Turner, Joseph Mallord William (1775-1851) Assets (866 in total)

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The 'Heart of the Oak' Inn, c.1794 (w/c on paper)
The 'Heart of the Oak' Inn, c.1794 (w/c on paper)

MAN495766: The 'Heart of the Oak' Inn, c.1794 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Study for a Game Book, 1811 (drawing)
Study for a Game Book, 1811 (drawing)

MAL67392: Study for a Game Book, 1811 (drawing), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

The Whaler, 1845 (w/c over pencil on paper)
The Whaler, 1845 (w/c over pencil on paper)

FIT2899413: The Whaler, 1845 (w/c over pencil on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

The Iveagh seapiece, 19th century (oil on canvas)
The Iveagh seapiece, 19th century (oil on canvas)

SBL7146407: The Iveagh seapiece, 19th century (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Ewynny Priory (w/c on paper)
Ewynny Priory (w/c on paper)

WGL5051321: Ewynny Priory (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Maidenhead Bridge (w/c on paper)
Maidenhead Bridge (w/c on paper)

AGN355024: Maidenhead Bridge (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Avon (w/c on paper)
Avon (w/c on paper)

AGN355030: Avon (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Aosta, 1836 (w/c on paper)
Aosta, 1836 (w/c on paper)

BST195344: Aosta, 1836 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

The Aiguillette, Valley of Cluses, France, 1802 (pencil, black chalk & w/c on paper)
The Aiguillette, Valley of Cluses, France, 1802 (pencil, black chalk & w/c on paper)

WHT430640: The Aiguillette, Valley of Cluses, France, 1802 (pencil, black chalk & w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Venice: San Giorgio Maggiore from the Entrance to the Grand Canal, c.1840 (w/c on paper)
Venice: San Giorgio Maggiore from the Entrance to the Grand Canal, c.1840 (w/c on paper)

WHT430626: Venice: San Giorgio Maggiore from the Entrance to the Grand Canal, c.1840 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

North East View of Fonthill Abbey, Wiltshire: Sunset, 1800 (w/c on paper)
North East View of Fonthill Abbey, Wiltshire: Sunset, 1800 (w/c on paper)

WHT430632: North East View of Fonthill Abbey, Wiltshire: Sunset, 1800 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

View of a Seaport East Cowes, Isle of Wight, 1828 (ink, wash & white chalk on blue paper)
View of a Seaport East Cowes, Isle of Wight, 1828 (ink, wash & white chalk on blue paper)

HST1075350: View of a Seaport East Cowes, Isle of Wight, 1828 (ink, wash & white chalk on blue paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Rochester On The Medway (oil on canvas)
Rochester On The Medway (oil on canvas)

IMA1560680: Rochester On The Medway (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Chester Bridge (watercolour over pencil on off-white wove paper)
Chester Bridge (watercolour over pencil on off-white wove paper)

IMA1561435: Chester Bridge (watercolour over pencil on off-white wove paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Dunstaffnage (watercolour and gouache on white paper)
Dunstaffnage (watercolour and gouache on white paper)

IMA1561446: Dunstaffnage (watercolour and gouache on white paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Fontainebleau: The Departure Of Napoleon (watercolour strengthened with pen and red ink on white paper)
Fontainebleau: The Departure Of Napoleon (watercolour strengthened with pen and red ink on white paper)

IMA1561449: Fontainebleau: The Departure Of Napoleon (watercolour strengthened with pen and red ink on white paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Oberwesel On The Rhine (watercolour over pencil on white paper)
Oberwesel On The Rhine (watercolour over pencil on white paper)

IMA1562463: Oberwesel On The Rhine (watercolour over pencil on white paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Colchester, Essex, c.1825-26 (pencil, w/c, bodycolour & scraping on wove paper, now laid down on Japanese tissue)
Colchester, Essex, c.1825-26 (pencil, w/c, bodycolour & scraping on wove paper, now laid down on Japanese tissue)

COU5934438: Colchester, Essex, c.1825-26 (pencil, w/c, bodycolour & scraping on wove paper, now laid down on Japanese tissue), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

St Goarshausen and Katz Castle, 1817 (pencil, w/c applied in washes and with the point of a brush & bodycolour, with scraping on grey-prepared wove paper)
St Goarshausen and Katz Castle, 1817 (pencil, w/c applied in washes and with the point of a brush & bodycolour, with scraping on grey-prepared wove paper)

COU5934437: St Goarshausen and Katz Castle, 1817 (pencil, w/c applied in washes and with the point of a brush & bodycolour, with scraping on grey-prepared wove paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Chillon Castle, Lac Leman, Switzerland, from Villeneuve, 1836 (pencil & w/c on paper)
Chillon Castle, Lac Leman, Switzerland, from Villeneuve, 1836 (pencil & w/c on paper)

WHT6398358: Chillon Castle, Lac Leman, Switzerland, from Villeneuve, 1836 (pencil & w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

View of the Temple of Jupiter Panellenius, in the Island of Aegina, with the Greek National Dance of the Romaika: the Acropolis of Athens in the distance, 1816 (oil on canvas)
View of the Temple of Jupiter Panellenius, in the Island of Aegina, with the Greek National Dance of the Romaika: the Acropolis of Athens in the distance, 1816 (oil on canvas)

NTE6371398: View of the Temple of Jupiter Panellenius, in the Island of Aegina, with the Greek National Dance of the Romaika: the Acropolis of Athens in the distance, 1816 (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Seated man (w/c on paper)
Seated man (w/c on paper)

XJF322590: Seated man (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

South Porch and Tower of an Unidentified Church, c.1790-95 (pencil on laid paper)
South Porch and Tower of an Unidentified Church, c.1790-95 (pencil on laid paper)

XYC205239: South Porch and Tower of an Unidentified Church, c.1790-95 (pencil on laid paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

A Barn, Interior of the Ruined Refectory of St. Martin's Priory, Dover, (w/c)
A Barn, Interior of the Ruined Refectory of St. Martin's Priory, Dover, (w/c)

BAL40146: A Barn, Interior of the Ruined Refectory of St. Martin's Priory, Dover, (w/c), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Landscape with Barn, c.1795 (graphite & wash on paper)
Landscape with Barn, c.1795 (graphite & wash on paper)

XYC201209: Landscape with Barn, c.1795 (graphite & wash on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Brinkburn Priory (w/c on paper)
Brinkburn Priory (w/c on paper)

USB361304: Brinkburn Priory (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Dunstanburgh Castle (w/c on paper)
Dunstanburgh Castle (w/c on paper)

USB361305: Dunstanburgh Castle (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

South View of Salisbury Cathedral, 1797-98 (pencil & w/c on paper)
South View of Salisbury Cathedral, 1797-98 (pencil & w/c on paper)

XBM189272: South View of Salisbury Cathedral, 1797-98 (pencil & w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Llanthony Abbey, Monmouthshire (watercolour over pencil on white paper)
Llanthony Abbey, Monmouthshire (watercolour over pencil on white paper)

IMA1562466: Llanthony Abbey, Monmouthshire (watercolour over pencil on white paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Aysgarth Force, Richmondshire (watercolour over pencil on white paper)
Aysgarth Force, Richmondshire (watercolour over pencil on white paper)

IMA1562475: Aysgarth Force, Richmondshire (watercolour over pencil on white paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Lake Of Lucerne From Brunnen (watercolour and gouache on white paper)
Lake Of Lucerne From Brunnen (watercolour and gouache on white paper)

IMA1562462: Lake Of Lucerne From Brunnen (watercolour and gouache on white paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

King Edgar'S Gate, Worcester (watercolour over pencil on white paper)
King Edgar'S Gate, Worcester (watercolour over pencil on white paper)

IMA1560737: King Edgar'S Gate, Worcester (watercolour over pencil on white paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

View Of The  Archbishop'S Palace, Lambeth (watercolour on white paper)
View Of The  Archbishop'S Palace, Lambeth (watercolour on white paper)

IMA1561432: View Of The Archbishop'S Palace, Lambeth (watercolour on white paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Matlock (watercolour over pencil on white paper)
Matlock (watercolour over pencil on white paper)

IMA1561436: Matlock (watercolour over pencil on white paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

The Marxburg (watercolour on white paper prepared with a gray wash)
The Marxburg (watercolour on white paper prepared with a gray wash)

IMA1561442: The Marxburg (watercolour on white paper prepared with a gray wash), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Fall Of The Tees, Yorkshire (watercolour over pencil on off-white wove paper)
Fall Of The Tees, Yorkshire (watercolour over pencil on off-white wove paper)

IMA1556392: Fall Of The Tees, Yorkshire (watercolour over pencil on off-white wove paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images


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