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Busto, 1950 (oil on canvas)
Busto, 1950 (oil on canvas)

CH652311: Busto, 1950 (oil on canvas), Campigli, Massimo (1895-1971) / Bridgeman Images

The Bathers; Les Baigneuses, 1938 (oil on canvas)
The Bathers; Les Baigneuses, 1938 (oil on canvas)

CH652359: The Bathers; Les Baigneuses, 1938 (oil on canvas), Valtat, Louis (1869-1952) / Bridgeman Images

Still Life; Nature Morte, 1925 (oil on canvas)
Still Life; Nature Morte, 1925 (oil on canvas)

CH652370: Still Life; Nature Morte, 1925 (oil on canvas), Dufy, Jean (1888-1964) / Bridgeman Images

The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour)
The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour)

CH652083: The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Lover and His Lass, 1884 (watercolour)
A Lover and His Lass, 1884 (watercolour)

CH652090: A Lover and His Lass, 1884 (watercolour), Langley, Walter (1852-1922) / Bridgeman Images

A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white)
A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white)

CH652094: A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white), Kilburne, George Goodwin (1839-1924) / Bridgeman Images

Boaters in a Lock on the Thames, (watercolour heightened with white, laid on board)
Boaters in a Lock on the Thames, (watercolour heightened with white, laid on board)

CH652096: Boaters in a Lock on the Thames, (watercolour heightened with white, laid on board), Caffieri, Hector (1847-1932) / Bridgeman Images

Horse Guards Parade, (pencil and watercolour heightened with white)
Horse Guards Parade, (pencil and watercolour heightened with white)

CH652101: Horse Guards Parade, (pencil and watercolour heightened with white), Rayner, Louise Ingram (1832-1924) / Bridgeman Images

Temple Bar, (pencil and watercolour heightened with white)
Temple Bar, (pencil and watercolour heightened with white)

CH652102: Temple Bar, (pencil and watercolour heightened with white), Rayner, Louise Ingram (1832-1924) / Bridgeman Images

Children Feeding Ducks Beside a Cottage in a Wooded Lane, (watercolour with white heightening on board)
Children Feeding Ducks Beside a Cottage in a Wooded Lane, (watercolour with white heightening on board)

CH652103: Children Feeding Ducks Beside a Cottage in a Wooded Lane, (watercolour with white heightening on board), Stannard, Henry John Sylvester (1870-1951) / Bridgeman Images

Children Playing Outside a Cottage in a Village, (watercolour heightened with white on board)
Children Playing Outside a Cottage in a Village, (watercolour heightened with white on board)

CH652106: Children Playing Outside a Cottage in a Village, (watercolour heightened with white on board), Strachan, Arthur Claude (1865-1935) / Bridgeman Images

Old Northumberland House, Charing Cross, (oil on canvas)
Old Northumberland House, Charing Cross, (oil on canvas)

CH652116: Old Northumberland House, Charing Cross, (oil on canvas), Paul, John Dean (1775-1852) / Bridgeman Images

Portrait of Thomas Rowe and His Son, Seated Three-Quarter Length, the Former in a Brown Gown, the Latter in a Brown Dress and Wrap, (oil on canvas)
Portrait of Thomas Rowe and His Son, Seated Three-Quarter Length, the Former in a Brown Gown, the Latter in a Brown Dress and Wrap, (oil on canvas)

CH652137: Portrait of Thomas Rowe and His Son, Seated Three-Quarter Length, the Former in a Brown Gown, the Latter in a Brown Dress and Wrap, (oil on canvas), Riley, John (1646-91) / Bridgeman Images

Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length, as a Shepherdess, in a White Satin Dress and Bonnet, in a Landscape, (oil on canvas)
Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length, as a Shepherdess, in a White Satin Dress and Bonnet, in a Landscape, (oil on canvas)

CH652138: Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length, as a Shepherdess, in a White Satin Dress and Bonnet, in a Landscape, (oil on canvas), Jervas, Charles (1675-1739) / Bridgeman Images

Portrait of Master Baines (oil on canvas)
Portrait of Master Baines (oil on canvas)

CH652147: Portrait of Master Baines (oil on canvas), Romney, George (1734-1802) / Bridgeman Images

A Grey Prancing Stallion with Flowing Mane with Stallions Fighting in a Rocky Landscape, (oil on canvas)
A Grey Prancing Stallion with Flowing Mane with Stallions Fighting in a Rocky Landscape, (oil on canvas)

CH652157: A Grey Prancing Stallion with Flowing Mane with Stallions Fighting in a Rocky Landscape, (oil on canvas), English School, (17th century) / Bridgeman Images

Portrait of the Artist, Head and Shoulders, in a Red Gown of a Doctor of Laws and White Stock - Unfinished, (oil on canvas)
Portrait of the Artist, Head and Shoulders, in a Red Gown of a Doctor of Laws and White Stock - Unfinished, (oil on canvas)

CH652160: Portrait of the Artist, Head and Shoulders, in a Red Gown of a Doctor of Laws and White Stock - Unfinished, (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images

A Nightmare, (oil on canvas)
A Nightmare, (oil on canvas)

CH652162: A Nightmare, (oil on canvas), Holst, Theodor M. von (1810-44) / Bridgeman Images

A Coach and Figures on an Open Country Road, (pencil, pen and grey ink and watercolour)
A Coach and Figures on an Open Country Road, (pencil, pen and grey ink and watercolour)

CH651884: A Coach and Figures on an Open Country Road, (pencil, pen and grey ink and watercolour), Ibbetson, Julius Caesar (1759-1817) / Bridgeman Images

Houses of the Franc Bateliers and Church of St. Nicholas on the Canal at Ghent, 1845 (pencil and watercolour)
Houses of the Franc Bateliers and Church of St. Nicholas on the Canal at Ghent, 1845 (pencil and watercolour)

CH651888: Houses of the Franc Bateliers and Church of St. Nicholas on the Canal at Ghent, 1845 (pencil and watercolour), Callow, William (1812-1908) / Bridgeman Images

A Visit to Granny, (pencil and watercolour heightened with white)
A Visit to Granny, (pencil and watercolour heightened with white)

CH651914: A Visit to Granny, (pencil and watercolour heightened with white), Wilson, Charles Edward (1853-1941) / Bridgeman Images

Figures in Harp Lane, Ludlow, (pencil and watercolour heightened with white)
Figures in Harp Lane, Ludlow, (pencil and watercolour heightened with white)

CH651954: Figures in Harp Lane, Ludlow, (pencil and watercolour heightened with white), Rayner, Louise Ingram (1832-1924) / Bridgeman Images

The Letter, (watercolour heightened with white)
The Letter, (watercolour heightened with white)

CH651957: The Letter, (watercolour heightened with white), Langley, Walter (1852-1922) / Bridgeman Images

Moonlight at Port Antonio, Jamaica, (pen and black ink and watercolour heightened with bodycolour and)
Moonlight at Port Antonio, Jamaica, (pen and black ink and watercolour heightened with bodycolour and)

CH651960: Moonlight at Port Antonio, Jamaica, (pen and black ink and watercolour heightened with bodycolour and), Goodwin, Albert (1845-1932) / Bridgeman Images

Scene on the Virginia Water, 1827 (pencil and watercolour)
Scene on the Virginia Water, 1827 (pencil and watercolour)

CH651987: Scene on the Virginia Water, 1827 (pencil and watercolour), Daniell, William (1769-1837) / Bridgeman Images

Figures Collecting Faggots by a Road, (pencil, watercolour and bodycolour)
Figures Collecting Faggots by a Road, (pencil, watercolour and bodycolour)

CH651993: Figures Collecting Faggots by a Road, (pencil, watercolour and bodycolour), Foster, Myles Birket (1825-99) / Bridgeman Images

A Ferry at Sunset, (watercolour with touches of white heightening)
A Ferry at Sunset, (watercolour with touches of white heightening)

CH652022: A Ferry at Sunset, (watercolour with touches of white heightening), Foster, Myles Birket (1825-99) / Bridgeman Images

Designs for the Riding School of the Horse Guards, St. Petersburg: Elevations, Section and Ground Plan, (pen and grey ink and watercolour)
Designs for the Riding School of the Horse Guards, St. Petersburg: Elevations, Section and Ground Plan, (pen and grey ink and watercolour)

CH652024: Designs for the Riding School of the Horse Guards, St. Petersburg: Elevations, Section and Ground Plan, (pen and grey ink and watercolour), Quarenghi, Giacomo (1744-1817) / Bridgeman Images

A Mussel Gatherer, (pencil and watercolour with white heightening)
A Mussel Gatherer, (pencil and watercolour with white heightening)

CH652070: A Mussel Gatherer, (pencil and watercolour with white heightening), Caffieri, Hector (1847-1932) / Bridgeman Images

Goldfish, 1909 (pencil and watercolour)
Goldfish, 1909 (pencil and watercolour)

CH652071: Goldfish, 1909 (pencil and watercolour), Hopkins, Arthur (1848-1930) / Bridgeman Images

A Moment's Hesitation, 1910 (pencil and watercolour)
A Moment's Hesitation, 1910 (pencil and watercolour)

CH652072: A Moment's Hesitation, 1910 (pencil and watercolour), Hopkins, Arthur (1848-1930) / Bridgeman Images

The Milkmaid, 1902 (pencil and watercolour)
The Milkmaid, 1902 (pencil and watercolour)

CH652074: The Milkmaid, 1902 (pencil and watercolour), Wilson, Charles Edward (1853-1941) / Bridgeman Images

Meriel, Cynthia and George (Perkins), 1900-1 (oil on canvas)
Meriel, Cynthia and George (Perkins), 1900-1 (oil on canvas)

CH651482: Meriel, Cynthia and George (Perkins), 1900-1 (oil on canvas), Harcourt, George (1868/69-1947) / Bridgeman Images

Constantinople, (pencil and watercolour heightened with white)
Constantinople, (pencil and watercolour heightened with white)

CH651487: Constantinople, (pencil and watercolour heightened with white), MacWhirter, John (1839-1911) / Bridgeman Images

Cathedrale de Cologne, (pencil and watercolour heightened with white)
Cathedrale de Cologne, (pencil and watercolour heightened with white)

CH651492: Cathedrale de Cologne, (pencil and watercolour heightened with white), Tetar van Elven, Paul Constantin Dominique (1823-1896) / Bridgeman Images

The King is Coming, 1898 (oil on canvas)
The King is Coming, 1898 (oil on canvas)

CH651512: The King is Coming, 1898 (oil on canvas), Bache, Otto (1839-1927) / Bridgeman Images


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