1. Home
  2. Search Results

Print Friendly Version Page

Print this page or go back to standard view.

5777238 Search Results

An alienee woman, Maxence Amelot, kills the abbe Paul de Broglie (1834-1895) at his home rue Notre Dame des champs, in Paris. Engraving in “” Le petit journal”” 26/05/1895. Selva's collection.
An alienee woman, Maxence Amelot, kills the abbe Paul de Broglie (1834-1895) at his home rue Notre Dame des champs, in Paris. Engraving in “” Le petit journal”” 26/05/1895. Selva's collection.

LSE4324062: An alienee woman, Maxence Amelot, kills the abbe Paul de Broglie (1834-1895) at his home rue Notre Dame des champs, in Paris. Engraving in “” Le petit journal”” 26/05/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324062

An alienee woman, Maxence Amelot, kills the abbe Paul de Broglie (1834-1895) at his home rue Notre Dame des champs, in Paris. Engraving in “” Le petit journal”” 26/05/1895. Selva's collection.

Unknown Artist, (19th century)

The assassination of the British, Swedish, Norwegian, Russian and French consuls on 30 May 1895 in Jeddah (Saudi Arabia) by a dozen Bedouins from the surrounding towns. Engraving in “” Le petit journal”” 16/06/1895. Selva's collection.
The assassination of the British, Swedish, Norwegian, Russian and French consuls on 30 May 1895 in Jeddah (Saudi Arabia) by a dozen Bedouins from the surrounding towns. Engraving in “” Le petit journal”” 16/06/1895. Selva's collection.

LSE4324084: The assassination of the British, Swedish, Norwegian, Russian and French consuls on 30 May 1895 in Jeddah (Saudi Arabia) by a dozen Bedouins from the surrounding towns. Engraving in “” Le petit journal”” 16/06/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324084

The assassination of the British, Swedish, Norwegian, Russian and French consuls on 30 May 1895 in Jeddah (Saudi Arabia) by a dozen Bedouins from the surrounding towns. Engraving in “” Le petit journal”” 16/06/1895. Selva's collection.

Unknown Artist, (19th century)

The death of Lieutenant Collot, in charge of a geographic mission in the south of El Golea, near the fort of Miribel (Oran department in Algeria), he and his spahis escort succumbed to the attack of the Chambaa. Engraving in “” Le petit journal””/1896. Selva's collection.
The death of Lieutenant Collot, in charge of a geographic mission in the south of El Golea, near the fort of Miribel (Oran department in Algeria), he and his spahis escort succumbed to the attack of the Chambaa. Engraving in “” Le petit journal””/1896. Selva's collection.

LSE4324271: The death of Lieutenant Collot, in charge of a geographic mission in the south of El Golea, near the fort of Miribel (Oran department in Algeria), he and his spahis escort succumbed to the attack of the Chambaa. Engraving in “” Le petit journal””/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324271

The death of Lieutenant Collot, in charge of a geographic mission in the south of El Golea, near the fort of Miribel (Oran department in Algeria), he and his spahis escort succumbed to the attack of the Chambaa. Engraving in “” Le petit journal””/1896. Selva's collection.

Unknown Artist, (19th century)

Inside a ruined workshop in Stalingrad (present-day Volgograd), two German grenadiers inspect the destroyed energy generator - Photography in
Inside a ruined workshop in Stalingrad (present-day Volgograd), two German grenadiers inspect the destroyed energy generator - Photography in

LSE4324629: Inside a ruined workshop in Stalingrad (present-day Volgograd), two German grenadiers inspect the destroyed energy generator - Photography in "die Woche" 2/12/1942 - Selva Collection, German Photographer, (20th century) / Bridgeman Images

ID: LSE4324629

Inside a ruined workshop in Stalingrad (present-day Volgograd), two German grenadiers inspect the destroyed energy generator - Photography in "die Woche" 2/12/1942 - Selva Collection

German Photographer, (20th century)

Portrait of Joachim von Ribbentrop (1893-1946), Minister of Foreign Affairs of the Third Reich from 1938 to 1945, he was responsible for the German-Sovietic Pact (1939) of Non-Aggression and the Steel Pact (1939) for the rapprochement between Hitler and Mussolini, then he pushed to the end of the war with Russia in 1941 - Photography in
Portrait of Joachim von Ribbentrop (1893-1946), Minister of Foreign Affairs of the Third Reich from 1938 to 1945, he was responsible for the German-Sovietic Pact (1939) of Non-Aggression and the Steel Pact (1939) for the rapprochement between Hitler and Mussolini, then he pushed to the end of the war with Russia in 1941 - Photography in

LSE4324720: Portrait of Joachim von Ribbentrop (1893-1946), Minister of Foreign Affairs of the Third Reich from 1938 to 1945, he was responsible for the German-Sovietic Pact (1939) of Non-Aggression and the Steel Pact (1939) for the rapprochement between Hitler and Mussolini, then he pushed to the end of the war with Russia in 1941 - Photography in "die Woche" 28 /04/1943 - Selva Collection / Bridgeman Images

ID: LSE4324720

Portrait of Joachim von Ribbentrop (1893-1946), Minister of Foreign Affairs of the Third Reich from 1938 to 1945, he was responsible for the German-Sovietic Pact (1939) of Non-Aggression and the Steel Pact (1939) for the rapprochement between Hitler and Mussolini, then he pushed to the end of the war with Russia in 1941 - Photography in "die Woche" 28 /04/1943 - Selva Collection

Chinese thief condemns the cangue, led and struck by police officers, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Chinese thief condemns the cangue, led and struck by police officers, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325333: Chinese thief condemns the cangue, led and struck by police officers, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Janet, Ange-Louis (Janet-Lange) (1815-72) / Bridgeman Images

ID: LSE4325333

Chinese thief condemns the cangue, led and struck by police officers, drawing by Janet Lange, to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Janet, Ange-Louis (Janet-Lange) (1815-72)

The torture of adulteres in Khiva (Uzbekistan), the woman buries alive is stoned by the crowd, the man is hanged in public places. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The torture of adulteres in Khiva (Uzbekistan), the woman buries alive is stoned by the crowd, the man is hanged in public places. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325534: The torture of adulteres in Khiva (Uzbekistan), the woman buries alive is stoned by the crowd, the man is hanged in public places. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325534

The torture of adulteres in Khiva (Uzbekistan), the woman buries alive is stoned by the crowd, the man is hanged in public places. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Unknown Artist, (19th century)

Tempete ribbon on the red river (Quebec), on which the authors boarded an Indian canoe, these storms have as their furrow the course of a river, the air overload with electricity develops a real violence of destruction. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Tempete ribbon on the red river (Quebec), on which the authors boarded an Indian canoe, these storms have as their furrow the course of a river, the air overload with electricity develops a real violence of destruction. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325960: Tempete ribbon on the red river (Quebec), on which the authors boarded an Indian canoe, these storms have as their furrow the course of a river, the air overload with electricity develops a real violence of destruction. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325960

Tempete ribbon on the red river (Quebec), on which the authors boarded an Indian canoe, these storms have as their furrow the course of a river, the air overload with electricity develops a real violence of destruction. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

A scaphandrier discovers a tresor at the bottom of the sea, cover illustration for the novel “Les etranges noces de Rouletabille, 2nd part: les mysteres du Bosphorus” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection.
A scaphandrier discovers a tresor at the bottom of the sea, cover illustration for the novel “Les etranges noces de Rouletabille, 2nd part: les mysteres du Bosphorus” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection.

LSE4326494: A scaphandrier discovers a tresor at the bottom of the sea, cover illustration for the novel “Les etranges noces de Rouletabille, 2nd part: les mysteres du Bosphorus” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4326494

A scaphandrier discovers a tresor at the bottom of the sea, cover illustration for the novel “Les etranges noces de Rouletabille, 2nd part: les mysteres du Bosphorus” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection.

Unknown Artist, (20th century)

Battle of an orang utan (orang-utan, orang outang, orang-utang) and a Dyak, his companions arrived to rescue him, weapons of axes and spades, in the vicinity of Borneo. Engraving to illustrate the voyage in the Malaysian archipelago, by Alfred Russell Wallace, in 1854-1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Battle of an orang utan (orang-utan, orang outang, orang-utang) and a Dyak, his companions arrived to rescue him, weapons of axes and spades, in the vicinity of Borneo. Engraving to illustrate the voyage in the Malaysian archipelago, by Alfred Russell Wallace, in 1854-1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329076: Battle of an orang utan (orang-utan, orang outang, orang-utang) and a Dyak, his companions arrived to rescue him, weapons of axes and spades, in the vicinity of Borneo. Engraving to illustrate the voyage in the Malaysian archipelago, by Alfred Russell Wallace, in 1854-1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Wallace, Alfred Russel (1823-1913) / Bridgeman Images

ID: LSE4329076

Battle of an orang utan (orang-utan, orang outang, orang-utang) and a Dyak, his companions arrived to rescue him, weapons of axes and spades, in the vicinity of Borneo. Engraving to illustrate the voyage in the Malaysian archipelago, by Alfred Russell Wallace, in 1854-1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Wallace, Alfred Russel (1823-1913)

The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329444: The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329444

The town house in Bogota (Colombia), on the square, the statue of Simon Bolivar (1783-1830) and the market of handicrafts such as cotton fabrics, hats and hammocks, as well as weapons and tools, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.
From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329456: From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329456

From the prison to the pit, the transport of the body of a criminal decede, tied by the foot and arm to a bamboo, carried by two soldiers through the streets of the city of Quinamayo, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

Amalgamation mills for the processing of silver ores (wheeler's parts of the Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after the drawing of Jahandier, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition. , Paris. Selva Collection.
Amalgamation mills for the processing of silver ores (wheeler's parts of the Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after the drawing of Jahandier, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition. , Paris. Selva Collection.

LSE4329679: Amalgamation mills for the processing of silver ores (wheeler's parts of the Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after the drawing of Jahandier, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition. , Paris. Selva Collection., Jahandier, A. (19th century) / Bridgeman Images

ID: LSE4329679

Amalgamation mills for the processing of silver ores (wheeler's parts of the Gould and Curry factories) in the vicinity of Virginia City (Nevada), engraving after the drawing of Jahandier, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition. , Paris. Selva Collection.

Jahandier, A. (19th century)

Face of a new skier, above three Olympic rings - A vignette illustrated by G. Gorde, claimed for the FIS World Games, World Ski Championship, Chamonix Mont Blanc (Alpes, France), 1937
Face of a new skier, above three Olympic rings - A vignette illustrated by G. Gorde, claimed for the FIS World Games, World Ski Championship, Chamonix Mont Blanc (Alpes, France), 1937

LEG4338504: Face of a new skier, above three Olympic rings - A vignette illustrated by G. Gorde, claimed for the FIS World Games, World Ski Championship, Chamonix Mont Blanc (Alpes, France), 1937, Gorde, Gaston (1908-95) / Bridgeman Images

ID: LEG4338504

Face of a new skier, above three Olympic rings - A vignette illustrated by G. Gorde, claimed for the FIS World Games, World Ski Championship, Chamonix Mont Blanc (Alpes, France), 1937

Gorde, Gaston (1908-95)

On the site of the Resurrection: the pool of Ezechias and the domes of the Basilica of Saint Sepulchre in Jerusalem - cover of
On the site of the Resurrection: the pool of Ezechias and the domes of the Basilica of Saint Sepulchre in Jerusalem - cover of

XEE4148920: On the site of the Resurrection: the pool of Ezechias and the domes of the Basilica of Saint Sepulchre in Jerusalem - cover of "Le-Pelerin", April 7, 1929, French School, (20th century) / Bridgeman Images

ID: XEE4148920

On the site of the Resurrection: the pool of Ezechias and the domes of the Basilica of Saint Sepulchre in Jerusalem - cover of "Le-Pelerin", April 7, 1929

French School, (20th century)

The explorer Roald Amundsen and Commander Rene Guilbaud, departed aboard the Latham 02, to the rescue of General Umberto Nobile ; shall we see them again? - cover of
The explorer Roald Amundsen and Commander Rene Guilbaud, departed aboard the Latham 02, to the rescue of General Umberto Nobile ; shall we see them again? - cover of

XEE4148930: The explorer Roald Amundsen and Commander Rene Guilbaud, departed aboard the Latham 02, to the rescue of General Umberto Nobile ; shall we see them again? - cover of "Le-Pelerin", July 1, 1928, French School, (20th century) / Bridgeman Images

ID: XEE4148930

The explorer Roald Amundsen and Commander Rene Guilbaud, departed aboard the Latham 02, to the rescue of General Umberto Nobile ; shall we see them again? - cover of "Le-Pelerin", July 1, 1928

French School, (20th century)

Clotaire (Clothaire) I (497-561), King of the Francs, burns in a cottage his son Chramne (Chram, Chramn) and his wife, who revolted against him - Engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.
Clotaire (Clothaire) I (497-561), King of the Francs, burns in a cottage his son Chramne (Chram, Chramn) and his wife, who revolted against him - Engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

XEE4149087: Clotaire (Clothaire) I (497-561), King of the Francs, burns in a cottage his son Chramne (Chram, Chramn) and his wife, who revolted against him - Engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4149087

Clotaire (Clothaire) I (497-561), King of the Francs, burns in a cottage his son Chramne (Chram, Chramn) and his wife, who revolted against him - Engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

Pacher, Jules (19th-20th century)

Otter eating a fish - Otter en manger un poisson - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933
Otter eating a fish - Otter en manger un poisson - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

XEE4154277: Otter eating a fish - Otter en manger un poisson - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933, Franc-Nohain (Dauphin), Marie Madeleine (1878-1942) / Bridgeman Images

ID: XEE4154277

Otter eating a fish - Otter en manger un poisson - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

Franc-Nohain (Dauphin), Marie Madeleine (1878-1942)

The monkeys will sing - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933
The monkeys will sing - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

XEE4154289: The monkeys will sing - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933, Franc-Nohain (Dauphin), Marie Madeleine (1878-1942) / Bridgeman Images

ID: XEE4154289

The monkeys will sing - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

Franc-Nohain (Dauphin), Marie Madeleine (1878-1942)

Walk a camel back - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933
Walk a camel back - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

XEE4154297: Walk a camel back - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933, Franc-Nohain (Dauphin), Marie Madeleine (1878-1942) / Bridgeman Images

ID: XEE4154297

Walk a camel back - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

Franc-Nohain (Dauphin), Marie Madeleine (1878-1942)

Le petit bear n'is pas peur du lynx - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933
Le petit bear n'is pas peur du lynx - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

XEE4154299: Le petit bear n'is pas peur du lynx - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933, Franc-Nohain (Dauphin), Marie Madeleine (1878-1942) / Bridgeman Images

ID: XEE4154299

Le petit bear n'is pas peur du lynx - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

Franc-Nohain (Dauphin), Marie Madeleine (1878-1942)

Michelle jumps over the wall at the sight of the wild boar - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933
Michelle jumps over the wall at the sight of the wild boar - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

XEE4154306: Michelle jumps over the wall at the sight of the wild boar - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933, Franc-Nohain (Dauphin), Marie Madeleine (1878-1942) / Bridgeman Images

ID: XEE4154306

Michelle jumps over the wall at the sight of the wild boar - Engraving by Marie-Madeleine Franc-Nohain in “” Les animaux sauvages”” January 1933

Franc-Nohain (Dauphin), Marie Madeleine (1878-1942)

Portrait of Anne Hilarion de Costentin (Cotentin), Count of Tourville (1642-1701) (Admiral Tourville) - Battle of Bantry (Battle of the Bay of Bantry), 1689 - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.
Portrait of Anne Hilarion de Costentin (Cotentin), Count of Tourville (1642-1701) (Admiral Tourville) - Battle of Bantry (Battle of the Bay of Bantry), 1689 - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

XEE4152195: Portrait of Anne Hilarion de Costentin (Cotentin), Count of Tourville (1642-1701) (Admiral Tourville) - Battle of Bantry (Battle of the Bay of Bantry), 1689 - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4152195

Portrait of Anne Hilarion de Costentin (Cotentin), Count of Tourville (1642-1701) (Admiral Tourville) - Battle of Bantry (Battle of the Bay of Bantry), 1689 - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

Pacher, Jules (19th-20th century)

The death of Charles Ferdinand de Bourbon, Duke of Berry (1778-1820) on 13/02/1820 at the exit of the Royal Academy of Music”” The nephew of King Louis XVIII is assassine at the Opera by Louvel a republican wanting to quench the royal dynasty - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.
The death of Charles Ferdinand de Bourbon, Duke of Berry (1778-1820) on 13/02/1820 at the exit of the Royal Academy of Music”” The nephew of King Louis XVIII is assassine at the Opera by Louvel a republican wanting to quench the royal dynasty - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

XEE4152199: The death of Charles Ferdinand de Bourbon, Duke of Berry (1778-1820) on 13/02/1820 at the exit of the Royal Academy of Music”” The nephew of King Louis XVIII is assassine at the Opera by Louvel a republican wanting to quench the royal dynasty - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4152199

The death of Charles Ferdinand de Bourbon, Duke of Berry (1778-1820) on 13/02/1820 at the exit of the Royal Academy of Music”” The nephew of King Louis XVIII is assassine at the Opera by Louvel a republican wanting to quench the royal dynasty - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

Pacher, Jules (19th-20th century)

Franco-Prussian War (1870-1871) interview between Count Bismarck and M. Jules Favre, September 1870 - political interview between Chancellor Bismarck (1815-1898), Jules Favre (1809-1880) in Versailles in the house of Madame Jesse - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.
Franco-Prussian War (1870-1871) interview between Count Bismarck and M. Jules Favre, September 1870 - political interview between Chancellor Bismarck (1815-1898), Jules Favre (1809-1880) in Versailles in the house of Madame Jesse - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

XEE4152203: Franco-Prussian War (1870-1871) interview between Count Bismarck and M. Jules Favre, September 1870 - political interview between Chancellor Bismarck (1815-1898), Jules Favre (1809-1880) in Versailles in the house of Madame Jesse - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4152203

Franco-Prussian War (1870-1871) interview between Count Bismarck and M. Jules Favre, September 1870 - political interview between Chancellor Bismarck (1815-1898), Jules Favre (1809-1880) in Versailles in the house of Madame Jesse - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

Pacher, Jules (19th-20th century)

Christ in the Garden of Olives - Jesus in the Garden of Olives - “Holy History” circa 1890 - engraved in color by Henri Grobet
Christ in the Garden of Olives - Jesus in the Garden of Olives - “Holy History” circa 1890 - engraved in color by Henri Grobet

XEE4153030: Christ in the Garden of Olives - Jesus in the Garden of Olives - “Holy History” circa 1890 - engraved in color by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

ID: XEE4153030

Christ in the Garden of Olives - Jesus in the Garden of Olives - “Holy History” circa 1890 - engraved in color by Henri Grobet

Grobet, Henri (active c.1890)

The Clown - Illustration by Charles Clerice (1865-1912) in “” The Recreation of Youth and Childhood”” 1888 - Private Collection
The Clown - Illustration by Charles Clerice (1865-1912) in “” The Recreation of Youth and Childhood”” 1888 - Private Collection

XEE4151634: The Clown - Illustration by Charles Clerice (1865-1912) in “” The Recreation of Youth and Childhood”” 1888 - Private Collection, Clerice, Charles (1865-1912) / Bridgeman Images

ID: XEE4151634

The Clown - Illustration by Charles Clerice (1865-1912) in “” The Recreation of Youth and Childhood”” 1888 - Private Collection

Clerice, Charles (1865-1912)

Catherine I of Russia - Catherine I of Russia (nee Marthe Helene Skavronskaia (1684-1727) made prisoner of war in Mariembourg in 1702 is cede to Princess Mentchikoff -in “The Imperatrices”” by Adelaide Celliez (1801-1890) drawing in two shades of 1860 by Messrs. Y. and H. Grenier.
Catherine I of Russia - Catherine I of Russia (nee Marthe Helene Skavronskaia (1684-1727) made prisoner of war in Mariembourg in 1702 is cede to Princess Mentchikoff -in “The Imperatrices”” by Adelaide Celliez (1801-1890) drawing in two shades of 1860 by Messrs. Y. and H. Grenier.

XEE4155409: Catherine I of Russia - Catherine I of Russia (nee Marthe Helene Skavronskaia (1684-1727) made prisoner of war in Mariembourg in 1702 is cede to Princess Mentchikoff -in “The Imperatrices”” by Adelaide Celliez (1801-1890) drawing in two shades of 1860 by Messrs. Y. and H. Grenier., Grenier, Y. and H. (active c.1860) / Bridgeman Images

ID: XEE4155409

Catherine I of Russia - Catherine I of Russia (nee Marthe Helene Skavronskaia (1684-1727) made prisoner of war in Mariembourg in 1702 is cede to Princess Mentchikoff -in “The Imperatrices”” by Adelaide Celliez (1801-1890) drawing in two shades of 1860 by Messrs. Y. and H. Grenier.

Grenier, Y. and H. (active c.1860)

Murder of Gaudry (Gaudri) of Laon (1106-1112) during the communal insurrection (Laonese insurrection) of 25 April 1112 - “” The communal revolt (commune) in Laon (Aisne) in 1112, the bourgeois rise against Gaudry (Gaudri) and his management of the city” (The commune of the city) of Laon against the oppression of the bishop Gaudry, 1112) Engraving in “Les Fastes populaires, ou Histoire des actes heroiques du peuple et de son influence sur les sciences, les arts, l'industrie et agriculture” by Alphonse Esquiros - 1851-1853
Murder of Gaudry (Gaudri) of Laon (1106-1112) during the communal insurrection (Laonese insurrection) of 25 April 1112 - “” The communal revolt (commune) in Laon (Aisne) in 1112, the bourgeois rise against Gaudry (Gaudri) and his management of the city” (The commune of the city) of Laon against the oppression of the bishop Gaudry, 1112) Engraving in “Les Fastes populaires, ou Histoire des actes heroiques du peuple et de son influence sur les sciences, les arts, l'industrie et agriculture” by Alphonse Esquiros - 1851-1853

XEE4156152: Murder of Gaudry (Gaudri) of Laon (1106-1112) during the communal insurrection (Laonese insurrection) of 25 April 1112 - “” The communal revolt (commune) in Laon (Aisne) in 1112, the bourgeois rise against Gaudry (Gaudri) and his management of the city” (The commune of the city) of Laon against the oppression of the bishop Gaudry, 1112) Engraving in “Les Fastes populaires, ou Histoire des actes heroiques du peuple et de son influence sur les sciences, les arts, l'industrie et agriculture” by Alphonse Esquiros - 1851-1853, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4156152

Murder of Gaudry (Gaudri) of Laon (1106-1112) during the communal insurrection (Laonese insurrection) of 25 April 1112 - “” The communal revolt (commune) in Laon (Aisne) in 1112, the bourgeois rise against Gaudry (Gaudri) and his management of the city” (The commune of the city) of Laon against the oppression of the bishop Gaudry, 1112) Engraving in “Les Fastes populaires, ou Histoire des actes heroiques du peuple et de son influence sur les sciences, les arts, l'industrie et agriculture” by Alphonse Esquiros - 1851-1853

Unknown Artist, (19th century)

The Rentree of the English Parliament in London - Sir Henry Campbell-Bannermann at the podium in 1900 (print)
The Rentree of the English Parliament in London - Sir Henry Campbell-Bannermann at the podium in 1900 (print)

XEE4155013: The Rentree of the English Parliament in London - Sir Henry Campbell-Bannermann at the podium in 1900 (print), Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4155013

The Rentree of the English Parliament in London - Sir Henry Campbell-Bannermann at the podium in 1900 (print)

Unknown Artist, (20th century)

President Millerand (1859-1943) received at Mount Sainte Odile, Charles Joseph Eugene Ruch (1873-1945) French eveque and a delegation of 45 Alsatian priests released to Germany and congratulated them on their patriotism -
President Millerand (1859-1943) received at Mount Sainte Odile, Charles Joseph Eugene Ruch (1873-1945) French eveque and a delegation of 45 Alsatian priests released to Germany and congratulated them on their patriotism -

XEE4155033: President Millerand (1859-1943) received at Mount Sainte Odile, Charles Joseph Eugene Ruch (1873-1945) French eveque and a delegation of 45 Alsatian priests released to Germany and congratulated them on their patriotism -, Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4155033

President Millerand (1859-1943) received at Mount Sainte Odile, Charles Joseph Eugene Ruch (1873-1945) French eveque and a delegation of 45 Alsatian priests released to Germany and congratulated them on their patriotism -

Unknown Artist, (20th century)

Second Siege of Zaragoza - Siege of Zaragoza (1809) - Assault of French troops against the Monastery of Santa Engracia on February 8, 1809 -
Second Siege of Zaragoza - Siege of Zaragoza (1809) - Assault of French troops against the Monastery of Santa Engracia on February 8, 1809 -

XEE4155078: Second Siege of Zaragoza - Siege of Zaragoza (1809) - Assault of French troops against the Monastery of Santa Engracia on February 8, 1809 -, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4155078

Second Siege of Zaragoza - Siege of Zaragoza (1809) - Assault of French troops against the Monastery of Santa Engracia on February 8, 1809 -

Unknown Artist, (19th century)

God, I'm tired! - HAPPY TIME DES GIILLES GRISETTES (young fashion worker, coquette, accompanied by a generous gallant) - LITHOGRAPHY BY J. SCHEFFER 1828
God, I'm tired! - HAPPY TIME DES GIILLES GRISETTES (young fashion worker, coquette, accompanied by a generous gallant) - LITHOGRAPHY BY J. SCHEFFER 1828

XEE4155328: God, I'm tired! - HAPPY TIME DES GIILLES GRISETTES (young fashion worker, coquette, accompanied by a generous gallant) - LITHOGRAPHY BY J. SCHEFFER 1828, Scheffer, J. (19th century) / Bridgeman Images

ID: XEE4155328

God, I'm tired! - HAPPY TIME DES GIILLES GRISETTES (young fashion worker, coquette, accompanied by a generous gallant) - LITHOGRAPHY BY J. SCHEFFER 1828

Scheffer, J. (19th century)

Emperor Napoleon III (1808-1873) and his wife Eugenia de Montijo (1826-1920) (Eugenia de Montijo, 1826-1920) walking through the forest of Compiegne - in “The Imperatrices” by Adelaide Cellliez (1801-1890) drawing in two shades of 1860 by Messrs. Y. and H. Grenier.
Emperor Napoleon III (1808-1873) and his wife Eugenia de Montijo (1826-1920) (Eugenia de Montijo, 1826-1920) walking through the forest of Compiegne - in “The Imperatrices” by Adelaide Cellliez (1801-1890) drawing in two shades of 1860 by Messrs. Y. and H. Grenier.

XEE4155390: Emperor Napoleon III (1808-1873) and his wife Eugenia de Montijo (1826-1920) (Eugenia de Montijo, 1826-1920) walking through the forest of Compiegne - in “The Imperatrices” by Adelaide Cellliez (1801-1890) drawing in two shades of 1860 by Messrs. Y. and H. Grenier., Grenier, Y. and H. (active c.1860) / Bridgeman Images

ID: XEE4155390

Emperor Napoleon III (1808-1873) and his wife Eugenia de Montijo (1826-1920) (Eugenia de Montijo, 1826-1920) walking through the forest of Compiegne - in “The Imperatrices” by Adelaide Cellliez (1801-1890) drawing in two shades of 1860 by Messrs. Y. and H. Grenier.

Grenier, Y. and H. (active c.1860)

The Judgement of Solomon - The Judgment of Solomon - “” Holy History”” circa 1890 - color engraving by Henri Grobet
The Judgement of Solomon - The Judgment of Solomon - “” Holy History”” circa 1890 - color engraving by Henri Grobet

XEE4153057: The Judgement of Solomon - The Judgment of Solomon - “” Holy History”” circa 1890 - color engraving by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

ID: XEE4153057

The Judgement of Solomon - The Judgment of Solomon - “” Holy History”” circa 1890 - color engraving by Henri Grobet

Grobet, Henri (active c.1890)

Joseph sold by his Brethren - Joseph is sold as a slave to the pharaoh by his brothers - “Holy History” circa 1890 - colour engraving by Henri Grobet
Joseph sold by his Brethren - Joseph is sold as a slave to the pharaoh by his brothers - “Holy History” circa 1890 - colour engraving by Henri Grobet

XEE4153085: Joseph sold by his Brethren - Joseph is sold as a slave to the pharaoh by his brothers - “Holy History” circa 1890 - colour engraving by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

ID: XEE4153085

Joseph sold by his Brethren - Joseph is sold as a slave to the pharaoh by his brothers - “Holy History” circa 1890 - colour engraving by Henri Grobet

Grobet, Henri (active c.1890)


Back to top

Bridgeman Images • 17-19 Garway Road • London W2 4PH • United Kingdom • +44 (0)20 7727 4065

All contents © 1972-2015 Bridgeman Art Library Limited, All rights reserved.