STC93549:
The Dome in Radcliffe Library, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1813 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images
ID: STC93549
The Dome in Radcliffe Library, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1813 (aquatint)
Mackenzie, Frederick (c.1788-1854) (after)
NCM93563:
Lifeboat going to a Vessel in Distress (oil on canvas), Joy, William (1803-c.1860) / Bridgeman Images
ID: NCM93563
Lifeboat going to a Vessel in Distress (oil on canvas)
Joy, William (1803-c.1860)
STC93621:
The Historic Palace of Asterabad, Persia, plate 84 from 'A Voyage in Turkey and Persia', engraved by the artist (litho), Laurens, Jules Joseph Augustin (1825-1901) / Bridgeman Images
ID: STC93621
The Historic Palace of Asterabad, Persia, plate 84 from 'A Voyage in Turkey and Persia', engraved by the artist (litho)
Laurens, Jules Joseph Augustin (1825-1901)
STC93628:
The Caravanserai Shah Sultan-Hussein, Isfahan, plate 32 from 'Modern Monuments of Persia', engraved by Auguste Alexandre Guillaumot (1815-92) 1856 (litho), Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images
ID: STC93628
The Caravanserai Shah Sultan-Hussein, Isfahan, plate 32 from 'Modern Monuments of Persia', engraved by Auguste Alexandre Guillaumot (1815-92) 1856 (litho)
Coste, Pascal Xavier (1787-1879) (after)
STC93633:
The Pavilion of Chehel Situn, or 'the 40 Columns', Isfahan, plate 42-43 from 'Modern Monuments of Persia', engraved by A. Levie, 1856 (litho), Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images
ID: STC93633
The Pavilion of Chehel Situn, or 'the 40 Columns', Isfahan, plate 42-43 from 'Modern Monuments of Persia', engraved by A. Levie, 1856 (litho)
Coste, Pascal Xavier (1787-1879) (after)
SRM93009:
Near the Monastery of St. George, Krym, Ukraine (oil on canvas), Vereshchagin, Vasili Vasilievich (1842-1904) / Bridgeman Images
ID: SRM93009
Near the Monastery of St. George, Krym, Ukraine (oil on canvas)
Vereshchagin, Vasili Vasilievich (1842-1904)
STC93050:
Rhinolophus Crumeniferus, a Horseshoe Bat, from Timor, plate 35 from 'Voyage of Discovery to Australian Lands', engraved by Choubard, pub. 1800-04 (engraving), Lesueur, Charles Alexandre (1778-1846) (after) / Bridgeman Images
ID: STC93050
Rhinolophus Crumeniferus, a Horseshoe Bat, from Timor, plate 35 from 'Voyage of Discovery to Australian Lands', engraved by Choubard, pub. 1800-04 (engraving)
Lesueur, Charles Alexandre (1778-1846) (after)
RGS93056:
T.1551 Norou-Gal-Derri Ready for Combat, native from New South Wales, New Holland, plate 20 from 'Voyage of Discovery to Australian Lands', engraved by B. Roger, pub. 1807 (engraving), Petit, N. (19th century) (after) / Bridgeman Images
ID: RGS93056
T.1551 Norou-Gal-Derri Ready for Combat, native from New South Wales, New Holland, plate 20 from 'Voyage of Discovery to Australian Lands', engraved by B. Roger, pub. 1807 (engraving)
Petit, N. (19th century) (after)
CK93251:
Seated Young Woman (oil on canvas), Pascin, Jules (1885-1930) / Bridgeman Images
ID: CK93251
Seated Young Woman (oil on canvas)
Pascin, Jules (1885-1930)
CK93259:
Seated Nude on a Red Sofa (oil on canvas), O'Conor, Roderic (1860-1940) / Bridgeman Images
CK93266:
Head of a Breton Woman (oil on panel), O'Conor, Roderic (1860-1940) / Bridgeman Images
ID: CK93266
Head of a Breton Woman (oil on panel)
O'Conor, Roderic (1860-1940)
HTL93695:
Crouching Man, study for 'The Triumph of Wellington' (charcoal & chalk on paper), Ward, James (1769-1859) / Bridgeman Images
ID: HTL93695
Crouching Man, study for 'The Triumph of Wellington' (charcoal & chalk on paper)
Ward, James (1769-1859)
BOL93948:
Portrait of Miss Harriet Read, 1789 (pastel on paper), Russell, John (1745-1806) / Bridgeman Images
ID: BOL93948
Portrait of Miss Harriet Read, 1789 (pastel on paper)
Russell, John (1745-1806)
BOL93969:
Still Life of a Dead Goose with a Basket, 1835 (w/c & gouache on paper), Hunt, William Henry (1790-1864) / Bridgeman Images
ID: BOL93969
Still Life of a Dead Goose with a Basket, 1835 (w/c & gouache on paper)
Hunt, William Henry (1790-1864)
XYC146393:
Cheerio (etching), Sickert, Walter Richard (1860-1942) / Bridgeman Images
ID: XYC146393
Cheerio (etching)
Sickert, Walter Richard (1860-1942)
FAS147006:
Alla Pescheria, 1905 (oil on canvas), Sickert, Walter Richard (1860-1942) / Bridgeman Images
ID: FAS147006
Alla Pescheria, 1905 (oil on canvas)
Sickert, Walter Richard (1860-1942)
FAS147010:
Dryburgh Abbey (w/c on paper), Cameron, David Young (1865-1945) / Bridgeman Images
ID: FAS147010
Dryburgh Abbey (w/c on paper)
Cameron, David Young (1865-1945)
FAS147022:
The House, 1917 (oil on canvas), Pryde, James Ferrier (1866-1941) / Bridgeman Images
ID: FAS147022
The House, 1917 (oil on canvas)
Pryde, James Ferrier (1866-1941)
FAS147023:
Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920 (w/c over pencil on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images
ID: FAS147023
Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920 (w/c over pencil on paper)
Mackintosh, Charles Rennie (1868-1928)
FAS147025:
Mother-of-Pearl inlaid wardrobe, made for 78 Derngate, Northampton, 1917 (mahongany), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images
ID: FAS147025
Mother-of-Pearl inlaid wardrobe, made for 78 Derngate, Northampton, 1917 (mahongany)
Mackintosh, Charles Rennie (1868-1928)
FAS147055:
Mr. Muir's Garden on the Gareloch (w/c on paper), Leitch, William Leighton (1803-83) / Bridgeman Images
ID: FAS147055
Mr. Muir's Garden on the Gareloch (w/c on paper)
Leitch, William Leighton (1803-83)
FAS147063:
A Stormy Day in Japan, c.1889 (w/c on paper), East, Alfred (1844-1913) / Bridgeman Images
ID: FAS147063
A Stormy Day in Japan, c.1889 (w/c on paper)
East, Alfred (1844-1913)
FAS147089:
Lady in Black, 1872 (oil on canvas), Clausen, George (1852-1944) / Bridgeman Images
ID: FAS147089
Lady in Black, 1872 (oil on canvas)
Clausen, George (1852-1944)
STC146748:
Portrait of Sir Walter Mildmay (c.1520-89) from 'Memoirs of the Court of Queen Elizabeth' after a portrait by Sir William Segar (d.1633), published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images
ID: STC146748
Portrait of Sir Walter Mildmay (c.1520-89) from 'Memoirs of the Court of Queen Elizabeth' after a portrait by Sir William Segar (d.1633), published in 1825 (w/c and gouache on paper)
Essex, Sarah Countess of (d.1838)
NYH149700:
Portrait of Aaron Vail (1796-1878) c.1845 (oil on canvas) (see 149723 for pair), Lopez y Portana, Vicente (1772-1850) / Bridgeman Images
ID: NYH149700
Portrait of Aaron Vail (1796-1878) c.1845 (oil on canvas) (see 149723 for pair)
Lopez y Portana, Vicente (1772-1850)
NYH149786:
Dogs Fighting (oil on canvas), Morland, George (1763-1804) / Bridgeman Images
ID: NYH149786
Dogs Fighting (oil on canvas)
Morland, George (1763-1804)
MGS149832:
Wives of the Hawaiian Chiefs from the Sandwich Islands, c.1824 (engraving), Pellion, Alphonse (fl.1816-20) (after) / Bridgeman Images
ID: MGS149832
Wives of the Hawaiian Chiefs from the Sandwich Islands, c.1824 (engraving)
Pellion, Alphonse (fl.1816-20) (after)
STF149917:
The Neues Schloss, designed by Leopold Retti, Philippe de la Guepiere, Reinhard Ferdinand Heinrich Fischer and Nikolaus Fridrich von Thouret, 1746-1807 (photo), German School / Bridgeman Images
ID: STF149917
The Neues Schloss, designed by Leopold Retti, Philippe de la Guepiere, Reinhard Ferdinand Heinrich Fischer and Nikolaus Fridrich von Thouret, 1746-1807 (photo)
German School
NYH150001:
View from Froster Hill, Gloucestershire, England (oil on canvas), Richardson, Andrew (19th century) / Bridgeman Images
ID: NYH150001
View from Froster Hill, Gloucestershire, England (oil on canvas)