Dore, Gustave (1832-83) Assets (2599 in total)

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Gustave Dore Bible: Samson carrying away the gates of Gaza (engraving)
Gustave Dore Bible: Samson carrying away the gates of Gaza (engraving)

LLM5221446: Gustave Dore Bible: Samson carrying away the gates of Gaza (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Achan stoned (engraving)
Gustave Dore Bible: Achan stoned (engraving)

LLM5221460: Gustave Dore Bible: Achan stoned (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The children of Israel crossing Jordan (engraving)
Gustave Dore Bible: The children of Israel crossing Jordan (engraving)

LLM5221464: Gustave Dore Bible: The children of Israel crossing Jordan (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The Egyptians drowned in the Red Sea (engraving)
Gustave Dore Bible: The Egyptians drowned in the Red Sea (engraving)

LLM5221473: Gustave Dore Bible: The Egyptians drowned in the Red Sea (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Jacob goeth into Egypt (engraving)
Gustave Dore Bible: Jacob goeth into Egypt (engraving)

LLM5221481: Gustave Dore Bible: Jacob goeth into Egypt (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Isaac blessing Jacob (engraving)
Gustave Dore Bible: Isaac blessing Jacob (engraving)

LLM5221491: Gustave Dore Bible: Isaac blessing Jacob (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The Angel showing Jerusalem in ruins to S John (engraving)
Gustave Dore Bible: The Angel showing Jerusalem in ruins to S John (engraving)

LLM5221506: Gustave Dore Bible: The Angel showing Jerusalem in ruins to S John (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: S Peter delivered from prison (engraving)
Gustave Dore Bible: S Peter delivered from prison (engraving)

LLM5221516: Gustave Dore Bible: S Peter delivered from prison (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The dead Christ (engraving)
Gustave Dore Bible: The dead Christ (engraving)

LLM5221526: Gustave Dore Bible: The dead Christ (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The woman taken in adultery (engraving)
Gustave Dore Bible: The woman taken in adultery (engraving)

LLM5221530: Gustave Dore Bible: The woman taken in adultery (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The erection of the Cross (engraving)
Gustave Dore Bible: The erection of the Cross (engraving)

LLM5221539: Gustave Dore Bible: The erection of the Cross (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Doctors, from a late 19th century edition of Fables de La Fontaine (wood engraving)
The Doctors, from a late 19th century edition of Fables de La Fontaine (wood engraving)

KWE2619168: The Doctors, from a late 19th century edition of Fables de La Fontaine (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Rat and the Elephant, from a late 19th century edition of Fables de La Fontaine (wood engraving)
The Rat and the Elephant, from a late 19th century edition of Fables de La Fontaine (wood engraving)

KWE2619169: The Rat and the Elephant, from a late 19th century edition of Fables de La Fontaine (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Companions of Ulysses, from a late 19th century edition of Fables de La Fontaine (wood engraving)
The Companions of Ulysses, from a late 19th century edition of Fables de La Fontaine (wood engraving)

KWE2619171: The Companions of Ulysses, from a late 19th century edition of Fables de La Fontaine (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

AUDIENCE Before the performance
AUDIENCE Before the performance

XLE3751302: AUDIENCE Before the performance, Dore, Gustave (1832-83) / Bridgeman Images

AUDIENCE after the performance
AUDIENCE after the performance

XLE3751305: AUDIENCE after the performance, Dore, Gustave (1832-83) / Bridgeman Images

La Parque et L'Amour, 1879 (bronze)
La Parque et L'Amour, 1879 (bronze)

PNH351940: La Parque et L'Amour, 1879 (bronze), Dore, Gustave (1832-83) / Bridgeman Images

Furies before Gates of Dis, Dante's Inferno, engraving by Gustave Dore, 1861
Furies before Gates of Dis, Dante's Inferno, engraving by Gustave Dore, 1861

HLR3262633: Furies before Gates of Dis, Dante's Inferno, engraving by Gustave Dore, 1861, Dore, Gustave (1832-83) / Bridgeman Images

Christ leaving the Praetorium (oil on canvas)
Christ leaving the Praetorium (oil on canvas)

GNV5673183: Christ leaving the Praetorium (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

Church of the Giralda a seville by Dore, “” Tour du Monde”” 2nd sem. 1866.
Church of the Giralda a seville by Dore, “” Tour du Monde”” 2nd sem. 1866.

LSE4092854: Church of the Giralda a seville by Dore, “” Tour du Monde”” 2nd sem. 1866., Dore, Gustave (1832-83) / Bridgeman Images

A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325083: A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

MAJ5032106: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

MAJ5032113: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Flower Sellers, 1875 (oil on canvas)
Flower Sellers, 1875 (oil on canvas)

WGL6318245: Flower Sellers, 1875 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328428: The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328440: The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328444: A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328448: the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328887: An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328889: A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328906: A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326329: The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324900: The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324934: A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325138: Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The alarm shouted - illustration of fear by Gustave Doré, engraving, 1874
The alarm shouted - illustration of fear by Gustave Doré, engraving, 1874

LSE4085991: The alarm shouted - illustration of fear by Gustave Doré, engraving, 1874, Dore, Gustave (1832-83) / Bridgeman Images


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