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Kobayashi Kiyochika (1847-1915) Assets (75 in total)

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Scene from the Sino-Japanese War in Korea (wood block engraving)
Scene from the Sino-Japanese War in Korea (wood block engraving)

NUM121592: Scene from the Sino-Japanese War in Korea (wood block engraving), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: NUM121592

Scene from the Sino-Japanese War in Korea (wood block engraving)

Kobayashi Kiyochika (1847-1915)

Battle of the Yellow Sea (Yalu River) in Korea, c.1904 (woodblock orint)
Battle of the Yellow Sea (Yalu River) in Korea, c.1904 (woodblock orint)

PFH3432016: Battle of the Yellow Sea (Yalu River) in Korea, c.1904 (woodblock orint), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: PFH3432016

Battle of the Yellow Sea (Yalu River) in Korea, c.1904 (woodblock orint)

Kobayashi Kiyochika (1847-1915)

Takeya ferry at Matsuchichiyama in the spring rain, 1929 (colour woodblock print)
Takeya ferry at Matsuchichiyama in the spring rain, 1929 (colour woodblock print)

FSG425477: Takeya ferry at Matsuchichiyama in the spring rain, 1929 (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: FSG425477

Takeya ferry at Matsuchichiyama in the spring rain, 1929 (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

Tako No Asirai, Octopus Treading. 1904., 1 Print : Woodcut, Color ; 36.9 X 24.9 ., Print Shows a Japanese Officer Sitting on the Head of an Octopus which Has Captured Ships Disguised As Fish in Its Tentacles.
Tako No Asirai, Octopus Treading. 1904., 1 Print : Woodcut, Color ; 36.9 X 24.9 ., Print Shows a Japanese Officer Sitting on the Head of an Octopus which Has Captured Ships Disguised As Fish in Its Tentacles.

LZT1111663: Tako No Asirai, Octopus Treading. 1904., 1 Print : Woodcut, Color ; 36.9 X 24.9 ., Print Shows a Japanese Officer Sitting on the Head of an Octopus which Has Captured Ships Disguised As Fish in Its Tentacles., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1111663

Tako No Asirai, Octopus Treading. 1904., 1 Print : Woodcut, Color ; 36.9 X 24.9 ., Print Shows a Japanese Officer Sitting on the Head of an Octopus which Has Captured Ships Disguised As Fish in Its Tentacles.

Kobayashi Kiyochika (1847-1915)

Great Battle for the Occupation of the 203-metre Hill (Dai nihyakusan kochi senryo) Meiji era, 1905 (woodblock print, ink & colour on paper)
Great Battle for the Occupation of the 203-metre Hill (Dai nihyakusan kochi senryo) Meiji era, 1905 (woodblock print, ink & colour on paper)

BST263969: Great Battle for the Occupation of the 203-metre Hill (Dai nihyakusan kochi senryo) Meiji era, 1905 (woodblock print, ink & colour on paper), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: BST263969

Great Battle for the Occupation of the 203-metre Hill (Dai nihyakusan kochi senryo) Meiji era, 1905 (woodblock print, ink & colour on paper)

Kobayashi Kiyochika (1847-1915)

Snow at Sumida river, c.1930s (colour woodblock print)
Snow at Sumida river, c.1930s (colour woodblock print)

FSG425476: Snow at Sumida river, c.1930s (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: FSG425476

Snow at Sumida river, c.1930s (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

Snowy Evening at Honcho Street, a Horse-drawn Carriage in the Snow
Snowy Evening at Honcho Street, a Horse-drawn Carriage in the Snow

CH378134: Snowy Evening at Honcho Street, a Horse-drawn Carriage in the Snow, Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: CH378134

Snowy Evening at Honcho Street, a Horse-drawn Carriage in the Snow

Kobayashi Kiyochika (1847-1915)

Fireflies at Ochanomizu, c.1880 (colour woodblock print)
Fireflies at Ochanomizu, c.1880 (colour woodblock print)

BST711644: Fireflies at Ochanomizu, c.1880 (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: BST711644

Fireflies at Ochanomizu, c.1880 (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

View of Nihonbashi from Ebo Bridge (Edobashi yori Nihonbashi no kei), 1884 (Meiji 17) (woodblock print (oban tate-e))
View of Nihonbashi from Ebo Bridge (Edobashi yori Nihonbashi no kei), 1884 (Meiji 17) (woodblock print (oban tate-e))

MAM714498: View of Nihonbashi from Ebo Bridge (Edobashi yori Nihonbashi no kei), 1884 (Meiji 17) (woodblock print (oban tate-e)), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: MAM714498

View of Nihonbashi from Ebo Bridge (Edobashi yori Nihonbashi no kei), 1884 (Meiji 17) (woodblock print (oban tate-e))

Kobayashi Kiyochika (1847-1915)

Fukagawa Kiba, from the series One Hundred Views of Musashi, 1884 (colour woodblock print)
Fukagawa Kiba, from the series One Hundred Views of Musashi, 1884 (colour woodblock print)

FSG425473: Fukagawa Kiba, from the series One Hundred Views of Musashi, 1884 (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: FSG425473

Fukagawa Kiba, from the series One Hundred Views of Musashi, 1884 (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

Russian Soldier Has His Wounds Attended to by Japenese Military Personnel, published 1905 (colour woodcut)
Russian Soldier Has His Wounds Attended to by Japenese Military Personnel, published 1905 (colour woodcut)

STC1275181: Russian Soldier Has His Wounds Attended to by Japenese Military Personnel, published 1905 (colour woodcut), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: STC1275181

Russian Soldier Has His Wounds Attended to by Japenese Military Personnel, published 1905 (colour woodcut)

Kobayashi Kiyochika (1847-1915)

A Steam Locomotive in Hazy Moonlight
A Steam Locomotive in Hazy Moonlight

CH378133: A Steam Locomotive in Hazy Moonlight, Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: CH378133

A Steam Locomotive in Hazy Moonlight

Kobayashi Kiyochika (1847-1915)

Pomegranates and Grapes, 1879-1881
Pomegranates and Grapes, 1879-1881

MNS882045: Pomegranates and Grapes, 1879-1881, Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: MNS882045

Pomegranates and Grapes, 1879-1881

Kobayashi Kiyochika (1847-1915)

Ryogoku Bridge and the One Hundred Stakes (Senpon gui Ryogoku), 1880 (Meiji 13) (woodblock print (oban yoko-e))
Ryogoku Bridge and the One Hundred Stakes (Senpon gui Ryogoku), 1880 (Meiji 13) (woodblock print (oban yoko-e))

MAM714490: Ryogoku Bridge and the One Hundred Stakes (Senpon gui Ryogoku), 1880 (Meiji 13) (woodblock print (oban yoko-e)), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: MAM714490

Ryogoku Bridge and the One Hundred Stakes (Senpon gui Ryogoku), 1880 (Meiji 13) (woodblock print (oban yoko-e))

Kobayashi Kiyochika (1847-1915)

Meguro Arsenal (Meguro Ienyuzo), November 10, 1884 (Meiji 17) (woodblock print (oban tate-e))
Meguro Arsenal (Meguro Ienyuzo), November 10, 1884 (Meiji 17) (woodblock print (oban tate-e))

MAM714496: Meguro Arsenal (Meguro Ienyuzo), November 10, 1884 (Meiji 17) (woodblock print (oban tate-e)), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: MAM714496

Meguro Arsenal (Meguro Ienyuzo), November 10, 1884 (Meiji 17) (woodblock print (oban tate-e))

Kobayashi Kiyochika (1847-1915)

Sugawara Michizane, from the series 'Instructive models of lofty ambitions' (no. 12), 1889 (colour woodblock print)
Sugawara Michizane, from the series 'Instructive models of lofty ambitions' (no. 12), 1889 (colour woodblock print)

FSG425470: Sugawara Michizane, from the series 'Instructive models of lofty ambitions' (no. 12), 1889 (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: FSG425470

Sugawara Michizane, from the series 'Instructive models of lofty ambitions' (no. 12), 1889 (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

View of Takanawa Ushimachi under a Shrouded Moon, 1879 (colour woodblock print)
View of Takanawa Ushimachi under a Shrouded Moon, 1879 (colour woodblock print)

FSG425468: View of Takanawa Ushimachi under a Shrouded Moon, 1879 (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: FSG425468

View of Takanawa Ushimachi under a Shrouded Moon, 1879 (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

Museum Fountain at the Second Domestic Exposition, 1881 (colour woodblock print)
Museum Fountain at the Second Domestic Exposition, 1881 (colour woodblock print)

FSG425464: Museum Fountain at the Second Domestic Exposition, 1881 (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: FSG425464

Museum Fountain at the Second Domestic Exposition, 1881 (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

View of Ueno's Toshogu in Snow, 1879 (colour woodblock print)
View of Ueno's Toshogu in Snow, 1879 (colour woodblock print)

FSG425467: View of Ueno's Toshogu in Snow, 1879 (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: FSG425467

View of Ueno's Toshogu in Snow, 1879 (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

Suidobashi Chanomizu, from the series One Hundred Views of Musashi, 1884 (colour woodblock print)
Suidobashi Chanomizu, from the series One Hundred Views of Musashi, 1884 (colour woodblock print)

FSG425472: Suidobashi Chanomizu, from the series One Hundred Views of Musashi, 1884 (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: FSG425472

Suidobashi Chanomizu, from the series One Hundred Views of Musashi, 1884 (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

Man'nen Bridge at the source of Sokokura hot spring in Hakone, 1881 (colour woodblock print)
Man'nen Bridge at the source of Sokokura hot spring in Hakone, 1881 (colour woodblock print)

FSG425474: Man'nen Bridge at the source of Sokokura hot spring in Hakone, 1881 (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: FSG425474

Man'nen Bridge at the source of Sokokura hot spring in Hakone, 1881 (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

Buruburu Taisho, Electrified Manchurian. 1895., 1 Print : Woodcut, Color ; 37.3 X 24.8 ., Print Shows a Jagged-Edged Depiction of a Man on Horseback, Holding Raised Sword. Verbal Puns.
Buruburu Taisho, Electrified Manchurian. 1895., 1 Print : Woodcut, Color ; 37.3 X 24.8 ., Print Shows a Jagged-Edged Depiction of a Man on Horseback, Holding Raised Sword. Verbal Puns.

LZT1111662: Buruburu Taisho, Electrified Manchurian. 1895., 1 Print : Woodcut, Color ; 37.3 X 24.8 ., Print Shows a Jagged-Edged Depiction of a Man on Horseback, Holding Raised Sword. Verbal Puns., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1111662

Buruburu Taisho, Electrified Manchurian. 1895., 1 Print : Woodcut, Color ; 37.3 X 24.8 ., Print Shows a Jagged-Edged Depiction of a Man on Horseback, Holding Raised Sword. Verbal Puns.

Kobayashi Kiyochika (1847-1915)

Shakkyo No Shinikyogen, Farce of the Lions at Stone Bridge. 1904., 1 Print : Woodcut, Color ; 37 X 24.8 .
Shakkyo No Shinikyogen, Farce of the Lions at Stone Bridge. 1904., 1 Print : Woodcut, Color ; 37 X 24.8 .

LZT1111665: Shakkyo No Shinikyogen, Farce of the Lions at Stone Bridge. 1904., 1 Print : Woodcut, Color ; 37 X 24.8 ., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1111665

Shakkyo No Shinikyogen, Farce of the Lions at Stone Bridge. 1904., 1 Print : Woodcut, Color ; 37 X 24.8 .

Kobayashi Kiyochika (1847-1915)

View of the Great Fire at Ryogoku from Hamacho (the Fire of January 26th, 1881), (Hamacho yori sha Ryogoku taika, Meiji juyonnen shogatsu nijuroku nichi shukka), 1881 (Meiji 14) (woodblock print (oban yoko-e))
View of the Great Fire at Ryogoku from Hamacho (the Fire of January 26th, 1881), (Hamacho yori sha Ryogoku taika, Meiji juyonnen shogatsu nijuroku nichi shukka), 1881 (Meiji 14) (woodblock print (oban yoko-e))

MAM714491: View of the Great Fire at Ryogoku from Hamacho (the Fire of January 26th, 1881), (Hamacho yori sha Ryogoku taika, Meiji juyonnen shogatsu nijuroku nichi shukka), 1881 (Meiji 14) (woodblock print (oban yoko-e)), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: MAM714491

View of the Great Fire at Ryogoku from Hamacho (the Fire of January 26th, 1881), (Hamacho yori sha Ryogoku taika, Meiji juyonnen shogatsu nijuroku nichi shukka), 1881 (Meiji 14) (woodblock print (oban yoko-e))

Kobayashi Kiyochika (1847-1915)

Fireworks at Ryogoku, 1880 (woodblock print on paper)
Fireworks at Ryogoku, 1880 (woodblock print on paper)

MAI6404990: Fireworks at Ryogoku, 1880 (woodblock print on paper), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: MAI6404990

Fireworks at Ryogoku, 1880 (woodblock print on paper)

Kobayashi Kiyochika (1847-1915)

View from the Sea at Shinagawa, 1879 (colour woodblock print)
View from the Sea at Shinagawa, 1879 (colour woodblock print)

FSG425466: View from the Sea at Shinagawa, 1879 (colour woodblock print), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: FSG425466

View from the Sea at Shinagawa, 1879 (colour woodblock print)

Kobayashi Kiyochika (1847-1915)

View of Mount Atago (Atagoyama no zu), October 3, 1878 (Meiji 11) (woodblock print (oban yoko-e))
View of Mount Atago (Atagoyama no zu), October 3, 1878 (Meiji 11) (woodblock print (oban yoko-e))

MAM714489: View of Mount Atago (Atagoyama no zu), October 3, 1878 (Meiji 11) (woodblock print (oban yoko-e)), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: MAM714489

View of Mount Atago (Atagoyama no zu), October 3, 1878 (Meiji 11) (woodblock print (oban yoko-e))

Kobayashi Kiyochika (1847-1915)

Morning View of the Numazu Station on To_kaido_ Road
Morning View of the Numazu Station on To_kaido_ Road

MNS882531: Morning View of the Numazu Station on To_kaido_ Road, Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: MNS882531

Morning View of the Numazu Station on To_kaido_ Road

Kobayashi Kiyochika (1847-1915)

Such Mild News Comes from the War that Nicholas Says, I Will Go to the Front. Where Shall I Go? to Harbin 1847-1915, 1905., 1 Photomechanical Print : Line Photoengraving, Hand-Colored.
Such Mild News Comes from the War that Nicholas Says, I Will Go to the Front. Where Shall I Go? to Harbin 1847-1915, 1905., 1 Photomechanical Print : Line Photoengraving, Hand-Colored.

LZT1112369: Such Mild News Comes from the War that Nicholas Says, I Will Go to the Front. Where Shall I Go? to Harbin 1847-1915, 1905., 1 Photomechanical Print : Line Photoengraving, Hand-Colored., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112369

Such Mild News Comes from the War that Nicholas Says, I Will Go to the Front. Where Shall I Go? to Harbin 1847-1915, 1905., 1 Photomechanical Print : Line Photoengraving, Hand-Colored.

Kobayashi Kiyochika (1847-1915)

Japan Takes Away Kinchow Castle, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Japanese Soldier Holding the Kinchow Castle with Wall and Gate in His Arms and Using His Left Foot to Kick Away Russian Soldiers.
Japan Takes Away Kinchow Castle, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Japanese Soldier Holding the Kinchow Castle with Wall and Gate in His Arms and Using His Left Foot to Kick Away Russian Soldiers.

LZT1112370: Japan Takes Away Kinchow Castle, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Japanese Soldier Holding the Kinchow Castle with Wall and Gate in His Arms and Using His Left Foot to Kick Away Russian Soldiers., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112370

Japan Takes Away Kinchow Castle, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Japanese Soldier Holding the Kinchow Castle with Wall and Gate in His Arms and Using His Left Foot to Kick Away Russian Soldiers.

Kobayashi Kiyochika (1847-1915)

A Scheme to Save the Russian Fleet When Japanese Torpedo Boats Come, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Two Russian Men Watching a Battleship with Hot-Air Balloons Attached Rise from a Tub of Water.
A Scheme to Save the Russian Fleet When Japanese Torpedo Boats Come, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Two Russian Men Watching a Battleship with Hot-Air Balloons Attached Rise from a Tub of Water.

LZT1112371: A Scheme to Save the Russian Fleet When Japanese Torpedo Boats Come, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Two Russian Men Watching a Battleship with Hot-Air Balloons Attached Rise from a Tub of Water., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112371

A Scheme to Save the Russian Fleet When Japanese Torpedo Boats Come, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Two Russian Men Watching a Battleship with Hot-Air Balloons Attached Rise from a Tub of Water.

Kobayashi Kiyochika (1847-1915)

Japan Splits the Russian Torpedo Fleet, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Japanese Sailor Splitting a Russian Torpedo Boat.
Japan Splits the Russian Torpedo Fleet, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Japanese Sailor Splitting a Russian Torpedo Boat.

LZT1112372: Japan Splits the Russian Torpedo Fleet, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Japanese Sailor Splitting a Russian Torpedo Boat., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112372

Japan Splits the Russian Torpedo Fleet, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Japanese Sailor Splitting a Russian Torpedo Boat.

Kobayashi Kiyochika (1847-1915)

[Old Man Carrying a Flag is Leading a Group of Male Citizens in a Procession at Night], Kobayashi [1904 or 1905], 1 Print : Woodcut, Color.
[Old Man Carrying a Flag is Leading a Group of Male Citizens in a Procession at Night], Kobayashi [1904 or 1905], 1 Print : Woodcut, Color.

LZT1112375: [Old Man Carrying a Flag is Leading a Group of Male Citizens in a Procession at Night], Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112375

[Old Man Carrying a Flag is Leading a Group of Male Citizens in a Procession at Night], Kobayashi [1904 or 1905], 1 Print : Woodcut, Color.

Kobayashi Kiyochika (1847-1915)

General Kuropatkin in a Safe Place, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Russian General A.N. Kuropatkin Holding a Rifle and a Lantern, Sitting on a Chair, Encircled by Fencing.
General Kuropatkin in a Safe Place, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Russian General A.N. Kuropatkin Holding a Rifle and a Lantern, Sitting on a Chair, Encircled by Fencing.

LZT1112377: General Kuropatkin in a Safe Place, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Russian General A.N. Kuropatkin Holding a Rifle and a Lantern, Sitting on a Chair, Encircled by Fencing., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112377

General Kuropatkin in a Safe Place, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Russian General A.N. Kuropatkin Holding a Rifle and a Lantern, Sitting on a Chair, Encircled by Fencing.

Kobayashi Kiyochika (1847-1915)

General Kuropatkin & His Staff Joyfully Leaving St. Petersburg for the Front, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows the Russian General A.N. Kuropatkin Parting with Difficulty from Two Grief-Stricken Women While His Staff Waits in the Background.
General Kuropatkin & His Staff Joyfully Leaving St. Petersburg for the Front, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows the Russian General A.N. Kuropatkin Parting with Difficulty from Two Grief-Stricken Women While His Staff Waits in the Background.

LZT1112379: General Kuropatkin & His Staff Joyfully Leaving St. Petersburg for the Front, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows the Russian General A.N. Kuropatkin Parting with Difficulty from Two Grief-Stricken Women While His Staff Waits in the Background., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112379

General Kuropatkin & His Staff Joyfully Leaving St. Petersburg for the Front, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows the Russian General A.N. Kuropatkin Parting with Difficulty from Two Grief-Stricken Women While His Staff Waits in the Background.

Kobayashi Kiyochika (1847-1915)

A Strange Visitor Brings a War Telegram to the Czar, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Cossack Wearing a Conch Shell As a Disguise Bringing a Telegram to Tsar Nicholas II.
A Strange Visitor Brings a War Telegram to the Czar, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Cossack Wearing a Conch Shell As a Disguise Bringing a Telegram to Tsar Nicholas II.

LZT1112381: A Strange Visitor Brings a War Telegram to the Czar, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Cossack Wearing a Conch Shell As a Disguise Bringing a Telegram to Tsar Nicholas II., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112381

A Strange Visitor Brings a War Telegram to the Czar, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows a Cossack Wearing a Conch Shell As a Disguise Bringing a Telegram to Tsar Nicholas II.

Kobayashi Kiyochika (1847-1915)


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