CUB4541422: Trullo, Alberobello, Puglia, Italy / Bridgeman Images

Roof a trullo, Alberobello, Puglia, Italy
Roof a trullo, Alberobello, Puglia, Italy

CUB4541439: Roof a trullo, Alberobello, Puglia, Italy / Bridgeman Images

Woolen cloth, Alberobello, Puglia, Italy
Woolen cloth, Alberobello, Puglia, Italy

CUB4541442: Woolen cloth, Alberobello, Puglia, Italy / Bridgeman Images

Prickly pear, Italy
Prickly pear, Italy

CUB4541452: Prickly pear, Italy / Bridgeman Images


Back to top