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Black hole, space, astronomy, astrophysics
Black hole, space, astronomy, astrophysics

LTI4123254: Black hole, space, astronomy, astrophysics, Lonati, Alessandro (b.1980) / Bridgeman Images

ID: LTI4123254

Black hole, space, astronomy, astrophysics

Lonati, Alessandro (b.1980)

First World War: Hairy French army sheltering in a trench to sleep, 1914-1918 (WWI: french soldiers sleeping in a trench, 1914 1918) Illustration by Alessandro Lonati
First World War: Hairy French army sheltering in a trench to sleep, 1914-1918 (WWI: french soldiers sleeping in a trench, 1914 1918) Illustration by Alessandro Lonati

LTI4123284: First World War: Hairy French army sheltering in a trench to sleep, 1914-1918 (WWI: french soldiers sleeping in a trench, 1914 1918) Illustration by Alessandro Lonati, Lonati, Alessandro (b.1980) / Bridgeman Images

ID: LTI4123284

First World War: Hairy French army sheltering in a trench to sleep, 1914-1918 (WWI: french soldiers sleeping in a trench, 1914 1918) Illustration by Alessandro Lonati

Lonati, Alessandro (b.1980)

The young king of Vaitatu, on the island of Tauata, in the archipelago of the Marquises Islands, surrounds himself to the arms of his wife, engraved after a drawing by A.Rixens illustrating the memories of the Pacific, in 1872-1874, by A.Pailhes, a ship's ensign, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The young king of Vaitatu, on the island of Tauata, in the archipelago of the Marquises Islands, surrounds himself to the arms of his wife, engraved after a drawing by A.Rixens illustrating the memories of the Pacific, in 1872-1874, by A.Pailhes, a ship's ensign, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330038: The young king of Vaitatu, on the island of Tauata, in the archipelago of the Marquises Islands, surrounds himself to the arms of his wife, engraved after a drawing by A.Rixens illustrating the memories of the Pacific, in 1872-1874, by A.Pailhes, a ship's ensign, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Rixens, Jean-Andre (1846-1924) / Bridgeman Images

ID: LSE4330038

The young king of Vaitatu, on the island of Tauata, in the archipelago of the Marquises Islands, surrounds himself to the arms of his wife, engraved after a drawing by A.Rixens illustrating the memories of the Pacific, in 1872-1874, by A.Pailhes, a ship's ensign, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

Rixens, Jean-Andre (1846-1924)

A farm of Sam Choui, in the province of Canton, with the owner (in the centre), surrounds his family and some agricultural employees, engraved after a drawing by O.Mathieu, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A farm of Sam Choui, in the province of Canton, with the owner (in the centre), surrounds his family and some agricultural employees, engraved after a drawing by O.Mathieu, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330069: A farm of Sam Choui, in the province of Canton, with the owner (in the centre), surrounds his family and some agricultural employees, engraved after a drawing by O.Mathieu, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Mathieu, Oscar Pierre (1845-1881) / Bridgeman Images

ID: LSE4330069

A farm of Sam Choui, in the province of Canton, with the owner (in the centre), surrounds his family and some agricultural employees, engraved after a drawing by O.Mathieu, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Mathieu, Oscar Pierre (1845-1881)

The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330115: The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4330115

The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

A very animated march near the Congo River, bringing together more than three thousand people, etched after a drawing by D.Vierge, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “Le tour du monde” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A very animated march near the Congo River, bringing together more than three thousand people, etched after a drawing by D.Vierge, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “Le tour du monde” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330131: A very animated march near the Congo River, bringing together more than three thousand people, etched after a drawing by D.Vierge, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “Le tour du monde” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Vierge, Daniel Urrabieta (1851-1904) / Bridgeman Images

ID: LSE4330131

A very animated march near the Congo River, bringing together more than three thousand people, etched after a drawing by D.Vierge, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “Le tour du monde” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Vierge, Daniel Urrabieta (1851-1904)

Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330140: Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330140

Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

L'interieur d'un campement de woodcherons dans l'Ontario, engraving after a drawing by D.Maillard, illustrating the excursion to Canada and to the Riviere Rouge du nord, by H. De Lamotte, in 1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
L'interieur d'un campement de woodcherons dans l'Ontario, engraving after a drawing by D.Maillard, illustrating the excursion to Canada and to the Riviere Rouge du nord, by H. De Lamotte, in 1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330170: L'interieur d'un campement de woodcherons dans l'Ontario, engraving after a drawing by D.Maillard, illustrating the excursion to Canada and to the Riviere Rouge du nord, by H. De Lamotte, in 1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330170

L'interieur d'un campement de woodcherons dans l'Ontario, engraving after a drawing by D.Maillard, illustrating the excursion to Canada and to the Riviere Rouge du nord, by H. De Lamotte, in 1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

French School, (19th century)

Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330237: Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330237

Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

A resident of Hatien (Vietnam) carrying buckets and basket and a child hunting a goose with a stick, engraving after a drawing by Robin illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A resident of Hatien (Vietnam) carrying buckets and basket and a child hunting a goose with a stick, engraving after a drawing by Robin illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330284: A resident of Hatien (Vietnam) carrying buckets and basket and a child hunting a goose with a stick, engraving after a drawing by Robin illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330284

A resident of Hatien (Vietnam) carrying buckets and basket and a child hunting a goose with a stick, engraving after a drawing by Robin illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

French School, (19th century)

Tuna fishing in Proelucca Bay (Gulf of Fiume or Rijeka, Istria), the lookout of the fish banks perch on high scales and tell the fishermen of their team or throw their nets along the coast. Engraving after T.Weber's drawing, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Tuna fishing in Proelucca Bay (Gulf of Fiume or Rijeka, Istria), the lookout of the fish banks perch on high scales and tell the fishermen of their team or throw their nets along the coast. Engraving after T.Weber's drawing, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330292: Tuna fishing in Proelucca Bay (Gulf of Fiume or Rijeka, Istria), the lookout of the fish banks perch on high scales and tell the fishermen of their team or throw their nets along the coast. Engraving after T.Weber's drawing, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Weber, Theodore (1838-1907) / Bridgeman Images

ID: LSE4330292

Tuna fishing in Proelucca Bay (Gulf of Fiume or Rijeka, Istria), the lookout of the fish banks perch on high scales and tell the fishermen of their team or throw their nets along the coast. Engraving after T.Weber's drawing, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Weber, Theodore (1838-1907)

Indian warriors and their wives (Texas). Engraving after the drawing of E.Ronjat, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Indian warriors and their wives (Texas). Engraving after the drawing of E.Ronjat, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330334: Indian warriors and their wives (Texas). Engraving after the drawing of E.Ronjat, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4330334

Indian warriors and their wives (Texas). Engraving after the drawing of E.Ronjat, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Ronjat, Etienne Antoine Eugene (b.1822)

Chess players. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Chess players. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330389: Chess players. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330389

Chess players. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

Portrait of Ulysses Grant (1822-1885), American general, leader of Union troops during the Secession War and 18th President of the United States (United States) for two terms from 1869 to 1877. Engraving after the drawing of E.Ronjat, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of Ulysses Grant (1822-1885), American general, leader of Union troops during the Secession War and 18th President of the United States (United States) for two terms from 1869 to 1877. Engraving after the drawing of E.Ronjat, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330444: Portrait of Ulysses Grant (1822-1885), American general, leader of Union troops during the Secession War and 18th President of the United States (United States) for two terms from 1869 to 1877. Engraving after the drawing of E.Ronjat, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4330444

Portrait of Ulysses Grant (1822-1885), American general, leader of Union troops during the Secession War and 18th President of the United States (United States) for two terms from 1869 to 1877. Engraving after the drawing of E.Ronjat, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Ronjat, Etienne Antoine Eugene (b.1822)

The traveling saver repairs the boots but also the harnesses of the cars of the senior officials of the palace, at the foot of the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The traveling saver repairs the boots but also the harnesses of the cars of the senior officials of the palace, at the foot of the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330497: The traveling saver repairs the boots but also the harnesses of the cars of the senior officials of the palace, at the foot of the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4330497

The traveling saver repairs the boots but also the harnesses of the cars of the senior officials of the palace, at the foot of the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Ronjat, Etienne Antoine Eugene (b.1822)

Some common scenes from the Salone fair (Croatia), sale of fruits, vegetables, poultry and lambs, as well as tables set up for desaltering. Engraving after the drawing of Virgo, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Some common scenes from the Salone fair (Croatia), sale of fruits, vegetables, poultry and lambs, as well as tables set up for desaltering. Engraving after the drawing of Virgo, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330511: Some common scenes from the Salone fair (Croatia), sale of fruits, vegetables, poultry and lambs, as well as tables set up for desaltering. Engraving after the drawing of Virgo, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Vierge, Daniel Urrabieta (1851-1904) / Bridgeman Images

ID: LSE4330511

Some common scenes from the Salone fair (Croatia), sale of fruits, vegetables, poultry and lambs, as well as tables set up for desaltering. Engraving after the drawing of Virgo, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Vierge, Daniel Urrabieta (1851-1904)

A young girl bringing to an archeologist Professor Glavinich Roman inscriptions found in a field in Salone (Croatia), and waiting for his reward. Engraving after the drawing of Stop, to illustrate the journey in Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A young girl bringing to an archeologist Professor Glavinich Roman inscriptions found in a field in Salone (Croatia), and waiting for his reward. Engraving after the drawing of Stop, to illustrate the journey in Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330517: A young girl bringing to an archeologist Professor Glavinich Roman inscriptions found in a field in Salone (Croatia), and waiting for his reward. Engraving after the drawing of Stop, to illustrate the journey in Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330517

A young girl bringing to an archeologist Professor Glavinich Roman inscriptions found in a field in Salone (Croatia), and waiting for his reward. Engraving after the drawing of Stop, to illustrate the journey in Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

French School, (19th century)

A guzlar, a guzla player (instrument has a guzla string stretched on a kind of leather mandolin, a demesure handle, the bow is made of another guzla rope stretched on a wooden bow) in a grocer shop in Ragusa, the instrument is hung on the wall and among those who come to sit, the best musician interprets the national songs of the Serbia. Engraving after the drawing of Stop, to illustrate the journey in Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A guzlar, a guzla player (instrument has a guzla string stretched on a kind of leather mandolin, a demesure handle, the bow is made of another guzla rope stretched on a wooden bow) in a grocer shop in Ragusa, the instrument is hung on the wall and among those who come to sit, the best musician interprets the national songs of the Serbia. Engraving after the drawing of Stop, to illustrate the journey in Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330523: A guzlar, a guzla player (instrument has a guzla string stretched on a kind of leather mandolin, a demesure handle, the bow is made of another guzla rope stretched on a wooden bow) in a grocer shop in Ragusa, the instrument is hung on the wall and among those who come to sit, the best musician interprets the national songs of the Serbia. Engraving after the drawing of Stop, to illustrate the journey in Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330523

A guzlar, a guzla player (instrument has a guzla string stretched on a kind of leather mandolin, a demesure handle, the bow is made of another guzla rope stretched on a wooden bow) in a grocer shop in Ragusa, the instrument is hung on the wall and among those who come to sit, the best musician interprets the national songs of the Serbia. Engraving after the drawing of Stop, to illustrate the journey in Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

French School, (19th century)

Costumes of noble lady in 1386 and of chatelaine in 1395 (reign of Charles VII 1403-1461). Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Costumes of noble lady in 1386 and of chatelaine in 1395 (reign of Charles VII 1403-1461). Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330596: Costumes of noble lady in 1386 and of chatelaine in 1395 (reign of Charles VII 1403-1461). Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330596

Costumes of noble lady in 1386 and of chatelaine in 1395 (reign of Charles VII 1403-1461). Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Knight served by his squire and his pages. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Knight served by his squire and his pages. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330597: Knight served by his squire and his pages. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330597

Knight served by his squire and his pages. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Princess with her ladies of honor, around 1470. Colour engraving after the book of the tournaments of the King Rene, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Princess with her ladies of honor, around 1470. Colour engraving after the book of the tournaments of the King Rene, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330601: Princess with her ladies of honor, around 1470. Colour engraving after the book of the tournaments of the King Rene, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330601

Princess with her ladies of honor, around 1470. Colour engraving after the book of the tournaments of the King Rene, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Portrait of Charles II of Amboise, Lord of Chaumont, (1473-1511), who was governor of Paris, of the Duke of Milan, of the seigneurerie of Genes, then vice king of Lombardy. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Portrait of Charles II of Amboise, Lord of Chaumont, (1473-1511), who was governor of Paris, of the Duke of Milan, of the seigneurerie of Genes, then vice king of Lombardy. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330621: Portrait of Charles II of Amboise, Lord of Chaumont, (1473-1511), who was governor of Paris, of the Duke of Milan, of the seigneurerie of Genes, then vice king of Lombardy. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330621

Portrait of Charles II of Amboise, Lord of Chaumont, (1473-1511), who was governor of Paris, of the Duke of Milan, of the seigneurerie of Genes, then vice king of Lombardy. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Peasant costume in the 15th century. Engraving in colors of after Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Peasant costume in the 15th century. Engraving in colors of after Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330625: Peasant costume in the 15th century. Engraving in colors of after Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330625

Peasant costume in the 15th century. Engraving in colors of after Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Musketeer and infantry officer costumes, 17th century. Colour engraving after the work of Willemin, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Musketeer and infantry officer costumes, 17th century. Colour engraving after the work of Willemin, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330653: Musketeer and infantry officer costumes, 17th century. Colour engraving after the work of Willemin, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330653

Musketeer and infantry officer costumes, 17th century. Colour engraving after the work of Willemin, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Portraits before 1600, of Antoine de Saint Chamand, lord of Mery sur Oise, and of the King of France Henry IV (1553-1610), surrounding an unknown woman. Engraving in colours after the drawing by Gaignieres, in “France et les francais à travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Portraits before 1600, of Antoine de Saint Chamand, lord of Mery sur Oise, and of the King of France Henry IV (1553-1610), surrounding an unknown woman. Engraving in colours after the drawing by Gaignieres, in “France et les francais à travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330656: Portraits before 1600, of Antoine de Saint Chamand, lord of Mery sur Oise, and of the King of France Henry IV (1553-1610), surrounding an unknown woman. Engraving in colours after the drawing by Gaignieres, in “France et les francais à travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330656

Portraits before 1600, of Antoine de Saint Chamand, lord of Mery sur Oise, and of the King of France Henry IV (1553-1610), surrounding an unknown woman. Engraving in colours after the drawing by Gaignieres, in “France et les francais à travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Costume of a French merchant in the 17th century.Engraving in colours, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Costume of a French merchant in the 17th century.Engraving in colours, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330671: Costume of a French merchant in the 17th century.Engraving in colours, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330671

Costume of a French merchant in the 17th century.Engraving in colours, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Portrait of Gaston d'Orleans (1608-1660), second son of Henri IV (1553-1610), chief of the army under the reign of Louis XIII (1601-1643). Engraving in colours after a drawing by Petiter, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Portrait of Gaston d'Orleans (1608-1660), second son of Henri IV (1553-1610), chief of the army under the reign of Louis XIII (1601-1643). Engraving in colours after a drawing by Petiter, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330673: Portrait of Gaston d'Orleans (1608-1660), second son of Henri IV (1553-1610), chief of the army under the reign of Louis XIII (1601-1643). Engraving in colours after a drawing by Petiter, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330673

Portrait of Gaston d'Orleans (1608-1660), second son of Henri IV (1553-1610), chief of the army under the reign of Louis XIII (1601-1643). Engraving in colours after a drawing by Petiter, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Couple in fashion from 1792. Colour engraving after the drawing of Harlem's cabinet, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Couple in fashion from 1792. Colour engraving after the drawing of Harlem's cabinet, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330706: Couple in fashion from 1792. Colour engraving after the drawing of Harlem's cabinet, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330706

Couple in fashion from 1792. Colour engraving after the drawing of Harlem's cabinet, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330920: Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4330920

Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

The interior of the Kani (inn) of Dernitza, drawing by D.Maillard, to illustrate the story of Henri Belle: Journey to Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The interior of the Kani (inn) of Dernitza, drawing by D.Maillard, to illustrate the story of Henri Belle: Journey to Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330936: The interior of the Kani (inn) of Dernitza, drawing by D.Maillard, to illustrate the story of Henri Belle: Journey to Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330936

The interior of the Kani (inn) of Dernitza, drawing by D.Maillard, to illustrate the story of Henri Belle: Journey to Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

French School, (19th century)

The punishment of the impiete, two children are kneeling on a pole placed on pegs and watched in their torment by the parish of the village, drawing by E.Riou, to illustrate the journey in the region of Titicaca and the vallees of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The punishment of the impiete, two children are kneeling on a pole placed on pegs and watched in their torment by the parish of the village, drawing by E.Riou, to illustrate the journey in the region of Titicaca and the vallees of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330990: The punishment of the impiete, two children are kneeling on a pole placed on pegs and watched in their torment by the parish of the village, drawing by E.Riou, to illustrate the journey in the region of Titicaca and the vallees of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330990

The punishment of the impiete, two children are kneeling on a pole placed on pegs and watched in their torment by the parish of the village, drawing by E.Riou, to illustrate the journey in the region of Titicaca and the vallees of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The pearls of the bride, the fiancee carries on the shoulders of a woman of her clan, is brought among the crowd who organizes the charivari and throws small beads, fragments of tobacco leaf, pledge of happiness, in the region of Lake Kassali, drawing by D.Maillart to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola) ), from 1873 to 1876, by the British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The pearls of the bride, the fiancee carries on the shoulders of a woman of her clan, is brought among the crowd who organizes the charivari and throws small beads, fragments of tobacco leaf, pledge of happiness, in the region of Lake Kassali, drawing by D.Maillart to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola) ), from 1873 to 1876, by the British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331012: The pearls of the bride, the fiancee carries on the shoulders of a woman of her clan, is brought among the crowd who organizes the charivari and throws small beads, fragments of tobacco leaf, pledge of happiness, in the region of Lake Kassali, drawing by D.Maillart to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola) ), from 1873 to 1876, by the British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4331012

The pearls of the bride, the fiancee carries on the shoulders of a woman of her clan, is brought among the crowd who organizes the charivari and throws small beads, fragments of tobacco leaf, pledge of happiness, in the region of Lake Kassali, drawing by D.Maillart to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola) ), from 1873 to 1876, by the British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

French School, (19th century)

The Montenegrin soldiers during the action, during the War of 1876, during which Serbia and Montenegro declared war on Ottoman Turkey, drawing by Valerio, to illustrate the journey to Montenegro in 1874 by Charles Yriarte (1832-1898). Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The Montenegrin soldiers during the action, during the War of 1876, during which Serbia and Montenegro declared war on Ottoman Turkey, drawing by Valerio, to illustrate the journey to Montenegro in 1874 by Charles Yriarte (1832-1898). Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331014: The Montenegrin soldiers during the action, during the War of 1876, during which Serbia and Montenegro declared war on Ottoman Turkey, drawing by Valerio, to illustrate the journey to Montenegro in 1874 by Charles Yriarte (1832-1898). Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Valerio, Theodore (1819-79) / Bridgeman Images

ID: LSE4331014

The Montenegrin soldiers during the action, during the War of 1876, during which Serbia and Montenegro declared war on Ottoman Turkey, drawing by Valerio, to illustrate the journey to Montenegro in 1874 by Charles Yriarte (1832-1898). Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Valerio, Theodore (1819-79)

Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331064: Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4331064

Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331068: The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4331068

The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

A street in Hanoi (Vietnam) and the cortege of a large mandarin, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
A street in Hanoi (Vietnam) and the cortege of a large mandarin, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331072: A street in Hanoi (Vietnam) and the cortege of a large mandarin, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888) / Bridgeman Images

ID: LSE4331072

A street in Hanoi (Vietnam) and the cortege of a large mandarin, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888)


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