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Perquisition Dans Une Imprimerie (coloured engraving)
Perquisition Dans Une Imprimerie (coloured engraving)

LLM959798: Perquisition Dans Une Imprimerie (coloured engraving), Bertall, Charles Albert d'Arnoux (1820-82) (after) / Bridgeman Images

ID: LLM959798

Perquisition Dans Une Imprimerie (coloured engraving)

Bertall, Charles Albert d'Arnoux (1820-82) (after)

Garde Particulier de Raoul Rigault (coloured engraving)
Garde Particulier de Raoul Rigault (coloured engraving)

LLM959800: Garde Particulier de Raoul Rigault (coloured engraving), Bertall, Charles Albert d'Arnoux (1820-82) (after) / Bridgeman Images

ID: LLM959800

Garde Particulier de Raoul Rigault (coloured engraving)

Bertall, Charles Albert d'Arnoux (1820-82) (after)

En Route Pour Versailles (coloured engraving)
En Route Pour Versailles (coloured engraving)

LLM959801: En Route Pour Versailles (coloured engraving), Bertall, Charles Albert d'Arnoux (1820-82) (after) / Bridgeman Images

ID: LLM959801

En Route Pour Versailles (coloured engraving)

Bertall, Charles Albert d'Arnoux (1820-82) (after)

Marin Petroleur (coloured engraving)
Marin Petroleur (coloured engraving)

LLM959807: Marin Petroleur (coloured engraving), Bertall, Charles Albert d'Arnoux (1820-82) (after) / Bridgeman Images

ID: LLM959807

Marin Petroleur (coloured engraving)

Bertall, Charles Albert d'Arnoux (1820-82) (after)

Vengeurs de Flourens (coloured engraving)
Vengeurs de Flourens (coloured engraving)

LLM959810: Vengeurs de Flourens (coloured engraving), Bertall, Charles Albert d'Arnoux (1820-82) (after) / Bridgeman Images

ID: LLM959810

Vengeurs de Flourens (coloured engraving)

Bertall, Charles Albert d'Arnoux (1820-82) (after)

Illustration for Goldsmith's She Stoops to Conquer (colour litho)
Illustration for Goldsmith's She Stoops to Conquer (colour litho)

LLM959817: Illustration for Goldsmith's She Stoops to Conquer (colour litho), Thomson, Hugh (1860-1920) / Bridgeman Images

ID: LLM959817

Illustration for Goldsmith's She Stoops to Conquer (colour litho)

Thomson, Hugh (1860-1920)

Typical Scenes in Cairo Street (b/w photo)
Typical Scenes in Cairo Street (b/w photo)

LLM958624: Typical Scenes in Cairo Street (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958624

Typical Scenes in Cairo Street (b/w photo)

American Photographer (19th century) (after)

A Bedouin Woman of the Desert (b/w photo)
A Bedouin Woman of the Desert (b/w photo)

LLM958625: A Bedouin Woman of the Desert (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958625

A Bedouin Woman of the Desert (b/w photo)

American Photographer (19th century) (after)

South Porch of the Art Palace (b/w photo)
South Porch of the Art Palace (b/w photo)

LLM958647: South Porch of the Art Palace (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958647

South Porch of the Art Palace (b/w photo)

American Photographer (19th century) (after)

The Great Fountains in Action (b/w photo)
The Great Fountains in Action (b/w photo)

LLM958655: The Great Fountains in Action (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958655

The Great Fountains in Action (b/w photo)

American Photographer (19th century) (after)

From the Ferris Wheel to the California Building (b/w photo)
From the Ferris Wheel to the California Building (b/w photo)

LLM958658: From the Ferris Wheel to the California Building (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958658

From the Ferris Wheel to the California Building (b/w photo)

American Photographer (19th century) (after)

The Spanish Caravels Nina and Pinta (b/w photo)
The Spanish Caravels Nina and Pinta (b/w photo)

LLM958660: The Spanish Caravels Nina and Pinta (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958660

The Spanish Caravels Nina and Pinta (b/w photo)

American Photographer (19th century) (after)

The Haytien Building (b/w photo)
The Haytien Building (b/w photo)

LLM958662: The Haytien Building (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958662

The Haytien Building (b/w photo)

American Photographer (19th century) (after)

Clock-Tower and French Facade (b/w photo)
Clock-Tower and French Facade (b/w photo)

LLM958671: Clock-Tower and French Facade (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958671

Clock-Tower and French Facade (b/w photo)

American Photographer (19th century) (after)

South Alcove of the Porcelain Porch (b/w photo)
South Alcove of the Porcelain Porch (b/w photo)

LLM958672: South Alcove of the Porcelain Porch (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958672

South Alcove of the Porcelain Porch (b/w photo)

American Photographer (19th century) (after)

Northwest from the Roof of the Government Building (b/w photo)
Northwest from the Roof of the Government Building (b/w photo)

LLM958676: Northwest from the Roof of the Government Building (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958676

Northwest from the Roof of the Government Building (b/w photo)

American Photographer (19th century) (after)

Scene from the White Star Building (b/w photo)
Scene from the White Star Building (b/w photo)

LLM958680: Scene from the White Star Building (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958680

Scene from the White Star Building (b/w photo)

American Photographer (19th century) (after)

View of Life-Saving Station and Battleship (b/w photo)
View of Life-Saving Station and Battleship (b/w photo)

LLM958685: View of Life-Saving Station and Battleship (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958685

View of Life-Saving Station and Battleship (b/w photo)

American Photographer (19th century) (after)

The Lake Shore Promenade (b/w photo)
The Lake Shore Promenade (b/w photo)

LLM958686: The Lake Shore Promenade (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958686

The Lake Shore Promenade (b/w photo)

American Photographer (19th century) (after)

Louisiana's Building (b/w photo)
Louisiana's Building (b/w photo)

LLM958709: Louisiana's Building (b/w photo), American Photographer (19th century) (after) / Bridgeman Images

ID: LLM958709

Louisiana's Building (b/w photo)

American Photographer (19th century) (after)

A was an Archer who shot at a frog (colour litho)
A was an Archer who shot at a frog (colour litho)

LLM958711: A was an Archer who shot at a frog (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images

ID: LLM958711

A was an Archer who shot at a frog (colour litho)

Orr, Monro Scott (1874-1955)

A was an Archer who shot at a frog (colour litho)
A was an Archer who shot at a frog (colour litho)

LLM958712: A was an Archer who shot at a frog (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images

ID: LLM958712

A was an Archer who shot at a frog (colour litho)

Orr, Monro Scott (1874-1955)

E was an Esquire with pride on his brow (colour litho)
E was an Esquire with pride on his brow (colour litho)

LLM958719: E was an Esquire with pride on his brow (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images

ID: LLM958719

E was an Esquire with pride on his brow (colour litho)

Orr, Monro Scott (1874-1955)

K was a King so mighty and grand (colour litho)
K was a King so mighty and grand (colour litho)

LLM958732: K was a King so mighty and grand (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images

ID: LLM958732

K was a King so mighty and grand (colour litho)

Orr, Monro Scott (1874-1955)

L was a Lady who had a white hand (colour litho)
L was a Lady who had a white hand (colour litho)

LLM958733: L was a Lady who had a white hand (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images

ID: LLM958733

L was a Lady who had a white hand (colour litho)

Orr, Monro Scott (1874-1955)

S was a Sailor who spent all he got (colour litho)
S was a Sailor who spent all he got (colour litho)

LLM958747: S was a Sailor who spent all he got (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images

ID: LLM958747

S was a Sailor who spent all he got (colour litho)

Orr, Monro Scott (1874-1955)

X was Expensive and so became poor (colour litho)
X was Expensive and so became poor (colour litho)

LLM958757: X was Expensive and so became poor (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images

ID: LLM958757

X was Expensive and so became poor (colour litho)

Orr, Monro Scott (1874-1955)

Z was a Zany who looked a great fool (colour litho)
Z was a Zany who looked a great fool (colour litho)

LLM958761: Z was a Zany who looked a great fool (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images

ID: LLM958761

Z was a Zany who looked a great fool (colour litho)

Orr, Monro Scott (1874-1955)

On affichait une grande nouvelle (colour litho)
On affichait une grande nouvelle (colour litho)

LLM958764: On affichait une grande nouvelle (colour litho), Thompson, George Henry (1853-1933) / Bridgeman Images

ID: LLM958764

On affichait une grande nouvelle (colour litho)

Thompson, George Henry (1853-1933)

Les vainqueurs defilerent couronnes de palmes (colour litho)
Les vainqueurs defilerent couronnes de palmes (colour litho)

LLM958771: Les vainqueurs defilerent couronnes de palmes (colour litho), Thompson, George Henry (1853-1933) / Bridgeman Images

ID: LLM958771

Les vainqueurs defilerent couronnes de palmes (colour litho)

Thompson, George Henry (1853-1933)

La barriere ne resista pas a cette secousse (litho)
La barriere ne resista pas a cette secousse (litho)

LLM958777: La barriere ne resista pas a cette secousse (litho), Thompson, George Henry (1853-1933) / Bridgeman Images

ID: LLM958777

La barriere ne resista pas a cette secousse (litho)

Thompson, George Henry (1853-1933)

Le numero 2 se fit admirer pour sa grace incomparable (litho)
Le numero 2 se fit admirer pour sa grace incomparable (litho)

LLM958780: Le numero 2 se fit admirer pour sa grace incomparable (litho), Thompson, George Henry (1853-1933) / Bridgeman Images

ID: LLM958780

Le numero 2 se fit admirer pour sa grace incomparable (litho)

Thompson, George Henry (1853-1933)

Transport of Communist prisoners on pontoons in Brest Harbour, 1871 (engraving)
Transport of Communist prisoners on pontoons in Brest Harbour, 1871 (engraving)

LLM958798: Transport of Communist prisoners on pontoons in Brest Harbour, 1871 (engraving), English School, (19th century) / Bridgeman Images

ID: LLM958798

Transport of Communist prisoners on pontoons in Brest Harbour, 1871 (engraving)

English School, (19th century)

Prisoners at Belleville, May 1871 (engraving)
Prisoners at Belleville, May 1871 (engraving)

LLM958802: Prisoners at Belleville, May 1871 (engraving), English School, (19th century) / Bridgeman Images

ID: LLM958802

Prisoners at Belleville, May 1871 (engraving)

English School, (19th century)

Raoul Rigault, May 1871 (engraving)
Raoul Rigault, May 1871 (engraving)

LLM958806: Raoul Rigault, May 1871 (engraving), English School, (19th century) / Bridgeman Images

ID: LLM958806

Raoul Rigault, May 1871 (engraving)

English School, (19th century)

General de Ladmirault, May 1871 (engraving)
General de Ladmirault, May 1871 (engraving)

LLM958812: General de Ladmirault, May 1871 (engraving), English School, (19th century) / Bridgeman Images

ID: LLM958812

General de Ladmirault, May 1871 (engraving)

English School, (19th century)


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