Wheatley, Francis (1747-1801) (after) Assets (59 in total)
Results
KWE323353:
Rousillon, the Count's Palace, Act V, Scene III, from 'All's Well That Ends Well', from The Boydell Shakespeare Gallery, published late 19th century (litho), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: KWE323353
Rousillon, the Count's Palace, Act V, Scene III, from 'All's Well That Ends Well', from The Boydell Shakespeare Gallery, published late 19th century (litho)
Wheatley, Francis (1747-1801) (after)
LLE3638922:
John Howard visiting an English prison (engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: LLE3638922
John Howard visiting an English prison (engraving)
Wheatley, Francis (1747-1801) (after)
GHL65420:
Milk Below Maids, Plate 2 from the 'Cries of London' (coloured engraving), Wheatley, Francis (1747-1801) (after) / London Metropolitan Archives, City of London / Bridgeman Images
ID: GHL65420
Milk Below Maids, Plate 2 from the 'Cries of London' (coloured engraving)
Wheatley, Francis (1747-1801) (after)
KWE323351:
Padua, Before Baptista's house, Act III, Scene II, from 'The Taming of the Shrew', from The Boydell Shakespeare Gallery, published late 19th century (litho), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: KWE323351
Padua, Before Baptista's house, Act III, Scene II, from 'The Taming of the Shrew', from The Boydell Shakespeare Gallery, published late 19th century (litho)
Wheatley, Francis (1747-1801) (after)
XJF112426:
John Howard Esq. (1726-1790) Visiting and Relieving the Miseries of a Prison, engraved by James Hogg, 1790 (engraving) (b&w photo), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: XJF112426
John Howard Esq. (1726-1790) Visiting and Relieving the Miseries of a Prison, engraved by James Hogg, 1790 (engraving) (b&w photo)
Wheatley, Francis (1747-1801) (after)
NP125769:
"Strawberries, Scarlet Strawberries", plate 9 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1795 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125769
"Strawberries, Scarlet Strawberries", plate 9 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1795 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
KWE323352:
Paris, the King's Palace, Act II, Scene III, from 'All's Well That Ends Well', from The Boydell Shakespeare Gallery, published late 19th century (litho), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: KWE323352
Paris, the King's Palace, Act II, Scene III, from 'All's Well That Ends Well', from The Boydell Shakespeare Gallery, published late 19th century (litho)
Wheatley, Francis (1747-1801) (after)
NP125763:
"Sweet China Oranges, Sweet China", plate 3 of 'The Cries of London', engraved by Luigi Schiavonetti (1765-1810), pub. by Colnaghi & Co., 1794 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125763
"Sweet China Oranges, Sweet China", plate 3 of 'The Cries of London', engraved by Luigi Schiavonetti (1765-1810), pub. by Colnaghi & Co., 1794 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
NP125509:
Returned from Market, engraved by W. Annis, pub. by Morgan & Pearce, 1803 (mezzotint engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125509
Returned from Market, engraved by W. Annis, pub. by Morgan & Pearce, 1803 (mezzotint engraving)
Wheatley, Francis (1747-1801) (after)
XJF996490:
Illustration to Jean-Jacques Rousseau's 'Nouvelle Héloise' 1786 (pen and ink with w/c), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: XJF996490
Illustration to Jean-Jacques Rousseau's 'Nouvelle Héloise' 1786 (pen and ink with w/c)
Wheatley, Francis (1747-1801) (after)
XJF996491:
Henry and Jenny (engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: XJF996491
Henry and Jenny (engraving)
Wheatley, Francis (1747-1801) (after)
XJF996644:
Illustration to Du Roveray's edition of Oliver Goldsmith's Poem 'The Deserted Village', 1800 (engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: XJF996644
Illustration to Du Roveray's edition of Oliver Goldsmith's Poem 'The Deserted Village', 1800 (engraving)
Wheatley, Francis (1747-1801) (after)
XYC238498:
Cries of London: Round and Sound, Five Pence a Pound, Duke Cherries, engraved by Anthony Cardon (1772-1813) 1795 (engraving), Wheatley, Francis (1747-1801) (after) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images
ID: XYC238498
Cries of London: Round and Sound, Five Pence a Pound, Duke Cherries, engraved by Anthony Cardon (1772-1813) 1795 (engraving)
GHL65417:
Turnips and Carrots Ho, Plate 13 from the "Cries of London" (print), Wheatley, Francis (1747-1801) (after) / London Metropolitan Archives, City of London / Bridgeman Images
ID: GHL65417
Turnips and Carrots Ho, Plate 13 from the "Cries of London" (print)
Wheatley, Francis (1747-1801) (after)
NP125764:
"Do You Want any Matches?", plate 4 of 'The Cries of London', engraved by Anthony Cardon (1772-1813), pub. by Colnaghi & Co., 1794 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125764
"Do You Want any Matches?", plate 4 of 'The Cries of London', engraved by Anthony Cardon (1772-1813), pub. by Colnaghi & Co., 1794 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
NP125770:
"Old Chairs to Mend", plate 10 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1795 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125770
"Old Chairs to Mend", plate 10 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1795 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
NP125768:
"Round and Sound, Five Pence a Pound, Duke Cherries", plate 8 of 'The Cries of London", engraved by Anthony Cardon (1772-1813), pub. by Colnaghi & Co., 1795 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125768
"Round and Sound, Five Pence a Pound, Duke Cherries", plate 8 of 'The Cries of London", engraved by Anthony Cardon (1772-1813), pub. by Colnaghi & Co., 1795 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
NP125772:
"Hot Spice Gingerbread Smoking Hot", plate 12 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1796 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125772
"Hot Spice Gingerbread Smoking Hot", plate 12 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1796 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
XJF996489:
St Preux and Julia, 1786 (pen and ink with w/c), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: XJF996489
St Preux and Julia, 1786 (pen and ink with w/c)
Wheatley, Francis (1747-1801) (after)
XJF996645:
The Peep Show, 1789 (engraving) , Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: XJF996645
The Peep Show, 1789 (engraving)
Wheatley, Francis (1747-1801) (after)
NP125530:
The Itinerant Potters, engraved by John Whessell (c.1760-1823), pub. by T. Simpson and Darling & Thompson, 1797 (stipple engraving) (pair of 125529), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125530
The Itinerant Potters, engraved by John Whessell (c.1760-1823), pub. by T. Simpson and Darling & Thompson, 1797 (stipple engraving) (pair of 125529)
Wheatley, Francis (1747-1801) (after)
NP125761:
"Two Bunches a Penny, Primroses, Two Bunches a Penny", plate 1 of 'The Cries of London', engraved by Luigi Schiavonetti (1765-1810), pub. by Colnaghi & Co., 1793 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125761
"Two Bunches a Penny, Primroses, Two Bunches a Penny", plate 1 of 'The Cries of London', engraved by Luigi Schiavonetti (1765-1810), pub. by Colnaghi & Co., 1793 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
NP125773:
"Turnips and Carrots Ho", plate 13 of 'The Cries of London', engraved by Thomas Gaugain (1748-1812), pub. by Colnaghi & Co., 1797 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125773
"Turnips and Carrots Ho", plate 13 of 'The Cries of London', engraved by Thomas Gaugain (1748-1812), pub. by Colnaghi & Co., 1797 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
NP125529:
The Woodman's Return, engraved by John Whessell (c.1760-1823), pub. by T. Simpson and Darling & Thompson, 1797 (stipple engraving) (pair of 125530), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125529
The Woodman's Return, engraved by John Whessell (c.1760-1823), pub. by T. Simpson and Darling & Thompson, 1797 (stipple engraving) (pair of 125530)
Wheatley, Francis (1747-1801) (after)
STC102979:
The Death of Richard II, from the play by William Shakespeare (1564-1616) engraved by J. Rogers (engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: STC102979
The Death of Richard II, from the play by William Shakespeare (1564-1616) engraved by J. Rogers (engraving)
LLJ558289:
Knives to grind (coloured engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: LLJ558289
Knives to grind (coloured engraving)
Wheatley, Francis (1747-1801) (after)
LLE820096:
Riot in Broad Street in 1780 (engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: LLE820096
Riot in Broad Street in 1780 (engraving)
Wheatley, Francis (1747-1801) (after)
NP125765:
A woman street trader of fresh mackerel sells door to door, Cries of London series, plate 5, 1795 (engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125765
A woman street trader of fresh mackerel sells door to door, Cries of London series, plate 5, 1795 (engraving)
Wheatley, Francis (1747-1801) (after)
BON59285:
The Return from the Market, Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
NP125767:
"Fresh Gathered Peas Young Hastings", plate 7 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1795 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125767
"Fresh Gathered Peas Young Hastings", plate 7 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1795 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
NP125771:
"A New Love Song, Only Ha'penny a Piece", plate 11 of 'The Cries of London', engraved by Anthony Cardon (1772-1813), pub. by Colnaghi & Co., 1796 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images
ID: NP125771
"A New Love Song, Only Ha'penny a Piece", plate 11 of 'The Cries of London', engraved by Anthony Cardon (1772-1813), pub. by Colnaghi & Co., 1796 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
LLM665184:
Death of Richard II (engraving), Wheatley, Francis (1747-1801) (after) / Private Collection / Bridgeman Images