Dore, Gustave (1832-83) Assets (2603 in total)

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David 's escape through the window, by Doré. - Bible
David 's escape through the window, by Doré. - Bible

XLF3780025: David 's escape through the window, by Doré. - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Jacob travelling into Egypt, by   Doré - Bible
Jacob travelling into Egypt, by   Doré - Bible

XLF3780033: Jacob travelling into Egypt, by Doré - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Deborah's song of triumph  by Doré. - Bible
Deborah's song of triumph  by Doré. - Bible

XLF3780035: Deborah's song of triumph by Doré. - Bible, Dore, Gustave (1832-83) / Bridgeman Images

The people mourn over Jerusalem, by   Doré - Bible
The people mourn over Jerusalem, by   Doré - Bible

XLF3780036: The people mourn over Jerusalem, by Doré - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Samson kills Philistines with jawbone of ass, by Doré - Bible
Samson kills Philistines with jawbone of ass, by Doré - Bible

XLF3780055: Samson kills Philistines with jawbone of ass, by Doré - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Christ and the Tribute Money - Bible
Christ and the Tribute Money - Bible

XLF3779833: Christ and the Tribute Money - Bible, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, by Dante: The Giant Antaeus.
The Divine Comedy, by Dante: The Giant Antaeus.

XLF3779869: The Divine Comedy, by Dante: The Giant Antaeus., Dore, Gustave (1832-83) / Bridgeman Images

The Tempest - Shakespeare
The Tempest - Shakespeare

XLA3757916: The Tempest - Shakespeare, Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Purgatory (La Divina Commedia) by Dante, 1929 (engraving)
Illustration for The Divine Comedy - Purgatory (La Divina Commedia) by Dante, 1929 (engraving)

XLA3757373: Illustration for The Divine Comedy - Purgatory (La Divina Commedia) by Dante, 1929 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3771556: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3771562: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3771570: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3771594: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3771602: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3771606: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328906: A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328887: An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328889: A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326329: The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324900: The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324934: A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328440: The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328444: A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328448: the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328428: The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325083: A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325138: Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Turn him out, Ratcliff by Gustave Doré
Turn him out, Ratcliff by Gustave Doré

XLF3789559: Turn him out, Ratcliff by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

Hampstead Heath by Gustave Doré
Hampstead Heath by Gustave Doré

XLF3789588: Hampstead Heath by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

The Derby - Returning Home  by Gustave Doré
The Derby - Returning Home  by Gustave Doré

XLF3789600: The Derby - Returning Home by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

The Great Tree - Kensington Gardens  by Gustave Doré
The Great Tree - Kensington Gardens  by Gustave Doré

XLF3789602: The Great Tree - Kensington Gardens by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

' Orlando Furioso '  by Ludovico Ariosto
' Orlando Furioso '  by Ludovico Ariosto

XLF3781701: ' Orlando Furioso ' by Ludovico Ariosto, Dore, Gustave (1832-83) / Bridgeman Images

The fee shows Cinderella the pumpkin that will allow her to go to the ball, by Gustave Dore, 1879 (engraving)
The fee shows Cinderella the pumpkin that will allow her to go to the ball, by Gustave Dore, 1879 (engraving)

ELD4831664: The fee shows Cinderella the pumpkin that will allow her to go to the ball, by Gustave Dore, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The death of Eleazar Macchabee (Maccabee or Macabee), young brother of Judas Maccabee, under the rule of Antiochos IV Epiphane (175-164 BC). He's crushed by an elephant. “The Bible” illustrated by Gustave Dore. Engraving of the 19th century.
The death of Eleazar Macchabee (Maccabee or Macabee), young brother of Judas Maccabee, under the rule of Antiochos IV Epiphane (175-164 BC). He's crushed by an elephant. “The Bible” illustrated by Gustave Dore. Engraving of the 19th century.

GIA4779092: The death of Eleazar Macchabee (Maccabee or Macabee), young brother of Judas Maccabee, under the rule of Antiochos IV Epiphane (175-164 BC). He's crushed by an elephant. “The Bible” illustrated by Gustave Dore. Engraving of the 19th century., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza in the heart of the sierra morena Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote and sancho Panza in the heart of the sierra morena Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868690: Don Quixote and sancho Panza in the heart of the sierra morena Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza approaching the sierra morena Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote and sancho Panza approaching the sierra morena Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868715: Don Quixote and sancho Panza approaching the sierra morena Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images


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