Ademollo, Luigi (1764-1849) Assets (90 in total)

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Jove in love with Io or Giove e Io, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Jove in love with Io or Giove e Io, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415815: Jove in love with Io or Giove e Io, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Inachus bereaved or La Famiglia di Inaco, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Inachus bereaved or La Famiglia di Inaco, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415816: Inachus bereaved or La Famiglia di Inaco, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Digruntled Apollo refuses to drive or Gli Dei Pregano Apollo Perche ritorni a guidare il carro del sole, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Digruntled Apollo refuses to drive or Gli Dei Pregano Apollo Perche ritorni a guidare il carro del sole, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415822: Digruntled Apollo refuses to drive or Gli Dei Pregano Apollo Perche ritorni a guidare il carro del sole, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Cadmus Sets Out or Partenza de Cadmo in Traccia di Europa, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Cadmus Sets Out or Partenza de Cadmo in Traccia di Europa, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415834: Cadmus Sets Out or Partenza de Cadmo in Traccia di Europa, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Soldiers spring from the Serpent's teeth or Cadmo getta I denti del serpente e nascono Guerrieri, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Soldiers spring from the Serpent's teeth or Cadmo getta I denti del serpente e nascono Guerrieri, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415836: Soldiers spring from the Serpent's teeth or Cadmo getta I denti del serpente e nascono Guerrieri, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Bacchus' Rites or Triumph or Trionfo di Bacco, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Bacchus' Rites or Triumph or Trionfo di Bacco, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415843: Bacchus' Rites or Triumph or Trionfo di Bacco, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415873: Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Jason puts the Dragon to sleep or Gianone Conquista il Vello d'Oro, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Jason puts the Dragon to sleep or Gianone Conquista il Vello d'Oro, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415878: Jason puts the Dragon to sleep or Gianone Conquista il Vello d'Oro, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Hercules and Cerberus or Cerbero Incatenato da Ercole, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Hercules and Cerberus or Cerbero Incatenato da Ercole, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415880: Hercules and Cerberus or Cerbero Incatenato da Ercole, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415888: Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Thetis comforting Achilles, by Luigi Ademollo, 1750 - 1799, 18th Century, oil on canvas
Thetis comforting Achilles, by Luigi Ademollo, 1750 - 1799, 18th Century, oil on canvas

MEB943393: Thetis comforting Achilles, by Luigi Ademollo, 1750 - 1799, 18th Century, oil on canvas, Ademollo, Luigi (1764-1849) / Bridgeman Images

The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415819: The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Ocyrrhoe into a Mare or Esculapio intende da Ocira il Suo Fato, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ocyrrhoe into a Mare or Esculapio intende da Ocira il Suo Fato, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415828: Ocyrrhoe into a Mare or Esculapio intende da Ocira il Suo Fato, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Europa or Europa Rapita da Giove, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Europa or Europa Rapita da Giove, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415833: Europa or Europa Rapita da Giove, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Actaeon into a Stag or Ateone Cangiato in Cervo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Actaeon into a Stag or Ateone Cangiato in Cervo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415837: Actaeon into a Stag or Ateone Cangiato in Cervo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Semele is Thunderstruck or Nascita de Bacco, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Semele is Thunderstruck or Nascita de Bacco, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415839: Semele is Thunderstruck or Nascita de Bacco, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving) , Ademollo, Luigi (1764-1849) / Bridgeman Images

Phineus and Friends into Stone or Fineo ei suoi Compagni Transformati in Marmo, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Phineus and Friends into Stone or Fineo ei suoi Compagni Transformati in Marmo, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415854: Phineus and Friends into Stone or Fineo ei suoi Compagni Transformati in Marmo, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Lycian Rustics into Frogs or Latona transforma I Villani in Rane, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Lycian Rustics into Frogs or Latona transforma I Villani in Rane, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415861: Lycian Rustics into Frogs or Latona transforma I Villani in Rane, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Hercules saves Hesione or Ercole che Libera Enione, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Hercules saves Hesione or Ercole che Libera Enione, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415874: Hercules saves Hesione or Ercole che Libera Enione, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Paris Kills Achilles or Paride diretto da Apollo Ferince Achille, Book XIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Paris Kills Achilles or Paride diretto da Apollo Ferince Achille, Book XIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415877: Paris Kills Achilles or Paride diretto da Apollo Ferince Achille, Book XIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Theseus Recognised or Teseo Riconosciuto da Suo Padre Egeo, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Theseus Recognised or Teseo Riconosciuto da Suo Padre Egeo, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415881: Theseus Recognised or Teseo Riconosciuto da Suo Padre Egeo, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Bacchus and Ariadne or Bacco e Arianna, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Bacchus and Ariadne or Bacco e Arianna, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415884: Bacchus and Ariadne or Bacco e Arianna, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Nessus and Deianira or Nesso Centauro tenta rapir Deianira, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Nessus and Deianira or Nesso Centauro tenta rapir Deianira, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415889: Nessus and Deianira or Nesso Centauro tenta rapir Deianira, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Narcissus into a flower or Narciso al Fonte, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Narcissus into a flower or Narciso al Fonte, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415892: Narcissus into a flower or Narciso al Fonte, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Neptune Calming the Waves or Nettuno Comanda alle Acque di Ritirarsi, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Neptune Calming the Waves or Nettuno Comanda alle Acque di Ritirarsi, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415810: Neptune Calming the Waves or Nettuno Comanda alle Acque di Ritirarsi, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Heliades into Trees that yield Amber or Le Sorrelle die Fetonte Cangiate in Pioppi, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Heliades into Trees that yield Amber or Le Sorrelle die Fetonte Cangiate in Pioppi, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415823: Heliades into Trees that yield Amber or Le Sorrelle die Fetonte Cangiate in Pioppi, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Apollo's Disguise or Apollo sotte le Sembianze di Eukinome Inganna Leucotto, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Apollo's Disguise or Apollo sotte le Sembianze di Eukinome Inganna Leucotto, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415847: Apollo's Disguise or Apollo sotte le Sembianze di Eukinome Inganna Leucotto, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Atlas into a Mountain or Atlante Cangiato in Monte, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Atlas into a Mountain or Atlante Cangiato in Monte, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415852: Atlas into a Mountain or Atlante Cangiato in Monte, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

The Muses or Le Muse, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Muses or Le Muse, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415855: The Muses or Le Muse, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Cyane and the Rape of Proserpina or Ciane Transformata in Fonte, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Cyane and the Rape of Proserpina or Ciane Transformata in Fonte, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415856: Cyane and the Rape of Proserpina or Ciane Transformata in Fonte, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415858: Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Orithyia is Raped by Boreas or Borea e Orizia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Orithyia is Raped by Boreas or Borea e Orizia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415864: Orithyia is Raped by Boreas or Borea e Orizia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Death of Adonis or Morte di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Death of Adonis or Morte di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415872: Death of Adonis or Morte di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

The Bronze Age or Eta del Bronzo, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Bronze Age or Eta del Bronzo, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415803: The Bronze Age or Eta del Bronzo, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

War of the Giants against Jove or I Giganti Fulminati da Giove, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
War of the Giants against Jove or I Giganti Fulminati da Giove, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415805: War of the Giants against Jove or I Giganti Fulminati da Giove, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

The Flood or Diluvio, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Flood or Diluvio, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415808: The Flood or Diluvio, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images


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