FLO4634476: Costumes of the Caucasian tatars (Russia): mountaineers in puffy pants, smoking the pipe, with their cane. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Mountain Tatars from the Caucasus mountains, with pipes, walking sticks, dagger and baggy pants. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

FLO4634536: Costumes from Kyrgyzstan: horsemen and a couple and below a hunting scene for the falcon. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Kyrgyz men on horseback and on foot above, and Kyrgyz men hunting with falcons, dogs and guns. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

PIX4634547: The Great Structures of the Universe - The Great Structures of the Universe - Artist's view of Great Structures, these filaments of gas within which clusters of galaxies are formed / Bridgeman Images

FLO4630050: Gigantic water lily variety, Victoria amazonica (Nymphaea gigantea or Victoria fitzroyana). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

FLO4630068: Plectopoma myriostygma and Plectopoma pink ribbon. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870. / Bridgeman Images

FLO4630072: Azalea indica hybrid, Countess Eugenie de Kerchove, Satsuki azalea, Rhododendron indicum. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870. / Bridgeman Images

FLO4630006: Ribboned peony of Flanders, hybrid, Paeonia moutan vittata, var. rubanee of Flanders. Handcoloured lithograph by L. Stroobant from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

FLO4630073: Toothedthread, Odontonema rutilans (Thyrsacanthus rutilans). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

PIX4630295: The formation of the Solar System - Artist view - Forming solar system - Artist view - Artist view of the gas and dust disc (protoplanetary disc) around the Sun. Little by little rocks will gather, accrete, to form planets. Planetesimals - the seeds of planets crash together in the solar nebula, gradually growing larger, Dixon, Don (b.1951) / Bridgeman Images

FLO4630284: Hundred Years War (1337-1453): Charles of Blois, known as the Blessed (1319-1364), Duke of Brittany and Thomas of Woodstock (1355-1397), Duke of Buckingham, agreed for the siege of Nantes in 1380, with their banners carried by the cavalry - Lithography after the enluminated manuscript of the Chronicles (from 1322 a 1400) by Jean (Jehan) Froissart (1337- 1404), 1868 - Charles of Blois, Duke of Brittany, and Thomas Woodstock, Earl of Buckingham, concerting the siege of Nantes, 1380; their banners can be seen above the ranks of mounted knights - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

FLO4630290: Count Louis II of Flanders (ne Louis de Dampierre dit Louis de Male or de Maerle) (1330-1384) receives the men of Ghent (Belgium) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders receives the men of Ghent - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

FLO4630380: The raising of the siege of Mahdia (Tunisia) and the departure of the French and English knights for Europe, in 1390 - Lithography after the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The raising of the siege of the strong town of Africa (Mahdia, Tunisia) and the return of the European ights, 1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

FLO4630405: Hundred Years War (1337-1453): the resumption and surrender of the castle of Ventadour (Correze), held by the Breton mercenary Geoffroy Tete Noir (died 1388), on behalf of the English - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The retaking and surrender of the strong castle of Montadour, 14th century - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

FLO4630514: The author Jean de Froissart presents his book of love poems to King Richard II of England (1367-1400), in 1395 - Lithography after the manuscript enluminated by John (Jehan) Froissart (1337-1404), 1868 - Sir John Froissart, presenting his book of Love Poems to King Richard liII, 1395 - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

FLO4630559: The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

FLO4630675: Illuminated title page with calligraphy and border of foliage and coat of arms - Lithography after the manuscript enlumine of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Illuminated title page with calligraphy and decorative border of foliage and heraldic shields - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

FLO4630646: Tournament of Saint Inglevert, 1389, near Calais (France), or three French knights, marechal Jean II Le Meingre, dit Boucicaut (Boucicault) (1364-1421) with two chamberlans, Regnault de Roye (?) and John I of Croy (circa 1365-1415), lord of Sempy, defend the square for thirty days, waiting for everything coming for the jousting - Lithograph from the enlumine manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Tournament held at St. Inglevere near Calais where three French knights (Sir Reginald by Roye, Sir Boucicaut and Lord de Saimpi) defend the lists for 30 days against all-comers from England and elsewhere, 1389 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

FLO4630762: Oiran courtesans dancing before a large folding screen. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

FLO4630976: Courtesans and kamuro maids playing a game of karuta (cards) with a customer in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

FLO4631011: Emanuel Lepeintre Jr. as Galop in Jacquot by Lurieu and Guinot, Theatre des Varietes, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

FLO4631108: English bass Nicolas Levasseur as Don Juan in Dom Sebastien by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

FLO4630712: The death of the Antipope Clement VII (Robert de Geneve) (1342-1394), on his deathbed surrounded by clerics and the election of the antipope Benedict XIII (Pedro de Luna or Pierre de Luna) (1329-1423) - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - The death of Antipope Clement VII, and the election of Antipope Benedict XIII, 1394 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

PIX4630334: The Solar-Illustration System - Mars, Earth and Moon, Venus, Mercury and the Sun / Bridgeman Images

PIX4630339: The formation of the Solar-Artist-View System - The formation of the Solar-Artist-View System - The Solar System 4.5 billion years ago. The Earth is formed, Dixon, Don (b.1951) / Bridgeman Images

FLO4634759: Some Egyptian hieroglyphs and mummy in her urn as well as sarcophagus. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Examples of Egyptian hieroglyphs and writing on papyrus, an embalmed mummy in an urn, a mummy in its coffin and coffin lid. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

FLO4634775: Scene of the festival of Isis, ancient Egypt: scene with priests, musicians and dancers performing the ritual in front of the sacred fire. Below, the priests making sacrificial offerings before an assembly of faithful. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Festivals of Isis in ancient Egypt. Above, priests, musicians and dancers perform a ritual before a sacred flame, and below, priests make sacrificial offerings before a crowd of worshippers. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

FLO4634841: The Great Pyramid of Giza (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.The great pyramids of Giza, Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

LRI4634915: Portrait of Ferdinand II (Ferdinando Carlo) (1810-1859), King of the Two Sicilies (Two Sicilies) Anonymous watercolour. 19th century Museo Nazionale di San Martino Naples, Italian School, (19th century) / Bridgeman Images

FLO4631195: Pierre-Cheri Lafont in the role of Frontin and Madame Bressant or Augustine Dupont as Marinette in Theophile Gautier's Le Tricorne Enchante, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

FLO4631275: Fanny Durand in the role of Toinette in Madame Bugolin, Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

FLO4631655: Miss Judith or Judith Julie Bernat as Mademoiselle Salle in Gentil Bernard by Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

FLO4631336: Germain as Muley-Ben-Omar in Sylvandire by Leuven/Vanderburch, Theatre du Palais Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

FLO4631161: Adrien Joly as a demon and Pepetit Veldeman as Coureur in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

FLO4631419: Mrs. Gabrielle Thenard as the Marquise in Le Diable-a-Quatre, Theatre du Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

FLO4631395: Mme Atier or Anne Suzanne Potier as Leopoldine in Le Telegraphe D'Amour by Masson/Thomas, Theatre des Folies Dramatiques, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

FLO4631576: Etienne Arnal as Nantouillet in L'Homme Blase by Duvert and Lauzanne, Theatre du Vaudeville, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images