Print Friendly Version Page

2502165 Search Results

24-piece travel toilet jug made by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868), between 1834-1840.
24-piece travel toilet jug made by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868), between 1834-1840.

MAJ5034477: 24-piece travel toilet jug made by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868), between 1834-1840. / Bridgeman Images

Representation of two saints. Frescoes between the 7th and 10th century. Crypt. San Decenzio, Pesaro.
Representation of two saints. Frescoes between the 7th and 10th century. Crypt. San Decenzio, Pesaro.

VEN5032869: Representation of two saints. Frescoes between the 7th and 10th century. Crypt. San Decenzio, Pesaro. / Bridgeman Images

Illustration for
Illustration for

MAJ5032130: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Perspective studies. Per mostrare a che distanza sono gli edifici posti sopra una linea, il pittore fiorentino suggeriva di dipingerli di un'intensita d'azzurro, come l'aria, sempre maggiore in proporzione alla loro lontananza. Engraving from “” Treat de la peinture”” by Leonard de Vinci (1452-1519). “Trattato della pittura di Lionardo da Vinci”, Milano, Societa tipografica, 1804.
Perspective studies. Per mostrare a che distanza sono gli edifici posti sopra una linea, il pittore fiorentino suggeriva di dipingerli di un'intensita d'azzurro, come l'aria, sempre maggiore in proporzione alla loro lontananza. Engraving from “” Treat de la peinture”” by Leonard de Vinci (1452-1519). “Trattato della pittura di Lionardo da Vinci”, Milano, Societa tipografica, 1804.

MAJ5032223: Perspective studies. Per mostrare a che distanza sono gli edifici posti sopra una linea, il pittore fiorentino suggeriva di dipingerli di un'intensita d'azzurro, come l'aria, sempre maggiore in proporzione alla loro lontananza. Engraving from “” Treat de la peinture”” by Leonard de Vinci (1452-1519). “Trattato della pittura di Lionardo da Vinci”, Milano, Societa tipografica, 1804. / Bridgeman Images

Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy
Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

MRZ5032271: Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy
Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy

MRZ5032285: Architecture: view of an Atlantean or (telamon), about 1650. Detail of the facade of the Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

Nativite. Painting by Coda da Rimini. Private collection, Reggio Emilia.
Nativite. Painting by Coda da Rimini. Private collection, Reggio Emilia.

VEN5032530: Nativite. Painting by Coda da Rimini. Private collection, Reggio Emilia. / Bridgeman Images

The bronze snake (18th century), Painting by pietro Ligari
The bronze snake (18th century), Painting by pietro Ligari

GIA5034655: The bronze snake (18th century), Painting by pietro Ligari, Ligari, Pietro (1686-1752) / Bridgeman Images

Facade of the church of San Fedele in Milan Italy
Facade of the church of San Fedele in Milan Italy

MRZ5034662: Facade of the church of San Fedele in Milan Italy / Bridgeman Images

High reliefs depicting on the left the animals symbolizing the evangelists surrounding a trone (tetramorph) (1654) and on the right a group of people who are equipped around a bed (1654). Cathedral (dome or duomo) of Milan Italy
High reliefs depicting on the left the animals symbolizing the evangelists surrounding a trone (tetramorph) (1654) and on the right a group of people who are equipped around a bed (1654). Cathedral (dome or duomo) of Milan Italy

MRZ5032112: High reliefs depicting on the left the animals symbolizing the evangelists surrounding a trone (tetramorph) (1654) and on the right a group of people who are equipped around a bed (1654). Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

Illustration for
Illustration for

MAJ5032120: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

High relief depicting the angel appearing at Gedeon (Gideon) to liberate the people of Israel from the occupation of the Madianites by Carlo Maria Giudici. 1797. Cathedral (dome or duomo) of Milan Italy
High relief depicting the angel appearing at Gedeon (Gideon) to liberate the people of Israel from the occupation of the Madianites by Carlo Maria Giudici. 1797. Cathedral (dome or duomo) of Milan Italy

MRZ5032174: High relief depicting the angel appearing at Gedeon (Gideon) to liberate the people of Israel from the occupation of the Madianites by Carlo Maria Giudici. 1797. Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

Diafoirus the father and Diafoirus the son went to Argan to ask for Angelique's hand. Illustration by Felix Lorioux (1872-1964) from the piece “” The Imaginary Malad”” by Jean Baptiste Poquelin dit Moliere (1622-1673), 1928
Diafoirus the father and Diafoirus the son went to Argan to ask for Angelique's hand. Illustration by Felix Lorioux (1872-1964) from the piece “” The Imaginary Malad”” by Jean Baptiste Poquelin dit Moliere (1622-1673), 1928

MAJ5032177: Diafoirus the father and Diafoirus the son went to Argan to ask for Angelique's hand. Illustration by Felix Lorioux (1872-1964) from the piece “” The Imaginary Malad”” by Jean Baptiste Poquelin dit Moliere (1622-1673), 1928, Lorioux, Felix (1872-1964) / Bridgeman Images

High relief depicting Daniel in the lion pit by Francesco Carabelli. 1795. Cathedral (dome or duomo) of Milan Italy
High relief depicting Daniel in the lion pit by Francesco Carabelli. 1795. Cathedral (dome or duomo) of Milan Italy

MRZ5032189: High relief depicting Daniel in the lion pit by Francesco Carabelli. 1795. Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

Portrait of JOHN WALLIS, English mathematician
Portrait of JOHN WALLIS, English mathematician

XEE5032100: Portrait of JOHN WALLIS, English mathematician / Bridgeman Images

Frontispice de “Novo teatro di machine et edificii par vane et sawdust operationi
Frontispice de “Novo teatro di machine et edificii par vane et sawdust operationi

XEE5032118: Frontispice de “Novo teatro di machine et edificii par vane et sawdust operationi", Padova 1607 by Vittorio Zonca, / Bridgeman Images

Paris: View of the Royal Observatory begins in 1667 and ends in 1672 - Engraving - in
Paris: View of the Royal Observatory begins in 1667 and ends in 1672 - Engraving - in

XEE5030887: Paris: View of the Royal Observatory begins in 1667 and ends in 1672 - Engraving - in "Celeste History" 1741 by Pierre Charles Le Monnier or Lemonnier Milano / Bridgeman Images

Portrait of Georg Wilhelm Rihman
Portrait of Georg Wilhelm Rihman

XEE5031796: Portrait of Georg Wilhelm Rihman / Bridgeman Images

The Annunciation (detail), 17th century (painting)
The Annunciation (detail), 17th century (painting)

MRZ5033567: The Annunciation (detail), 17th century (painting), Primo, Luigi (1606-67) / Bridgeman Images

Two French lamps: “” Pirouette”” and Monix, 20th century
Two French lamps: “” Pirouette”” and Monix, 20th century

MAJ5034522: Two French lamps: “” Pirouette”” and Monix, 20th century / Bridgeman Images

The martyrdom of Saint Lawrence: the torment of the grill. 14th century manuscript.
The martyrdom of Saint Lawrence: the torment of the grill. 14th century manuscript.

GIA5034624: The martyrdom of Saint Lawrence: the torment of the grill. 14th century manuscript. / Bridgeman Images

Japanese furniture: Comode in cypress wood lacquer dark red with metal applications from the Edo period.
Japanese furniture: Comode in cypress wood lacquer dark red with metal applications from the Edo period.

MAJ5034631: Japanese furniture: Comode in cypress wood lacquer dark red with metal applications from the Edo period. / Bridgeman Images

A prophete sculpture formerly marquee of the Cathedral of Milan, Italy Archeveche
A prophete sculpture formerly marquee of the Cathedral of Milan, Italy Archeveche

MRZ5034641: A prophete sculpture formerly marquee of the Cathedral of Milan, Italy Archeveche / Bridgeman Images

Transparent bottom of beer mug. 20th century
Transparent bottom of beer mug. 20th century

MAJ5034716: Transparent bottom of beer mug. 20th century / Bridgeman Images

View of the entrance of Vittorio-Emanuele gallery on Piazza Duomo in Milan, Italy Photography
View of the entrance of Vittorio-Emanuele gallery on Piazza Duomo in Milan, Italy Photography

MRZ5034778: View of the entrance of Vittorio-Emanuele gallery on Piazza Duomo in Milan, Italy Photography / Bridgeman Images

Art Nouveau: in the foreground, ivory vase with geometric decorations Foran, round green ceramic base Primavera enamelled, green ceramic vase decorated with sirenes sign Raymond Meynia 20th century
Art Nouveau: in the foreground, ivory vase with geometric decorations Foran, round green ceramic base Primavera enamelled, green ceramic vase decorated with sirenes sign Raymond Meynia 20th century

MAJ5034836: Art Nouveau: in the foreground, ivory vase with geometric decorations Foran, round green ceramic base Primavera enamelled, green ceramic vase decorated with sirenes sign Raymond Meynia 20th century / Bridgeman Images

Pieta. (1368) painting by Simone dei Crocefissi (1330-1399).
Pieta. (1368) painting by Simone dei Crocefissi (1330-1399).

VEN5034044: Pieta. (1368) painting by Simone dei Crocefissi (1330-1399). / Bridgeman Images

Portrait of Giovanni Battista Amici Italian Optician (engraving)
Portrait of Giovanni Battista Amici Italian Optician (engraving)

XEE5027807: Portrait of Giovanni Battista Amici Italian Optician (engraving) / Bridgeman Images

Saint Joseph and the child Jesus. Saint Therese of Avila cherishing the child. Painting by Giambettino Cignaroli (1706-1770). Church of San Biagio (Modene)
Saint Joseph and the child Jesus. Saint Therese of Avila cherishing the child. Painting by Giambettino Cignaroli (1706-1770). Church of San Biagio (Modene)

VEN5027885: Saint Joseph and the child Jesus. Saint Therese of Avila cherishing the child. Painting by Giambettino Cignaroli (1706-1770). Church of San Biagio (Modene) / Bridgeman Images

Portrait of Jean Baptiste Armand Louis Leonce Elie de Beaumont French geologist - Engraving of the 19th century -
Portrait of Jean Baptiste Armand Louis Leonce Elie de Beaumont French geologist - Engraving of the 19th century -

XEE5027992: Portrait of Jean Baptiste Armand Louis Leonce Elie de Beaumont French geologist - Engraving of the 19th century - / Bridgeman Images

Portrait of Pierre Joseph Van Beneden (1809-1894) Belgian Zoologist - Drawing of 1877
Portrait of Pierre Joseph Van Beneden (1809-1894) Belgian Zoologist - Drawing of 1877

XEE5028066: Portrait of Pierre Joseph Van Beneden (1809-1894) Belgian Zoologist - Drawing of 1877 / Bridgeman Images

Frontispice of
Frontispice of

XEE5028077: Frontispice of "The anatomy of the human body", 1797, by Charles Bell (engraving) / Bridgeman Images

Illustration from “The anatomy of the human body
Illustration from “The anatomy of the human body

XEE5028099: Illustration from “The anatomy of the human body" 1797 (engraving) / Bridgeman Images

Commission on the waters of the lower Po (lower part of the river): allegories of the river of freedom and equality. Official document of 1802. National Archive of Milan.
Commission on the waters of the lower Po (lower part of the river): allegories of the river of freedom and equality. Official document of 1802. National Archive of Milan.

VEN5028139: Commission on the waters of the lower Po (lower part of the river): allegories of the river of freedom and equality. Official document of 1802. National Archive of Milan. / Bridgeman Images

View of the city walls of Modene. Watercolour by G. Silvester, 18th century.
View of the city walls of Modene. Watercolour by G. Silvester, 18th century.

VEN5028175: View of the city walls of Modene. Watercolour by G. Silvester, 18th century. / Bridgeman Images

Portrait of Jean-Baptiste Joseph Dieudonne Boussingault, French chemist and agronomist - Engraving of the 19th century
Portrait of Jean-Baptiste Joseph Dieudonne Boussingault, French chemist and agronomist - Engraving of the 19th century

XEE5028185: Portrait of Jean-Baptiste Joseph Dieudonne Boussingault, French chemist and agronomist - Engraving of the 19th century / Bridgeman Images


Back to top