Dore, Gustave (1832-83) Assets (2601 in total)

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Monstrous beech in the Ossau Valley, antropomorphic monster trees. Engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine”, Hachette 1860.
Monstrous beech in the Ossau Valley, antropomorphic monster trees. Engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine”, Hachette 1860.

PCT4262436: Monstrous beech in the Ossau Valley, antropomorphic monster trees. Engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine”, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Bear hunting in the Pyrenees: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees”” by Hippolyte Taine, Hachette 1860.
Bear hunting in the Pyrenees: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees”” by Hippolyte Taine, Hachette 1860.

PCT4262565: Bear hunting in the Pyrenees: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees”” by Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

On Sonnante Island, Panurge makes birds sing by sounding the bells - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book - Pantagruel
On Sonnante Island, Panurge makes birds sing by sounding the bells - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book - Pantagruel

PCT4282237: On Sonnante Island, Panurge makes birds sing by sounding the bells - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book - Pantagruel, Dore, Gustave (1832-83) / Bridgeman Images

Chapter head illustration by Gustave Dore for the Drolatic Tales (1855) by Honore de Balzac (1799-1850): the succubus (vampire) - skeleton, death, heart, blood-
Chapter head illustration by Gustave Dore for the Drolatic Tales (1855) by Honore de Balzac (1799-1850): the succubus (vampire) - skeleton, death, heart, blood-

PCT4285093: Chapter head illustration by Gustave Dore for the Drolatic Tales (1855) by Honore de Balzac (1799-1850): the succubus (vampire) - skeleton, death, heart, blood-, Dore, Gustave (1832-83) / Bridgeman Images

Adam and Eve Hunts from Paradise - Illustration by Gustave Dore for The Bible -
Adam and Eve Hunts from Paradise - Illustration by Gustave Dore for The Bible -

PCT4284991: Adam and Eve Hunts from Paradise - Illustration by Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for the novel by Francois Rene de Chateaubriand (1768-1848), Atala, edition Hachette 1863 -
Illustration by Gustave Dore (1832-1883) for the novel by Francois Rene de Chateaubriand (1768-1848), Atala, edition Hachette 1863 -

PCT4285021: Illustration by Gustave Dore (1832-1883) for the novel by Francois Rene de Chateaubriand (1768-1848), Atala, edition Hachette 1863 -, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for the novel by Francois Rene de Chateaubriand (1768-1848), Atala, edition Hachette 1863 -
Illustration by Gustave Dore (1832-1883) for the novel by Francois Rene de Chateaubriand (1768-1848), Atala, edition Hachette 1863 -

PCT4285023: Illustration by Gustave Dore (1832-1883) for the novel by Francois Rene de Chateaubriand (1768-1848), Atala, edition Hachette 1863 -, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - A giant who reminds Gulliver -
Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - A giant who reminds Gulliver -

PCT4285056: Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - A giant who reminds Gulliver -, Dore, Gustave (1832-83) / Bridgeman Images

Statue of D'Artagnan (1611? -1673), French warman, character in a series of novels by Alexandre Dumas including the three Musketeers, Bronze sculpture belonging to the monument to Alexandre Dumas by Gustave Dore (1832-1883). Photography, KIM Youngtae, Paris.
Statue of D'Artagnan (1611? -1673), French warman, character in a series of novels by Alexandre Dumas including the three Musketeers, Bronze sculpture belonging to the monument to Alexandre Dumas by Gustave Dore (1832-1883). Photography, KIM Youngtae, Paris.

YOU4418490: Statue of D'Artagnan (1611? -1673), French warman, character in a series of novels by Alexandre Dumas including the three Musketeers, Bronze sculpture belonging to the monument to Alexandre Dumas by Gustave Dore (1832-1883). Photography, KIM Youngtae, Paris., Dore, Gustave (1832-83) / Bridgeman Images

Statue of Alexandre Dumas (1802-1870), French writer, author of the Three Musketeers and Count of Monte Cristo (Monte Cristo), Bronze sculpture by Gustave Dore (1832-1883). Photography, KIM Youngtae, Paris.
Statue of Alexandre Dumas (1802-1870), French writer, author of the Three Musketeers and Count of Monte Cristo (Monte Cristo), Bronze sculpture by Gustave Dore (1832-1883). Photography, KIM Youngtae, Paris.

YOU4418713: Statue of Alexandre Dumas (1802-1870), French writer, author of the Three Musketeers and Count of Monte Cristo (Monte Cristo), Bronze sculpture by Gustave Dore (1832-1883). Photography, KIM Youngtae, Paris., Dore, Gustave (1832-83) / Bridgeman Images

The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328428: The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328440: The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328444: A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328448: the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328887: An open-air chestnut merchant, with her portable oven, sketch on the vivid in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328889: A saleswoman of wax matches, sketch on live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328906: A chocolate dealer in the open air, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326329: The arrival of the diligence in a hotel in Santa Cruz de modela (Mancha province), assaulted by beggars calling for almone. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325083: A slave sale in the United States, drawing by Gustave dore (1832-1883), to illustrate a visit to the Caves of Mammoth, Kentucky, in 1859, by Mr.Pousselgue. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325138: Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324900: The Inquisition Prison in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324934: A bull crossing the barrier, during a bullfight in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Rabelais young - engraving, by Gustave Dore, 1873.
Portrait of Rabelais young - engraving, by Gustave Dore, 1873.

LSE4101659: Portrait of Rabelais young - engraving, by Gustave Dore, 1873., Dore, Gustave (1832-83) / Bridgeman Images

A Street in Whitechapel - in “” London” by Gustave Dore, 1876
A Street in Whitechapel - in “” London” by Gustave Dore, 1876

LSE4103620: A Street in Whitechapel - in “” London” by Gustave Dore, 1876, Dore, Gustave (1832-83) / Bridgeman Images

Battle of Antioch during the first crusade by Gustave Doré
Battle of Antioch during the first crusade by Gustave Doré

LSE4104994: Battle of Antioch during the first crusade by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Dante and Virgil at the entrance of Hell:”” Lasciate ogni speranza, voi che 'ntrate. (Leave all hope, o you who enter)”, song 3. v.9.
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Dante and Virgil at the entrance of Hell:”” Lasciate ogni speranza, voi che 'ntrate. (Leave all hope, o you who enter)”, song 3. v.9.

PCT4265309: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Dante and Virgil at the entrance of Hell:”” Lasciate ogni speranza, voi che 'ntrate. (Leave all hope, o you who enter)”, song 3. v.9., Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil face the demons. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “”... Nessun di voi sia fello! (Let none of you be rebellious!)” , chant 21, v. 72.
Dante and Virgil face the demons. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “”... Nessun di voi sia fello! (Let none of you be rebellious!)” , chant 21, v. 72.

PCT4265388: Dante and Virgil face the demons. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “”... Nessun di voi sia fello! (Let none of you be rebellious!)” , chant 21, v. 72., Dore, Gustave (1832-83) / Bridgeman Images

Cover of Hell by Dante Alighieri (the Divine Comedie), edition of 1861 (lithograph)
Cover of Hell by Dante Alighieri (the Divine Comedie), edition of 1861 (lithograph)

PCT4265402: Cover of Hell by Dante Alighieri (the Divine Comedie), edition of 1861 (lithograph), Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie), 1861 (engraving)
The Hell of Dante Alighieri (the Divine Comedie), 1861 (engraving)

PCT4265370: The Hell of Dante Alighieri (the Divine Comedie), 1861 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Church of the Giralda a seville by Dore, “” Tour du Monde”” 2nd sem. 1866.
Church of the Giralda a seville by Dore, “” Tour du Monde”” 2nd sem. 1866.

LSE4092854: Church of the Giralda a seville by Dore, “” Tour du Monde”” 2nd sem. 1866., Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore illustrating the text by Samuel Taylor Coleridge “” The rime of the ancient mariner””: La lamentte du vieux marin (or Le dit du vieux marin). Ship (sailboat) in the ice, flying over an albatross - aurora boreale.
Engraving by Gustave Dore illustrating the text by Samuel Taylor Coleridge “” The rime of the ancient mariner””: La lamentte du vieux marin (or Le dit du vieux marin). Ship (sailboat) in the ice, flying over an albatross - aurora boreale.

PCT4275181: Engraving by Gustave Dore illustrating the text by Samuel Taylor Coleridge “” The rime of the ancient mariner””: La lamentte du vieux marin (or Le dit du vieux marin). Ship (sailboat) in the ice, flying over an albatross - aurora boreale., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: Sindbad and his companions having taken sea aboard a raft are pursued by giants who throw huge stones at them
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: Sindbad and his companions having taken sea aboard a raft are pursued by giants who throw huge stones at them

PCT4278273: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: Sindbad and his companions having taken sea aboard a raft are pursued by giants who throw huge stones at them, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbad having discovered on an island a huge egg of the gigantic bird Roc is attacked by this giant bird -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbad having discovered on an island a huge egg of the gigantic bird Roc is attacked by this giant bird -

PCT4278397: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbad having discovered on an island a huge egg of the gigantic bird Roc is attacked by this giant bird -, Dore, Gustave (1832-83) / Bridgeman Images

Gant Gargantua's education: he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.
Gant Gargantua's education: he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277072: Gant Gargantua's education: he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The Angel sent to deliver Israel (engraving)
Gustave Dore Bible: The Angel sent to deliver Israel (engraving)

LLM5221587: Gustave Dore Bible: The Angel sent to deliver Israel (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Courage of a mother (engraving)
Gustave Dore Bible: Courage of a mother (engraving)

LLM5221589: Gustave Dore Bible: Courage of a mother (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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