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Childeric II, king of the Francs from 670 to 673 had the eveque Saint Leger (616-675) locked in the Abbey of Luxeuil.
Childeric II, king of the Francs from 670 to 673 had the eveque Saint Leger (616-675) locked in the Abbey of Luxeuil.

XEE4180955: Childeric II, king of the Francs from 670 to 673 had the eveque Saint Leger (616-675) locked in the Abbey of Luxeuil., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Albert I Grimaldi (Albert Honore Charles) (1848-1922), Prince of Monaco (1889-1922) in “The Illustrious World”, September 21, 1889.
Portrait of Albert I Grimaldi (Albert Honore Charles) (1848-1922), Prince of Monaco (1889-1922) in “The Illustrious World”, September 21, 1889.

XEE4180968: Portrait of Albert I Grimaldi (Albert Honore Charles) (1848-1922), Prince of Monaco (1889-1922) in “The Illustrious World”, September 21, 1889., Unknown Artist, (19th century) / Bridgeman Images

Theodoric the Great (ca. 454/455-526), king of the Goths, is frightened at the sight of the head of a huge fish serving on his table. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.
Theodoric the Great (ca. 454/455-526), king of the Goths, is frightened at the sight of the head of a huge fish serving on his table. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.

XEE4181011: Theodoric the Great (ca. 454/455-526), king of the Goths, is frightened at the sight of the head of a huge fish serving on his table. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814., Unknown Artist, (19th century) / Bridgeman Images

Prince Boemond, who had pretended to be dead to protect himself from Emperor Alexis, reappeared and declared to the population “” Let your master know that Boemond is resurrected and that he will soon notice”. 12th century. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.
Prince Boemond, who had pretended to be dead to protect himself from Emperor Alexis, reappeared and declared to the population “” Let your master know that Boemond is resurrected and that he will soon notice”. 12th century. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.

XEE4181041: Prince Boemond, who had pretended to be dead to protect himself from Emperor Alexis, reappeared and declared to the population “” Let your master know that Boemond is resurrected and that he will soon notice”. 12th century. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814., Unknown Artist, (19th century) / Bridgeman Images

View of the old arsenal of the city of Venice, Italy. Engraving in “” L'univers illustrious””, 1867. Private Collection
View of the old arsenal of the city of Venice, Italy. Engraving in “” L'univers illustrious””, 1867. Private Collection

XEE4178617: View of the old arsenal of the city of Venice, Italy. Engraving in “” L'univers illustrious””, 1867. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Last stage of the theatre piece “” Galilee””, a three-act drama by Francois Ponsard, a French poet and playwright (1814-1867) plays at the French comedie theatre in Paris. Engraving in “” L'univers illustrious””, 1867. Private Collection
Last stage of the theatre piece “” Galilee””, a three-act drama by Francois Ponsard, a French poet and playwright (1814-1867) plays at the French comedie theatre in Paris. Engraving in “” L'univers illustrious””, 1867. Private Collection

XEE4178630: Last stage of the theatre piece “” Galilee””, a three-act drama by Francois Ponsard, a French poet and playwright (1814-1867) plays at the French comedie theatre in Paris. Engraving in “” L'univers illustrious””, 1867. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Universal Exhibition: interior of the large sea aquarium. Engraving in “The Illustrous Universe”, 1867. Private Collection
Universal Exhibition: interior of the large sea aquarium. Engraving in “The Illustrous Universe”, 1867. Private Collection

XEE4178679: Universal Exhibition: interior of the large sea aquarium. Engraving in “The Illustrous Universe”, 1867. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Indigenous people of New Guinea (New Guinea): inhabitant of the Arfaque Mountains. Engraving in “” L'univers illustrious””, 1867. Private Collection
Indigenous people of New Guinea (New Guinea): inhabitant of the Arfaque Mountains. Engraving in “” L'univers illustrious””, 1867. Private Collection

XEE4178702: Indigenous people of New Guinea (New Guinea): inhabitant of the Arfaque Mountains. Engraving in “” L'univers illustrious””, 1867. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Universal exhibition: Gypsy musicians from the Austrian section. Engraving in “The Illustrous Universe”, 1867. Private collection.
Universal exhibition: Gypsy musicians from the Austrian section. Engraving in “The Illustrous Universe”, 1867. Private collection.

XEE4178733: Universal exhibition: Gypsy musicians from the Austrian section. Engraving in “The Illustrous Universe”, 1867. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Charles Stanley Monck (1819-1894), Canada's first Governor General to visit the Ottowa Falls in Upper Canada. Engraving in “” L'univers illustrious””, 1867. Private collection.
Charles Stanley Monck (1819-1894), Canada's first Governor General to visit the Ottowa Falls in Upper Canada. Engraving in “” L'univers illustrious””, 1867. Private collection.

XEE4178768: Charles Stanley Monck (1819-1894), Canada's first Governor General to visit the Ottowa Falls in Upper Canada. Engraving in “” L'univers illustrious””, 1867. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act IV and V: the deserte strike next to the Tournelle. Paris, Comedie Francaise, 1882. Paris, Comedie Francaise, 1882. Engraving in “” Le Monde Illustré”” n°1339 of 25 November 1882.
Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act IV and V: the deserte strike next to the Tournelle. Paris, Comedie Francaise, 1882. Paris, Comedie Francaise, 1882. Engraving in “” Le Monde Illustré”” n°1339 of 25 November 1882.

XEE4178829: Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act IV and V: the deserte strike next to the Tournelle. Paris, Comedie Francaise, 1882. Paris, Comedie Francaise, 1882. Engraving in “” Le Monde Illustré”” n°1339 of 25 November 1882., Unknown Artist, (19th century) / Bridgeman Images

Amone. Beggars tending hats to accommodate coins. End engraving of the 18th century. .
Amone. Beggars tending hats to accommodate coins. End engraving of the 18th century. .

XEE4178993: Amone. Beggars tending hats to accommodate coins. End engraving of the 18th century. ., Unknown artist, (18th century) / Bridgeman Images

Swing: two children on a butt tape Engraving late 18th century.
Swing: two children on a butt tape Engraving late 18th century.

XEE4178999: Swing: two children on a butt tape Engraving late 18th century., Unknown artist, (18th century) / Bridgeman Images

Woodmen making bundles of wood and man carrying bundles on a wheelbarrow. End engraving of the 18th century.
Woodmen making bundles of wood and man carrying bundles on a wheelbarrow. End engraving of the 18th century.

XEE4179008: Woodmen making bundles of wood and man carrying bundles on a wheelbarrow. End engraving of the 18th century., Unknown artist, (18th century) / Bridgeman Images

Medicinal and food botanical plants: acore. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection
Medicinal and food botanical plants: acore. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection

XEE4179119: Medicinal and food botanical plants: acore. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Venenous botanical plants: Daphne Mezereon. Engraving in “” The natural medication””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection
Venenous botanical plants: Daphne Mezereon. Engraving in “” The natural medication””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection

XEE4179165: Venenous botanical plants: Daphne Mezereon. Engraving in “” The natural medication””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Venenous botanical plants: water hemlock or aquatic hemlock also known as ferous hemlock (Cicuta virosa). Engraving in “” The natural medication””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection
Venenous botanical plants: water hemlock or aquatic hemlock also known as ferous hemlock (Cicuta virosa). Engraving in “” The natural medication””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection

XEE4179166: Venenous botanical plants: water hemlock or aquatic hemlock also known as ferous hemlock (Cicuta virosa). Engraving in “” The natural medication””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Portrait of the Impress Douairiere of Russia Maria Fedorovna widow of Emperor Alexander III of Russia, 1896 (print)
Portrait of the Impress Douairiere of Russia Maria Fedorovna widow of Emperor Alexander III of Russia, 1896 (print)

XEE4179176: Portrait of the Impress Douairiere of Russia Maria Fedorovna widow of Emperor Alexander III of Russia, 1896 (print), Unknown Artist, (19th century) / Bridgeman Images

Journey of the President of the Republic Felix Faure (1841-1899) to Brittany: salvation to the statue of Theophile Malo Corret of the Tour d'Auvergne (1743-1800) former French military in Carhaix in the Finistere. Engraving in “”Le Petit Parisien”, 189
Journey of the President of the Republic Felix Faure (1841-1899) to Brittany: salvation to the statue of Theophile Malo Corret of the Tour d'Auvergne (1743-1800) former French military in Carhaix in the Finistere. Engraving in “”Le Petit Parisien”, 189

XEE4179244: Journey of the President of the Republic Felix Faure (1841-1899) to Brittany: salvation to the statue of Theophile Malo Corret of the Tour d'Auvergne (1743-1800) former French military in Carhaix in the Finistere. Engraving in “”Le Petit Parisien”, 189, Anonymous / Bridgeman Images

Emperor Francois Joseph I of Austria (1830-1916) and Emperor of Austria Elisabeth Amelie of Wittelsbach known as Sissi (1837-1898) at Cap Martin in the Alpes-Maritimes region of Provence-Alpes-Cote d'Azur. in
Emperor Francois Joseph I of Austria (1830-1916) and Emperor of Austria Elisabeth Amelie of Wittelsbach known as Sissi (1837-1898) at Cap Martin in the Alpes-Maritimes region of Provence-Alpes-Cote d'Azur. in

XEE4179314: Emperor Francois Joseph I of Austria (1830-1916) and Emperor of Austria Elisabeth Amelie of Wittelsbach known as Sissi (1837-1898) at Cap Martin in the Alpes-Maritimes region of Provence-Alpes-Cote d'Azur. in " Le Petit Parisien””, 1896 (engraving), French School, (19th century) / Bridgeman Images

The seven deadly sins: Gluttony . late 19th century (print) (print)
The seven deadly sins: Gluttony . late 19th century (print) (print)

XEE4179363: The seven deadly sins: Gluttony . late 19th century (print) (print), French School, (19th century) / Bridgeman Images

Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print)
Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print)

XEE4179382: Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print)
Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print)

XEE4179389: Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print)
Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print)

XEE4179395: Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print)
Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print)

XEE4179437: Illustration for Jonathan Swift's Gulliver's Travels, late 19th century (print), French School, (19th century) / Bridgeman Images

The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print)
The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print)

XEE4179506: The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print), French School, (19th century) / Bridgeman Images

The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print)
The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print)

XEE4179509: The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print), French School, (19th century) / Bridgeman Images

The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print)
The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print)

XEE4179528: The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print), French School, (19th century) / Bridgeman Images

The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print)
The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print)

XEE4179534: The Sick Lion and the Fox. Fables by Jean de La Fontaine (1621-95). Late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of the fable by Jean de la Fontaine (1621-1695): the wolf becomes a shepherd. end of 19th century (print)
Illustration of the fable by Jean de la Fontaine (1621-1695): the wolf becomes a shepherd. end of 19th century (print)

XEE4179564: Illustration of the fable by Jean de la Fontaine (1621-1695): the wolf becomes a shepherd. end of 19th century (print), French School, (19th century) / Bridgeman Images

Illustration for Daniel Defoe's
Illustration for Daniel Defoe's

XEE4179579: Illustration for Daniel Defoe's "Robinson Crusoe" .fin 19e siecle (impression), French School, (19th century) / Bridgeman Images

Illustration for Daniel Defoe's
Illustration for Daniel Defoe's

XEE4179619: Illustration for Daniel Defoe's "Robinson Crusoe" .fin 19e siecle (impression), French School, (19th century) / Bridgeman Images

Death of Marechal Jean Lannes (1769-1809) at the Battle of Essling on May 28, 1809.
Death of Marechal Jean Lannes (1769-1809) at the Battle of Essling on May 28, 1809.

XEE4179698: Death of Marechal Jean Lannes (1769-1809) at the Battle of Essling on May 28, 1809., French School, (19th century) / Bridgeman Images

Campaign of Prussia and Poland (1806-1807): “” Napoleon I (1769-1821) on the battlefield of Eylau on 08/02/1807 ordered Murat to repel the Russian cavalry. Engraving of the 19th century.
Campaign of Prussia and Poland (1806-1807): “” Napoleon I (1769-1821) on the battlefield of Eylau on 08/02/1807 ordered Murat to repel the Russian cavalry. Engraving of the 19th century.

XEE4179728: Campaign of Prussia and Poland (1806-1807): “” Napoleon I (1769-1821) on the battlefield of Eylau on 08/02/1807 ordered Murat to repel the Russian cavalry. Engraving of the 19th century., French School, (19th century) / Bridgeman Images

War of the Fourth Coalition: “” view of the Battle of Friedland, 14/06/1807”” It opposes the soldiers of the Great Armea of Napoleon I against that of the Russian Empire.
War of the Fourth Coalition: “” view of the Battle of Friedland, 14/06/1807”” It opposes the soldiers of the Great Armea of Napoleon I against that of the Russian Empire.

XEE4179733: War of the Fourth Coalition: “” view of the Battle of Friedland, 14/06/1807”” It opposes the soldiers of the Great Armea of Napoleon I against that of the Russian Empire., French School, (19th century) / Bridgeman Images

The wolf and the stork. Fables by Jean de La Fontaine, late 19th century (print)
The wolf and the stork. Fables by Jean de La Fontaine, late 19th century (print)

XEE4179761: The wolf and the stork. Fables by Jean de La Fontaine, late 19th century (print), French School, (19th century) / Bridgeman Images


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