Print Friendly Version Page

2501815 Search Results

The Guard hussars attacking near Warsaw on August 26th, 1831, 1837 (oil on canvas)
The Guard hussars attacking near Warsaw on August 26th, 1831, 1837 (oil on canvas)

XAB329120: The Guard hussars attacking near Warsaw on August 26th, 1831, 1837 (oil on canvas), Lermontov, Mikhail Yuryevich (1814-41) / Bridgeman Images

Ethelred the Unready embarking for Normandy, 1013, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)
Ethelred the Unready embarking for Normandy, 1013, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)

STC363617: Ethelred the Unready embarking for Normandy, 1013, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho), Prater, Ernest (fl.1885-1937) / Bridgeman Images

The escape of Ralph Flambard from the Tower, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)
The escape of Ralph Flambard from the Tower, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)

STC363639: The escape of Ralph Flambard from the Tower, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho), Payne, Henry (Harry) (1868-1940) (after) / Bridgeman Images

The Goose Girl (w/c)
The Goose Girl (w/c)

XPG379474: The Goose Girl (w/c), Strachan, Arthur Claude (1865-1935) / Bridgeman Images

General George G. Meade in Camp, 1861-65 (b/w photo)
General George G. Meade in Camp, 1861-65 (b/w photo)

STC354354: General George G. Meade in Camp, 1861-65 (b/w photo), Brady, Mathew (1823-96) & studio / Bridgeman Images

The Mill at Charenton, c.1756 (oil on canvas)
The Mill at Charenton, c.1756 (oil on canvas)

CH376647: The Mill at Charenton, c.1756 (oil on canvas), Boucher, Francois (1703-70) / Bridgeman Images

Folio from an album; A School Scene, Tabriz, Iran, Safavid period, c.1540 (opaque watercolour, ink and gold on paper)
Folio from an album; A School Scene, Tabriz, Iran, Safavid period, c.1540 (opaque watercolour, ink and gold on paper)

FSG348808: Folio from an album; A School Scene, Tabriz, Iran, Safavid period, c.1540 (opaque watercolour, ink and gold on paper), Persian School, (16th century) / Bridgeman Images

English archery wins at Agincourt, illustration from 'A History of England' by C.R.L. Fletcher and Rudyard Kipling, 1911 (litho)
English archery wins at Agincourt, illustration from 'A History of England' by C.R.L. Fletcher and Rudyard Kipling, 1911 (litho)

STC373474: English archery wins at Agincourt, illustration from 'A History of England' by C.R.L. Fletcher and Rudyard Kipling, 1911 (litho), Ford, Henry Justice (1860-1941) / Bridgeman Images

Old London Bridge (oil), c.1630
Old London Bridge (oil), c.1630

STC179003: Old London Bridge (oil), c.1630, Jongh, Claude de (c.1610-63) / Bridgeman Images

Italian Musicians Performing on a Boulevard in Paris, from 'Tableaux de Paris', c.1820 (colour litho)
Italian Musicians Performing on a Boulevard in Paris, from 'Tableaux de Paris', c.1820 (colour litho)

CHT173548: Italian Musicians Performing on a Boulevard in Paris, from 'Tableaux de Paris', c.1820 (colour litho), Marlet, Jean Henri (1771-1847) / Bridgeman Images

Illustration for a poem on child labour by Victor Hugo (1802-85) c.1880, published by Hetzel (engraving) (b/w photo)
Illustration for a poem on child labour by Victor Hugo (1802-85) c.1880, published by Hetzel (engraving) (b/w photo)

CHT163835: Illustration for a poem on child labour by Victor Hugo (1802-85) c.1880, published by Hetzel (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

The Retreat, published 1775 (engraving)
The Retreat, published 1775 (engraving)

XJF174865: The Retreat, published 1775 (engraving), American School, (18th century) / Bridgeman Images

Plan of the Olympic Theatre, Vicenza, designed by Andrea Palladio (1508-80) built in 1580-85 (engraving) (b/w photo)
Plan of the Olympic Theatre, Vicenza, designed by Andrea Palladio (1508-80) built in 1580-85 (engraving) (b/w photo)

XIR175110: Plan of the Olympic Theatre, Vicenza, designed by Andrea Palladio (1508-80) built in 1580-85 (engraving) (b/w photo), Italian School / Bridgeman Images

Adoration of the Shepherds, c.1659 (oil on canvas)
Adoration of the Shepherds, c.1659 (oil on canvas)

XIR175121: Adoration of the Shepherds, c.1659 (oil on canvas), Michelin, Jean (1623-96) / Bridgeman Images

The Laughing Child (oil on canvas)
The Laughing Child (oil on canvas)

XIR175281: The Laughing Child (oil on canvas), Hals, Frans (1582/3-1666) / Bridgeman Images

Summer (oil on canvas)
Summer (oil on canvas)

XIR179471: Summer (oil on canvas), Arcimboldo, Giuseppe (1527-93) (school of) / Bridgeman Images

The Summer Sword Dress, 1675 (etching) (b/w print)
The Summer Sword Dress, 1675 (etching) (b/w print)

XIR163439: The Summer Sword Dress, 1675 (etching) (b/w print), Bonnart (Family of Engravers) (1650-1750) / Bridgeman Images

Ms 266 f.61 Philip III the Good (1396-1467) Duke of Burgundy and his son, Charles the Bold (1433-77) from the 'Recueil d'Arras' (red chalk on paper)
Ms 266 f.61 Philip III the Good (1396-1467) Duke of Burgundy and his son, Charles the Bold (1433-77) from the 'Recueil d'Arras' (red chalk on paper)

XIR157703: Ms 266 f.61 Philip III the Good (1396-1467) Duke of Burgundy and his son, Charles the Bold (1433-77) from the 'Recueil d'Arras' (red chalk on paper), Flemish School, (16th century) / Bridgeman Images

Frontispiece for 'Emile' by Jean-Jacques Rousseau, 1762 (engraving)
Frontispiece for 'Emile' by Jean-Jacques Rousseau, 1762 (engraving)

CHT169026: Frontispiece for 'Emile' by Jean-Jacques Rousseau, 1762 (engraving), Netherlandish School, (18th century) / Bridgeman Images

The Countie of Nottingham, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)
The Countie of Nottingham, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

XCF113469: The Countie of Nottingham, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving), Speed, John (1552-1629) / Bridgeman Images

Circular Tile, Qajar, Persian, 19th century (moulded and glazed pottery)
Circular Tile, Qajar, Persian, 19th century (moulded and glazed pottery)

BON131334: Circular Tile, Qajar, Persian, 19th century (moulded and glazed pottery) / Bridgeman Images

Augusta Ada Byron (1815-52) Countess of Lovelace (engraving)
Augusta Ada Byron (1815-52) Countess of Lovelace (engraving)

XJF150849: Augusta Ada Byron (1815-52) Countess of Lovelace (engraving), English School, (19th century) / Bridgeman Images

The Eucharist (oil on panel)
The Eucharist (oil on panel)

RAF132066: The Eucharist (oil on panel), Kessel, Jan van, the Elder (1626-79) / Bridgeman Images

Court of King's Bench, Westminster Hall, from 'The Microcosm of London', engraved by J. Black (fl.1791-1831), pub. by R. Ackermann (1764-1834) 1808 (coloured aquatint)
Court of King's Bench, Westminster Hall, from 'The Microcosm of London', engraved by J. Black (fl.1791-1831), pub. by R. Ackermann (1764-1834) 1808 (coloured aquatint)

XCF132075: Court of King's Bench, Westminster Hall, from 'The Microcosm of London', engraved by J. Black (fl.1791-1831), pub. by R. Ackermann (1764-1834) 1808 (coloured aquatint), Rowlandson, T.(1756-1827) & Pugin, A.C.(1762-1832) / Bridgeman Images

Gustavian Style Interior with a Musical Party (oil on canvas)
Gustavian Style Interior with a Musical Party (oil on canvas)

XOS128576: Gustavian Style Interior with a Musical Party (oil on canvas), Hillestrom, Pehr (1732-1816) / Bridgeman Images

Cinchona from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)
Cinchona from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)

STC151324: Cinchona from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving), Hoquart, L.F.J. (fl 1821) / Bridgeman Images

Mentha Piperita from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)
Mentha Piperita from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)

STC148923: Mentha Piperita from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving), Hoquart, L.F.J. (fl 1821) / Bridgeman Images

Knight and horse in armour, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho)
Knight and horse in armour, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho)

STC147625: Knight and horse in armour, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho), Reibisch, Friedrich Martin von (fl.1842) / Bridgeman Images

Sketch for 'The Last Supper', St. Mary's, Weymouth, formerly attributed to Antonio Verrio (c.1639-1707) c.1719-20 (oil on canvas)
Sketch for 'The Last Supper', St. Mary's, Weymouth, formerly attributed to Antonio Verrio (c.1639-1707) c.1719-20 (oil on canvas)

XYC147961: Sketch for 'The Last Supper', St. Mary's, Weymouth, formerly attributed to Antonio Verrio (c.1639-1707) c.1719-20 (oil on canvas), Thornhill, James (1675-1734) / Bridgeman Images

Noh theatre mask of a young woman, Japanese
Noh theatre mask of a young woman, Japanese

LMG144879: Noh theatre mask of a young woman, Japanese, Japanese School, (19th century) / Bridgeman Images

The Effects of the Proclamation: Freed African American  Coming into Our Lines at Newbern, North Carolina, from 'Harper's Weekly', 1863 (engraving) (b&w photo)
The Effects of the Proclamation: Freed African American  Coming into Our Lines at Newbern, North Carolina, from 'Harper's Weekly', 1863 (engraving) (b&w photo)

BAL124542: The Effects of the Proclamation: Freed African American Coming into Our Lines at Newbern, North Carolina, from 'Harper's Weekly', 1863 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

Raphael in the Vatican, 1832 (oil on canvas)
Raphael in the Vatican, 1832 (oil on canvas)

PWI83727: Raphael in the Vatican, 1832 (oil on canvas), Vernet, Emile Jean Horace (1789-1863) / Bridgeman Images

The Wild Horse Race at Rome, c.1817 (oil on paper)
The Wild Horse Race at Rome, c.1817 (oil on paper)

XIR83807: The Wild Horse Race at Rome, c.1817 (oil on paper), Gericault, Theodore (1791-1824) / Bridgeman Images

A Socialist Speaker, engraved by W.Strong, 1891 (engraving)
A Socialist Speaker, engraved by W.Strong, 1891 (engraving)

XJF105424: A Socialist Speaker, engraved by W.Strong, 1891 (engraving), English School, (19th century) / Bridgeman Images

Plougastel-Daoulas, c.1870-73 (oil on canvas)
Plougastel-Daoulas, c.1870-73 (oil on canvas)

NUM116782: Plougastel-Daoulas, c.1870-73 (oil on canvas), Boudin, Eugene Louis (1824-98) / Bridgeman Images

Head of a Mulatto Woman, 1861 (oil on paper laid on linen)
Head of a Mulatto Woman, 1861 (oil on paper laid on linen)

XYC136551: Head of a Mulatto Woman, 1861 (oil on paper laid on linen), Wells, Joanna Boyce (1831-61) / Bridgeman Images


Back to top