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Smirke, Robert (1752-1845) Assets (36 in total)

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'The Merry Wives of Windsor', Act V, Scene 5, Falstaff Disguised as Herne with Mrs Ford and Mrs Page (oil on canvas)
'The Merry Wives of Windsor', Act V, Scene 5, Falstaff Disguised as Herne with Mrs Ford and Mrs Page (oil on canvas)

RSC937090: 'The Merry Wives of Windsor', Act V, Scene 5, Falstaff Disguised as Herne with Mrs Ford and Mrs Page (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: RSC937090

'The Merry Wives of Windsor', Act V, Scene 5, Falstaff Disguised as Herne with Mrs Ford and Mrs Page (oil on canvas)

Smirke, Robert (1752-1845)

The Cession of the District of Matavai in the Island of Otaheite to Captain James Wilson for the use of the Missionaries Sent Thither by that Society in the Ship Duff (oil on canvas)
The Cession of the District of Matavai in the Island of Otaheite to Captain James Wilson for the use of the Missionaries Sent Thither by that Society in the Ship Duff (oil on canvas)

PHD42497: The Cession of the District of Matavai in the Island of Otaheite to Captain James Wilson for the use of the Missionaries Sent Thither by that Society in the Ship Duff (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: PHD42497

The Cession of the District of Matavai in the Island of Otaheite to Captain James Wilson for the use of the Missionaries Sent Thither by that Society in the Ship Duff (oil on canvas)

Smirke, Robert (1752-1845)

'Measure for Measure', Act II, Scene 1, the Examination of Froth and Clown by Escalus and Justice (oil on canvas)
'Measure for Measure', Act II, Scene 1, the Examination of Froth and Clown by Escalus and Justice (oil on canvas)

RSC937088: 'Measure for Measure', Act II, Scene 1, the Examination of Froth and Clown by Escalus and Justice (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: RSC937088

'Measure for Measure', Act II, Scene 1, the Examination of Froth and Clown by Escalus and Justice (oil on canvas)

Smirke, Robert (1752-1845)

'Henry IV', Part I, Act II, Scene 1, the Inn Yard with Gadshill and the Carriers
'Henry IV', Part I, Act II, Scene 1, the Inn Yard with Gadshill and the Carriers

RSC937086: 'Henry IV', Part I, Act II, Scene 1, the Inn Yard with Gadshill and the Carriers, Smirke, Robert (1752-1845) / Bridgeman Images

ID: RSC937086

'Henry IV', Part I, Act II, Scene 1, the Inn Yard with Gadshill and the Carriers

Smirke, Robert (1752-1845)

'Much Ado About Nothing', Act IV, Scene 2, the Examination of Conrade and Borachio
'Much Ado About Nothing', Act IV, Scene 2, the Examination of Conrade and Borachio

RSC937087: 'Much Ado About Nothing', Act IV, Scene 2, the Examination of Conrade and Borachio, Smirke, Robert (1752-1845) / Bridgeman Images

ID: RSC937087

'Much Ado About Nothing', Act IV, Scene 2, the Examination of Conrade and Borachio

Smirke, Robert (1752-1845)

Lady Mary Isabella Somerset, 1799 (oil on canvas)
Lady Mary Isabella Somerset, 1799 (oil on canvas)

BEL465990: Lady Mary Isabella Somerset, 1799 (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: BEL465990

Lady Mary Isabella Somerset, 1799 (oil on canvas)

Smirke, Robert (1752-1845)

Shah Fath Ali, shah of Persia (1797-1835) Receiving Sir Harford Jones in Audience
Shah Fath Ali, shah of Persia (1797-1835) Receiving Sir Harford Jones in Audience

SR52971: Shah Fath Ali, shah of Persia (1797-1835) Receiving Sir Harford Jones in Audience, Smirke, Robert (1752-1845) / Bridgeman Images

ID: SR52971

Shah Fath Ali, shah of Persia (1797-1835) Receiving Sir Harford Jones in Audience

Smirke, Robert (1752-1845)

View of the exterior, designed by Robert Smirke in 1811 (photo)
View of the exterior, designed by Robert Smirke in 1811 (photo)

BAL13449: View of the exterior, designed by Robert Smirke in 1811 (photo), Smirke, Robert (1752-1845) / Bridgeman Images

ID: BAL13449

View of the exterior, designed by Robert Smirke in 1811 (photo)

Smirke, Robert (1752-1845)

Canute reproving his courtiers, engraved by G. Noble, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)
Canute reproving his courtiers, engraved by G. Noble, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)

STC429645: Canute reproving his courtiers, engraved by G. Noble, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving), Smirke, Robert (1752-1845) / Bridgeman Images

ID: STC429645

Canute reproving his courtiers, engraved by G. Noble, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)

Smirke, Robert (1752-1845)

Promotion for a performance of Handel's Messiah, Westminster Abbey, London, 29 May 1784 (engraving)
Promotion for a performance of Handel's Messiah, Westminster Abbey, London, 29 May 1784 (engraving)

LLJ603182: Promotion for a performance of Handel's Messiah, Westminster Abbey, London, 29 May 1784 (engraving), Smirke, Robert (1752-1845) / Bridgeman Images

ID: LLJ603182

Promotion for a performance of Handel's Messiah, Westminster Abbey, London, 29 May 1784 (engraving)

Smirke, Robert (1752-1845)

The martyrdom of Archbishop Cranmer (engraving)
The martyrdom of Archbishop Cranmer (engraving)

LLJ609998: The martyrdom of Archbishop Cranmer (engraving), Smirke, Robert (1752-1845) / Bridgeman Images

ID: LLJ609998

The martyrdom of Archbishop Cranmer (engraving)

Smirke, Robert (1752-1845)

'The Merry Wives of Windsor', Act IV, Scene 1, Mistress Page, Mistress Quickly, Sir Hugh Evans and William (oil on canvas)
'The Merry Wives of Windsor', Act IV, Scene 1, Mistress Page, Mistress Quickly, Sir Hugh Evans and William (oil on canvas)

RSC937092: 'The Merry Wives of Windsor', Act IV, Scene 1, Mistress Page, Mistress Quickly, Sir Hugh Evans and William (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: RSC937092

'The Merry Wives of Windsor', Act IV, Scene 1, Mistress Page, Mistress Quickly, Sir Hugh Evans and William (oil on canvas)

Smirke, Robert (1752-1845)

The Scandal (The Keepsake) (oil on wood)
The Scandal (The Keepsake) (oil on wood)

CMN3743913: The Scandal (The Keepsake) (oil on wood), Smirke, Robert (1752-1845) / Bridgeman Images

ID: CMN3743913

The Scandal (The Keepsake) (oil on wood)

Smirke, Robert (1752-1845)

The Rivals, illustration from `Tom Jones', c.1827 (oil on panel)
The Rivals, illustration from `Tom Jones', c.1827 (oil on panel)

GHA15876: The Rivals, illustration from `Tom Jones', c.1827 (oil on panel), Smirke, Robert (1752-1845) / Bridgeman Images

ID: GHA15876

The Rivals, illustration from `Tom Jones', c.1827 (oil on panel)

Smirke, Robert (1752-1845)

The Scandal
The Scandal

SPI52419: The Scandal, Smirke, Robert (1752-1845) / Bridgeman Images

ID: SPI52419

The Scandal

Smirke, Robert (1752-1845)

Two male figures standing, illustration from an Eastern Romance, possibly 'The Arabian Nights' (oil on paper on board)
Two male figures standing, illustration from an Eastern Romance, possibly 'The Arabian Nights' (oil on paper on board)

XYC289243: Two male figures standing, illustration from an Eastern Romance, possibly 'The Arabian Nights' (oil on paper on board), Smirke, Robert (1752-1845) / Bridgeman Images

ID: XYC289243

Two male figures standing, illustration from an Eastern Romance, possibly 'The Arabian Nights' (oil on paper on board)

Smirke, Robert (1752-1845)

Children Playing (ink on paper)
Children Playing (ink on paper)

AGN358256: Children Playing (ink on paper), Smirke, Robert (1752-1845) / Bridgeman Images

ID: AGN358256

Children Playing (ink on paper)

Smirke, Robert (1752-1845)

Don Raphael and his Companions Surprised by Corsairs (oil on paper laid to panel)
Don Raphael and his Companions Surprised by Corsairs (oil on paper laid to panel)

LYT6952274: Don Raphael and his Companions Surprised by Corsairs (oil on paper laid to panel), Smirke, Robert (1752-1845) / Bridgeman Images

ID: LYT6952274

Don Raphael and his Companions Surprised by Corsairs (oil on paper laid to panel)

Smirke, Robert (1752-1845)

Silhouette of the dome of St Paul's (engraving)
Silhouette of the dome of St Paul's (engraving)

LLJ587363: Silhouette of the dome of St Paul's (engraving), Smirke, Robert (1752-1845) / Bridgeman Images

ID: LLJ587363

Silhouette of the dome of St Paul's (engraving)

Smirke, Robert (1752-1845)

'The Merry Wives of Windsor', Act I, Scene 1, Anne Page Inviting Master Slender to Dinner
'The Merry Wives of Windsor', Act I, Scene 1, Anne Page Inviting Master Slender to Dinner

RSC937091: 'The Merry Wives of Windsor', Act I, Scene 1, Anne Page Inviting Master Slender to Dinner, Smirke, Robert (1752-1845) / Bridgeman Images

ID: RSC937091

'The Merry Wives of Windsor', Act I, Scene 1, Anne Page Inviting Master Slender to Dinner

Smirke, Robert (1752-1845)

View of the Staircase Hall, 1812-15 (photo)
View of the Staircase Hall, 1812-15 (photo)

BAL13446: View of the Staircase Hall, 1812-15 (photo), Smirke, Robert (1752-1845) / Bridgeman Images

ID: BAL13446

View of the Staircase Hall, 1812-15 (photo)

Smirke, Robert (1752-1845)

Proposed design for the garden front of Grosvenor House, 1827 (pen & ink and w/c on paper) (see also 234335)
Proposed design for the garden front of Grosvenor House, 1827 (pen & ink and w/c on paper) (see also 234335)

WST234343: Proposed design for the garden front of Grosvenor House, 1827 (pen & ink and w/c on paper) (see also 234335), Smirke, Robert (1752-1845) / Bridgeman Images

ID: WST234343

Proposed design for the garden front of Grosvenor House, 1827 (pen & ink and w/c on paper) (see also 234335)

Smirke, Robert (1752-1845)

Scipio and the Hermit (oil on wood)
Scipio and the Hermit (oil on wood)

CMN3743915: Scipio and the Hermit (oil on wood), Smirke, Robert (1752-1845) / Bridgeman Images

ID: CMN3743915

Scipio and the Hermit (oil on wood)

Smirke, Robert (1752-1845)

The Seven Ages of Man: Second Childishness, Act II, scene vii from 'As You Like It' by William Shakespeare (pen & ink and oil on paper)
The Seven Ages of Man: Second Childishness, Act II, scene vii from 'As You Like It' by William Shakespeare (pen & ink and oil on paper)

XYC118500: The Seven Ages of Man: Second Childishness, Act II, scene vii from 'As You Like It' by William Shakespeare (pen & ink and oil on paper), Smirke, Robert (1752-1845) / Bridgeman Images

ID: XYC118500

The Seven Ages of Man: Second Childishness, Act II, scene vii from 'As You Like It' by William Shakespeare (pen & ink and oil on paper)

Smirke, Robert (1752-1845)

'The Merry Wives of Windsor', Act I, Scene 1, Anne Page (oil on canvas)
'The Merry Wives of Windsor', Act I, Scene 1, Anne Page (oil on canvas)

RSC937093: 'The Merry Wives of Windsor', Act I, Scene 1, Anne Page (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: RSC937093

'The Merry Wives of Windsor', Act I, Scene 1, Anne Page (oil on canvas)

Smirke, Robert (1752-1845)

The Wreck of the 'Grosvenor', 1783 (oil on canvas)
The Wreck of the 'Grosvenor', 1783 (oil on canvas)

BYD3870574: The Wreck of the 'Grosvenor', 1783 (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: BYD3870574

The Wreck of the 'Grosvenor', 1783 (oil on canvas)

Smirke, Robert (1752-1845)

Proposed design for the principal facade of Grosvenor House, 1827 (pen & ink and w/c on paper) (see also 234343)
Proposed design for the principal facade of Grosvenor House, 1827 (pen & ink and w/c on paper) (see also 234343)

WST234335: Proposed design for the principal facade of Grosvenor House, 1827 (pen & ink and w/c on paper) (see also 234343), Smirke, Robert (1752-1845) / Bridgeman Images

ID: WST234335

Proposed design for the principal facade of Grosvenor House, 1827 (pen & ink and w/c on paper) (see also 234343)

Smirke, Robert (1752-1845)

The Seven Ages of Man: The Infant (from Act II, Scene vii of 'As You Like it' by William Shakespeare) c.1798-1801 (pen & ink and oil on panel)
The Seven Ages of Man: The Infant (from Act II, Scene vii of 'As You Like it' by William Shakespeare) c.1798-1801 (pen & ink and oil on panel)

XYC111999: The Seven Ages of Man: The Infant (from Act II, Scene vii of 'As You Like it' by William Shakespeare) c.1798-1801 (pen & ink and oil on panel), Smirke, Robert (1752-1845) / Bridgeman Images

ID: XYC111999

The Seven Ages of Man: The Infant (from Act II, Scene vii of 'As You Like it' by William Shakespeare) c.1798-1801 (pen & ink and oil on panel)

Smirke, Robert (1752-1845)

Temple, from 'A Collection of drawings from a Sketchbook: in Four Cloth Boxes, spine lettered Continental Drawings', 1802-04 (w/c & graphite on paper)
Temple, from 'A Collection of drawings from a Sketchbook: in Four Cloth Boxes, spine lettered Continental Drawings', 1802-04 (w/c & graphite on paper)

XYC289250: Temple, from 'A Collection of drawings from a Sketchbook: in Four Cloth Boxes, spine lettered Continental Drawings', 1802-04 (w/c & graphite on paper), Smirke, Robert (1752-1845) / Bridgeman Images

ID: XYC289250

Temple, from 'A Collection of drawings from a Sketchbook: in Four Cloth Boxes, spine lettered Continental Drawings', 1802-04 (w/c & graphite on paper)

Smirke, Robert (1752-1845)

Invitation to a ball at Ranelagh Gardens, Millbank, London, 1 June 1803 (engraving)
Invitation to a ball at Ranelagh Gardens, Millbank, London, 1 June 1803 (engraving)

LLJ586304: Invitation to a ball at Ranelagh Gardens, Millbank, London, 1 June 1803 (engraving), Smirke, Robert (1752-1845) / Bridgeman Images

ID: LLJ586304

Invitation to a ball at Ranelagh Gardens, Millbank, London, 1 June 1803 (engraving)

Smirke, Robert (1752-1845)

'Henry IV', Part I, Act V, Scene 4, Falstaff and the Dead Body of Hotspur (oil on canvas)
'Henry IV', Part I, Act V, Scene 4, Falstaff and the Dead Body of Hotspur (oil on canvas)

RSC937089: 'Henry IV', Part I, Act V, Scene 4, Falstaff and the Dead Body of Hotspur (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: RSC937089

'Henry IV', Part I, Act V, Scene 4, Falstaff and the Dead Body of Hotspur (oil on canvas)

Smirke, Robert (1752-1845)

A Scene from 'Taste' (oil on canvas)
A Scene from 'Taste' (oil on canvas)

USB132163: A Scene from 'Taste' (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: USB132163

A Scene from 'Taste' (oil on canvas)

Smirke, Robert (1752-1845)

Illustration to Lesage's 'Gil Blas' (oil on wood)
Illustration to Lesage's 'Gil Blas' (oil on wood)

CMN3743914: Illustration to Lesage's 'Gil Blas' (oil on wood), Smirke, Robert (1752-1845) / Bridgeman Images

ID: CMN3743914

Illustration to Lesage's 'Gil Blas' (oil on wood)

Smirke, Robert (1752-1845)

'The Merchant of Venice', Act IV, Scene 1, the Trial Scene (oil on canvas)
'The Merchant of Venice', Act IV, Scene 1, the Trial Scene (oil on canvas)

RSC937085: 'The Merchant of Venice', Act IV, Scene 1, the Trial Scene (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: RSC937085

'The Merchant of Venice', Act IV, Scene 1, the Trial Scene (oil on canvas)

Smirke, Robert (1752-1845)

The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis (1738-1805), c.1792 (oil on canvas)
The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis (1738-1805), c.1792 (oil on canvas)

XYC174457: The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis (1738-1805), c.1792 (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images

ID: XYC174457

The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis (1738-1805), c.1792 (oil on canvas)

Smirke, Robert (1752-1845)

Kneeling female figure with a cup, illustration for an Eastern Romance, possibly 'The Arabian Nights' (oil on paper on board)
Kneeling female figure with a cup, illustration for an Eastern Romance, possibly 'The Arabian Nights' (oil on paper on board)

XYC289242: Kneeling female figure with a cup, illustration for an Eastern Romance, possibly 'The Arabian Nights' (oil on paper on board), Smirke, Robert (1752-1845) / Bridgeman Images

ID: XYC289242

Kneeling female figure with a cup, illustration for an Eastern Romance, possibly 'The Arabian Nights' (oil on paper on board)

Smirke, Robert (1752-1845)

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