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Pskov, 1948
Pskov, 1948

BAL85471: Pskov, 1948, Anokhin, Boris (20th century) / Bridgeman Images

Middle East Battle School c.1943, 1990 (ink, paste, gouache and wash)
Middle East Battle School c.1943, 1990 (ink, paste, gouache and wash)

CBN85481: Middle East Battle School c.1943, 1990 (ink, paste, gouache and wash), Moss, Colin (1914-2005) / Bridgeman Images

Smokers, 1950 (ink and gouache)
Smokers, 1950 (ink and gouache)

CBN85486: Smokers, 1950 (ink and gouache), Moss, Colin (1914-2005) / Bridgeman Images

Cleaning the Frying Pan, 1954 (pastel)
Cleaning the Frying Pan, 1954 (pastel)

CBN85493: Cleaning the Frying Pan, 1954 (pastel), Moss, Colin (1914-2005) / Bridgeman Images

Watching TV, c.1958 (pastel)
Watching TV, c.1958 (pastel)

CBN85494: Watching TV, c.1958 (pastel), Moss, Colin (1914-2005) / Bridgeman Images

Gravediggers, 1958 (pastel)
Gravediggers, 1958 (pastel)

CBN85496: Gravediggers, 1958 (pastel), Moss, Colin (1914-2005) / Bridgeman Images

Meat Delivery, Ipswich, c.1970
Meat Delivery, Ipswich, c.1970

CBN85498: Meat Delivery, Ipswich, c.1970, Moss, Colin (1914-2005) / Bridgeman Images

Portrait of a girl in a black dress, 1905
Portrait of a girl in a black dress, 1905

BEN85522: Portrait of a girl in a black dress, 1905, Severini, Gino (1883-1966) / Bridgeman Images

P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83184: P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Haghia Sophia, plate 1: principal entrance to the mosque, engraved by Louis Haghe (1806-85) published 1852 (litho)
Haghia Sophia, plate 1: principal entrance to the mosque, engraved by Louis Haghe (1806-85) published 1852 (litho)

STC83224: Haghia Sophia, plate 1: principal entrance to the mosque, engraved by Louis Haghe (1806-85) published 1852 (litho), Fossati, Gaspard (1809-83) (after) / Bridgeman Images

Haghia Sophia, plate 2: the narthex, engraved by Louis Haghe (1806-85) published 1852 (litho)
Haghia Sophia, plate 2: the narthex, engraved by Louis Haghe (1806-85) published 1852 (litho)

STC83225: Haghia Sophia, plate 2: the narthex, engraved by Louis Haghe (1806-85) published 1852 (litho), Fossati, Gaspard (1809-83) (after) / Bridgeman Images

Haghia Sophia, plate 6: the north nave, engraved by Louis Haghe (1806-85) published 1852 (litho)
Haghia Sophia, plate 6: the north nave, engraved by Louis Haghe (1806-85) published 1852 (litho)

STC83227: Haghia Sophia, plate 6: the north nave, engraved by Louis Haghe (1806-85) published 1852 (litho), Fossati, Gaspard (1809-83) (after) / Bridgeman Images

Haghia Sophia, plate 11: the Meme Gallery in the south west corner, engraved by Louis Haghe (1806-85) published 1852 (litho)
Haghia Sophia, plate 11: the Meme Gallery in the south west corner, engraved by Louis Haghe (1806-85) published 1852 (litho)

STC83232: Haghia Sophia, plate 11: the Meme Gallery in the south west corner, engraved by Louis Haghe (1806-85) published 1852 (litho), Fossati, Gaspard (1809-83) (after) / Bridgeman Images

Haghia Sophia, plate 16: principal facade, engraved by Louis Haghe (1806-85) published 1852 (litho)
Haghia Sophia, plate 16: principal facade, engraved by Louis Haghe (1806-85) published 1852 (litho)

STC83236: Haghia Sophia, plate 16: principal facade, engraved by Louis Haghe (1806-85) published 1852 (litho), Fossati, Gaspard (1809-83) (after) / Bridgeman Images

View of the Column of Constantine and the Principal Street of Constantinople (engraving)
View of the Column of Constantine and the Principal Street of Constantinople (engraving)

STC83241: View of the Column of Constantine and the Principal Street of Constantinople (engraving), English School, (19th century) / Bridgeman Images

The Virgin Mary's Tomb, Jerusalem, pub. by William Watts, 1802 (engraving)
The Virgin Mary's Tomb, Jerusalem, pub. by William Watts, 1802 (engraving)

STC83253: The Virgin Mary's Tomb, Jerusalem, pub. by William Watts, 1802 (engraving), Mayer, Luigi (1755-1803) (after) / Bridgeman Images

A Sarcophagus from the Tombs of the Kings, Jerusalem, pub. by William Watts, 1805 (engraving)
A Sarcophagus from the Tombs of the Kings, Jerusalem, pub. by William Watts, 1805 (engraving)

STC83255: A Sarcophagus from the Tombs of the Kings, Jerusalem, pub. by William Watts, 1805 (engraving), Mayer, Luigi (1755-1803) (after) / Bridgeman Images

Terapia, Constantinople, pub. by William Watts, 1806 (engraving)
Terapia, Constantinople, pub. by William Watts, 1806 (engraving)

STC83257: Terapia, Constantinople, pub. by William Watts, 1806 (engraving), Mayer, Luigi (1755-1803) (after) / Bridgeman Images

The Palace of the Sweet Waters, Istanbul, engraved by W. Mossman, c.1850 (aquatint)
The Palace of the Sweet Waters, Istanbul, engraved by W. Mossman, c.1850 (aquatint)

STC83277: The Palace of the Sweet Waters, Istanbul, engraved by W. Mossman, c.1850 (aquatint), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

The Camp at Daud-Pascia, Romania, plate II, pub. by William Watts, 1806 (engraving)
The Camp at Daud-Pascia, Romania, plate II, pub. by William Watts, 1806 (engraving)

STC83283: The Camp at Daud-Pascia, Romania, plate II, pub. by William Watts, 1806 (engraving), Mayer, Luigi (1755-1803) (after) / Bridgeman Images

The Medak or Story-teller, from 'Constantinople and the Black Sea', engraved by the Rouergue brothers, 1855 (engraving)
The Medak or Story-teller, from 'Constantinople and the Black Sea', engraved by the Rouergue brothers, 1855 (engraving)

STC83295: The Medak or Story-teller, from 'Constantinople and the Black Sea', engraved by the Rouergue brothers, 1855 (engraving), Rouergue, Emile (c.1795-1865) & Rouergue, Adolphe (b.1810) / Bridgeman Images

Cartonnage mummy head-dress with lappet wig, the eyes inlaid with obsidian and alabaster, Egyptian, Late Period (644-332 BC)
Cartonnage mummy head-dress with lappet wig, the eyes inlaid with obsidian and alabaster, Egyptian, Late Period (644-332 BC)

BON83303: Cartonnage mummy head-dress with lappet wig, the eyes inlaid with obsidian and alabaster, Egyptian, Late Period (644-332 BC) / Bridgeman Images

Ptah-Sokar-Osiris figure with tripartite wig and crossed arms on a rectangular plinth with a compartment containing a section of papyrus (see 83304), Egyptian, 21st-22nd Dynasty, c.900 BC (wood) (for detail see 83306)
Ptah-Sokar-Osiris figure with tripartite wig and crossed arms on a rectangular plinth with a compartment containing a section of papyrus (see 83304), Egyptian, 21st-22nd Dynasty, c.900 BC (wood) (for detail see 83306)

BON83305: Ptah-Sokar-Osiris figure with tripartite wig and crossed arms on a rectangular plinth with a compartment containing a section of papyrus (see 83304), Egyptian, 21st-22nd Dynasty, c.900 BC (wood) (for detail see 83306) / Bridgeman Images

Bowl, the interior decorated with two bands of gilding, early Parthian, c.2nd-1st century BC (silver)
Bowl, the interior decorated with two bands of gilding, early Parthian, c.2nd-1st century BC (silver)

BON83309: Bowl, the interior decorated with two bands of gilding, early Parthian, c.2nd-1st century BC (silver) / Bridgeman Images

Bowl with an incised rosette design and petal pattern radiating up to a straight collar with a guilloche band, c.4th-3rd century BC (gold)
Bowl with an incised rosette design and petal pattern radiating up to a straight collar with a guilloche band, c.4th-3rd century BC (gold)

BON83310: Bowl with an incised rosette design and petal pattern radiating up to a straight collar with a guilloche band, c.4th-3rd century BC (gold) / Bridgeman Images

Carved column capital depicting a youth dancing before a nymph who beats time with a tambourine, the rim decorated with heads of Dionysus and satyrs, Italian, from Rome, c.180-220 (marble, pentelic Greek or Italian Carrera) (see also 83318-21)
Carved column capital depicting a youth dancing before a nymph who beats time with a tambourine, the rim decorated with heads of Dionysus and satyrs, Italian, from Rome, c.180-220 (marble, pentelic Greek or Italian Carrera) (see also 83318-21)

BON83317: Carved column capital depicting a youth dancing before a nymph who beats time with a tambourine, the rim decorated with heads of Dionysus and satyrs, Italian, from Rome, c.180-220 (marble, pentelic Greek or Italian Carrera) (see also 83318-21) / Bridgeman Images

Carved column capital depicting Pan teasing a goat with a bunch of grapes and a maenad beating time with a tambourine, the rim decorated with heads of Dionysus and satyrs, Italian, from Rome, c.180-220 (marble, pentelic Greek of Italian Carrera) (see also 83317, 83319 for detail and 83320-21)
Carved column capital depicting Pan teasing a goat with a bunch of grapes and a maenad beating time with a tambourine, the rim decorated with heads of Dionysus and satyrs, Italian, from Rome, c.180-220 (marble, pentelic Greek of Italian Carrera) (see also 83317, 83319 for detail and 83320-21)

BON83318: Carved column capital depicting Pan teasing a goat with a bunch of grapes and a maenad beating time with a tambourine, the rim decorated with heads of Dionysus and satyrs, Italian, from Rome, c.180-220 (marble, pentelic Greek of Italian Carrera) (see also 83317, 83319 for detail and 83320-21) / Bridgeman Images

Carved column capital depicting Pan teasing a rearing goat with a bunch of grapes and a maenad beating time with a tambourine, Italian, from Rome, c.180-220 (marble, pentelic Greek or Italian Carrera) (detail of 83318, see also 83317 and 83320-21)
Carved column capital depicting Pan teasing a rearing goat with a bunch of grapes and a maenad beating time with a tambourine, Italian, from Rome, c.180-220 (marble, pentelic Greek or Italian Carrera) (detail of 83318, see also 83317 and 83320-21)

BON83319: Carved column capital depicting Pan teasing a rearing goat with a bunch of grapes and a maenad beating time with a tambourine, Italian, from Rome, c.180-220 (marble, pentelic Greek or Italian Carrera) (detail of 83318, see also 83317 and 83320-21) / Bridgeman Images

Selection of Mongolian 'Ordos' and Russian bronzework, including belt-buckles, plaques and figurines, 5th-3rd century BC
Selection of Mongolian 'Ordos' and Russian bronzework, including belt-buckles, plaques and figurines, 5th-3rd century BC

BON83333: Selection of Mongolian 'Ordos' and Russian bronzework, including belt-buckles, plaques and figurines, 5th-3rd century BC / Bridgeman Images

Seated cat with pierced ears and incised whiskers, Egyptian, Saite, Late Period, 26th Dynasty, 664-525 BC (bronze) (see also 83337)
Seated cat with pierced ears and incised whiskers, Egyptian, Saite, Late Period, 26th Dynasty, 664-525 BC (bronze) (see also 83337)

BON83338: Seated cat with pierced ears and incised whiskers, Egyptian, Saite, Late Period, 26th Dynasty, 664-525 BC (bronze) (see also 83337) / Bridgeman Images

Five blue glazed Shabti figures with inscriptions for (LtoR) Pinedjem I; Queen Maat-Ka-Re I; Pinedjem II; Queen Henuttaui II; Nes-per-Nub; Egyptian, 21st Dynasty, c.1000 BC
Five blue glazed Shabti figures with inscriptions for (LtoR) Pinedjem I; Queen Maat-Ka-Re I; Pinedjem II; Queen Henuttaui II; Nes-per-Nub; Egyptian, 21st Dynasty, c.1000 BC

BON83340: Five blue glazed Shabti figures with inscriptions for (LtoR) Pinedjem I; Queen Maat-Ka-Re I; Pinedjem II; Queen Henuttaui II; Nes-per-Nub; Egyptian, 21st Dynasty, c.1000 BC / Bridgeman Images

Ram head attachment with curved ribbed horns and chased head with a wire loop in the mouth, possibly for a pendant, Parthian or early Sasanian, c.2nd-3rd century (sheet gold)
Ram head attachment with curved ribbed horns and chased head with a wire loop in the mouth, possibly for a pendant, Parthian or early Sasanian, c.2nd-3rd century (sheet gold)

BON83352: Ram head attachment with curved ribbed horns and chased head with a wire loop in the mouth, possibly for a pendant, Parthian or early Sasanian, c.2nd-3rd century (sheet gold) / Bridgeman Images

Ptah-Soker, Osiris figure with plumed head-dress on a box plinth with a a Horus falcon made for the tomb of the Musician Priestess of Min, Mistress of the House, Egyptian, Ptolemaic Period, 300-30 BC (polychrome wood)
Ptah-Soker, Osiris figure with plumed head-dress on a box plinth with a a Horus falcon made for the tomb of the Musician Priestess of Min, Mistress of the House, Egyptian, Ptolemaic Period, 300-30 BC (polychrome wood)

BON83355: Ptah-Soker, Osiris figure with plumed head-dress on a box plinth with a a Horus falcon made for the tomb of the Musician Priestess of Min, Mistress of the House, Egyptian, Ptolemaic Period, 300-30 BC (polychrome wood) / Bridgeman Images

Detail of sarcophagus showing Re-Harakhty with solar disc, holding crook and flail sceptres, two sons of Horus standing behind, Third Intermediate Period, 850-730 BC (polychrome gesso) (detail of 83357)
Detail of sarcophagus showing Re-Harakhty with solar disc, holding crook and flail sceptres, two sons of Horus standing behind, Third Intermediate Period, 850-730 BC (polychrome gesso) (detail of 83357)

BON83358: Detail of sarcophagus showing Re-Harakhty with solar disc, holding crook and flail sceptres, two sons of Horus standing behind, Third Intermediate Period, 850-730 BC (polychrome gesso) (detail of 83357), Egyptian 22nd Dynasty (945-715 BC) / Bridgeman Images

Koto, or Japanese long zither, from 'Musical Instruments' (coloured litho)
Koto, or Japanese long zither, from 'Musical Instruments' (coloured litho)

STC83400: Koto, or Japanese long zither, from 'Musical Instruments' (coloured litho), Hipkins, Alfred James (1826-1903) / Bridgeman Images

Drums: a nahabat, a mrdanga and a tan tan, Indian, from 'Musical Instruments' (coloured litho)
Drums: a nahabat, a mrdanga and a tan tan, Indian, from 'Musical Instruments' (coloured litho)

STC83403: Drums: a nahabat, a mrdanga and a tan tan, Indian, from 'Musical Instruments' (coloured litho), Hipkins, Alfred James (1826-1903) / Bridgeman Images


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