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GIA4792771: Portrait of Colonel Thomas Edward Lawrence (Laurence of Arabia or Lawrence of Arabia). Akaba, 1918., Unknown photographer, (20th century) / Bridgeman Images
GIA4792801: View of the port of the city of Trieste (in the Austrian period), engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images
GIA4792827: View of the great square of Trieste (in the Austrian period), 19th century engraving, Unknown Artist, (19th century) / Bridgeman Images
GIA4792897: Artisan: the Marechal Ferrants made the hooves of the horses. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images
GIA4792930: Publicite pour un engrais a base de soufre ""zolfo"" utilise pour les vignes. 1904 environ, Italian School, (20th century) / Bridgeman Images
GIA4793009: Surgical board representing different types of surgical instruments, hammer, scallop, knives, for the removal of the brain. Engraving by Benoit Louis Prevost (1735-1809) 18th century, Prevost, Benoit-Louis (1735-1804) / Bridgeman Images
GIA4793126: Representation of a scene of the play “” L'impromptu de Versailles”” (1663) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738., French School, (18th century) / Bridgeman Images
GIA4793257: Representation of a scene of the play “” Les femmes savantes”” (1672) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images
GIA4793258: Representation of the piece “Les femmes savantes”” by Jean Baptiste Poquelin dit Moliere (1622-1673) at the Comedie francaise circa 1885-1890. From left to right: Ms. Rachel Boyer, Mr. Leloir, Ms. Blanche Pierson, French School, (19th century) / Bridgeman Images
GIA4793379: Portrait of Ivan Petrovich (petrovic) Pavlov, Russian physiologist and doctor (1849 - 1936)., Unknown Artist, (20th century) / Bridgeman Images
GIA4793393: Sono in dubbio d'amar... handwritten sheet music by Alessandro Stradella (1644 - 1682) Italian composer. Biblioteca Estense Modena, Stradella, Alessandro (1644-1682) / Bridgeman Images
GIA4793434: Scene 13 of Act III of the comic piece “” Arlecchino servitore di due padroni” (Harlequin servant of two masters) (1745) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images
GIA4793491: Last scene of Act III of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images
GIA4793575: Scene 15 of Act III of the comic piece “” Il matrimonio per concorso”” by Carlo Goldoni (1707-1793). Engraving of the 18th century., Italian School, (18th century) / Bridgeman Images
GIA4793652: Portrait of Mikhail Aleksandrovich Bakunin (Bakunin) (1814-1876), Russian anarchist., Unknown Artist, (19th century) / Bridgeman Images
GIA4793693: Portrait of Luigi CAPUANA (1839-1915) Italian writer. Photograph glue on drawing with dedication by Marco Praga. Milanese ., Italian Photographer, (19th century) / Bridgeman Images
GIA4793761: Owl with glasses, symbol of wisdom. Engraving of the “Amphitheatrum sapientiae aeternae”. (Amphitheatre of eternal wisdom) (Hamburg: n.n., 1595) by Heinrich Khunrath (1560 circa 1605). Study of Upper Kabbalah and Alchemy. 12 boards. This is the reference work of the Rose-Croix (Rose Croix) around 1610., German School, (17th century) / Bridgeman Images
GIA4793801: Saint Bonaventure (Giovanni di Fidanza, known as Doctor Seraphique, San Bonaventura) (1221-1274) receiving the hat of the cardinal. He was consecrated Cardinal-Eveque of Albano in 1273 by Gregoire X in 1273. Engraving by Bauchart from Santar's painting., French School, (19th century) / Bridgeman Images
GIA4793842: Portrait of Louis Pasteur (1822-1895), French chemist and biologist. From the painting by Aristide Albert Gustaf Edelfelt (1854-1905) of the Musee d'orsay in Paris. Engraving of the 19th century, Edelfelt, Albert Gustaf Aristides (1854-1905) / Bridgeman Images
GIA4793964: Recit “” Ligeia”” by Edgar Allan Poe (1809-1849), published in 1838: the ghost of the disappeared loved woman haunts the narrator. Illustration by Almery Lobel-Riche (Lobel Riche) (1880-1950) 1927, Lobel-Riche, Almery (1877-1950) / Bridgeman Images
GIA4791110: Portrait of Andrea Doria (1466-1560), Italian warman. Anonymous painting. Roma Galleria Doria Pamphili., Unknown Artist, (16th century) / Bridgeman Images
GIA4791413: Portrait of Gaetano Salvemini Italian historian (1873-1957)., Unknown Artist, (20th century) / Bridgeman Images
GIA4791504: Freemaking: Seance of magic by Giuseppe Balsamo, known as Alexander, Count of Cagliostro (1743 - 1795). Engraving from “” Picturesque Histoire de la Franc Maconnerie et des Societes Secretes antique et modernes” by F.-T. B. Clavel. Pagnerre, editor, 1843., French School, (19th century) / Bridgeman Images
GIA4791561: Portrait of George Bizet (1838-1875), French composer., French Photographer, (19th century) / Bridgeman Images
GIA4791687: Portrait of Marguerite de LUSSAN woman of French letters (1682-1758)., Unknown artist, (18th century) / Bridgeman Images
GIA4791730: Constellation of the dog (Canis). Miniature from “” Astronomica” by Biasino da Parma (Blaise de Parma) (1425-1457), 15th century CPM, Italian School, (15th century) / Bridgeman Images
GIA4791767: Representation of a fantastic creature. Xilography taken from Sebastien Munster's “Universal Cosmography”. Bale, 1558., German School, (16th century) / Bridgeman Images
GIA4791827: Representation of basilics in flight burning wheat fields. Engraving from “Prodigiorum ac ostentorum chronicon” by Conrad Lycosthenes (1518-1561). 1557., Unknown Artist, (16th century) / Bridgeman Images
GIA4791850: Representation of the mythological monster Basil Xilography taken from the Universal Cosmography of Sebastien Munster. Bale, 1558., German School, (16th century) / Bridgeman Images
GIA4791947: Different types of monstrous animals, with multiple bodies or an abnormal amount of limbs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images
GIA4791982: Different types of human monsters. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images
GIA4792002: Different types of monstrous animals. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images
GIA4792049: Different types of human monsters: face and face of monster head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images
GIA4787990: House on the banks of a river. 17th century illustration. Historic Museum of Amsterdam, Unknown Artist, (17th century) / Bridgeman Images
GIA4788234: 18/11/1935. Poster representing foreign Italy by a noose. Economic sanctions are being imposed on Italy by the League of Nations because of the invasion of Ethiopia., Italian School, (20th century) / Bridgeman Images
GIA4788280: Portrait of Georges Cuvier (1769-1832) determining the remains of fossil animals. Engraving from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images