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Satellite Spot - 5 - Satellite Spot - 5, artwork - Vue d'artiste du satellite d'observation de la terre Spot - 5, launched on May 3, 2002. Spot - 5 is an earth observation satellite launched on May 3 2002
Satellite Spot - 5 - Satellite Spot - 5, artwork - Vue d'artiste du satellite d'observation de la terre Spot - 5, launched on May 3, 2002. Spot - 5 is an earth observation satellite launched on May 3 2002

PIX4643958: Satellite Spot - 5 - Satellite Spot - 5, artwork - Vue d'artiste du satellite d'observation de la terre Spot - 5, launched on May 3, 2002. Spot - 5 is an earth observation satellite launched on May 3 2002 / Bridgeman Images

Thomas Pesquet in weightlessness - Thomas Pesquet in ISS: The French astronaut Thomas Pesquet in the European Colombus module of the International Space Station (ISS). 7 December 2016 - ESA (European Space Agency) astronaut Thomas Pesquet is seen floating inside the Columbus module aboard the International Space Station. Pesquet is on his first flight to space and is a flight engineer for Expeditions 50 and 51
Thomas Pesquet in weightlessness - Thomas Pesquet in ISS: The French astronaut Thomas Pesquet in the European Colombus module of the International Space Station (ISS). 7 December 2016 - ESA (European Space Agency) astronaut Thomas Pesquet is seen floating inside the Columbus module aboard the International Space Station. Pesquet is on his first flight to space and is a flight engineer for Expeditions 50 and 51

PIX4641159: Thomas Pesquet in weightlessness - Thomas Pesquet in ISS: The French astronaut Thomas Pesquet in the European Colombus module of the International Space Station (ISS). 7 December 2016 - ESA (European Space Agency) astronaut Thomas Pesquet is seen floating inside the Columbus module aboard the International Space Station. Pesquet is on his first flight to space and is a flight engineer for Expeditions 50 and 51 / Bridgeman Images

Detail of Maison Houot in Nancy, France designed in 1903 (photo)
Detail of Maison Houot in Nancy, France designed in 1903 (photo)

LBY4641165: Detail of Maison Houot in Nancy, France designed in 1903 (photo), André, Emile (1871-1933) / Bridgeman Images

Field bindweed, Convolvulus arvensis. (Small bindweed, Smilax lenis minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.
Field bindweed, Convolvulus arvensis. (Small bindweed, Smilax lenis minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

FLO4641174: Field bindweed, Convolvulus arvensis. (Small bindweed, Smilax lenis minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799. / Bridgeman Images

Wood boring beetle, and damage to wood. (Goat beetle). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.
Wood boring beetle, and damage to wood. (Goat beetle). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

FLO4641183: Wood boring beetle, and damage to wood. (Goat beetle). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799. / Bridgeman Images

An art nouveau building, 1 boulevard Charles V (architect Lucien Weissenburger, 1904) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
An art nouveau building, 1 boulevard Charles V (architect Lucien Weissenburger, 1904) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641188: An art nouveau building, 1 boulevard Charles V (architect Lucien Weissenburger, 1904) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., Weissenburger, Lucien (1860-1929) / Bridgeman Images

The former Genin Louis store (CCF Bank) 2 rue Benit, architect Henri Gutton, 1900 in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
The former Genin Louis store (CCF Bank) 2 rue Benit, architect Henri Gutton, 1900 in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641203: The former Genin Louis store (CCF Bank) 2 rue Benit, architect Henri Gutton, 1900 in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., Gutton, Henri (1851-1933) / Bridgeman Images

The Simette building, 12 bis rue de Metz in Nancy (Meurthe and Moselle). Architect Charles Desire Bourgon (1855-1915), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The Simette building, 12 bis rue de Metz in Nancy (Meurthe and Moselle). Architect Charles Desire Bourgon (1855-1915), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641211: The Simette building, 12 bis rue de Metz in Nancy (Meurthe and Moselle). Architect Charles Desire Bourgon (1855-1915), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Bourgon, Charles Desire (1855-1915) / Bridgeman Images

An Art Nouveau building, 50 Courts Leopold in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
An Art Nouveau building, 50 Courts Leopold in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641223: An Art Nouveau building, 50 Courts Leopold in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today. / Bridgeman Images

Thomas Pesquet in the International Space Station (ISS) - Thomas Pesquet in ISS: French astronaut Thomas Pesquet makes his daily sport on board the International Space Station (ISS). January 4, 2017. Thomas Pesquet is exercising in the International Space Station. January 4, 2017.
Thomas Pesquet in the International Space Station (ISS) - Thomas Pesquet in ISS: French astronaut Thomas Pesquet makes his daily sport on board the International Space Station (ISS). January 4, 2017. Thomas Pesquet is exercising in the International Space Station. January 4, 2017.

PIX4641225: Thomas Pesquet in the International Space Station (ISS) - Thomas Pesquet in ISS: French astronaut Thomas Pesquet makes his daily sport on board the International Space Station (ISS). January 4, 2017. Thomas Pesquet is exercising in the International Space Station. January 4, 2017. / Bridgeman Images

A group of dancers during a funeral rite Lucanian fresco from the 4th century BC, from the necropolis of Paestum, Italy. Museo nazionale archeologico, Paestum
A group of dancers during a funeral rite Lucanian fresco from the 4th century BC, from the necropolis of Paestum, Italy. Museo nazionale archeologico, Paestum

LRI4641233: A group of dancers during a funeral rite Lucanian fresco from the 4th century BC, from the necropolis of Paestum, Italy. Museo nazionale archeologico, Paestum, Lucanian School, (4th century BC) / Bridgeman Images

Abbaye de Pont a Mousson (Meurthe and Moselle). Construction 1705. Photograph 10/03/05.
Abbaye de Pont a Mousson (Meurthe and Moselle). Construction 1705. Photograph 10/03/05.

LBY4641236: Abbaye de Pont a Mousson (Meurthe and Moselle). Construction 1705. Photograph 10/03/05. / Bridgeman Images

A herd keeper and two donkeys Lucanian fresco from the 4th century BC, from the necropolis of Paestum, Italy. Museo nazionale archeologico, Paestum
A herd keeper and two donkeys Lucanian fresco from the 4th century BC, from the necropolis of Paestum, Italy. Museo nazionale archeologico, Paestum

LRI4641241: A herd keeper and two donkeys Lucanian fresco from the 4th century BC, from the necropolis of Paestum, Italy. Museo nazionale archeologico, Paestum, Lucanian School, (4th century BC) / Bridgeman Images

Jamaican or green tody, Todus todus. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1801.
Jamaican or green tody, Todus todus. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1801.

FLO4641260: Jamaican or green tody, Todus todus. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1801. / Bridgeman Images

The furniture guard of national furniture, avenue des Gobelins Paris 75013. Construction 1934-1936, architects Auguste (1874-1954) and Gustave (1876-1952) Perret.
The furniture guard of national furniture, avenue des Gobelins Paris 75013. Construction 1934-1936, architects Auguste (1874-1954) and Gustave (1876-1952) Perret.

TEC4641271: The furniture guard of national furniture, avenue des Gobelins Paris 75013. Construction 1934-1936, architects Auguste (1874-1954) and Gustave (1876-1952) Perret., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

Fanfan la tulip (litho)
Fanfan la tulip (litho)

JLJ4641273: Fanfan la tulip (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

A warrior with a spear and a shield Lucanian fresco from the 4th century BC, from the Tomb of the Horseman, site of Paestum, Italy. Museo nazionale archeologico, Paestum
A warrior with a spear and a shield Lucanian fresco from the 4th century BC, from the Tomb of the Horseman, site of Paestum, Italy. Museo nazionale archeologico, Paestum

LRI4641280: A warrior with a spear and a shield Lucanian fresco from the 4th century BC, from the Tomb of the Horseman, site of Paestum, Italy. Museo nazionale archeologico, Paestum, Lucanian School, (4th century BC) / Bridgeman Images

Green-winged pytilia (green goldfinch), Pytilia melba. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802.
Green-winged pytilia (green goldfinch), Pytilia melba. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802.

FLO4641288: Green-winged pytilia (green goldfinch), Pytilia melba. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802. / Bridgeman Images

Lesser Antillean bullfinch (Black sparrow), Loxigilla noctis (Muscicapa olivacea). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.
Lesser Antillean bullfinch (Black sparrow), Loxigilla noctis (Muscicapa olivacea). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

FLO4641301: Lesser Antillean bullfinch (Black sparrow), Loxigilla noctis (Muscicapa olivacea). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799. / Bridgeman Images

ISS and inflatable module - Large habitat and ISS: Artist's view of a large inflatable module (much larger than all existing modules) installed on the International Space Station (ISS). A live module or CEV (Crew Exploration Vehicle) type Orion prepares to moor to the inflatable module. A manned Crew Exploration Vehicle (CEV) prepares to dock with a spacious inflatable habitat attached to the International Space Station (ISS) at an altitude of 250 nautical miles. This inflatable habitat, much larger than any existing ISS module, is a combination of layers of flexible material capped by sturdy docking hardware at either end. The inflatable portion is collapsed and sandwiched between the docking hardware portions for launch from earth and then inflated and pressurized with a breathable atmosphere once in orbit. The habitat features a pair of 42 x 24 inch windows to the outside. The habitat is attached to a pressurized module of the ISS via a Common Berthing Mechanism (CBM) while the other end of the habitat features an International Docking System Standard (IDSS) system for docking with manned spacecraft. The inflatable portion of the habitat is 45 feet long with a maximum diameter of 28 feet. Including docking hardware the total length is 55 feet. The interior of the habit, sans storage and other equipment, provides approximately 17 thousand cubic feet of micro gravity living space. The CEV is 33 feet long with a maximum diameter of 20 feet while the solar voltaic panels have a maximum spread of a little over 60 feet
ISS and inflatable module - Large habitat and ISS: Artist's view of a large inflatable module (much larger than all existing modules) installed on the International Space Station (ISS). A live module or CEV (Crew Exploration Vehicle) type Orion prepares to moor to the inflatable module. A manned Crew Exploration Vehicle (CEV) prepares to dock with a spacious inflatable habitat attached to the International Space Station (ISS) at an altitude of 250 nautical miles. This inflatable habitat, much larger than any existing ISS module, is a combination of layers of flexible material capped by sturdy docking hardware at either end. The inflatable portion is collapsed and sandwiched between the docking hardware portions for launch from earth and then inflated and pressurized with a breathable atmosphere once in orbit. The habitat features a pair of 42 x 24 inch windows to the outside. The habitat is attached to a pressurized module of the ISS via a Common Berthing Mechanism (CBM) while the other end of the habitat features an International Docking System Standard (IDSS) system for docking with manned spacecraft. The inflatable portion of the habitat is 45 feet long with a maximum diameter of 28 feet. Including docking hardware the total length is 55 feet. The interior of the habit, sans storage and other equipment, provides approximately 17 thousand cubic feet of micro gravity living space. The CEV is 33 feet long with a maximum diameter of 20 feet while the solar voltaic panels have a maximum spread of a little over 60 feet

PIX4641303: ISS and inflatable module - Large habitat and ISS: Artist's view of a large inflatable module (much larger than all existing modules) installed on the International Space Station (ISS). A live module or CEV (Crew Exploration Vehicle) type Orion prepares to moor to the inflatable module. A manned Crew Exploration Vehicle (CEV) prepares to dock with a spacious inflatable habitat attached to the International Space Station (ISS) at an altitude of 250 nautical miles. This inflatable habitat, much larger than any existing ISS module, is a combination of layers of flexible material capped by sturdy docking hardware at either end. The inflatable portion is collapsed and sandwiched between the docking hardware portions for launch from earth and then inflated and pressurized with a breathable atmosphere once in orbit. The habitat features a pair of 42 x 24 inch windows to the outside. The habitat is attached to a pressurized module of the ISS via a Common Berthing Mechanism (CBM) while the other end of the habitat features an International Docking System Standard (IDSS) system for docking with manned spacecraft. The inflatable portion of the habitat is 45 feet long with a maximum diameter of 28 feet. Including docking hardware the total length is 55 feet. The interior of the habit, sans storage and other equipment, provides approximately 17 thousand cubic feet of micro gravity living space. The CEV is 33 feet long with a maximum diameter of 20 feet while the solar voltaic panels have a maximum spread of a little over 60 feet / Bridgeman Images

Banksia multifolia, unknown species of Banksia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Banksia multifolia, unknown species of Banksia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4641337: Banksia multifolia, unknown species of Banksia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

Waved woodpecker, Celeus undatus. (Red cheeked woodpecker, Picus undatus) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Waved woodpecker, Celeus undatus. (Red cheeked woodpecker, Picus undatus) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4641338: Waved woodpecker, Celeus undatus. (Red cheeked woodpecker, Picus undatus) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

Portrait of woman Lucanian fresco from the 4th century BC, from the Tomb of the Horseman, site of Paestum, Italy. Museo nazionale archeologico, Paestum
Portrait of woman Lucanian fresco from the 4th century BC, from the Tomb of the Horseman, site of Paestum, Italy. Museo nazionale archeologico, Paestum

LRI4641362: Portrait of woman Lucanian fresco from the 4th century BC, from the Tomb of the Horseman, site of Paestum, Italy. Museo nazionale archeologico, Paestum, Lucanian School, (4th century BC) / Bridgeman Images

Les Grands Moulins de Paris 75013.
Les Grands Moulins de Paris 75013.

TEC4641366: Les Grands Moulins de Paris 75013. / Bridgeman Images

Knot, Calidris canutus. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Knot, Calidris canutus. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4641371: Knot, Calidris canutus. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

Purple iris of New South Wales, Australia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Purple iris of New South Wales, Australia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4641375: Purple iris of New South Wales, Australia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

Painted bunting, Passerina ciris, from North America. (Painted finch, Emberiza ciris) A male bird in its perfect state drawn from life. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Painted bunting, Passerina ciris, from North America. (Painted finch, Emberiza ciris) A male bird in its perfect state drawn from life. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4641377: Painted bunting, Passerina ciris, from North America. (Painted finch, Emberiza ciris) A male bird in its perfect state drawn from life. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

Fusee Proton - ExoMars - Proton rocket Launch - ExoMars: Decollage of a Proton rocket with the ExoMars probe on board. 14 March 2016 - ExoMars 2016 lifted off on a Proton-M rocket from Baikonur, Kazakhstan at 09:31 UTC on 14 March 2016
Fusee Proton - ExoMars - Proton rocket Launch - ExoMars: Decollage of a Proton rocket with the ExoMars probe on board. 14 March 2016 - ExoMars 2016 lifted off on a Proton-M rocket from Baikonur, Kazakhstan at 09:31 UTC on 14 March 2016

PIX4641383: Fusee Proton - ExoMars - Proton rocket Launch - ExoMars: Decollage of a Proton rocket with the ExoMars probe on board. 14 March 2016 - ExoMars 2016 lifted off on a Proton-M rocket from Baikonur, Kazakhstan at 09:31 UTC on 14 March 2016 / Bridgeman Images

La Halle aux Flours in Paris 75013.
La Halle aux Flours in Paris 75013.

TEC4641391: La Halle aux Flours in Paris 75013. / Bridgeman Images

August 2, 1914 (a Fancais mobilized for the First World War bid farewell to his family), 1914 (litho)
August 2, 1914 (a Fancais mobilized for the First World War bid farewell to his family), 1914 (litho)

JLJ4641407: August 2, 1914 (a Fancais mobilized for the First World War bid farewell to his family), 1914 (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

Chapelle de la Salpetriere, 47 boulevard de l'hopital in Paris 75013.
Chapelle de la Salpetriere, 47 boulevard de l'hopital in Paris 75013.

TEC4641414: Chapelle de la Salpetriere, 47 boulevard de l'hopital in Paris 75013. / Bridgeman Images

The Olympiads in Paris 75013.
The Olympiads in Paris 75013.

TEC4641421: The Olympiads in Paris 75013. / Bridgeman Images

The small drum of Wattignies in 1793 fell under the blows of the Austrians during the battle) (litho)
The small drum of Wattignies in 1793 fell under the blows of the Austrians during the battle) (litho)

JLJ4641423: The small drum of Wattignies in 1793 fell under the blows of the Austrians during the battle) (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

Askos in bird shape, 3rd or 2nd century BC (terracotta)
Askos in bird shape, 3rd or 2nd century BC (terracotta)

LRI4641440: Askos in bird shape, 3rd or 2nd century BC (terracotta), Italic, (3rd-2d century BC) / Bridgeman Images

S.Lucid in Mir 09/1996 - S.Lucid in Mir station 09/1996 - Shannon Lucid training on a treadmill in Mir station. 09/1996. View of astronaut Shannon Lucid exercising on a treadmill which has been assembled in the Mir space station Base Block module. Beside her with a flight data file is her replacement, astronaut John Blaha
S.Lucid in Mir 09/1996 - S.Lucid in Mir station 09/1996 - Shannon Lucid training on a treadmill in Mir station. 09/1996. View of astronaut Shannon Lucid exercising on a treadmill which has been assembled in the Mir space station Base Block module. Beside her with a flight data file is her replacement, astronaut John Blaha

PIX4642165: S.Lucid in Mir 09/1996 - S.Lucid in Mir station 09/1996 - Shannon Lucid training on a treadmill in Mir station. 09/1996. View of astronaut Shannon Lucid exercising on a treadmill which has been assembled in the Mir space station Base Block module. Beside her with a flight data file is her replacement, astronaut John Blaha / Bridgeman Images

Meeting of the Notable on February 22, 1787 convened by King Louis XVI to Versailles, 1787 (engraving)
Meeting of the Notable on February 22, 1787 convened by King Louis XVI to Versailles, 1787 (engraving)

JLJ4642175: Meeting of the Notable on February 22, 1787 convened by King Louis XVI to Versailles, 1787 (engraving), Anonymous / Bridgeman Images


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