Daumier, Honore (1808-79) Assets (1569 in total)

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Series 'Tout ce qu'on voudra', Two in the morning, exit of the Historic Theatre, plate 10, 1847 (litho) (b/w photo)
Series 'Tout ce qu'on voudra', Two in the morning, exit of the Historic Theatre, plate 10, 1847 (litho) (b/w photo)

XIR287280: Series 'Tout ce qu'on voudra', Two in the morning, exit of the Historic Theatre, plate 10, 1847 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

Series 'Galerie physionomique', Une lecture entrainante, An absorbing subject, plate 3, illustration from 'Le Charivari', 25th November 1836 (litho) (b/w photo)
Series 'Galerie physionomique', Une lecture entrainante, An absorbing subject, plate 3, illustration from 'Le Charivari', 25th November 1836 (litho) (b/w photo)

XIR287282: Series 'Galerie physionomique', Une lecture entrainante, An absorbing subject, plate 3, illustration from 'Le Charivari', 25th November 1836 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

Series 'Les Bons Bourgeois', Come along, I am telling you the scarf you have at home is much more beautiful, plate 70, illustration from the 'Album Les Bons Bourgeois', 1847 (litho) (b/w photo)
Series 'Les Bons Bourgeois', Come along, I am telling you the scarf you have at home is much more beautiful, plate 70, illustration from the 'Album Les Bons Bourgeois', 1847 (litho) (b/w photo)

XIR287505: Series 'Les Bons Bourgeois', Come along, I am telling you the scarf you have at home is much more beautiful, plate 70, illustration from the 'Album Les Bons Bourgeois', 1847 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

'Well, Sir, what about my three terms?', plate 31 from the series 'Tenants and owners', 1848 (litho) (b/w photo)
'Well, Sir, what about my three terms?', plate 31 from the series 'Tenants and owners', 1848 (litho) (b/w photo)

XIR287005: 'Well, Sir, what about my three terms?', plate 31 from the series 'Tenants and owners', 1848 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

The Print Collectors, c.1870-73 (oil on canvas)
The Print Collectors, c.1870-73 (oil on canvas)

LAF470829: The Print Collectors, c.1870-73 (oil on canvas), Daumier, Honore (1808-79) / Bridgeman Images

At the Louvre, a Sunday Amateur, from 'Petit Journal pour Rire', 1865 (litho)
At the Louvre, a Sunday Amateur, from 'Petit Journal pour Rire', 1865 (litho)

REV884390: At the Louvre, a Sunday Amateur, from 'Petit Journal pour Rire', 1865 (litho), Daumier, Honore (1808-79) / Bridgeman Images

La Salle des Pas-perdus au Palais de Justice,  (oil on panel)
La Salle des Pas-perdus au Palais de Justice,  (oil on panel)

CH1197508: La Salle des Pas-perdus au Palais de Justice, (oil on panel), Daumier, Honore (1808-79) / Bridgeman Images

The Phrenologist, c.1850 (engraving)
The Phrenologist, c.1850 (engraving)

CCI1873420: The Phrenologist, c.1850 (engraving), Daumier, Honore (1808-79) / Bridgeman Images

Monsieur Prudhomme dedicating his son to the cult of the new God of Parisians: taken from “” News”, a series of cartoons on the cult of silver by Honore Daumier (1808-1879). Charivari, 1857.
Monsieur Prudhomme dedicating his son to the cult of the new God of Parisians: taken from “” News”, a series of cartoons on the cult of silver by Honore Daumier (1808-1879). Charivari, 1857.

LSE4403320: Monsieur Prudhomme dedicating his son to the cult of the new God of Parisians: taken from “” News”, a series of cartoons on the cult of silver by Honore Daumier (1808-1879). Charivari, 1857., Daumier, Honore (1808-79) / Bridgeman Images

Here is the public ministry who tells you very unagreeable things... so try to cry at least with one eye... it always feels good!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1846.
Here is the public ministry who tells you very unagreeable things... so try to cry at least with one eye... it always feels good!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1846.

LSE4403406: Here is the public ministry who tells you very unagreeable things... so try to cry at least with one eye... it always feels good!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1846., Daumier, Honore (1808-79) / Bridgeman Images

(President) You had a livelihood, what did you do with it? (The defendant) I exist with...,, series of cartoons on Parisian emotions by Honore Daumier (1808-1879). “Charivari”, 1842.
(President) You had a livelihood, what did you do with it? (The defendant) I exist with...,, series of cartoons on Parisian emotions by Honore Daumier (1808-1879). “Charivari”, 1842.

LSE4403426: (President) You had a livelihood, what did you do with it? (The defendant) I exist with...,, series of cartoons on Parisian emotions by Honore Daumier (1808-1879). “Charivari”, 1842., Daumier, Honore (1808-79) / Bridgeman Images

In front of Meissonnier's paintings, taken from “” Paintings and Salons”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1857.
In front of Meissonnier's paintings, taken from “” Paintings and Salons”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1857.

LSE4403471: In front of Meissonnier's paintings, taken from “” Paintings and Salons”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1857., Daumier, Honore (1808-79) / Bridgeman Images

Universal exhibition: a turntable, designed to roast chickens with the strength of twenty nine horses. Illustration by Honore Daumier (1808-1879), published in the news, “” Charivari””, dated 20 July 1855.
Universal exhibition: a turntable, designed to roast chickens with the strength of twenty nine horses. Illustration by Honore Daumier (1808-1879), published in the news, “” Charivari””, dated 20 July 1855.

LSE4403551: Universal exhibition: a turntable, designed to roast chickens with the strength of twenty nine horses. Illustration by Honore Daumier (1808-1879), published in the news, “” Charivari””, dated 20 July 1855., Daumier, Honore (1808-79) / Bridgeman Images

Drama sketch: “” He was your lover Madame...”” Engraving by Honore Daumier (1808-1879) in “” Le Charivari””. Palais Longchamp, Musee des Beaux Arts de Marseille.
Drama sketch: “” He was your lover Madame...”” Engraving by Honore Daumier (1808-1879) in “” Le Charivari””. Palais Longchamp, Musee des Beaux Arts de Marseille.

JEB4854006: Drama sketch: “” He was your lover Madame...”” Engraving by Honore Daumier (1808-1879) in “” Le Charivari””. Palais Longchamp, Musee des Beaux Arts de Marseille., Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Le Conseil de revision, 1842, lithograph
Honore Daumier (French, 1808-1879), Le Conseil de revision, 1842, lithograph

LZT5492788: Honore Daumier (French, 1808-1879), Le Conseil de revision, 1842, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

At the water's edge Young woman fearfully penetrating into the water, 19th century (oil on canvas)
At the water's edge Young woman fearfully penetrating into the water, 19th century (oil on canvas)

JLJ4590150: At the water's edge Young woman fearfully penetrating into the water, 19th century (oil on canvas), Daumier, Honore (1808-79) / Bridgeman Images

The Amateur Painter
The Amateur Painter

GR16371: The Amateur Painter, Daumier, Honore (1808-79) / Bridgeman Images

Robert Macaire hypnotising (litho) (b/w photo)
Robert Macaire hypnotising (litho) (b/w photo)

CHT252903: Robert Macaire hypnotising (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

The Homeopathic Doctors, from 'La Caricature', 1837 (colour litho)
The Homeopathic Doctors, from 'La Caricature', 1837 (colour litho)

CHT235164: The Homeopathic Doctors, from 'La Caricature', 1837 (colour litho), Daumier, Honore (1808-79) / Bridgeman Images

Series 'Caricatures du jour', caricature of Victor Hugo and his play 'Les Burgraves', plate 98, illustration from 'Le Charivari', 31st March 1843 (litho) (b/w photo)
Series 'Caricatures du jour', caricature of Victor Hugo and his play 'Les Burgraves', plate 98, illustration from 'Le Charivari', 31st March 1843 (litho) (b/w photo)

XIR287276: Series 'Caricatures du jour', caricature of Victor Hugo and his play 'Les Burgraves', plate 98, illustration from 'Le Charivari', 31st March 1843 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

The Gourmet (Pataille), 1934-1948 (bronze with brown patina)
The Gourmet (Pataille), 1934-1948 (bronze with brown patina)

CH988834: The Gourmet (Pataille), 1934-1948 (bronze with brown patina), Daumier, Honore (1808-79) / Bridgeman Images

Sketch made at the Salon by Daumier, no. 6: Just look at what a degenerate and corrupt world we are living in . . ., 1865 (litho)
Sketch made at the Salon by Daumier, no. 6: Just look at what a degenerate and corrupt world we are living in . . ., 1865 (litho)

XDM1067822: Sketch made at the Salon by Daumier, no. 6: Just look at what a degenerate and corrupt world we are living in . . ., 1865 (litho), Daumier, Honore (1808-79) / Bridgeman Images

A lawyer who is obviously filled with the most intimate conviction... that his client will pair him well, taken from the “Gens de Justice” series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1845.
A lawyer who is obviously filled with the most intimate conviction... that his client will pair him well, taken from the “Gens de Justice” series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1845.

LSE4403428: A lawyer who is obviously filled with the most intimate conviction... that his client will pair him well, taken from the “Gens de Justice” series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1845., Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier, Un Avocat qui est rempli de la conviction intime, French, 1808 - 1879, 1845, lithograph
Honore Daumier, Un Avocat qui est rempli de la conviction intime, French, 1808 - 1879, 1845, lithograph

LZT5500420: Honore Daumier, Un Avocat qui est rempli de la conviction intime, French, 1808 - 1879, 1845, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), L'Adoption - Ah ca! Robert, mon ami, 1841, lithograph on newsprint
Honore Daumier (French, 1808 - 1879), L'Adoption - Ah ca! Robert, mon ami, 1841, lithograph on newsprint

LZT5497464: Honore Daumier (French, 1808 - 1879), L'Adoption - Ah ca! Robert, mon ami, 1841, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1843: Serie LES Chemins de fer Thirty seconds of station “” -Tiens Joseph! vla everything I have to send you... three packages and a traveler - Above all care of the packages”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1843: Serie LES Chemins de fer Thirty seconds of station “” -Tiens Joseph! vla everything I have to send you... three packages and a traveler - Above all care of the packages”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851421: Artwork by Honore Daumier (1808-1879). Charivari dates from 1843: Serie LES Chemins de fer Thirty seconds of station “” -Tiens Joseph! vla everything I have to send you... three packages and a traveler - Above all care of the packages”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Serie “” Les bas bleu””, which turns in derision the women authors who delay family life and domestic tasks for the benefit of their intellectual work and establish themselves in an exclusively male environment: a young woman emancipee, leaving the infant to her husband, a houseman - Lithograph by Honore Daumier, 1844 (Series “” The blue stockings”” that lampoons women authors who leave family and household chores for the benefit of their intellectual work, a young and emancipated woman, leaves her husband and child to go to meet her editor) Collection privee
Serie “” Les bas bleu””, which turns in derision the women authors who delay family life and domestic tasks for the benefit of their intellectual work and establish themselves in an exclusively male environment: a young woman emancipee, leaving the infant to her husband, a houseman - Lithograph by Honore Daumier, 1844 (Series “” The blue stockings”” that lampoons women authors who leave family and household chores for the benefit of their intellectual work, a young and emancipated woman, leaves her husband and child to go to meet her editor) Collection privee

ELD4840628: Serie “” Les bas bleu””, which turns in derision the women authors who delay family life and domestic tasks for the benefit of their intellectual work and establish themselves in an exclusively male environment: a young woman emancipee, leaving the infant to her husband, a houseman - Lithograph by Honore Daumier, 1844 (Series “” The blue stockings”” that lampoons women authors who leave family and household chores for the benefit of their intellectual work, a young and emancipated woman, leaves her husband and child to go to meet her editor) Collection privee, Daumier, Honore (1808-79) / Bridgeman Images

Series 'Les beaux jours de la vie', A happy find, plate 23, illustration from 'Le Charivari', 11th September 1844 (litho) (b/w photo)
Series 'Les beaux jours de la vie', A happy find, plate 23, illustration from 'Le Charivari', 11th September 1844 (litho) (b/w photo)

XIR287285: Series 'Les beaux jours de la vie', A happy find, plate 23, illustration from 'Le Charivari', 11th September 1844 (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

Caricature of a Deputy at the Assembly, c.1850 (colour litho)
Caricature of a Deputy at the Assembly, c.1850 (colour litho)

CHT293275: Caricature of a Deputy at the Assembly, c.1850 (colour litho), Daumier, Honore (1808-79) / Bridgeman Images

Caricature of Francois Guizot (1787-1874), from 'La Caricature' (litho) (b/w photo)
Caricature of Francois Guizot (1787-1874), from 'La Caricature' (litho) (b/w photo)

XIR161743: Caricature of Francois Guizot (1787-1874), from 'La Caricature' (litho) (b/w photo), Daumier, Honore (1808-79) / Bridgeman Images

Two Singers, c.1850-60 (oil on canvas)
Two Singers, c.1850-60 (oil on canvas)

FOG126723: Two Singers, c.1850-60 (oil on canvas), Daumier, Honore (1808-79) / Bridgeman Images

A Perfect Technician (colour litho)
A Perfect Technician (colour litho)

CHT235302: A Perfect Technician (colour litho), Daumier, Honore (1808-79) / Bridgeman Images

'A Panic at the Stock Exchange', caricature from 'Le Charivari', December 9, 1845 (litho)
'A Panic at the Stock Exchange', caricature from 'Le Charivari', December 9, 1845 (litho)

XJF741256: 'A Panic at the Stock Exchange', caricature from 'Le Charivari', December 9, 1845 (litho), Daumier, Honore (1808-79) / Bridgeman Images

'The Triumphal March', cartoon from the 'Exposition Universelle' series, published in 'Le Charivari', 14 April, 1855 (litho)  (see also 741260)
'The Triumphal March', cartoon from the 'Exposition Universelle' series, published in 'Le Charivari', 14 April, 1855 (litho)  (see also 741260)

XJF741259: 'The Triumphal March', cartoon from the 'Exposition Universelle' series, published in 'Le Charivari', 14 April, 1855 (litho) (see also 741260), Daumier, Honore (1808-79) / Bridgeman Images

Les hippophages (eaters of horses), Engraving by Honore Daumier, 1856 “” Take me this trust, it will be tender as chicken! “” - butcher - butcher - horse meat - food scandal
Les hippophages (eaters of horses), Engraving by Honore Daumier, 1856 “” Take me this trust, it will be tender as chicken! “” - butcher - butcher - horse meat - food scandal

PCT4282138: Les hippophages (eaters of horses), Engraving by Honore Daumier, 1856 “” Take me this trust, it will be tender as chicken! “” - butcher - butcher - horse meat - food scandal, Daumier, Honore (1808-79) / Bridgeman Images

Frightened Woman (charcoal, with black crayon, on ivory laid paper)
Frightened Woman (charcoal, with black crayon, on ivory laid paper)

XCC2971503: Frightened Woman (charcoal, with black crayon, on ivory laid paper), Daumier, Honore (1808-79) / Bridgeman Images


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