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Triumphant entry into Constantinople by young Turk soldiers, May, 1909 (b/w photo)
Triumphant entry into Constantinople by young Turk soldiers, May, 1909 (b/w photo)

JHL392612: Triumphant entry into Constantinople by young Turk soldiers, May, 1909 (b/w photo), Grant, Thomas E. & Horace Grant (20th Century) / Bridgeman Images

ID: JHL392612

Triumphant entry into Constantinople by young Turk soldiers, May, 1909 (b/w photo)

Grant, Thomas E. & Horace Grant (20th Century)

Urban Nocturne, (oil on canvas)
Urban Nocturne, (oil on canvas)

CH823199: Urban Nocturne, (oil on canvas), Cornoyer, Paul (1864-1923) / Bridgeman Images

ID: CH823199

Urban Nocturne, (oil on canvas)

Cornoyer, Paul (1864-1923)

'Twilight Charlie', Front Cover of 'Beadle's New York Dime' Novel, 1888 (litho)
'Twilight Charlie', Front Cover of 'Beadle's New York Dime' Novel, 1888 (litho)

DPL829834: 'Twilight Charlie', Front Cover of 'Beadle's New York Dime' Novel, 1888 (litho), American School, (19th century) / Bridgeman Images

ID: DPL829834

'Twilight Charlie', Front Cover of 'Beadle's New York Dime' Novel, 1888 (litho)

American School, (19th century)

War veterans with severe facial injuries : delegation of first world war wounded and amputees on Champs Elysees in Paris on november 1918
War veterans with severe facial injuries : delegation of first world war wounded and amputees on Champs Elysees in Paris on november 1918

TAD1754504: War veterans with severe facial injuries : delegation of first world war wounded and amputees on Champs Elysees in Paris on november 1918 / Bridgeman Images

ID: TAD1754504

War veterans with severe facial injuries : delegation of first world war wounded and amputees on Champs Elysees in Paris on november 1918

Funeral of Mirabeau, 1791. 1794-1804 (engraving)
Funeral of Mirabeau, 1791. 1794-1804 (engraving)

CCI1997581: Funeral of Mirabeau, 1791. 1794-1804 (engraving), Vinkeles, Reiner (1741-1816) / Bridgeman Images

ID: CCI1997581

Funeral of Mirabeau, 1791. 1794-1804 (engraving)

Vinkeles, Reiner (1741-1816)

Hermann Anton Stilke (1803-1860). Joan of Arc in Battle (Central Part of ''The Life of Joan of Arc'' Triptych), 1843.
Hermann Anton Stilke (1803-1860). Joan of Arc in Battle (Central Part of ''The Life of Joan of Arc'' Triptych), 1843.

TRK3025448: Hermann Anton Stilke (1803-1860). Joan of Arc in Battle (Central Part of ''The Life of Joan of Arc'' Triptych), 1843., Stilke, Hermann Anton (1803-60) / Bridgeman Images

ID: TRK3025448

Hermann Anton Stilke (1803-1860). Joan of Arc in Battle (Central Part of ''The Life of Joan of Arc'' Triptych), 1843.

Stilke, Hermann Anton (1803-60)

Iraq: The earliest known medical description of the eye, from a 9th century work by Hunayn ibn Ishaq (809-873), 12th century CE manuscript
Iraq: The earliest known medical description of the eye, from a 9th century work by Hunayn ibn Ishaq (809-873), 12th century CE manuscript

PFH3061340: Iraq: The earliest known medical description of the eye, from a 9th century work by Hunayn ibn Ishaq (809-873), 12th century CE manuscript / Bridgeman Images

ID: PFH3061340

Iraq: The earliest known medical description of the eye, from a 9th century work by Hunayn ibn Ishaq (809-873), 12th century CE manuscript

Reapers Resting in a Wheat Field, 1885 (oil on canvas)
Reapers Resting in a Wheat Field, 1885 (oil on canvas)

XOS3471309: Reapers Resting in a Wheat Field, 1885 (oil on canvas), Sargent, John Singer (1856-1925) / Bridgeman Images

ID: XOS3471309

Reapers Resting in a Wheat Field, 1885 (oil on canvas)

Sargent, John Singer (1856-1925)

The House of Dr. Gachet in Auvers-sur-Oise, 1872-3 (oil on canvas)
The House of Dr. Gachet in Auvers-sur-Oise, 1872-3 (oil on canvas)

XOS3366946: The House of Dr. Gachet in Auvers-sur-Oise, 1872-3 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: XOS3366946

The House of Dr. Gachet in Auvers-sur-Oise, 1872-3 (oil on canvas)

Cezanne, Paul (1839-1906)

Sunset across the Ryogoku bridge from the bank of the Sumida river at Onmagayashi in Edo, c.1830 (woodblock print)
Sunset across the Ryogoku bridge from the bank of the Sumida river at Onmagayashi in Edo, c.1830 (woodblock print)

XOS3428156: Sunset across the Ryogoku bridge from the bank of the Sumida river at Onmagayashi in Edo, c.1830 (woodblock print), Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: XOS3428156

Sunset across the Ryogoku bridge from the bank of the Sumida river at Onmagayashi in Edo, c.1830 (woodblock print)

Hokusai, Katsushika (1760-1849)

The Lady with the Veil, 1768 (oil on canvas)
The Lady with the Veil, 1768 (oil on canvas)

XOS3086727: The Lady with the Veil, 1768 (oil on canvas), Roslin, Alexander (1718-93) / Bridgeman Images

ID: XOS3086727

The Lady with the Veil, 1768 (oil on canvas)

Roslin, Alexander (1718-93)

Interrupted Reading, c.1870 (oil on canvas mounted on board)
Interrupted Reading, c.1870 (oil on canvas mounted on board)

XCC2968517: Interrupted Reading, c.1870 (oil on canvas mounted on board), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

ID: XCC2968517

Interrupted Reading, c.1870 (oil on canvas mounted on board)

Corot, Jean Baptiste Camille (1796-1875)

Evening Snow on a Floss Shaper from the series Eight Views of the Parlor, c.1766 (colour woodblock print)
Evening Snow on a Floss Shaper from the series Eight Views of the Parlor, c.1766 (colour woodblock print)

XCC2969420: Evening Snow on a Floss Shaper from the series Eight Views of the Parlor, c.1766 (colour woodblock print), Harunobu, Suzuki (1725-70) / Bridgeman Images

ID: XCC2969420

Evening Snow on a Floss Shaper from the series Eight Views of the Parlor, c.1766 (colour woodblock print)

Harunobu, Suzuki (1725-70)

Woman and Child at the Well, 1882 (oil on canvas)
Woman and Child at the Well, 1882 (oil on canvas)

XCC2970080: Woman and Child at the Well, 1882 (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: XCC2970080

Woman and Child at the Well, 1882 (oil on canvas)

Pissarro, Camille (1830-1903)

Playful Mermaid, 1897 (colour woodcut from three blocks & litho in blue on tan wove paper)
Playful Mermaid, 1897 (colour woodcut from three blocks & litho in blue on tan wove paper)

XCC2968353: Playful Mermaid, 1897 (colour woodcut from three blocks & litho in blue on tan wove paper), Heran, Henri (1864-1940) / Bridgeman Images

ID: XCC2968353

Playful Mermaid, 1897 (colour woodcut from three blocks & litho in blue on tan wove paper)

Heran, Henri (1864-1940)

Cupid Chastised, 1613 (oil on canvas)
Cupid Chastised, 1613 (oil on canvas)

XCC2968467: Cupid Chastised, 1613 (oil on canvas), Manfredi, Bartolomeo (1580-c.1620) / Bridgeman Images

ID: XCC2968467

Cupid Chastised, 1613 (oil on canvas)

Manfredi, Bartolomeo (1580-c.1620)

Stack of Wheat, 1890-91 (oil on canvas)
Stack of Wheat, 1890-91 (oil on canvas)

XCC2968470: Stack of Wheat, 1890-91 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XCC2968470

Stack of Wheat, 1890-91 (oil on canvas)

Monet, Claude (1840-1926)

Marriage of the Dauphin of France (future Louis XVI) with Archduchess Marie-Antoinette in the chapel at Versailles on 16 May, 1770 (coloured engraving)
Marriage of the Dauphin of France (future Louis XVI) with Archduchess Marie-Antoinette in the chapel at Versailles on 16 May, 1770 (coloured engraving)

CHT741474: Marriage of the Dauphin of France (future Louis XVI) with Archduchess Marie-Antoinette in the chapel at Versailles on 16 May, 1770 (coloured engraving), French School, (18th century) / Bridgeman Images

ID: CHT741474

Marriage of the Dauphin of France (future Louis XVI) with Archduchess Marie-Antoinette in the chapel at Versailles on 16 May, 1770 (coloured engraving)

French School, (18th century)

Maria Feodorovna wearing traditional Russian dress, c.1860s (b/w photo)
Maria Feodorovna wearing traditional Russian dress, c.1860s (b/w photo)

BCC465294: Maria Feodorovna wearing traditional Russian dress, c.1860s (b/w photo), Russian Photographer, (19th century) / Bridgeman Images

ID: BCC465294

Maria Feodorovna wearing traditional Russian dress, c.1860s (b/w photo)

Russian Photographer, (19th century)

Smiling Girl, a Courtesan, holding an Obscene Image, 1625 (oil on canvas)
Smiling Girl, a Courtesan, holding an Obscene Image, 1625 (oil on canvas)

STM621023: Smiling Girl, a Courtesan, holding an Obscene Image, 1625 (oil on canvas), Honthorst, Gerrit van (1590-1656) / Bridgeman Images

ID: STM621023

Smiling Girl, a Courtesan, holding an Obscene Image, 1625 (oil on canvas)

Honthorst, Gerrit van (1590-1656)

Cavendish performing volte, with Bolsover Castle and its Manege block in the background, from 'The Method and New Invention of Dressing Horses' by William Cavendish, published 1737 (2nd edn) (aquatint)
Cavendish performing volte, with Bolsover Castle and its Manege block in the background, from 'The Method and New Invention of Dressing Horses' by William Cavendish, published 1737 (2nd edn) (aquatint)

STC619522: Cavendish performing volte, with Bolsover Castle and its Manege block in the background, from 'The Method and New Invention of Dressing Horses' by William Cavendish, published 1737 (2nd edn) (aquatint), Diepenbeeck, Abraham Jansz. van (1596-1675) (after) / Bridgeman Images

ID: STC619522

Cavendish performing volte, with Bolsover Castle and its Manege block in the background, from 'The Method and New Invention of Dressing Horses' by William Cavendish, published 1737 (2nd edn) (aquatint)

Diepenbeeck, Abraham Jansz. van (1596-1675) (after)

Rephidim, Desert of Sinai, 1877 (oil on canvas)
Rephidim, Desert of Sinai, 1877 (oil on canvas)

TMB613868: Rephidim, Desert of Sinai, 1877 (oil on canvas), Holder, Edward Henry (fl.1864-1917) / Bridgeman Images

ID: TMB613868

Rephidim, Desert of Sinai, 1877 (oil on canvas)

Holder, Edward Henry (fl.1864-1917)

Portrait of Pope Sylvester II (or Silvester II) (c. 938-1003).
Portrait of Pope Sylvester II (or Silvester II) (c. 938-1003).

XEE556177: Portrait of Pope Sylvester II (or Silvester II) (c. 938-1003). , French School, (19th century) / Bridgeman Images

ID: XEE556177

Portrait of Pope Sylvester II (or Silvester II) (c. 938-1003).

French School, (19th century)

Adam Naming the Animals, from The Story of Adam and Eve (oil on copper) (see also )
Adam Naming the Animals, from The Story of Adam and Eve (oil on copper) (see also )

CH742112: Adam Naming the Animals, from The Story of Adam and Eve (oil on copper) (see also ), Brueghel, Jan the Younger (1601-78) / Bridgeman Images

ID: CH742112

Adam Naming the Animals, from The Story of Adam and Eve (oil on copper) (see also )

Brueghel, Jan the Younger (1601-78)

Yellow Dahlias; Les Dahlias Jaunes, 1925 (oil on canvas)
Yellow Dahlias; Les Dahlias Jaunes, 1925 (oil on canvas)

CH824482: Yellow Dahlias; Les Dahlias Jaunes, 1925 (oil on canvas), Le Sidaner, Henri Eugene Augustin (1862-1939) / Bridgeman Images

ID: CH824482

Yellow Dahlias; Les Dahlias Jaunes, 1925 (oil on canvas)

Le Sidaner, Henri Eugene Augustin (1862-1939)

Composition; Komposition, c.1935-1937 (pastel on paper)
Composition; Komposition, c.1935-1937 (pastel on paper)

CH826192: Composition; Komposition, c.1935-1937 (pastel on paper), Freundlich, Otto (1878-1943) / Bridgeman Images

ID: CH826192

Composition; Komposition, c.1935-1937 (pastel on paper)

Freundlich, Otto (1878-1943)

Saint Tropez, Vue de la Chapelle St, c.1920 (oil on canvas)
Saint Tropez, Vue de la Chapelle St, c.1920 (oil on canvas)

CH826664: Saint Tropez, Vue de la Chapelle St, c.1920 (oil on canvas), Rysselberghe, Theo van (1862-1926) / Bridgeman Images

ID: CH826664

Saint Tropez, Vue de la Chapelle St, c.1920 (oil on canvas)

Rysselberghe, Theo van (1862-1926)

Melpomene, The Muse of Tragedy, (oil on canvas)
Melpomene, The Muse of Tragedy, (oil on canvas)

CH827760: Melpomene, The Muse of Tragedy, (oil on canvas), Sirani, Elisabetta (1638-65) / Bridgeman Images

ID: CH827760

Melpomene, The Muse of Tragedy, (oil on canvas)

Sirani, Elisabetta (1638-65)

Whitby, (oil on canvas)
Whitby, (oil on canvas)

CH659898: Whitby, (oil on canvas), Grimshaw, John Atkinson (1836-93) / Bridgeman Images

ID: CH659898

Whitby, (oil on canvas)

Grimshaw, John Atkinson (1836-93)

Anglepoise desk lamp, designed 1934 (steel)
Anglepoise desk lamp, designed 1934 (steel)

CH702713: Anglepoise desk lamp, designed 1934 (steel), Carwardine, George (1887-1947) / Bridgeman Images

ID: CH702713

Anglepoise desk lamp, designed 1934 (steel)

Carwardine, George (1887-1947)

Melrose Abbey: An Illustration to Sir Walter Scott's 'The Lay of the Last Minstrel', (pencil and watercolour)
Melrose Abbey: An Illustration to Sir Walter Scott's 'The Lay of the Last Minstrel', (pencil and watercolour)

CH651946: Melrose Abbey: An Illustration to Sir Walter Scott's 'The Lay of the Last Minstrel', (pencil and watercolour), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: CH651946

Melrose Abbey: An Illustration to Sir Walter Scott's 'The Lay of the Last Minstrel', (pencil and watercolour)

Turner, Joseph Mallord William (1775-1851)

HK 1926, 1926 (watercolour and pencil on paper)
HK 1926, 1926 (watercolour and pencil on paper)

CH653266: HK 1926, 1926 (watercolour and pencil on paper), Schlemmer, Oskar (1888-1943) / Bridgeman Images

ID: CH653266

HK 1926, 1926 (watercolour and pencil on paper)

Schlemmer, Oskar (1888-1943)

Springtime (oil on canvas)
Springtime (oil on canvas)

CH700732: Springtime (oil on canvas), Lynch, Albert (1851-1912) / Bridgeman Images

ID: CH700732

Springtime (oil on canvas)

Lynch, Albert (1851-1912)

The Court of Chancery, c.1460 (illumination on vellum)
The Court of Chancery, c.1460 (illumination on vellum)

XCF701481: The Court of Chancery, c.1460 (illumination on vellum), English School, (15th century) / Bridgeman Images

ID: XCF701481

The Court of Chancery, c.1460 (illumination on vellum)

English School, (15th century)

Ancient Rome: Selling and manufacturing books, 1866 (coloured engraving)
Ancient Rome: Selling and manufacturing books, 1866 (coloured engraving)

XEE702503: Ancient Rome: Selling and manufacturing books, 1866 (coloured engraving), Leutemann, Heinrich (1824-1905) / Bridgeman Images

ID: XEE702503

Ancient Rome: Selling and manufacturing books, 1866 (coloured engraving)

Leutemann, Heinrich (1824-1905)

Paradiso, Canto 28 : The scintillating host of heaven, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Paradiso, Canto 28 : The scintillating host of heaven, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745612: Paradiso, Canto 28 : The scintillating host of heaven, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745612

Paradiso, Canto 28 : The scintillating host of heaven, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)


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