Kuniyasu, Utagawa (1794-1832) Assets (47 in total)
Results
![Yodanme, Act Four [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 18.5 X 25.8 ., Print Shows Three Actors, Two Possibly Represent Royal Envoys Who Are to Deliver the Message that Enya Hangan (Asano Naganori) is to Committ Seppuku, Ritual Suicide, the Third Man is Possibly Hangan Brandishing a Short Sword or Dagger with which to Disembowl Himself.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.26051110.7055475/1111883.jpg?old-wm)
LZT1111883: Yodanme, Act Four [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 18.5 X 25.8 ., Print Shows Three Actors, Two Possibly Represent Royal Envoys Who Are to Deliver the Message that Enya Hangan (Asano Naganori) is to Committ Seppuku, Ritual Suicide, the Third Man is Possibly Hangan Brandishing a Short Sword or Dagger with which to Disembowl Himself., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
PFH1188885: Japan: 'Juichidanme'. Members of the 47 Ronin breaking into Lord Kira's compound. Utagawa Kuniyasu (1794-1832), c. 1815, Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
LZT1112590: Rakuda No Zu, a Pair of Camels. 1824., 1 Print (2 Sheets) : Woodcut, Color ; 36 X 24.5 (Left Panel), 38.9 X 25.9 (Right Panel), Print Shows Musicians with Two Camels., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
PFH1188886: Japan: Bando Mitsugoro no Satsuma riding a horse. , c. 1820 (print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
MAM713533: A New Perspective Picture of the Enjoyment of a Cool Evening at Ryogoku Bridge (Shimpan ukie Ryogokubashi yusuzumi no zu), c.1820-1830 (Woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
MAM713789: Parody of Shi Jin, the Nine Dragoned (Kyûmonryû Shishin no mitate): Akomi of the Ôgiya, from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsûzoku Suikoden gôketsu hyakuhachinin no hitori) Edo period (woodblock print, ink and colour on paper), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
PVD1698214: Japan, act II of Chushingura, tale of the 47 Ronin (or 47 Samurai): Rikiya, with sword and fan, standing next to Konami, kneeling on the floor, offering him a cup of tea, engraving by Utagawa Kuniyasu, 1815-1818, Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
MAM713534: The Courtesan Yosooi of Matsubaya Standing by a Koto, c.1820 (Woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
MAM714082: Onoe Kikugoro III as the Blind Musician, Takuichi a Disguise of Tenjiku Tokubei, 1816 (woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
STC2958311: A Camel, pub. 1824 (hand coloured woodcut), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Shichidaime Ichikawa Danjuro No Shimizu No Kanja Yoshitaka, Ichikawa Danjuro VII As Shimizu Yoshitaka. [181-], 1 Print : Woodcut, Color ; 35.7 X 24.3 ., Print Shows Ichikawa Danjuro VII, Full-Length Portrait, Facing Slightly Left, Sitting on a Sofa, in the Role of a Warrior, Wild-Eyed and Clutching a Bamboo Staff.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.86841110.7055475/1111689.jpg?old-wm)
LZT1111689: Shichidaime Ichikawa Danjuro No Shimizu No Kanja Yoshitaka, Ichikawa Danjuro VII As Shimizu Yoshitaka. [181-], 1 Print : Woodcut, Color ; 35.7 X 24.3 ., Print Shows Ichikawa Danjuro VII, Full-Length Portrait, Facing Slightly Left, Sitting on a Sofa, in the Role of a Warrior, Wild-Eyed and Clutching a Bamboo Staff., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Taibi, Epilogue [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.3 X 25.8 ., Print Shows Three Men Outside a Shed, One is Carrying a Large Knife, Another is Carrying a Lance and a Lantern, and the Third Man Appears Unarmed.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.89941110.7055475/1111819.jpg?old-wm)
LZT1111819: Taibi, Epilogue [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.3 X 25.8 ., Print Shows Three Men Outside a Shed, One is Carrying a Large Knife, Another is Carrying a Lance and a Lantern, and the Third Man Appears Unarmed., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Ueno Toeizan Hanazakari No Zu, View of Cherry Blossoms at Toei Hill in Ueno. [Between 1818 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 35.3 X 24.5 (Left Panel), 35.1 X 24.8 (Right Panel), Print Shows Women Carrying Umbrellas and Offerings at the Head of a Procession During a Cherry Blossom Festival.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.55851110.7055475/1112676.jpg?old-wm)
LZT1112676: Ueno Toeizan Hanazakari No Zu, View of Cherry Blossoms at Toei Hill in Ueno. [Between 1818 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 35.3 X 24.5 (Left Panel), 35.1 X 24.8 (Right Panel), Print Shows Women Carrying Umbrellas and Offerings at the Head of a Procession During a Cherry Blossom Festival., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
MAM714246: Festive crowd entering temple grounds, 1820 (woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
MAM713687: Bijin (Oban), 18th-19th century (woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Godanme, Act Five [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.6 X 26 ., Print Shows a Man (Possibly the Outlaw Sadakurô) Holding an Umbrella, Glaring at a Man (Probably Yoichibei) Holding a Lantern, Cowering in the Rain; Sadakurô Will Rob and Kill Yoichibei.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.39941110.7055475/1111814.jpg?old-wm)
LZT1111814: Godanme, Act Five [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.6 X 26 ., Print Shows a Man (Possibly the Outlaw Sadakurô) Holding an Umbrella, Glaring at a Man (Probably Yoichibei) Holding a Lantern, Cowering in the Rain; Sadakurô Will Rob and Kill Yoichibei., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Rokudanme, Act Six [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 18.8 X 26 ., Print Shows a Woman, Osai, Owner of a Brothel, in a Palanquin with Porters at the Front and Back. She Has Come to Yoichibei's Cottage to Make the Final Payment for Okaru, Yoichibei's Daughter. She is Confronted by Kampei Who is Returning to the Cottage after a Night of Hunting During which He Has Accidently Shot and Killed the Outlaw Sadakuro Who Had Just Killed and Robbed Yoichibei.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.20051110.7055475/1111823.jpg?old-wm)
LZT1111823: Rokudanme, Act Six [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 18.8 X 26 ., Print Shows a Woman, Osai, Owner of a Brothel, in a Palanquin with Porters at the Front and Back. She Has Come to Yoichibei's Cottage to Make the Final Payment for Okaru, Yoichibei's Daughter. She is Confronted by Kampei Who is Returning to the Cottage after a Night of Hunting During which He Has Accidently Shot and Killed the Outlaw Sadakuro Who Had Just Killed and Robbed Yoichibei., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
PFH1170678: Japan: Buddhist devotees. Painting by Utagawa Kuniyasu (19th century)., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
FIA5359192: Egawa from the Maruebiya house (Serie on courtesans personifying 8 views of Japan), c.1820 (print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
MAM714212: Young beauty with pet rat, c.1825 (woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
MAM714239: Spring scene on temple grounds, c.1830 (woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
MAM713532: Kabuki Actor Bando Mitsugoro, 18th-19th century (woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
STC2958312: A Camel, pub. 1824 (hand coloured woodcut), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Seki Sanjuro Sakata Hangoro, the Actors Seki Sanjuro and Sakata Hanguro. [Between 1815 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 38 X 26 (Left Panel), 38.4 X 25.9 (Right Panel), Print Shows Two Actors, Seki Sanjuro and Sakata Hanguro, One with a Large Sword and the Other Carrying a Large Anchor Over His Shoulder.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.03751110.7055475/1112551.jpg?old-wm)
LZT1112551: Seki Sanjuro Sakata Hangoro, the Actors Seki Sanjuro and Sakata Hanguro. [Between 1815 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 38 X 26 (Left Panel), 38.4 X 25.9 (Right Panel), Print Shows Two Actors, Seki Sanjuro and Sakata Hanguro, One with a Large Sword and the Other Carrying a Large Anchor Over His Shoulder., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Juichidanme, Act Eleven [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.5 X 25.7 ., Print Shows Three Ronin Samurai Attacking the Entrance to Morono's (Kira Yoshinaka) Home.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.49941110.7055475/1111815.jpg?old-wm)
LZT1111815: Juichidanme, Act Eleven [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.5 X 25.7 ., Print Shows Three Ronin Samurai Attacking the Entrance to Morono's (Kira Yoshinaka) Home., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Kudanme, Act Nine [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 26 ., Print Shows a Man (Possibly Yuranosuke) and Two Women (Possibly Tonase and Her Step-Daughter Konami, or Oishi, Wife of Yuranosuke) in a Room with Doorway to the Outside in the Background.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.59941110.7055475/1111816.jpg?old-wm)
LZT1111816: Kudanme, Act Nine [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 26 ., Print Shows a Man (Possibly Yuranosuke) and Two Women (Possibly Tonase and Her Step-Daughter Konami, or Oishi, Wife of Yuranosuke) in a Room with Doorway to the Outside in the Background., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.69941110.7055475/1111817.jpg?old-wm)
LZT1111817: Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.99941110.7055475/1111820.jpg?old-wm)
LZT1111820: Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
![Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.00051110.7055475/1111821.jpg?old-wm)
LZT1111821: Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
XDM1067588: Kumesaburo Iwai as the Geisha Yugiri (colour woodcut), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images
