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The emperor Diocletian humiliating Galere publicly by forcing him to walk in front of his chariot for a distance of one mile after his defeat against the Persian army at Callinicum (Raqqa) in 296 (In Antioch, Diocletian forced Galerius to walk a mile in advance of his imperial cart while still clad in the purple robes of an emperor after Galerius's defeat against Persia, 296) Engraving from “Storia di Roma” by Francesco Bertolini
The emperor Diocletian humiliating Galere publicly by forcing him to walk in front of his chariot for a distance of one mile after his defeat against the Persian army at Callinicum (Raqqa) in 296 (In Antioch, Diocletian forced Galerius to walk a mile in advance of his imperial cart while still clad in the purple robes of an emperor after Galerius's defeat against Persia, 296) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4962590: The emperor Diocletian humiliating Galere publicly by forcing him to walk in front of his chariot for a distance of one mile after his defeat against the Persian army at Callinicum (Raqqa) in 296 (In Antioch, Diocletian forced Galerius to walk a mile in advance of his imperial cart while still clad in the purple robes of an emperor after Galerius's defeat against Persia, 296) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

The ill Breton Count Gurwant (or Gurvan) is on the battlefield against Pascweten 876 (Wrhwant, Gurwant, Gurwent or Gurvand fignting against Pascweten, Count of Vannes 876) Engraving from “La bretagne” by Jules-Janin 19th century Private Collection
The ill Breton Count Gurwant (or Gurvan) is on the battlefield against Pascweten 876 (Wrhwant, Gurwant, Gurwent or Gurvand fignting against Pascweten, Count of Vannes 876) Engraving from “La bretagne” by Jules-Janin 19th century Private Collection

ELD4962658: The ill Breton Count Gurwant (or Gurvan) is on the battlefield against Pascweten 876 (Wrhwant, Gurwant, Gurwent or Gurvand fignting against Pascweten, Count of Vannes 876) Engraving from “La bretagne” by Jules-Janin 19th century Private Collection / Bridgeman Images

La fabrication des nouvelles coins de five francs - production of french frank coins - illustration from “” Le pelerin”” 21/09/1933 Collection privee
La fabrication des nouvelles coins de five francs - production of french frank coins - illustration from “” Le pelerin”” 21/09/1933 Collection privee

ELD4962726: La fabrication des nouvelles coins de five francs - production of french frank coins - illustration from “” Le pelerin”” 21/09/1933 Collection privee, Unknown Artist, (20th century) / Bridgeman Images

La fabrication des nouvelles coins de five francs - production of french frank coins - illustration from “” Le pelerin”” 21/09/1933 Collection privee
La fabrication des nouvelles coins de five francs - production of french frank coins - illustration from “” Le pelerin”” 21/09/1933 Collection privee

ELD4962729: La fabrication des nouvelles coins de five francs - production of french frank coins - illustration from “” Le pelerin”” 21/09/1933 Collection privee, Unknown Artist, (20th century) / Bridgeman Images

View of the collegiale and the chateau of EU (Collegiale Notre-Dame-et-Saint-Laurent d'Eu) Seine Maritime, Normandy Postcard ca. 1910
View of the collegiale and the chateau of EU (Collegiale Notre-Dame-et-Saint-Laurent d'Eu) Seine Maritime, Normandy Postcard ca. 1910

ELD4962751: View of the collegiale and the chateau of EU (Collegiale Notre-Dame-et-Saint-Laurent d'Eu) Seine Maritime, Normandy Postcard ca. 1910 / Bridgeman Images

View of the cathedrale Notre Dame de Tournai, belgium, 1910 (postcard)
View of the cathedrale Notre Dame de Tournai, belgium, 1910 (postcard)

ELD4962776: View of the cathedrale Notre Dame de Tournai, belgium, 1910 (postcard), Unknown photographer, (20th century) / Bridgeman Images

View of the chapel of the Basilica of the Holy Blood Bruges (Basilica of the Holy Blood Bruges, Belgium) Postcard ca. 1910
View of the chapel of the Basilica of the Holy Blood Bruges (Basilica of the Holy Blood Bruges, Belgium) Postcard ca. 1910

ELD4962787: View of the chapel of the Basilica of the Holy Blood Bruges (Basilica of the Holy Blood Bruges, Belgium) Postcard ca. 1910 / Bridgeman Images

Scene from 'Les Plaideurs' by Jean Racine, 19th century (engraving)
Scene from 'Les Plaideurs' by Jean Racine, 19th century (engraving)

ELD4962899: Scene from 'Les Plaideurs' by Jean Racine, 19th century (engraving) / Bridgeman Images

Scene from 'Athalie', 19th century (engraving)
Scene from 'Athalie', 19th century (engraving)

ELD4963075: Scene from 'Athalie', 19th century (engraving) / Bridgeman Images

Portrait of Queen Edith of England (Editha, Edgitha) (910-946) (Portrait of Queen Eadgyth or Edith of England) Engraving from “Histoire de L'Angleterre” by Augustin Thierry 1867
Portrait of Queen Edith of England (Editha, Edgitha) (910-946) (Portrait of Queen Eadgyth or Edith of England) Engraving from “Histoire de L'Angleterre” by Augustin Thierry 1867

ELD4963077: Portrait of Queen Edith of England (Editha, Edgitha) (910-946) (Portrait of Queen Eadgyth or Edith of England) Engraving from “Histoire de L'Angleterre” by Augustin Thierry 1867 / Bridgeman Images

View of the entrance of the casino in Monte-Carlo - Postcard around 1910
View of the entrance of the casino in Monte-Carlo - Postcard around 1910

ELD4963178: View of the entrance of the casino in Monte-Carlo - Postcard around 1910 / Bridgeman Images

View of the courthouse of Rouen en en Seine Maritime, Normandy Postcard ca. 1910
View of the courthouse of Rouen en en Seine Maritime, Normandy Postcard ca. 1910

ELD4963265: View of the courthouse of Rouen en en Seine Maritime, Normandy Postcard ca. 1910 / Bridgeman Images

Ancient Rome, Roman Civil War (83-82 BC) the fetials hand over to the Sannite Ponce telesin (died 82 BC) the consul Spurius Postumius - Engraving from “Storia di Roma” by Francesco Bertolini
Ancient Rome, Roman Civil War (83-82 BC) the fetials hand over to the Sannite Ponce telesin (died 82 BC) the consul Spurius Postumius - Engraving from “Storia di Roma” by Francesco Bertolini

ELD4963267: Ancient Rome, Roman Civil War (83-82 BC) the fetials hand over to the Sannite Ponce telesin (died 82 BC) the consul Spurius Postumius - Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Revolt among the populars especially in the tribune of the plebe Lucius Appuleius Saturninus and Caius Servilius 100 BC which was reprimanded by Caius Marius (157-86 BC) (Revolt of the populist party of the populares, 100 BC) Engraving from “Storia di Roma” by Francesco Bertolini
Revolt among the populars especially in the tribune of the plebe Lucius Appuleius Saturninus and Caius Servilius 100 BC which was reprimanded by Caius Marius (157-86 BC) (Revolt of the populist party of the populares, 100 BC) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4963329: Revolt among the populars especially in the tribune of the plebe Lucius Appuleius Saturninus and Caius Servilius 100 BC which was reprimanded by Caius Marius (157-86 BC) (Revolt of the populist party of the populares, 100 BC) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Ancient Rome: A trial at the times of emperor Claudius, 1st century Engraving from “Storia di Roma” by Francesco Bertolini
Ancient Rome: A trial at the times of emperor Claudius, 1st century Engraving from “Storia di Roma” by Francesco Bertolini

ELD4963414: Ancient Rome: A trial at the times of emperor Claudius, 1st century Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Ancient Rome: The Emperor Diocletian in Salone (then Split) (Roman Emperor Diocletian retired in Salona) Engraving from “Storia di Roma” by Francesco Bertolini
Ancient Rome: The Emperor Diocletian in Salone (then Split) (Roman Emperor Diocletian retired in Salona) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4963480: Ancient Rome: The Emperor Diocletian in Salone (then Split) (Roman Emperor Diocletian retired in Salona) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Fire of the Nicomedia Palace under the regne of Constance II during the great earthquake of 258 (Earthquake in Nicomedia in 358, burning of the Diocletian's palace) Engraving from “Storia di Roma” by Francesco Bertolini
Fire of the Nicomedia Palace under the regne of Constance II during the great earthquake of 258 (Earthquake in Nicomedia in 358, burning of the Diocletian's palace) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4963481: Fire of the Nicomedia Palace under the regne of Constance II during the great earthquake of 258 (Earthquake in Nicomedia in 358, burning of the Diocletian's palace) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

The defeat of Emperor Maxence who died on 28 October 312, during the Battle of the Milvius Bridge, 19th century (engraving)
The defeat of Emperor Maxence who died on 28 October 312, during the Battle of the Milvius Bridge, 19th century (engraving)

ELD4963509: The defeat of Emperor Maxence who died on 28 October 312, during the Battle of the Milvius Bridge, 19th century (engraving) / Bridgeman Images

Ancient Rome: Proclamation of Emperor Julian (Flavius Claudius Julianus) said Julian the Apostate in 361 (Julian the Apostate proclaimed emperor in 361 AD) Engraving from “Storia di Roma” by Francesco Bertolini
Ancient Rome: Proclamation of Emperor Julian (Flavius Claudius Julianus) said Julian the Apostate in 361 (Julian the Apostate proclaimed emperor in 361 AD) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4963527: Ancient Rome: Proclamation of Emperor Julian (Flavius Claudius Julianus) said Julian the Apostate in 361 (Julian the Apostate proclaimed emperor in 361 AD) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Attempted to rebuild the temple of Jerusalem by Julien the apostate in 362 AD (Roman emperor Julian the apostate trying to rebuild the temple of Jerusalem, 362) Engraving from “Storia di Roma” by Francesco Bertolini
Attempted to rebuild the temple of Jerusalem by Julien the apostate in 362 AD (Roman emperor Julian the apostate trying to rebuild the temple of Jerusalem, 362) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4963571: Attempted to rebuild the temple of Jerusalem by Julien the apostate in 362 AD (Roman emperor Julian the apostate trying to rebuild the temple of Jerusalem, 362) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Invasion of the Barbarians - At their head, Attila (385-453) chief of the Huns (The charge of the Huns led by Attila (405-453), breaking on Italy, 5th century) Engraving from “Storia di Roma” by Francesco Bertolini
Invasion of the Barbarians - At their head, Attila (385-453) chief of the Huns (The charge of the Huns led by Attila (405-453), breaking on Italy, 5th century) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4963573: Invasion of the Barbarians - At their head, Attila (385-453) chief of the Huns (The charge of the Huns led by Attila (405-453), breaking on Italy, 5th century) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

The Coronation of Anne of Brittany (1477-1514) February 8, 1492 at the Basilica of Saint Denis. By Jules-Janin, 19th century,(engraving from “Histoire de la Bretagne”).
The Coronation of Anne of Brittany (1477-1514) February 8, 1492 at the Basilica of Saint Denis. By Jules-Janin, 19th century,(engraving from “Histoire de la Bretagne”).

ELD4963601: The Coronation of Anne of Brittany (1477-1514) February 8, 1492 at the Basilica of Saint Denis. By Jules-Janin, 19th century,(engraving from “Histoire de la Bretagne”). / Bridgeman Images

Augustine of Cantorbery and King Aethelberht of Kent (560-616) first English ruler converted to Christianity (Augustine of Canterbury with king Aethelberht of Kent) Engraving from “Histoire de L'Angleterre” by Augustin Thierry 1867
Augustine of Cantorbery and King Aethelberht of Kent (560-616) first English ruler converted to Christianity (Augustine of Canterbury with king Aethelberht of Kent) Engraving from “Histoire de L'Angleterre” by Augustin Thierry 1867

ELD4963679: Augustine of Cantorbery and King Aethelberht of Kent (560-616) first English ruler converted to Christianity (Augustine of Canterbury with king Aethelberht of Kent) Engraving from “Histoire de L'Angleterre” by Augustin Thierry 1867 / Bridgeman Images

The Death of William Fitz Osbert first drawn asunder by horses, 1196 Engraving from “Histoire de L'Angleterre” by Augustin Thierry 1867
The Death of William Fitz Osbert first drawn asunder by horses, 1196 Engraving from “Histoire de L'Angleterre” by Augustin Thierry 1867

ELD4963708: The Death of William Fitz Osbert first drawn asunder by horses, 1196 Engraving from “Histoire de L'Angleterre” by Augustin Thierry 1867 / Bridgeman Images

The survivors of The Wreck of the Grosvenor, an East Indiaman, occurred on 4 August 1782 on the Pondoland coast of South Africa, north of the mouth of the Umzimvubu River history of shipwrecks”” of Eyries 1836
The survivors of The Wreck of the Grosvenor, an East Indiaman, occurred on 4 August 1782 on the Pondoland coast of South Africa, north of the mouth of the Umzimvubu River history of shipwrecks”” of Eyries 1836

ELD4963782: The survivors of The Wreck of the Grosvenor, an East Indiaman, occurred on 4 August 1782 on the Pondoland coast of South Africa, north of the mouth of the Umzimvubu River history of shipwrecks”” of Eyries 1836 / Bridgeman Images

View of the Pointe Saint Mathieu in the Finistere Bretagne (The pointe saint-mathieu headland located near Le Conquet in Brittany). 19th century (engraving from “Histoire de la Bretagne” by Jules-Janin)
View of the Pointe Saint Mathieu in the Finistere Bretagne (The pointe saint-mathieu headland located near Le Conquet in Brittany). 19th century (engraving from “Histoire de la Bretagne” by Jules-Janin)

ELD4963793: View of the Pointe Saint Mathieu in the Finistere Bretagne (The pointe saint-mathieu headland located near Le Conquet in Brittany). 19th century (engraving from “Histoire de la Bretagne” by Jules-Janin) / Bridgeman Images

Inauguration of the salmon fishing season in Scotland, to the sound of the bagpipes, fishermen drink whisky (inauguration of the salmon fishing season in Scotland) Illustration from “” Le pelerin”” 5/3/1933 Private collection Â
Inauguration of the salmon fishing season in Scotland, to the sound of the bagpipes, fishermen drink whisky (inauguration of the salmon fishing season in Scotland) Illustration from “” Le pelerin”” 5/3/1933 Private collection Â

ELD4963824: Inauguration of the salmon fishing season in Scotland, to the sound of the bagpipes, fishermen drink whisky (inauguration of the salmon fishing season in Scotland) Illustration from “” Le pelerin”” 5/3/1933 Private collection Â, Unknown Artist, (20th century) / Bridgeman Images

History of parties in history and conflicts from prehistoric times to the struggles of political parties today (ostrogoths and visigoths, Armagnacs and Burgundians, mountaineers and Girondins, Jacobins and without panties, white and red) (Allegory of the fight of political parties in history) Illustration taken from Le pelerin” 2/4/ 1933 Private Collection Â
History of parties in history and conflicts from prehistoric times to the struggles of political parties today (ostrogoths and visigoths, Armagnacs and Burgundians, mountaineers and Girondins, Jacobins and without panties, white and red) (Allegory of the fight of political parties in history) Illustration taken from Le pelerin” 2/4/ 1933 Private Collection Â

ELD4963892: History of parties in history and conflicts from prehistoric times to the struggles of political parties today (ostrogoths and visigoths, Armagnacs and Burgundians, mountaineers and Girondins, Jacobins and without panties, white and red) (Allegory of the fight of political parties in history) Illustration taken from Le pelerin” 2/4/ 1933 Private Collection Â, Unknown Artist, (20th century) / Bridgeman Images

French colonization of Algeria: The passage of the Iron Gate in Algeria on 28/10/1839” The French expedition, commissioned by the Duke of Orleans in 1839 crosses the passage of the Bibans (Iron Gates (Algeria): An 1839 French expedition under the Duke of Orleans disregarded the clauses of the 1837 Treaty of Tafna with emir Abd el-Kader by passing through them, Reigniting the war between them) Engraving from “” Histoire de la vie politique et de Louis-Philippe”” by Alexandre Dumas, 1852
French colonization of Algeria: The passage of the Iron Gate in Algeria on 28/10/1839” The French expedition, commissioned by the Duke of Orleans in 1839 crosses the passage of the Bibans (Iron Gates (Algeria): An 1839 French expedition under the Duke of Orleans disregarded the clauses of the 1837 Treaty of Tafna with emir Abd el-Kader by passing through them, Reigniting the war between them) Engraving from “” Histoire de la vie politique et de Louis-Philippe”” by Alexandre Dumas, 1852

ELD4963997: French colonization of Algeria: The passage of the Iron Gate in Algeria on 28/10/1839” The French expedition, commissioned by the Duke of Orleans in 1839 crosses the passage of the Bibans (Iron Gates (Algeria): An 1839 French expedition under the Duke of Orleans disregarded the clauses of the 1837 Treaty of Tafna with emir Abd el-Kader by passing through them, Reigniting the war between them) Engraving from “” Histoire de la vie politique et de Louis-Philippe”” by Alexandre Dumas, 1852 / Bridgeman Images

Portrait of comedian Gilda Darthy (1878-1952) Early 20th century chromolithograph
Portrait of comedian Gilda Darthy (1878-1952) Early 20th century chromolithograph

ELD4964020: Portrait of comedian Gilda Darthy (1878-1952) Early 20th century chromolithograph, Unknown Artist, (20th century) / Bridgeman Images

Baroque art: Cloister of San Carlo alle Quattro Fontane (Saint Charles aux Quatre Fontaines), Rome. Architecture by Francesco Borromini (1599-1667), 1665-1667
Baroque art: Cloister of San Carlo alle Quattro Fontane (Saint Charles aux Quatre Fontaines), Rome. Architecture by Francesco Borromini (1599-1667), 1665-1667

ANJ4992051: Baroque art: Cloister of San Carlo alle Quattro Fontane (Saint Charles aux Quatre Fontaines), Rome. Architecture by Francesco Borromini (1599-1667), 1665-1667, Borromini, Francesco (1599-1667) / Bridgeman Images

Totalitarian art under the Italian fascist regime: overview of the Post Office and telecommunication in rue Marmorata in Rome. Architecture by Adalberto Libera (1903-1963) and Mario De Renzi (1897-1967), 1933-1934. DR
Totalitarian art under the Italian fascist regime: overview of the Post Office and telecommunication in rue Marmorata in Rome. Architecture by Adalberto Libera (1903-1963) and Mario De Renzi (1897-1967), 1933-1934. DR

ANJ4992062: Totalitarian art under the Italian fascist regime: overview of the Post Office and telecommunication in rue Marmorata in Rome. Architecture by Adalberto Libera (1903-1963) and Mario De Renzi (1897-1967), 1933-1934. DR, Libera, Adalberto (1903-1963) / Bridgeman Images

Baroque art: Cloister of San Carlo alle Quattro Fontane (Saint Charles aux Quatre Fontaines), Rome. Architecture by Francesco Borromini (1599-1667), 1665-1667
Baroque art: Cloister of San Carlo alle Quattro Fontane (Saint Charles aux Quatre Fontaines), Rome. Architecture by Francesco Borromini (1599-1667), 1665-1667

ANJ4992077: Baroque art: Cloister of San Carlo alle Quattro Fontane (Saint Charles aux Quatre Fontaines), Rome. Architecture by Francesco Borromini (1599-1667), 1665-1667, Borromini, Francesco (1599-1667) / Bridgeman Images

Totalitarian art under the Italian fascist regime: Interior of the reception hall of the Palais des Congres in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR
Totalitarian art under the Italian fascist regime: Interior of the reception hall of the Palais des Congres in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR

ANJ4992147: Totalitarian art under the Italian fascist regime: Interior of the reception hall of the Palais des Congres in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR, Libera, Adalberto (1903-1963) / Bridgeman Images

Totalitarian art under the Italian fascist regime: Hall of receptions of the Palace of Congres in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR
Totalitarian art under the Italian fascist regime: Hall of receptions of the Palace of Congres in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR

ANJ4992164: Totalitarian art under the Italian fascist regime: Hall of receptions of the Palace of Congres in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR, Libera, Adalberto (1903-1963) / Bridgeman Images

Totalitarian art under the Italian fascist regime: Corridor between the vestibule and the reception hall of the Palace of Congresses in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR
Totalitarian art under the Italian fascist regime: Corridor between the vestibule and the reception hall of the Palace of Congresses in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR

ANJ4992166: Totalitarian art under the Italian fascist regime: Corridor between the vestibule and the reception hall of the Palace of Congresses in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR, Libera, Adalberto (1903-1963) / Bridgeman Images


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