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Portrait of Ernst Haeckel, c.1910 (photo)
Portrait of Ernst Haeckel, c.1910 (photo)

DGC3959712: Portrait of Ernst Haeckel, c.1910 (photo), Perscheid, Nicola (1864–1930) / Bridgeman Images

View of Broadway, New York, 1936 (photo)
View of Broadway, New York, 1936 (photo)

DGC3959714: View of Broadway, New York, 1936 (photo), American Photographer, (20th century) / Bridgeman Images

American Soldiers in the Changing Room, c.1942 (photo)
American Soldiers in the Changing Room, c.1942 (photo)

DGC3959722: American Soldiers in the Changing Room, c.1942 (photo) / Bridgeman Images

Fish of the Pacific Ocean, 1925 (litho)
Fish of the Pacific Ocean, 1925 (litho)

DGC3959732: Fish of the Pacific Ocean, 1925 (litho), American School, (20th century) / Bridgeman Images

Otoko by Tamotsu Yato, 1972 (photo)
Otoko by Tamotsu Yato, 1972 (photo)

DGC3959739: Otoko by Tamotsu Yato, 1972 (photo), Yato, Tamotsu (1928-73) / Bridgeman Images

Spelling lesson in Chelsea, 1912 (photo)
Spelling lesson in Chelsea, 1912 (photo)

DGC3959745: Spelling lesson in Chelsea, 1912 (photo), English School, (20th century) / Bridgeman Images

A fairground stall offering a trip to Mars for 10c  c.1911 (photo)
A fairground stall offering a trip to Mars for 10c  c.1911 (photo)

DGC3959746: A fairground stall offering a trip to Mars for 10c c.1911 (photo) / Bridgeman Images

Victoria Station, 1934 (photo)
Victoria Station, 1934 (photo)

DGC3959748: Victoria Station, 1934 (photo), English School, (20th century) / Bridgeman Images

Auxerre, 1960 (oil on canvas)
Auxerre, 1960 (oil on canvas)

CH3959767: Auxerre, 1960 (oil on canvas), Hofmann, Hans (1880-1966) / Bridgeman Images

Portrait of Adelberg III von Bärenfels, 1526 (oil on fir wood)
Portrait of Adelberg III von Bärenfels, 1526 (oil on fir wood)

XOS3959924: Portrait of Adelberg III von Bärenfels, 1526 (oil on fir wood), Baldung Grien, Hans (1484/5-1545) / Bridgeman Images

Christ Crucified with the Thieves, Saints, and a Female Donor, 1512 (mixed media on canvas with laminated basswood)
Christ Crucified with the Thieves, Saints, and a Female Donor, 1512 (mixed media on canvas with laminated basswood)

XOS3959925: Christ Crucified with the Thieves, Saints, and a Female Donor, 1512 (mixed media on canvas with laminated basswood), Baldung Grien, Hans (1484/5-1545) / Bridgeman Images

Les Baigneurs, Petite planche, 1896-97 (lithograph)
Les Baigneurs, Petite planche, 1896-97 (lithograph)

XOS3959926: Les Baigneurs, Petite planche, 1896-97 (lithograph), Cezanne, Paul (1839-1906) / Bridgeman Images

The Legislative Belly: View of the Ministerial Benches in the Impromptu Chamber of 1834 (lithograph)
The Legislative Belly: View of the Ministerial Benches in the Impromptu Chamber of 1834 (lithograph)

XOS3959943: The Legislative Belly: View of the Ministerial Benches in the Impromptu Chamber of 1834 (lithograph) , Daumier, Honore (1808-79) / Bridgeman Images

Wounded Brigand (Roman Shepherd), c.1825 (oil on canvas)
Wounded Brigand (Roman Shepherd), c.1825 (oil on canvas)

XOS3959950: Wounded Brigand (Roman Shepherd), c.1825 (oil on canvas), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

The Newspaper in the Countryside, 1806-7 (oil on canvas)
The Newspaper in the Countryside, 1806-7 (oil on canvas)

XOS3959955: The Newspaper in the Countryside, 1806-7 (oil on canvas), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) / Bridgeman Images

Ursula, c.1789 (oil on canvas)
Ursula, c.1789 (oil on canvas)

XOS3959957: Ursula, c.1789 (oil on canvas), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) / Bridgeman Images

The Piazza San Marco in Venice (oil on canvas)
The Piazza San Marco in Venice (oil on canvas)

XOS3959960: The Piazza San Marco in Venice (oil on canvas), Guardi, Francesco (1712-93) / Bridgeman Images

Boy with a Dead Hare (oil on wood)
Boy with a Dead Hare (oil on wood)

XOS3959962: Boy with a Dead Hare (oil on wood), Hals, Frans (1582/3-1666) / Bridgeman Images

Warrior with halberd, c.1898 (oil on canvas)
Warrior with halberd, c.1898 (oil on canvas)

XOS3959965: Warrior with halberd, c.1898 (oil on canvas), Hodler, Ferdinand (1853-1918) / Bridgeman Images

Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano. Illustration of Achille Beltrame in “” La domenica del corriere”” 03/01/1937.
Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano. Illustration of Achille Beltrame in “” La domenica del corriere”” 03/01/1937.

XEE4142923: Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano. Illustration of Achille Beltrame in “” La domenica del corriere”” 03/01/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

A group of women-giraffes from Burma ask their way to an English policeman (policeman) in London, they are dressed in turban, tunic, rings around the neck and legs. Illustration of Achille Beltrame in “La domenica del Corriere”” of 26/04/1937.
A group of women-giraffes from Burma ask their way to an English policeman (policeman) in London, they are dressed in turban, tunic, rings around the neck and legs. Illustration of Achille Beltrame in “La domenica del Corriere”” of 26/04/1937.

XEE4142936: A group of women-giraffes from Burma ask their way to an English policeman (policeman) in London, they are dressed in turban, tunic, rings around the neck and legs. Illustration of Achille Beltrame in “La domenica del Corriere”” of 26/04/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

Visit of the Duke Benito Mussolini to Messina during a trip to Sicily. Illustration by Achille Beltrame from “La domenica del corriere”” of 22/08/1937.
Visit of the Duke Benito Mussolini to Messina during a trip to Sicily. Illustration by Achille Beltrame from “La domenica del corriere”” of 22/08/1937.

XEE4142968: Visit of the Duke Benito Mussolini to Messina during a trip to Sicily. Illustration by Achille Beltrame from “La domenica del corriere”” of 22/08/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

Spanish Civil War: advance of the Italian volunteer brigades on the Santander front, they are welcomed triumphantly by the population. Illustration of Achilles Beltrame from “La domenica del corriere”” of 05/09/1937.
Spanish Civil War: advance of the Italian volunteer brigades on the Santander front, they are welcomed triumphantly by the population. Illustration of Achilles Beltrame from “La domenica del corriere”” of 05/09/1937.

XEE4142974: Spanish Civil War: advance of the Italian volunteer brigades on the Santander front, they are welcomed triumphantly by the population. Illustration of Achilles Beltrame from “La domenica del corriere”” of 05/09/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

The English governor of Chateauneuf de Randon (Chateauneuf-de-Randon, Auvergne) surrendered and came to lay the keys to the square on the deathbed of Bertrand du Guesclin, on 13 July 1380 in front of whom the city was besieging. The connetable died, according to the legend, from drinking too fresh water from the pre de la Glauze fountain. Chromolitography of the late 19th century.
The English governor of Chateauneuf de Randon (Chateauneuf-de-Randon, Auvergne) surrendered and came to lay the keys to the square on the deathbed of Bertrand du Guesclin, on 13 July 1380 in front of whom the city was besieging. The connetable died, according to the legend, from drinking too fresh water from the pre de la Glauze fountain. Chromolitography of the late 19th century.

XEE4143004: The English governor of Chateauneuf de Randon (Chateauneuf-de-Randon, Auvergne) surrendered and came to lay the keys to the square on the deathbed of Bertrand du Guesclin, on 13 July 1380 in front of whom the city was besieging. The connetable died, according to the legend, from drinking too fresh water from the pre de la Glauze fountain. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

THE ATTENTION OF THE ARMEME BY THE CESARIANS: Arrest of Paul DEROULEDE and Marcel HABERT in the courtyard of the barracks of Reuilly. Cover of Lyon's “Le progres illustré” of March 1899 (engraving)
THE ATTENTION OF THE ARMEME BY THE CESARIANS: Arrest of Paul DEROULEDE and Marcel HABERT in the courtyard of the barracks of Reuilly. Cover of Lyon's “Le progres illustré” of March 1899 (engraving)

XEE4143017: THE ATTENTION OF THE ARMEME BY THE CESARIANS: Arrest of Paul DEROULEDE and Marcel HABERT in the courtyard of the barracks of Reuilly. Cover of Lyon's “Le progres illustré” of March 1899 (engraving), French School, (19th century) / Bridgeman Images

Napoleonic Wars: Napoleon I (1769-1821) observing the Battle of Brienne-le-Chateau (Brienne le Chateau) (Dawn) on 29 January 1814 during the French campaign. The French army defeated the Prussian troops of General Gebhard Leberecht von Blucher (1742-1819). Chromolithography of the late 19th century
Napoleonic Wars: Napoleon I (1769-1821) observing the Battle of Brienne-le-Chateau (Brienne le Chateau) (Dawn) on 29 January 1814 during the French campaign. The French army defeated the Prussian troops of General Gebhard Leberecht von Blucher (1742-1819). Chromolithography of the late 19th century

XEE4143024: Napoleonic Wars: Napoleon I (1769-1821) observing the Battle of Brienne-le-Chateau (Brienne le Chateau) (Dawn) on 29 January 1814 during the French campaign. The French army defeated the Prussian troops of General Gebhard Leberecht von Blucher (1742-1819). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Charles VII (1403-1461) with his favorite, Agnes Sorel (known as the Lady of Beaute sur Marne (Beaute-sur-Marne) (1422-1450) feeding swans in the park of the chateau of Savigny sur Orge (Savigny-sur-Orge). Chromolithography of the late 19th century
Charles VII (1403-1461) with his favorite, Agnes Sorel (known as the Lady of Beaute sur Marne (Beaute-sur-Marne) (1422-1450) feeding swans in the park of the chateau of Savigny sur Orge (Savigny-sur-Orge). Chromolithography of the late 19th century

XEE4143035: Charles VII (1403-1461) with his favorite, Agnes Sorel (known as the Lady of Beaute sur Marne (Beaute-sur-Marne) (1422-1450) feeding swans in the park of the chateau of Savigny sur Orge (Savigny-sur-Orge). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

100-year war: the army of the Burgundians seized the castle of Pierrefonds by betrayal (14th century). Chromolithography of the late 19th century
100-year war: the army of the Burgundians seized the castle of Pierrefonds by betrayal (14th century). Chromolithography of the late 19th century

XEE4143042: 100-year war: the army of the Burgundians seized the castle of Pierrefonds by betrayal (14th century). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Louis Alexandre (Louis-Alexandre) Berthier (1753-1815), Prince of Wagram, with Madame Visconti, his mistress, at the Chateau de Grosbois. Chromolithography of the late 19th century
Louis Alexandre (Louis-Alexandre) Berthier (1753-1815), Prince of Wagram, with Madame Visconti, his mistress, at the Chateau de Grosbois. Chromolithography of the late 19th century

XEE4143043: Louis Alexandre (Louis-Alexandre) Berthier (1753-1815), Prince of Wagram, with Madame Visconti, his mistress, at the Chateau de Grosbois. Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Louis XIII (1601-1643) spent the night of June 5, 1619 at the Chateau du Lude in the Sarthe. Chromolithography of the late 19th century
Louis XIII (1601-1643) spent the night of June 5, 1619 at the Chateau du Lude in the Sarthe. Chromolithography of the late 19th century

XEE4143048: Louis XIII (1601-1643) spent the night of June 5, 1619 at the Chateau du Lude in the Sarthe. Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century
Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century

XEE4143049: Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Gold mining. The ore grinding in the jar is washed with great water and then passes over the copper plates to separate the gold from the other materials. Chromolitography of the late 19th century.
Gold mining. The ore grinding in the jar is washed with great water and then passes over the copper plates to separate the gold from the other materials. Chromolitography of the late 19th century.

XEE4143054: Gold mining. The ore grinding in the jar is washed with great water and then passes over the copper plates to separate the gold from the other materials. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The postmen strike: soldiers and municipal guards charged with the distribution of letters in Paris. Engraving of 1899 in “” La petite Gironde””
The postmen strike: soldiers and municipal guards charged with the distribution of letters in Paris. Engraving of 1899 in “” La petite Gironde””

XEE4143060: The postmen strike: soldiers and municipal guards charged with the distribution of letters in Paris. Engraving of 1899 in “” La petite Gironde””, French School, (19th century) / Bridgeman Images

The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving)
The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving)

XEE4143069: The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving), French School, (19th century) / Bridgeman Images

Sacre of Charles VII (1403-1461) in the Cathedrale of Reims (July 17, 1429) accompanied by Joan of Arc (1412-1431). Chromolitography of the late 19th century.
Sacre of Charles VII (1403-1461) in the Cathedrale of Reims (July 17, 1429) accompanied by Joan of Arc (1412-1431). Chromolitography of the late 19th century.

XEE4143079: Sacre of Charles VII (1403-1461) in the Cathedrale of Reims (July 17, 1429) accompanied by Joan of Arc (1412-1431). Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Advertising for the Italian aperitif “” Campari”” in 1937.
Advertising for the Italian aperitif “” Campari”” in 1937.

XEE4143084: Advertising for the Italian aperitif “” Campari”” in 1937., Italian School, (20th century) / Bridgeman Images


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