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Byzantine head of a brunette; Tete byzantine d'une brunette, c.1897 (lithograph in colours)
Byzantine head of a brunette; Tete byzantine d'une brunette, c.1897 (lithograph in colours)

CH1195296: Byzantine head of a brunette; Tete byzantine d'une brunette, c.1897 (lithograph in colours), Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

ID: CH1195296

Byzantine head of a brunette; Tete byzantine d'une brunette, c.1897 (lithograph in colours)

Mucha, Alphonse Marie (1860-1939)

Mary Richardson (1889-1961) Canadian suffragette activist cuts with a knife the painting “The Rokeby Venus”” by painter Don Diego VELASQUEZ in a room at the National Gallery in London. Illustration by Achille Beltrame for “” La domenica del corriere””. 1914.
Mary Richardson (1889-1961) Canadian suffragette activist cuts with a knife the painting “The Rokeby Venus”” by painter Don Diego VELASQUEZ in a room at the National Gallery in London. Illustration by Achille Beltrame for “” La domenica del corriere””. 1914.

XEE4165453: Mary Richardson (1889-1961) Canadian suffragette activist cuts with a knife the painting “The Rokeby Venus”” by painter Don Diego VELASQUEZ in a room at the National Gallery in London. Illustration by Achille Beltrame for “” La domenica del corriere””. 1914., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: XEE4165453

Mary Richardson (1889-1961) Canadian suffragette activist cuts with a knife the painting “The Rokeby Venus”” by painter Don Diego VELASQUEZ in a room at the National Gallery in London. Illustration by Achille Beltrame for “” La domenica del corriere””. 1914.

Beltrame, Achille (1871-1945)

Woman with Blue Eyes, c.1918 (oil on canvas) (detail of 96792)
Woman with Blue Eyes, c.1918 (oil on canvas) (detail of 96792)

XIR428072: Woman with Blue Eyes, c.1918 (oil on canvas) (detail of 96792), Modigliani, Amedeo (1884-1920) / Bridgeman Images

ID: XIR428072

Woman with Blue Eyes, c.1918 (oil on canvas) (detail of 96792)

Modigliani, Amedeo (1884-1920)

Point de Rochers, Port-Goulphar (oil on canvas)
Point de Rochers, Port-Goulphar (oil on canvas)

CH408381: Point de Rochers, Port-Goulphar (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH408381

Point de Rochers, Port-Goulphar (oil on canvas)

Monet, Claude (1840-1926)

Waterlilies, Nympheas, 1908 (oil on canvas)
Waterlilies, Nympheas, 1908 (oil on canvas)

CH376842: Waterlilies, Nympheas, 1908 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH376842

Waterlilies, Nympheas, 1908 (oil on canvas)

Monet, Claude (1840-1926)

Japonaiserie: The Bridge in the Rain (after Hiroshige), Paris, 1887 (oil on canvas)
Japonaiserie: The Bridge in the Rain (after Hiroshige), Paris, 1887 (oil on canvas)

XOS1765644: Japonaiserie: The Bridge in the Rain (after Hiroshige), Paris, 1887 (oil on canvas), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: XOS1765644

Japonaiserie: The Bridge in the Rain (after Hiroshige), Paris, 1887 (oil on canvas)

Gogh, Vincent van (1853-90)

A Deluge, c.1517-18 (pen & ink with wash on paper)
A Deluge, c.1517-18 (pen & ink with wash on paper)

ROC427433: A Deluge, c.1517-18 (pen & ink with wash on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: ROC427433

A Deluge, c.1517-18 (pen & ink with wash on paper)

Vinci, Leonardo da (1452-1519)

Claude Monet (1841-1926) on the Japanese Bridge in his garden at Giverny, c.1920 (b/w photo)
Claude Monet (1841-1926) on the Japanese Bridge in his garden at Giverny, c.1920 (b/w photo)

CHT163543: Claude Monet (1841-1926) on the Japanese Bridge in his garden at Giverny, c.1920 (b/w photo), French Photographer, (20th century) / Bridgeman Images

ID: CHT163543

Claude Monet (1841-1926) on the Japanese Bridge in his garden at Giverny, c.1920 (b/w photo)

French Photographer, (20th century)

Washerwomen at the Laita River, near Pouldu, 1892 (oil on canvas)
Washerwomen at the Laita River, near Pouldu, 1892 (oil on canvas)

XIR182016: Washerwomen at the Laita River, near Pouldu, 1892 (oil on canvas), Serusier, Paul (1864-1927) / Bridgeman Images

ID: XIR182016

Washerwomen at the Laita River, near Pouldu, 1892 (oil on canvas)

Serusier, Paul (1864-1927)

Ms Fr. Fv VI #1 fol.114v Top row: Orchid and Fumitory or Bleeding Heart. Bottom row: Hedera and Iris, illustration from 'The Book of Simple Medicines' by Mattheaus Platearius (d.c.1161) c.1470 (vellum)
Ms Fr. Fv VI #1 fol.114v Top row: Orchid and Fumitory or Bleeding Heart. Bottom row: Hedera and Iris, illustration from 'The Book of Simple Medicines' by Mattheaus Platearius (d.c.1161) c.1470 (vellum)

XJL198774: Ms Fr. Fv VI #1 fol.114v Top row: Orchid and Fumitory or Bleeding Heart. Bottom row: Hedera and Iris, illustration from 'The Book of Simple Medicines' by Mattheaus Platearius (d.c.1161) c.1470 (vellum), Testard, Robinet (fl.1470-1523) / Bridgeman Images

ID: XJL198774

Ms Fr. Fv VI #1 fol.114v Top row: Orchid and Fumitory or Bleeding Heart. Bottom row: Hedera and Iris, illustration from 'The Book of Simple Medicines' by Mattheaus Platearius (d.c.1161) c.1470 (vellum)

Testard, Robinet (fl.1470-1523)

Madame Curie (gouache on paper)
Madame Curie (gouache on paper)

LAL453537: Madame Curie (gouache on paper), Jackson, Peter (1922-2003) / Bridgeman Images

ID: LAL453537

Madame Curie (gouache on paper)

Jackson, Peter (1922-2003)

Gotthold Ephraim Lessing, c.1771 (oil on canvas)
Gotthold Ephraim Lessing, c.1771 (oil on canvas)

XPH324148: Gotthold Ephraim Lessing, c.1771 (oil on canvas), Graff, Anton (1736-1813) (after) / Bridgeman Images

ID: XPH324148

Gotthold Ephraim Lessing, c.1771 (oil on canvas)

Graff, Anton (1736-1813) (after)

Study for 'Hoffnung I' (Hope I) 1903-04 (chalk on paper) (b/w photo)
Study for 'Hoffnung I' (Hope I) 1903-04 (chalk on paper) (b/w photo)

FFA145390: Study for 'Hoffnung I' (Hope I) 1903-04 (chalk on paper) (b/w photo), Klimt, Gustav (1862-1918) / Bridgeman Images

ID: FFA145390

Study for 'Hoffnung I' (Hope I) 1903-04 (chalk on paper) (b/w photo)

Klimt, Gustav (1862-1918)

Claude Monet at work for the monumental painting Nympheas in his studio in Giverny, c.1918 (b/w photo)
Claude Monet at work for the monumental painting Nympheas in his studio in Giverny, c.1918 (b/w photo)

PVD1684888: Claude Monet at work for the monumental painting Nympheas in his studio in Giverny, c.1918 (b/w photo), Monet, Claude (1840-1926) / Bridgeman Images

ID: PVD1684888

Claude Monet at work for the monumental painting Nympheas in his studio in Giverny, c.1918 (b/w photo)

Monet, Claude (1840-1926)

The Young Bacchus, c.1596 (oil on canvas)
The Young Bacchus, c.1596 (oil on canvas)

LRI4571200: The Young Bacchus, c.1596 (oil on canvas), Caravaggio, Michelangelo Merisi da (1571-1610) / Bridgeman Images

ID: LRI4571200

The Young Bacchus, c.1596 (oil on canvas)

Caravaggio, Michelangelo Merisi da (1571-1610)

The Old Days (oil on canvas)
The Old Days (oil on canvas)

PS223303: The Old Days (oil on canvas), Scott, Pat (1932-2017) / Bridgeman Images

ID: PS223303

The Old Days (oil on canvas)

Scott, Pat (1932-2017)

The Cricket Match (oil on canvas)
The Cricket Match (oil on canvas)

MR36560: The Cricket Match (oil on canvas), Rowe, Maggie / Bridgeman Images

ID: MR36560

The Cricket Match (oil on canvas)

Rowe, Maggie

Winterlands, 2012 (acrylic on canvas)
Winterlands, 2012 (acrylic on canvas)

ACN1248953: Winterlands, 2012 (acrylic on canvas), Newton, David / Bridgeman Images

ID: ACN1248953

Winterlands, 2012 (acrylic on canvas)

Newton, David

The First Animals, 1913 (tempera on paper)
The First Animals, 1913 (tempera on paper)

NUM445538: The First Animals, 1913 (tempera on paper), Marc, Franz (1880-1916) / Bridgeman Images

ID: NUM445538

The First Animals, 1913 (tempera on paper)

Marc, Franz (1880-1916)

Me, 2011, (oil on wood)
Me, 2011, (oil on wood)

BOT405897: Me, 2011, (oil on wood), Bootman, Colin / Bridgeman Images

ID: BOT405897

Me, 2011, (oil on wood)

Bootman, Colin

The Lady of Shalott, c.1905 (oil on panel) (see also 495754)
The Lady of Shalott, c.1905 (oil on panel) (see also 495754)

MAN62953: The Lady of Shalott, c.1905 (oil on panel) (see also 495754), Hunt, William Holman (1827-1910) / Bridgeman Images

ID: MAN62953

The Lady of Shalott, c.1905 (oil on panel) (see also 495754)

Hunt, William Holman (1827-1910)

Peasant Family in an Interior, c.1643 (oil on canvas)
Peasant Family in an Interior, c.1643 (oil on canvas)

XIR32241: Peasant Family in an Interior, c.1643 (oil on canvas), Le Nain, Louis (1593-1648) / Bridgeman Images

ID: XIR32241

Peasant Family in an Interior, c.1643 (oil on canvas)

Le Nain, Louis (1593-1648)

Seated Portrait of Louis XIV (1638-1715) after 1670 (oil on canvas)
Seated Portrait of Louis XIV (1638-1715) after 1670 (oil on canvas)

XIR26554: Seated Portrait of Louis XIV (1638-1715) after 1670 (oil on canvas), French School, (17th century) / Bridgeman Images

ID: XIR26554

Seated Portrait of Louis XIV (1638-1715) after 1670 (oil on canvas)

French School, (17th century)

Waterlilies: Morning, 1914-18 (right section) (oil on canvas)
Waterlilies: Morning, 1914-18 (right section) (oil on canvas)

XIR71326: Waterlilies: Morning, 1914-18 (right section) (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR71326

Waterlilies: Morning, 1914-18 (right section) (oil on canvas)

Monet, Claude (1840-1926)

The Ascent into the Empyrean or Highest Heaven, 1505-1515 (oil on panel)
The Ascent into the Empyrean or Highest Heaven, 1505-1515 (oil on panel)

FAB48676: The Ascent into the Empyrean or Highest Heaven, 1505-1515 (oil on panel), Bosch, Hieronymus (c.1450-1516) / Bridgeman Images

ID: FAB48676

The Ascent into the Empyrean or Highest Heaven, 1505-1515 (oil on panel)

Bosch, Hieronymus (c.1450-1516)

Fol.208v Meeting of Hernando Cortes (1485-1547) and Montezuma (1466-1520), miniature from the 'History of the Indians' by Diego Duran, 1579 (vellum) (detail of 227180)
Fol.208v Meeting of Hernando Cortes (1485-1547) and Montezuma (1466-1520), miniature from the 'History of the Indians' by Diego Duran, 1579 (vellum) (detail of 227180)

XIR422: Fol.208v Meeting of Hernando Cortes (1485-1547) and Montezuma (1466-1520), miniature from the 'History of the Indians' by Diego Duran, 1579 (vellum) (detail of 227180), Duran, Diego (16th century) / Bridgeman Images

ID: XIR422

Fol.208v Meeting of Hernando Cortes (1485-1547) and Montezuma (1466-1520), miniature from the 'History of the Indians' by Diego Duran, 1579 (vellum) (detail of 227180)

Duran, Diego (16th century)

Bridge at Courbevoie, 1886-87 (oil on canvas)
Bridge at Courbevoie, 1886-87 (oil on canvas)

COU709: Bridge at Courbevoie, 1886-87 (oil on canvas), Seurat, Georges Pierre (1859-91) / Bridgeman Images

ID: COU709

Bridge at Courbevoie, 1886-87 (oil on canvas)

Seurat, Georges Pierre (1859-91)

The Englishman at the Moulin Rouge, 1892 (colour litho)
The Englishman at the Moulin Rouge, 1892 (colour litho)

XIR804: The Englishman at the Moulin Rouge, 1892 (colour litho), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: XIR804

The Englishman at the Moulin Rouge, 1892 (colour litho)

Toulouse-Lautrec, Henri de (1864-1901)

James Watt (1736-1819) and the Newcomen Engine (oil on canvas)
James Watt (1736-1819) and the Newcomen Engine (oil on canvas)

CH130394: James Watt (1736-1819) and the Newcomen Engine (oil on canvas), Lauder, James Eckford (1811-69) / Bridgeman Images

ID: CH130394

James Watt (1736-1819) and the Newcomen Engine (oil on canvas)

Lauder, James Eckford (1811-69)

Flying Fish Meet in the Torrid Zone, from 'Americae Tertia Pars...' by Theodore de Bry, 1592 (coloured engraving)
Flying Fish Meet in the Torrid Zone, from 'Americae Tertia Pars...' by Theodore de Bry, 1592 (coloured engraving)

XIR135324: Flying Fish Meet in the Torrid Zone, from 'Americae Tertia Pars...' by Theodore de Bry, 1592 (coloured engraving), Bry, Theodor de (1528-98) / Bridgeman Images

ID: XIR135324

Flying Fish Meet in the Torrid Zone, from 'Americae Tertia Pars...' by Theodore de Bry, 1592 (coloured engraving)

Bry, Theodor de (1528-98)

Portrait of George III in his Coronation Robes, c.1760 (oil on canvas)
Portrait of George III in his Coronation Robes, c.1760 (oil on canvas)

CPB90787: Portrait of George III in his Coronation Robes, c.1760 (oil on canvas), Ramsay, Allan (1713-84) / Bridgeman Images

ID: CPB90787

Portrait of George III in his Coronation Robes, c.1760 (oil on canvas)

Ramsay, Allan (1713-84)

Bust of Epicurus (341-270 BC) (stone)
Bust of Epicurus (341-270 BC) (stone)

XIR181029: Bust of Epicurus (341-270 BC) (stone), Greek / Bridgeman Images

ID: XIR181029

Bust of Epicurus (341-270 BC) (stone)

Greek

White and Yellow Chrysanthemums, 1893 (oil on canvas)
White and Yellow Chrysanthemums, 1893 (oil on canvas)

XIR181505: White and Yellow Chrysanthemums, 1893 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: XIR181505

White and Yellow Chrysanthemums, 1893 (oil on canvas)

Caillebotte, Gustave (1848-94)

Handsewn Flag with Thirteen Stars, c.1830-80 (wool and cotton)
Handsewn Flag with Thirteen Stars, c.1830-80 (wool and cotton)

NYH154507: Handsewn Flag with Thirteen Stars, c.1830-80 (wool and cotton), American School, (19th century) / Bridgeman Images

ID: NYH154507

Handsewn Flag with Thirteen Stars, c.1830-80 (wool and cotton)

American School, (19th century)

Drawing of the Ironwork Casting Mould for the Head of the Sforza Horse, Fol. 57 (recto), from the Codex Madrid I, c.1491-93 (pen & brown ink on paper)
Drawing of the Ironwork Casting Mould for the Head of the Sforza Horse, Fol. 57 (recto), from the Codex Madrid I, c.1491-93 (pen & brown ink on paper)

XIR157774: Drawing of the Ironwork Casting Mould for the Head of the Sforza Horse, Fol. 57 (recto), from the Codex Madrid I, c.1491-93 (pen & brown ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: XIR157774

Drawing of the Ironwork Casting Mould for the Head of the Sforza Horse, Fol. 57 (recto), from the Codex Madrid I, c.1491-93 (pen & brown ink on paper)

Vinci, Leonardo da (1452-1519)

Evening Calm, 2003 (oil on canvas)
Evening Calm, 2003 (oil on canvas)

TWI213897: Evening Calm, 2003 (oil on canvas), Willis, Tilly / Bridgeman Images

ID: TWI213897

Evening Calm, 2003 (oil on canvas)

Willis, Tilly


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