LLM3630265:
Paradise fish (colour litho), German School, (19th century) / Bridgeman Images
ID: LLM3630265
Paradise fish (colour litho)
German School, (19th century)
LLM3630271:
American antiquities (colour litho), German School, (19th century) / Bridgeman Images
ID: LLM3630271
American antiquities (colour litho)
German School, (19th century)
LLM3630282:
Ancient Egyptian hieroglyphs (colour litho), German School, (19th century) / Bridgeman Images
ID: LLM3630282
Ancient Egyptian hieroglyphs (colour litho)
German School, (19th century)
LLM3630292:
Solar prominences observed by French artist and astronomer Etienne Leopold Trouvelot on 15 and 29 April 1872 (colour litho), German School, (19th century) / Bridgeman Images
ID: LLM3630292
Solar prominences observed by French artist and astronomer Etienne Leopold Trouvelot on 15 and 29 April 1872 (colour litho)
German School, (19th century)
LLM3630294:
Facsilimile of Johannes Gutenberg's 42-line Latin Bible of 1455 (colour litho), German School, (19th century) / Bridgeman Images
ID: LLM3630294
Facsilimile of Johannes Gutenberg's 42-line Latin Bible of 1455 (colour litho)
German School, (19th century)
LLM3630296:
Map showing the expansion of the British Empire (colour litho), German School, (19th century) / Bridgeman Images
ID: LLM3630296
Map showing the expansion of the British Empire (colour litho)
German School, (19th century)
LLM3630303:
Folk costumes (colour litho), German School, (19th century) / Bridgeman Images
ID: LLM3630303
Folk costumes (colour litho)
German School, (19th century)
LLM3631041:
St Anne's Church, Soho, before bombing which left only the walls and the tower (b/w photo), English Photographer, (20th century) / Bridgeman Images
ID: LLM3631041
St Anne's Church, Soho, before bombing which left only the walls and the tower (b/w photo)
English Photographer, (20th century)
LLM3631042:
Charles I returns to Whitehall (b/w photo), English Photographer, (20th century) / Bridgeman Images
ID: LLM3631042
Charles I returns to Whitehall (b/w photo)
English Photographer, (20th century)
LLM3631046:
Firenze, Loggia del Bargello (b/w photo), Italian Photographer, (19th century) / Bridgeman Images
ID: LLM3631046
Firenze, Loggia del Bargello (b/w photo)
Italian Photographer, (19th century)
LLM3631056:
Firenze, Cortile e Scala del Palazzo del Podesta (b/w photo), Italian Photographer, (19th century) / Bridgeman Images
ID: LLM3631056
Firenze, Cortile e Scala del Palazzo del Podesta (b/w photo)
Italian Photographer, (19th century)
LLM3631071:
Venezia, Facciata Chiesa San Marco (coloured photo), Italian Photographer, (19th century) / Bridgeman Images
ID: LLM3631071
Venezia, Facciata Chiesa San Marco (coloured photo)
Italian Photographer, (19th century)
LLM3631087:
Venezia, Ponte dei Sospiri (coloured photo), Italian Photographer, (19th century) / Bridgeman Images
LLM3631132:
Mining rock salt (chromolitho), English School, (20th century) / Bridgeman Images
ID: LLM3631132
Mining rock salt (chromolitho)
English School, (20th century)
LLM3631137:
Tin mine (chromolitho), English School, (20th century) / Bridgeman Images
ID: LLM3631137
Tin mine (chromolitho)
English School, (20th century)
LLM3631148:
The inexpert are wounded (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631148
The inexpert are wounded (engraving)
Leighton, John (1822-1912)
LLM3631154:
Hasten at leisure (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631154
Hasten at leisure (engraving)
Leighton, John (1822-1912)
LLM3631156:
Let your light shine before men (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631156
Let your light shine before men (engraving)
Leighton, John (1822-1912)
LLM3631162:
The branches may be trained, but not the trunk (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631162
The branches may be trained, but not the trunk (engraving)
Leighton, John (1822-1912)
LLM3631163:
When slovenly servants get tidy, they polish the bottoms of the saucepans (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631163
When slovenly servants get tidy, they polish the bottoms of the saucepans (engraving)
Leighton, John (1822-1912)
LLM3631168:
One rotten apple infects all in the basket (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631168
One rotten apple infects all in the basket (engraving)
Leighton, John (1822-1912)
LLM3631169:
Birdes of one feather will flocke together (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631169
Birdes of one feather will flocke together (engraving)
Leighton, John (1822-1912)
LLM3631174:
The hunchback sees not his own hump, but he sees his neighbour's (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631174
The hunchback sees not his own hump, but he sees his neighbour's (engraving)
Leighton, John (1822-1912)
LLM3631178:
When the eyes are won, love is begun (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631178
When the eyes are won, love is begun (engraving)
Leighton, John (1822-1912)
LLM3631181:
A ship aground, is a beacon at sea (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631181
A ship aground, is a beacon at sea (engraving)
Leighton, John (1822-1912)
LLM3631194:
Every bird sings according to his beak (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631194
Every bird sings according to his beak (engraving)
Leighton, John (1822-1912)
LLM3631197:
Like melons, friends are to be found in plenty, of which not even one is good in twenty (engraving), Leighton, John (1822-1912) / Bridgeman Images
ID: LLM3631197
Like melons, friends are to be found in plenty, of which not even one is good in twenty (engraving)