Yoshitoshi, Tsukioka (1839-92) Assets (175 in total)

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Japan: The warrior Sen Kanja Usjiwaka Saburo Yoshitora. From Heroes of the Water Margin. Tsukioka Yoshitoshi (1839-1892)
Japan: The warrior Sen Kanja Usjiwaka Saburo Yoshitora. From Heroes of the Water Margin. Tsukioka Yoshitoshi (1839-1892)

PFH1171140: Japan: The warrior Sen Kanja Usjiwaka Saburo Yoshitora. From Heroes of the Water Margin. Tsukioka Yoshitoshi (1839-1892), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: Bodhidharma represented in a woodblock print by Tsukioka Yoshitoshi, 1887
Japan: Bodhidharma represented in a woodblock print by Tsukioka Yoshitoshi, 1887

PFH1181125: Japan: Bodhidharma represented in a woodblock print by Tsukioka Yoshitoshi, 1887, Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: 'Looking Suitable - The Appearance of a Brothel Geisha of the Koka Era', Tsukioka Yoshitoshi (1839-1892)
Japan: 'Looking Suitable - The Appearance of a Brothel Geisha of the Koka Era', Tsukioka Yoshitoshi (1839-1892)

PFH1174277: Japan: 'Looking Suitable - The Appearance of a Brothel Geisha of the Koka Era', Tsukioka Yoshitoshi (1839-1892), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Wakashima Gonemon and the Bell, from 'Tales of the floating world on eastern brocade', 1867 (coloured woodblock print)
Wakashima Gonemon and the Bell, from 'Tales of the floating world on eastern brocade', 1867 (coloured woodblock print)

FIT282851: Wakashima Gonemon and the Bell, from 'Tales of the floating world on eastern brocade', 1867 (coloured woodblock print), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Rural Genji, 1885 (coloured woodblock print)
Rural Genji, 1885 (coloured woodblock print)

FIT282853: Rural Genji, 1885 (coloured woodblock print), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: Warrior with a kusari-gama (kama or sickle with a kusari (chain) and fundo (heavy iron weight) at the end. Biyu Suikoden, Yoshitoshi Tsukioka (1839-1892), 1866
Japan: Warrior with a kusari-gama (kama or sickle with a kusari (chain) and fundo (heavy iron weight) at the end. Biyu Suikoden, Yoshitoshi Tsukioka (1839-1892), 1866

PFH1188932: Japan: Warrior with a kusari-gama (kama or sickle with a kusari (chain) and fundo (heavy iron weight) at the end. Biyu Suikoden, Yoshitoshi Tsukioka (1839-1892), 1866, Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: 'Kagoshima Soldiers March', Meiji Period woodblock by Tsukioka Yoshitoshi (1839-1892), c. 1879 CE
Japan: 'Kagoshima Soldiers March', Meiji Period woodblock by Tsukioka Yoshitoshi (1839-1892), c. 1879 CE

PFH3519057: Japan: 'Kagoshima Soldiers March', Meiji Period woodblock by Tsukioka Yoshitoshi (1839-1892), c. 1879 CE, Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Hashiba Taiko Toyotomi Hideyoshi (colour woodblock print)
Hashiba Taiko Toyotomi Hideyoshi (colour woodblock print)

IMA1561554: Hashiba Taiko Toyotomi Hideyoshi (colour woodblock print), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Drawing Of A Young Woman Standing By A Stone Lantern (ink on paper)
Drawing Of A Young Woman Standing By A Stone Lantern (ink on paper)

IMA1557326: Drawing Of A Young Woman Standing By A Stone Lantern (ink on paper), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

A Record of the Punitive Campaign Against  Kagoshima, Satsuma. The Brave Fight of Female Insurgents, 1877 (woodblock print on paper)
A Record of the Punitive Campaign Against  Kagoshima, Satsuma. The Brave Fight of Female Insurgents, 1877 (woodblock print on paper)

MAI6398451: A Record of the Punitive Campaign Against Kagoshima, Satsuma. The Brave Fight of Female Insurgents, 1877 (woodblock print on paper), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

View of the Naval forces landing at Sukuchi village from the series A Complete Record of the Punitive Campaign Against Kagoshima, 1877 (woodblock print on paper)
View of the Naval forces landing at Sukuchi village from the series A Complete Record of the Punitive Campaign Against Kagoshima, 1877 (woodblock print on paper)

MAI6398460: View of the Naval forces landing at Sukuchi village from the series A Complete Record of the Punitive Campaign Against Kagoshima, 1877 (woodblock print on paper), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: Minamoto Yorimitsu Ason and the spider, from the series 'One Hundred Ghost Stories from China and Japan' (Wakan hyaku monogatari). Tsukioka Yoshitoshi (1839-1892), 1865
Japan: Minamoto Yorimitsu Ason and the spider, from the series 'One Hundred Ghost Stories from China and Japan' (Wakan hyaku monogatari). Tsukioka Yoshitoshi (1839-1892), 1865

PFH2562547: Japan: Minamoto Yorimitsu Ason and the spider, from the series 'One Hundred Ghost Stories from China and Japan' (Wakan hyaku monogatari). Tsukioka Yoshitoshi (1839-1892), 1865, Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: 'Sadanobu and the Demon', from 'New Forms of Thirty-Six Ghosts', Tsukioka Yoshitoshi (1839-1892), 1889
Japan: 'Sadanobu and the Demon', from 'New Forms of Thirty-Six Ghosts', Tsukioka Yoshitoshi (1839-1892), 1889

PFH2562485: Japan: 'Sadanobu and the Demon', from 'New Forms of Thirty-Six Ghosts', Tsukioka Yoshitoshi (1839-1892), 1889, Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: Samurai slaying a monster, 1890
Japan: Samurai slaying a monster, 1890

PFH2635034: Japan: Samurai slaying a monster, 1890, Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Moon and Smoke, from '100 aspects of the Moon' 1886 (coloured woodblock print)
Moon and Smoke, from '100 aspects of the Moon' 1886 (coloured woodblock print)

FIT282852: Moon and Smoke, from '100 aspects of the Moon' 1886 (coloured woodblock print), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Evening Glow at Saijozan' from Eight Views from Fine Tales of Warriors (Bidan musha hakkei) Meiji era, 1868 (colour woodblock print)
Evening Glow at Saijozan' from Eight Views from Fine Tales of Warriors (Bidan musha hakkei) Meiji era, 1868 (colour woodblock print)

FSG348862: Evening Glow at Saijozan' from Eight Views from Fine Tales of Warriors (Bidan musha hakkei) Meiji era, 1868 (colour woodblock print), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Evening Glow at Saijozan' from Eight Views from Fine Tales of Warriors (Bidan musha hakkei) Meiji era, 1868 (colour woodblock print)
Evening Glow at Saijozan' from Eight Views from Fine Tales of Warriors (Bidan musha hakkei) Meiji era, 1868 (colour woodblock print)

FSG348863: Evening Glow at Saijozan' from Eight Views from Fine Tales of Warriors (Bidan musha hakkei) Meiji era, 1868 (colour woodblock print), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: The 'Last Samurai' Saigo Takamori (1828-1877) walking a dog. Tsukioka Yoshitishi (1839-1892)
Japan: The 'Last Samurai' Saigo Takamori (1828-1877) walking a dog. Tsukioka Yoshitishi (1839-1892)

PFH1188808: Japan: The 'Last Samurai' Saigo Takamori (1828-1877) walking a dog. Tsukioka Yoshitishi (1839-1892), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: Minamoto no Ushiwakamaru battling with Kumasaka Chohan. From 'Courageous Warriors (musha burui)' (1883-1886). Tsukioka Yoshitoshi (1839-1892)
Japan: Minamoto no Ushiwakamaru battling with Kumasaka Chohan. From 'Courageous Warriors (musha burui)' (1883-1886). Tsukioka Yoshitoshi (1839-1892)

PFH1188894: Japan: Minamoto no Ushiwakamaru battling with Kumasaka Chohan. From 'Courageous Warriors (musha burui)' (1883-1886). Tsukioka Yoshitoshi (1839-1892), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: 'Young cherry trees at Suma temple'. Left panel of a triptych by Tsukioka Yoshitoshi (1839-1892) depicting Yoshitsune, Benkei and their samurai warriors at Suma Temple, Harima Province, 1864
Japan: 'Young cherry trees at Suma temple'. Left panel of a triptych by Tsukioka Yoshitoshi (1839-1892) depicting Yoshitsune, Benkei and their samurai warriors at Suma Temple, Harima Province, 1864

PFH1189099: Japan: 'Young cherry trees at Suma temple'. Left panel of a triptych by Tsukioka Yoshitoshi (1839-1892) depicting Yoshitsune, Benkei and their samurai warriors at Suma Temple, Harima Province, 1864, Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: Iwami Shigetaro saving a beauty from baboons, central panel of tryptych. Tsukiokoa Yoshitoshi (1839-1892), 1886
Japan: Iwami Shigetaro saving a beauty from baboons, central panel of tryptych. Tsukiokoa Yoshitoshi (1839-1892), 1886

PFH1186448: Japan: Iwami Shigetaro saving a beauty from baboons, central panel of tryptych. Tsukiokoa Yoshitoshi (1839-1892), 1886, Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: Negoro Hamitcha from 'One Hundred Warriors' (1868). (Tsukioka Yoshitoshi, 1839-1892).
Japan: Negoro Hamitcha from 'One Hundred Warriors' (1868). (Tsukioka Yoshitoshi, 1839-1892).

PFH1171110: Japan: Negoro Hamitcha from 'One Hundred Warriors' (1868). (Tsukioka Yoshitoshi, 1839-1892)., Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: The ghost of Saigo Takamori (1827-1877) holding a petition. Tsukioka Yoshitoshi (1839-1892)
Japan: The ghost of Saigo Takamori (1827-1877) holding a petition. Tsukioka Yoshitoshi (1839-1892)

PFH1171120: Japan: The ghost of Saigo Takamori (1827-1877) holding a petition. Tsukioka Yoshitoshi (1839-1892), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: Murai Choan kills his brother at Fudanotsuji. Tsukioka Yoshitoshi (1839-1892)
Japan: Murai Choan kills his brother at Fudanotsuji. Tsukioka Yoshitoshi (1839-1892)

PFH1171127: Japan: Murai Choan kills his brother at Fudanotsuji. Tsukioka Yoshitoshi (1839-1892), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: Sakuma Dennai with bamboo shield. From 'One Hundred Warriors', 1868. (Tsukioka Yoshitoshi, 1839-1892).
Japan: Sakuma Dennai with bamboo shield. From 'One Hundred Warriors', 1868. (Tsukioka Yoshitoshi, 1839-1892).

PFH1171141: Japan: Sakuma Dennai with bamboo shield. From 'One Hundred Warriors', 1868. (Tsukioka Yoshitoshi, 1839-1892)., Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Japan: A waitress, from 'Thirty Two Aspects of Women', Tsukioka Yoshitoshi, 1888. The waitress is carrying a tray of rice, sashimi and beans
Japan: A waitress, from 'Thirty Two Aspects of Women', Tsukioka Yoshitoshi, 1888. The waitress is carrying a tray of rice, sashimi and beans

PFH1174276: Japan: A waitress, from 'Thirty Two Aspects of Women', Tsukioka Yoshitoshi, 1888. The waitress is carrying a tray of rice, sashimi and beans, Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Oya Taro Mitsukuni, Taiso 1865., 1 Print : Woodcut, Color ; 36.5 X 24.2 ., Print Shows Oya Taro Mitsukuni Watching a Battle Scene Between Armies of Skeletons.
Oya Taro Mitsukuni, Taiso 1865., 1 Print : Woodcut, Color ; 36.5 X 24.2 ., Print Shows Oya Taro Mitsukuni Watching a Battle Scene Between Armies of Skeletons.

LZT1112610: Oya Taro Mitsukuni, Taiso 1865., 1 Print : Woodcut, Color ; 36.5 X 24.2 ., Print Shows Oya Taro Mitsukuni Watching a Battle Scene Between Armies of Skeletons., Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Yodo Gawakré: the ghost of the river guessing on the buttocks (Kappa) by Tsukioka Yonejiro, 1869.
Yodo Gawakré: the ghost of the river guessing on the buttocks (Kappa) by Tsukioka Yonejiro, 1869.

LSE4090162: Yodo Gawakré: the ghost of the river guessing on the buttocks (Kappa) by Tsukioka Yonejiro, 1869., Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

The Courtesan Kobai of the Yawataro House, 1879 (colour woodcut)
The Courtesan Kobai of the Yawataro House, 1879 (colour woodcut)

FIA5404375: The Courtesan Kobai of the Yawataro House, 1879 (colour woodcut), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Drawing Of Soldiers Battering A Gate (ink on paper)
Drawing Of Soldiers Battering A Gate (ink on paper)

IMA1557333: Drawing Of Soldiers Battering A Gate (ink on paper), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Kon Sosho facing a dragon on a rocky promontory over the sea, 1865 (woodblock print)
Kon Sosho facing a dragon on a rocky promontory over the sea, 1865 (woodblock print)

MAM714379: Kon Sosho facing a dragon on a rocky promontory over the sea, 1865 (woodblock print), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images


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