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Ursula, c.1789 (oil on canvas)
Ursula, c.1789 (oil on canvas)

XOS3959957: Ursula, c.1789 (oil on canvas), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) / Bridgeman Images

The Piazza San Marco in Venice (oil on canvas)
The Piazza San Marco in Venice (oil on canvas)

XOS3959960: The Piazza San Marco in Venice (oil on canvas), Guardi, Francesco (1712-93) / Bridgeman Images

Boy with a Dead Hare (oil on wood)
Boy with a Dead Hare (oil on wood)

XOS3959962: Boy with a Dead Hare (oil on wood), Hals, Frans (1582/3-1666) / Bridgeman Images

Warrior with halberd, c.1898 (oil on canvas)
Warrior with halberd, c.1898 (oil on canvas)

XOS3959965: Warrior with halberd, c.1898 (oil on canvas), Hodler, Ferdinand (1853-1918) / Bridgeman Images

Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano. Illustration of Achille Beltrame in “” La domenica del corriere”” 03/01/1937.
Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano. Illustration of Achille Beltrame in “” La domenica del corriere”” 03/01/1937.

XEE4142923: Exodus of the population of El Salvador after the earthquake and eruptions of the Santa Rita volcano. Illustration of Achille Beltrame in “” La domenica del corriere”” 03/01/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

A group of women-giraffes from Burma ask their way to an English policeman (policeman) in London, they are dressed in turban, tunic, rings around the neck and legs. Illustration of Achille Beltrame in “La domenica del Corriere”” of 26/04/1937.
A group of women-giraffes from Burma ask their way to an English policeman (policeman) in London, they are dressed in turban, tunic, rings around the neck and legs. Illustration of Achille Beltrame in “La domenica del Corriere”” of 26/04/1937.

XEE4142936: A group of women-giraffes from Burma ask their way to an English policeman (policeman) in London, they are dressed in turban, tunic, rings around the neck and legs. Illustration of Achille Beltrame in “La domenica del Corriere”” of 26/04/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

Visit of the Duke Benito Mussolini to Messina during a trip to Sicily. Illustration by Achille Beltrame from “La domenica del corriere”” of 22/08/1937.
Visit of the Duke Benito Mussolini to Messina during a trip to Sicily. Illustration by Achille Beltrame from “La domenica del corriere”” of 22/08/1937.

XEE4142968: Visit of the Duke Benito Mussolini to Messina during a trip to Sicily. Illustration by Achille Beltrame from “La domenica del corriere”” of 22/08/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

Spanish Civil War: advance of the Italian volunteer brigades on the Santander front, they are welcomed triumphantly by the population. Illustration of Achilles Beltrame from “La domenica del corriere”” of 05/09/1937.
Spanish Civil War: advance of the Italian volunteer brigades on the Santander front, they are welcomed triumphantly by the population. Illustration of Achilles Beltrame from “La domenica del corriere”” of 05/09/1937.

XEE4142974: Spanish Civil War: advance of the Italian volunteer brigades on the Santander front, they are welcomed triumphantly by the population. Illustration of Achilles Beltrame from “La domenica del corriere”” of 05/09/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

The English governor of Chateauneuf de Randon (Chateauneuf-de-Randon, Auvergne) surrendered and came to lay the keys to the square on the deathbed of Bertrand du Guesclin, on 13 July 1380 in front of whom the city was besieging. The connetable died, according to the legend, from drinking too fresh water from the pre de la Glauze fountain. Chromolitography of the late 19th century.
The English governor of Chateauneuf de Randon (Chateauneuf-de-Randon, Auvergne) surrendered and came to lay the keys to the square on the deathbed of Bertrand du Guesclin, on 13 July 1380 in front of whom the city was besieging. The connetable died, according to the legend, from drinking too fresh water from the pre de la Glauze fountain. Chromolitography of the late 19th century.

XEE4143004: The English governor of Chateauneuf de Randon (Chateauneuf-de-Randon, Auvergne) surrendered and came to lay the keys to the square on the deathbed of Bertrand du Guesclin, on 13 July 1380 in front of whom the city was besieging. The connetable died, according to the legend, from drinking too fresh water from the pre de la Glauze fountain. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

THE ATTENTION OF THE ARMEME BY THE CESARIANS: Arrest of Paul DEROULEDE and Marcel HABERT in the courtyard of the barracks of Reuilly. Cover of Lyon's “Le progres illustré” of March 1899 (engraving)
THE ATTENTION OF THE ARMEME BY THE CESARIANS: Arrest of Paul DEROULEDE and Marcel HABERT in the courtyard of the barracks of Reuilly. Cover of Lyon's “Le progres illustré” of March 1899 (engraving)

XEE4143017: THE ATTENTION OF THE ARMEME BY THE CESARIANS: Arrest of Paul DEROULEDE and Marcel HABERT in the courtyard of the barracks of Reuilly. Cover of Lyon's “Le progres illustré” of March 1899 (engraving), French School, (19th century) / Bridgeman Images

Napoleonic Wars: Napoleon I (1769-1821) observing the Battle of Brienne-le-Chateau (Brienne le Chateau) (Dawn) on 29 January 1814 during the French campaign. The French army defeated the Prussian troops of General Gebhard Leberecht von Blucher (1742-1819). Chromolithography of the late 19th century
Napoleonic Wars: Napoleon I (1769-1821) observing the Battle of Brienne-le-Chateau (Brienne le Chateau) (Dawn) on 29 January 1814 during the French campaign. The French army defeated the Prussian troops of General Gebhard Leberecht von Blucher (1742-1819). Chromolithography of the late 19th century

XEE4143024: Napoleonic Wars: Napoleon I (1769-1821) observing the Battle of Brienne-le-Chateau (Brienne le Chateau) (Dawn) on 29 January 1814 during the French campaign. The French army defeated the Prussian troops of General Gebhard Leberecht von Blucher (1742-1819). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Charles VII (1403-1461) with his favorite, Agnes Sorel (known as the Lady of Beaute sur Marne (Beaute-sur-Marne) (1422-1450) feeding swans in the park of the chateau of Savigny sur Orge (Savigny-sur-Orge). Chromolithography of the late 19th century
Charles VII (1403-1461) with his favorite, Agnes Sorel (known as the Lady of Beaute sur Marne (Beaute-sur-Marne) (1422-1450) feeding swans in the park of the chateau of Savigny sur Orge (Savigny-sur-Orge). Chromolithography of the late 19th century

XEE4143035: Charles VII (1403-1461) with his favorite, Agnes Sorel (known as the Lady of Beaute sur Marne (Beaute-sur-Marne) (1422-1450) feeding swans in the park of the chateau of Savigny sur Orge (Savigny-sur-Orge). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

100-year war: the army of the Burgundians seized the castle of Pierrefonds by betrayal (14th century). Chromolithography of the late 19th century
100-year war: the army of the Burgundians seized the castle of Pierrefonds by betrayal (14th century). Chromolithography of the late 19th century

XEE4143042: 100-year war: the army of the Burgundians seized the castle of Pierrefonds by betrayal (14th century). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Louis Alexandre (Louis-Alexandre) Berthier (1753-1815), Prince of Wagram, with Madame Visconti, his mistress, at the Chateau de Grosbois. Chromolithography of the late 19th century
Louis Alexandre (Louis-Alexandre) Berthier (1753-1815), Prince of Wagram, with Madame Visconti, his mistress, at the Chateau de Grosbois. Chromolithography of the late 19th century

XEE4143043: Louis Alexandre (Louis-Alexandre) Berthier (1753-1815), Prince of Wagram, with Madame Visconti, his mistress, at the Chateau de Grosbois. Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Louis XIII (1601-1643) spent the night of June 5, 1619 at the Chateau du Lude in the Sarthe. Chromolithography of the late 19th century
Louis XIII (1601-1643) spent the night of June 5, 1619 at the Chateau du Lude in the Sarthe. Chromolithography of the late 19th century

XEE4143048: Louis XIII (1601-1643) spent the night of June 5, 1619 at the Chateau du Lude in the Sarthe. Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century
Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century

XEE4143049: Audience given to the Legat in the king's room (Louis XIV?) at the castle of Versailles. Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

Gold mining. The ore grinding in the jar is washed with great water and then passes over the copper plates to separate the gold from the other materials. Chromolitography of the late 19th century.
Gold mining. The ore grinding in the jar is washed with great water and then passes over the copper plates to separate the gold from the other materials. Chromolitography of the late 19th century.

XEE4143054: Gold mining. The ore grinding in the jar is washed with great water and then passes over the copper plates to separate the gold from the other materials. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The postmen strike: soldiers and municipal guards charged with the distribution of letters in Paris. Engraving of 1899 in “” La petite Gironde””
The postmen strike: soldiers and municipal guards charged with the distribution of letters in Paris. Engraving of 1899 in “” La petite Gironde””

XEE4143060: The postmen strike: soldiers and municipal guards charged with the distribution of letters in Paris. Engraving of 1899 in “” La petite Gironde””, French School, (19th century) / Bridgeman Images

The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving)
The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving)

XEE4143069: The delivery of the Commander's Cross of the Legion of Honour to Commander Jean-Baptiste (Jean Baptiste) Marchand (1863-1934) aboard the d'Assas in Djibouti in 1899. Cover of “La petite Gironde” from June 1899 (engraving), French School, (19th century) / Bridgeman Images

Sacre of Charles VII (1403-1461) in the Cathedrale of Reims (July 17, 1429) accompanied by Joan of Arc (1412-1431). Chromolitography of the late 19th century.
Sacre of Charles VII (1403-1461) in the Cathedrale of Reims (July 17, 1429) accompanied by Joan of Arc (1412-1431). Chromolitography of the late 19th century.

XEE4143079: Sacre of Charles VII (1403-1461) in the Cathedrale of Reims (July 17, 1429) accompanied by Joan of Arc (1412-1431). Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Advertising for the Italian aperitif “” Campari”” in 1937.
Advertising for the Italian aperitif “” Campari”” in 1937.

XEE4143084: Advertising for the Italian aperitif “” Campari”” in 1937., Italian School, (20th century) / Bridgeman Images

Portrait of Their Royal Highnesses Princess Victoria (1840-1901) (Queen Victoria) and Crown Prince Frederick William of Prussia (1831-1888). Engraving from 1858.
Portrait of Their Royal Highnesses Princess Victoria (1840-1901) (Queen Victoria) and Crown Prince Frederick William of Prussia (1831-1888). Engraving from 1858.

XEE4143120: Portrait of Their Royal Highnesses Princess Victoria (1840-1901) (Queen Victoria) and Crown Prince Frederick William of Prussia (1831-1888). Engraving from 1858., Unknown Artist, (19th century) / Bridgeman Images

Paris, October 22, 2011: Umberto Eco visits the Leemage agency.
Paris, October 22, 2011: Umberto Eco visits the Leemage agency.

XEE4143129: Paris, October 22, 2011: Umberto Eco visits the Leemage agency. / Bridgeman Images

View of the City of Berlin (Berlino) in 1858.
View of the City of Berlin (Berlino) in 1858.

XEE4143139: View of the City of Berlin (Berlino) in 1858., Unknown Artist, (19th century) / Bridgeman Images

The Benares ghat in India (present-day Vanarasi) (ghat designating the steps that cover the banks of the rivers and the banks of the basins and reservoirs that allow to descend in contact with water). Engraving from 1857.
The Benares ghat in India (present-day Vanarasi) (ghat designating the steps that cover the banks of the rivers and the banks of the basins and reservoirs that allow to descend in contact with water). Engraving from 1857.

XEE4143141: The Benares ghat in India (present-day Vanarasi) (ghat designating the steps that cover the banks of the rivers and the banks of the basins and reservoirs that allow to descend in contact with water). Engraving from 1857., Unknown Artist, (19th century) / Bridgeman Images

Modern Appication by a shoemaker of the Pila Vitrea. Glass globe filled with water to be placed between a person and the object they contemplate in order to enlarge it and make it more visible. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Modern Appication by a shoemaker of the Pila Vitrea. Glass globe filled with water to be placed between a person and the object they contemplate in order to enlarge it and make it more visible. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143145: Modern Appication by a shoemaker of the Pila Vitrea. Glass globe filled with water to be placed between a person and the object they contemplate in order to enlarge it and make it more visible. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., French School, (19th century) / Bridgeman Images

Bernard Palissy (1510-1589), French triumphant ceramist, removes his first pieces of enamels from the oven. Engraving from 1880 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Bernard Palissy (1510-1589), French triumphant ceramist, removes his first pieces of enamels from the oven. Engraving from 1880 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143153: Bernard Palissy (1510-1589), French triumphant ceramist, removes his first pieces of enamels from the oven. Engraving from 1880 in “” Les arts et metiers illustres”” by Adolphe BITARD., Anonymous / Bridgeman Images

Manufacture of combs in a workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of combs in a workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143155: Manufacture of combs in a workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Anonymous / Bridgeman Images

Portrait of Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist.
Portrait of Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist.

XEE4143167: Portrait of Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist., French School, (19th century) / Bridgeman Images

Portrait of Francesco Crispi (1818-1901) Italian statesman in 1863. ©Lee/leemage
Portrait of Francesco Crispi (1818-1901) Italian statesman in 1863. ©Lee/leemage

XEE4143181: Portrait of Francesco Crispi (1818-1901) Italian statesman in 1863. ©Lee/leemage, Anonymous / Bridgeman Images

Diamond washing in South Africa in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Diamond washing in South Africa in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143223: Diamond washing in South Africa in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., French School, (19th century) / Bridgeman Images

Capture of a gang of criminals in Saint-Denis (Saint Denis) in 1898. Cover of “” La petite Gironde”” of May 8, 1898 (engraving)
Capture of a gang of criminals in Saint-Denis (Saint Denis) in 1898. Cover of “” La petite Gironde”” of May 8, 1898 (engraving)

XEE4143271: Capture of a gang of criminals in Saint-Denis (Saint Denis) in 1898. Cover of “” La petite Gironde”” of May 8, 1898 (engraving), French School, (19th century) / Bridgeman Images

Etienne Marin Melingue (1808-1875), French actor playing sculptor Benvenuto Cellini in Alexandre Dumas pere's “Ascanio”, adapted to the stage by Paul Meurice. Engraving from 1880 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Etienne Marin Melingue (1808-1875), French actor playing sculptor Benvenuto Cellini in Alexandre Dumas pere's “Ascanio”, adapted to the stage by Paul Meurice. Engraving from 1880 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143289: Etienne Marin Melingue (1808-1875), French actor playing sculptor Benvenuto Cellini in Alexandre Dumas pere's “Ascanio”, adapted to the stage by Paul Meurice. Engraving from 1880 in “” Les arts et metiers illustres”” by Adolphe BITARD., French School, (19th century) / Bridgeman Images

Portrait of Merovee, king of the Salian Francs from 448 to 456. Engraving in “Histoire de France from the most remote times to the present day”” drawing by Jules Pacher. Patriotic imagery of Pont a Mousson. Late 19th century. Private collection.
Portrait of Merovee, king of the Salian Francs from 448 to 456. Engraving in “Histoire de France from the most remote times to the present day”” drawing by Jules Pacher. Patriotic imagery of Pont a Mousson. Late 19th century. Private collection.

XEE4143339: Portrait of Merovee, king of the Salian Francs from 448 to 456. Engraving in “Histoire de France from the most remote times to the present day”” drawing by Jules Pacher. Patriotic imagery of Pont a Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

Ebenisterie: usual tools, saws and planing. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Ebenisterie: usual tools, saws and planing. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143368: Ebenisterie: usual tools, saws and planing. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., French School, (19th century) / Bridgeman Images

Various tools, which the forcats carry when they escape. Engraving in “Histoire des bagnes depuis leur création à nos jours”” (1877) by Pierre Zaccone (1817-1895) (Colonia Penale - Penal colony)
Various tools, which the forcats carry when they escape. Engraving in “Histoire des bagnes depuis leur création à nos jours”” (1877) by Pierre Zaccone (1817-1895) (Colonia Penale - Penal colony)

XEE4143408: Various tools, which the forcats carry when they escape. Engraving in “Histoire des bagnes depuis leur création à nos jours”” (1877) by Pierre Zaccone (1817-1895) (Colonia Penale - Penal colony), Anonymous / Bridgeman Images


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