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Map of Salsburg in Austria, 1570 (engraving)
Map of Salsburg in Austria, 1570 (engraving)

LRI4704633: Map of Salsburg in Austria, 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

Map of Bavaria in Germany, 1570 (engraving)
Map of Bavaria in Germany, 1570 (engraving)

LRI4704644: Map of Bavaria in Germany, 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

Map of the Mediterranean islands of Sicily, Sardinia, Corfu, Malta, Djerba and Elba, 1570 (engraving)
Map of the Mediterranean islands of Sicily, Sardinia, Corfu, Malta, Djerba and Elba, 1570 (engraving)

LRI4704794: Map of the Mediterranean islands of Sicily, Sardinia, Corfu, Malta, Djerba and Elba, 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

Map of Hungary, 1570 (engraving)
Map of Hungary, 1570 (engraving)

LRI4704855: Map of Hungary, 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

Map of the territory of Russia, 1570 (engraving)
Map of the territory of Russia, 1570 (engraving)

LRI4704916: Map of the territory of Russia, 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

Map of the Arabian Peninsula, 1570 (engraving)
Map of the Arabian Peninsula, 1570 (engraving)

LRI4704961: Map of the Arabian Peninsula, 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

Map of Asia Minor (Istanbul and Turkey with the islands of Rhodes and Cyprus), 1570 (engraving)
Map of Asia Minor (Istanbul and Turkey with the islands of Rhodes and Cyprus), 1570 (engraving)

LRI4705006: Map of Asia Minor (Istanbul and Turkey with the islands of Rhodes and Cyprus), 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

Map of northern Africa, 1570 (engraving)
Map of northern Africa, 1570 (engraving)

LRI4705031: Map of northern Africa, 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

March and April: “” agricultural work and cow milking”” Tapestry of the manufactures of Mortlake. 17th century Genes, Musei di Strada Nuova
March and April: “” agricultural work and cow milking”” Tapestry of the manufactures of Mortlake. 17th century Genes, Musei di Strada Nuova

LRI4705119: March and April: “” agricultural work and cow milking”” Tapestry of the manufactures of Mortlake. 17th century Genes, Musei di Strada Nuova, British School, (17th century) / Bridgeman Images

Blazon of the nobility with a lion and a tree. Tapestry of the manufactures of Brussels. 16th century Genes, Musei di Strada Nuova
Blazon of the nobility with a lion and a tree. Tapestry of the manufactures of Brussels. 16th century Genes, Musei di Strada Nuova

LRI4705374: Blazon of the nobility with a lion and a tree. Tapestry of the manufactures of Brussels. 16th century Genes, Musei di Strada Nuova, Belgian School, (16th century) / Bridgeman Images

Portrait of Raffaele of Ferrari, Duke of Galliera (1803-1876) Painting by Giuseppe Isola (1808-1893) 1876 Genes, Musei di Strada Nuova
Portrait of Raffaele of Ferrari, Duke of Galliera (1803-1876) Painting by Giuseppe Isola (1808-1893) 1876 Genes, Musei di Strada Nuova

LRI4705933: Portrait of Raffaele of Ferrari, Duke of Galliera (1803-1876) Painting by Giuseppe Isola (1808-1893) 1876 Genes, Musei di Strada Nuova, Isola, Giuseppe (1808-93) / Bridgeman Images

Month of December: the loggers gather the wood and bring it back to the town of Trento. c.1535 (fresco)
Month of December: the loggers gather the wood and bring it back to the town of Trento. c.1535 (fresco)

LRI4684914: Month of December: the loggers gather the wood and bring it back to the town of Trento. c.1535 (fresco), Maestro Venceslao (fl.1390-1400) / Bridgeman Images

The resurrection, The Virgin, Saint Sebastian and the sponsors. Averoldi polyptych. 16th century (Painting on wood)
The resurrection, The Virgin, Saint Sebastian and the sponsors. Averoldi polyptych. 16th century (Painting on wood)

LRI4687671: The resurrection, The Virgin, Saint Sebastian and the sponsors. Averoldi polyptych. 16th century (Painting on wood), Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images

Parisian taxis (created September 1, 1914), 1915 (drawing)
Parisian taxis (created September 1, 1914), 1915 (drawing)

JLJ4688700: Parisian taxis (created September 1, 1914), 1915 (drawing), Helle, Andre (1871-1945) / Bridgeman Images

Fragment of a staircase presenting glyphs reliefs, AD 250 to 900 (stone)
Fragment of a staircase presenting glyphs reliefs, AD 250 to 900 (stone)

LRI4688701: Fragment of a staircase presenting glyphs reliefs, AD 250 to 900 (stone), Mayan / Bridgeman Images

Alexander the Great surrounded by Indian fauna during the conquest of India. With Diana hunting deer, and wrestlers, Christian symbols. 1163-1166 (Mosaic, pavement)
Alexander the Great surrounded by Indian fauna during the conquest of India. With Diana hunting deer, and wrestlers, Christian symbols. 1163-1166 (Mosaic, pavement)

LRI4689870: Alexander the Great surrounded by Indian fauna during the conquest of India. With Diana hunting deer, and wrestlers, Christian symbols. 1163-1166 (Mosaic, pavement), Unknown Artist, (12th century) / Bridgeman Images

The old men of the Revelation. Anonymous painter of Central Italy, 13th center.Italy, Anagni, Crypt of the Cathedrale, central absyd
The old men of the Revelation. Anonymous painter of Central Italy, 13th center.Italy, Anagni, Crypt of the Cathedrale, central absyd

LRI4690095: The old men of the Revelation. Anonymous painter of Central Italy, 13th center.Italy, Anagni, Crypt of the Cathedrale, central absyd, Italian School, (13th century) / Bridgeman Images

The Vision of Celestial Jerusalem: detail of Jerusalem represented in fortified citation. Mosaic around 830. Triumphal Arch of the Basilica of Santa Prassede, Rome
The Vision of Celestial Jerusalem: detail of Jerusalem represented in fortified citation. Mosaic around 830. Triumphal Arch of the Basilica of Santa Prassede, Rome

LRI4690371: The Vision of Celestial Jerusalem: detail of Jerusalem represented in fortified citation. Mosaic around 830. Triumphal Arch of the Basilica of Santa Prassede, Rome, Unknown Artist, (9th century) / Bridgeman Images

Vault of central nave Milan, Basilica di Santa Maria delle Grazie Italy
Vault of central nave Milan, Basilica di Santa Maria delle Grazie Italy

LRI4690791: Vault of central nave Milan, Basilica di Santa Maria delle Grazie Italy, Italian School, (15th century) / Bridgeman Images

God creates Adam, animal, land, sky and water Wood painting decorating a cabinet panel of the ancient sacristy of Bramante (Painting in the sacristy of Bramante) Basilica di Santa Maria delle Grazie, Milan, Italy
God creates Adam, animal, land, sky and water Wood painting decorating a cabinet panel of the ancient sacristy of Bramante (Painting in the sacristy of Bramante) Basilica di Santa Maria delle Grazie, Milan, Italy

LRI4690929: God creates Adam, animal, land, sky and water Wood painting decorating a cabinet panel of the ancient sacristy of Bramante (Painting in the sacristy of Bramante) Basilica di Santa Maria delle Grazie, Milan, Italy, Italian School, (16th century) / Bridgeman Images

Saints Benedict and Romualdo (oil on canvas, 16th century)
Saints Benedict and Romualdo (oil on canvas, 16th century)

LRI4691243: Saints Benedict and Romualdo (oil on canvas, 16th century), Vasari, Giorgio (1511-74) / Bridgeman Images

Deploration (Deposition) Anonymous wood painting on the back of a cross. 15th century Varazze, Cappella del Castello Invrea Italy
Deploration (Deposition) Anonymous wood painting on the back of a cross. 15th century Varazze, Cappella del Castello Invrea Italy

LRI4691375: Deploration (Deposition) Anonymous wood painting on the back of a cross. 15th century Varazze, Cappella del Castello Invrea Italy, Unknown Artist, (15th century) / Bridgeman Images

Virgin appears to Jerome Emiliani imprisoned (oil on canvas, 17th century)
Virgin appears to Jerome Emiliani imprisoned (oil on canvas, 17th century)

LRI4691483: Virgin appears to Jerome Emiliani imprisoned (oil on canvas, 17th century), Celesti, Andrea (1637-1712) / Bridgeman Images

Madonna in throne between St Magdalene and Sebastian (oil on canvas, 16th century)
Madonna in throne between St Magdalene and Sebastian (oil on canvas, 16th century)

LRI4691493: Madonna in throne between St Magdalene and Sebastian (oil on canvas, 16th century), Umbrian School, (16th century) / Bridgeman Images

The dove of the Holy Spirit appears above the Virgin with saints (oil on canvas, 18th century)
The dove of the Holy Spirit appears above the Virgin with saints (oil on canvas, 18th century)

LRI4691547: The dove of the Holy Spirit appears above the Virgin with saints (oil on canvas, 18th century), Solimena, Francesco (1657-1747) / Bridgeman Images

The Annunciation (Fresco, 1451)
The Annunciation (Fresco, 1451)

LRI4691644: The Annunciation (Fresco, 1451), Amman, Jost (1539-91) / Bridgeman Images

Archangel Gabriel announcing the birth of Saint John the Baptist to Zacharias and Elisabeth (Fresco, 1416)
Archangel Gabriel announcing the birth of Saint John the Baptist to Zacharias and Elisabeth (Fresco, 1416)

LRI4691703: Archangel Gabriel announcing the birth of Saint John the Baptist to Zacharias and Elisabeth (Fresco, 1416), Salimbeni, Lorenzo (1374-c.1420) / Bridgeman Images

Birth of Saint John the Baptist and circumcision (Fresco, 1416)
Birth of Saint John the Baptist and circumcision (Fresco, 1416)

LRI4691716: Birth of Saint John the Baptist and circumcision (Fresco, 1416), Salimbeni, Lorenzo (1374-c.1420) / Bridgeman Images

The Madonna, Saint Sebastian and Saint Roch (fresco, 15th century)
The Madonna, Saint Sebastian and Saint Roch (fresco, 15th century)

LRI4691742: The Madonna, Saint Sebastian and Saint Roch (fresco, 15th century), Unknown Artist, (15th century) / Bridgeman Images

The Virgin, Central panel of Triptych (fresco, 15th century)
The Virgin, Central panel of Triptych (fresco, 15th century)

LRI4691773: The Virgin, Central panel of Triptych (fresco, 15th century), Unknown Artist, (15th century) / Bridgeman Images

Mon ami Roberti (painting)
Mon ami Roberti (painting)

LRI4691779: Mon ami Roberti (painting), Cremona, Tranquillo (1837-78) / Bridgeman Images

Assumption of the Virgin and below St. Thomas Aquinas who presents to Mary Cardinal Oliviero Carafa.1488-1492 (fresco)
Assumption of the Virgin and below St. Thomas Aquinas who presents to Mary Cardinal Oliviero Carafa.1488-1492 (fresco)

LRI4691801: Assumption of the Virgin and below St. Thomas Aquinas who presents to Mary Cardinal Oliviero Carafa.1488-1492 (fresco), Lippi, Filippino (c.1457-1504) / Bridgeman Images

Mary and Martha (painting, ca. 1640)
Mary and Martha (painting, ca. 1640)

LRI4692059: Mary and Martha (painting, ca. 1640), Ferrari, Giovanni Andrea di (1598-1669) / Bridgeman Images

Benedict told the monks where and when they ate outside the monastery Detail Cloister fresco made by Luca Signorelli (ca. 1445-1523) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1497-1498 Abbey of Monte Oliveto Giore, Florence
Benedict told the monks where and when they ate outside the monastery Detail Cloister fresco made by Luca Signorelli (ca. 1445-1523) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1497-1498 Abbey of Monte Oliveto Giore, Florence

LRI4698613: Benedict told the monks where and when they ate outside the monastery Detail Cloister fresco made by Luca Signorelli (ca. 1445-1523) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1497-1498 Abbey of Monte Oliveto Giore, Florence, Signorelli, Luca (c.1450-1523) / Bridgeman Images

Benoit demasque the cunning of Totila, king of the Goths, to test his clairvoyance, Riggio l'ecuyer and accomplice of Totila comes to report to his king on his visit to Benoit (Benedict uncovers the cunning of Totila, king of the Goths, to test his clairvoyance, Riggio, squire and complicit of Totila reports back to the king visit to Benedict) Detail Fresco of the cloister made by Luca Signorelli (ca. 1445-1523) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictines 1497-1498 Abbey of Monte Oliveto Maggiore, Florence
Benoit demasque the cunning of Totila, king of the Goths, to test his clairvoyance, Riggio l'ecuyer and accomplice of Totila comes to report to his king on his visit to Benoit (Benedict uncovers the cunning of Totila, king of the Goths, to test his clairvoyance, Riggio, squire and complicit of Totila reports back to the king visit to Benedict) Detail Fresco of the cloister made by Luca Signorelli (ca. 1445-1523) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictines 1497-1498 Abbey of Monte Oliveto Maggiore, Florence

LRI4698654: Benoit demasque the cunning of Totila, king of the Goths, to test his clairvoyance, Riggio l'ecuyer and accomplice of Totila comes to report to his king on his visit to Benoit (Benedict uncovers the cunning of Totila, king of the Goths, to test his clairvoyance, Riggio, squire and complicit of Totila reports back to the king visit to Benedict) Detail Fresco of the cloister made by Luca Signorelli (ca. 1445-1523) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictines 1497-1498 Abbey of Monte Oliveto Maggiore, Florence, Signorelli, Luca (c.1450-1523) / Bridgeman Images

Representation of Saint Laurent before the Prefet of Rome Dacien (or Dece) (The prefect of Rome and st Lawrence) Painting by Orazio De Ferrari (1606-1657) 17th century Genes, Musei di Strada Nuova (ex Palazzo Rosso) Italy
Representation of Saint Laurent before the Prefet of Rome Dacien (or Dece) (The prefect of Rome and st Lawrence) Painting by Orazio De Ferrari (1606-1657) 17th century Genes, Musei di Strada Nuova (ex Palazzo Rosso) Italy

LRI4698810: Representation of Saint Laurent before the Prefet of Rome Dacien (or Dece) (The prefect of Rome and st Lawrence) Painting by Orazio De Ferrari (1606-1657) 17th century Genes, Musei di Strada Nuova (ex Palazzo Rosso) Italy, Ferrari, Orazio de' (1606-57) / Bridgeman Images


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