Cruikshank, George (1792-1878) Assets (914 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

The origin of cockney (coloured engraving)
The origin of cockney (coloured engraving)

LLJ606999: The origin of cockney (coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Early Coaches (engraving)
Early Coaches (engraving)

LLJ602359: Early Coaches (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Boxer's Arms, dedicated to the Pugilistic Club, to Amateurs & the Fancy in general, published by G. Humphrey, London 1891 (litho)
The Boxer's Arms, dedicated to the Pugilistic Club, to Amateurs & the Fancy in general, published by G. Humphrey, London 1891 (litho)

PNP379188: The Boxer's Arms, dedicated to the Pugilistic Club, to Amateurs & the Fancy in general, published by G. Humphrey, London 1891 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

Winter Fashions (w/c on paper)
Winter Fashions (w/c on paper)

PNH351330: Winter Fashions (w/c on paper), Cruikshank, George (1792-1878) / Bridgeman Images

The Knight and the Lady, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho)
The Knight and the Lady, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho)

KWE341499: The Knight and the Lady, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

Jerry Jarvis's Wig, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho)
Jerry Jarvis's Wig, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho)

KWE342802: Jerry Jarvis's Wig, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

William Parsons Esq. (engraving)
William Parsons Esq. (engraving)

XIR440648: William Parsons Esq. (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

John Bull's three stages, or, From Good to Bad & From Bad to Worse, 1815 (hand-coloured engraving)
John Bull's three stages, or, From Good to Bad & From Bad to Worse, 1815 (hand-coloured engraving)

JEF695585: John Bull's three stages, or, From Good to Bad & From Bad to Worse, 1815 (hand-coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Captain Dalgetty at Ardenvohr, illustration from 'A Legend of Montrose' by Sir Walter Scott (1771-1832) published 1843 (litho)
Captain Dalgetty at Ardenvohr, illustration from 'A Legend of Montrose' by Sir Walter Scott (1771-1832) published 1843 (litho)

KWE284706: Captain Dalgetty at Ardenvohr, illustration from 'A Legend of Montrose' by Sir Walter Scott (1771-1832) published 1843 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

The Revellers, illustration from 'The Fair Maid of Perth' by Sir Walter Scott (1771-1832) published 1845 (litho)
The Revellers, illustration from 'The Fair Maid of Perth' by Sir Walter Scott (1771-1832) published 1845 (litho)

KWE284708: The Revellers, illustration from 'The Fair Maid of Perth' by Sir Walter Scott (1771-1832) published 1845 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

Master B on the Middle Watch - 'cold blows the wind and the rain's coming on', published by Thomas McLean, 1st August 1835 (coloured aquatint)
Master B on the Middle Watch - 'cold blows the wind and the rain's coming on', published by Thomas McLean, 1st August 1835 (coloured aquatint)

RNM286359: Master B on the Middle Watch - 'cold blows the wind and the rain's coming on', published by Thomas McLean, 1st August 1835 (coloured aquatint), Cruikshank, George (1792-1878) / Bridgeman Images

Southwark Waterworks (coloured engraving)
Southwark Waterworks (coloured engraving)

LLJ560319: Southwark Waterworks (coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Seven Dials, London (engraving)
Seven Dials, London (engraving)

LLJ584081: Seven Dials, London (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Barber's Shop (engraving)
The Barber's Shop (engraving)

LLJ583408: The Barber's Shop (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Master Joey going to visit his Godpapa (engraving)
Master Joey going to visit his Godpapa (engraving)

LLJ583927: Master Joey going to visit his Godpapa (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Humphrey's Disaster, illustration from 'The Expedition of Humphrey Clinker' by Tobias Smollett, 1831 (engraving)
Humphrey's Disaster, illustration from 'The Expedition of Humphrey Clinker' by Tobias Smollett, 1831 (engraving)

XJF618897: Humphrey's Disaster, illustration from 'The Expedition of Humphrey Clinker' by Tobias Smollett, 1831 (engraving) , Cruikshank, George (1792-1878) / Bridgeman Images

Private theatres (engraving)
Private theatres (engraving)

LLJ584223: Private theatres (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Jack Sheppard committing the robbery in Willesden Church (engraving)
Jack Sheppard committing the robbery in Willesden Church (engraving)

LLJ584307: Jack Sheppard committing the robbery in Willesden Church (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Joseph Grimaldi in Harlequinade (engraving)
Joseph Grimaldi in Harlequinade (engraving)

LLJ584359: Joseph Grimaldi in Harlequinade (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

New Saint Giles (engraving)
New Saint Giles (engraving)

LLJ614472: New Saint Giles (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Concord Makes Server,  (watercolour, pen and ink,, pencil)
Concord Makes Server,  (watercolour, pen and ink,, pencil)

CH985720: Concord Makes Server, (watercolour, pen and ink,, pencil), Cruikshank, George (1792-1878) / Bridgeman Images

Charles Dickens Sketches by Boz Now Anybody Who Passed Through the Dials on a Hot Summer's Evening and Saw the Different Women of the House Gossiping on the Steps Would Be Apt to Think that All  Harmony Among Them and that a More Primitive Set of People Than the Native Diallers Could Not Be Imagined.
Charles Dickens Sketches by Boz Now Anybody Who Passed Through the Dials on a Hot Summer's Evening and Saw the Different Women of the House Gossiping on the Steps Would Be Apt to Think that All  Harmony Among Them and that a More Primitive Set of People Than the Native Diallers Could Not Be Imagined.

LZT1033793: Charles Dickens Sketches by Boz Now Anybody Who Passed Through the Dials on a Hot Summer's Evening and Saw the Different Women of the House Gossiping on the Steps Would Be Apt to Think that All Harmony Among Them and that a More Primitive Set of People Than the Native Diallers Could Not Be Imagined., Cruikshank, George (1792-1878) / Bridgeman Images

Charles Dickens Sketches by Boz One Gentleman Was Observed Suddenly to Rush from the Table
Charles Dickens Sketches by Boz One Gentleman Was Observed Suddenly to Rush from the Table

LZT1033804: Charles Dickens Sketches by Boz One Gentleman Was Observed Suddenly to Rush from the Table, Cruikshank, George (1792-1878) / Bridgeman Images

Escape No. 1, from 'Jack Sheppard' by W. H. Ainsworth, published 1839 (engraving)
Escape No. 1, from 'Jack Sheppard' by W. H. Ainsworth, published 1839 (engraving)

XJF778818: Escape No. 1, from 'Jack Sheppard' by W. H. Ainsworth, published 1839 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Escape No. 3, from 'Jack Sheppard' by W. H. Ainsworth, published 1839 (engraving)
Escape No. 3, from 'Jack Sheppard' by W. H. Ainsworth, published 1839 (engraving)

XJF778819: Escape No. 3, from 'Jack Sheppard' by W. H. Ainsworth, published 1839 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Opening of the Great Industrial Exhibition of All Nations, May 1, 1851 (etching)
The Opening of the Great Industrial Exhibition of All Nations, May 1, 1851 (etching)

XDM1069129: The Opening of the Great Industrial Exhibition of All Nations, May 1, 1851 (etching), Cruikshank, George (1792-1878) / Bridgeman Images

Titlepage of 'Fairburn's Description of the Popular and Comic New Pantomime, called Harlequin and Mother Goose', first edition, London, 1806 (hand-coloured engraving)
Titlepage of 'Fairburn's Description of the Popular and Comic New Pantomime, called Harlequin and Mother Goose', first edition, London, 1806 (hand-coloured engraving)

SWG360170: Titlepage of 'Fairburn's Description of the Popular and Comic New Pantomime, called Harlequin and Mother Goose', first edition, London, 1806 (hand-coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Series of Illustrations regarding the Advantages and Shortcomings of Possessing a Wooden Leg, pub. 1828 (hand coloured engraving)
Series of Illustrations regarding the Advantages and Shortcomings of Possessing a Wooden Leg, pub. 1828 (hand coloured engraving)

STC2836293: Series of Illustrations regarding the Advantages and Shortcomings of Possessing a Wooden Leg, pub. 1828 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

November - (Old Style) -
November - (Old Style) -

STC2836305: November - (Old Style) - "Hover thro' the fog & filthy air", pub. 1835 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Illustration from The Whole Art of Dress or The Road to Elegance and Fashion, pub. 1832 (hand coloured engraving)
Illustration from The Whole Art of Dress or The Road to Elegance and Fashion, pub. 1832 (hand coloured engraving)

STC2909739: Illustration from The Whole Art of Dress or The Road to Elegance and Fashion, pub. 1832 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Fiends Frying Pan or Annual Festival of Tom Foolery & Vice, pub. 1832 (hand coloured engraving)
The Fiends Frying Pan or Annual Festival of Tom Foolery & Vice, pub. 1832 (hand coloured engraving)

STC2909748: The Fiends Frying Pan or Annual Festival of Tom Foolery & Vice, pub. 1832 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Recollections of the Court of Common Pleas, pub. 1834 (hand coloured engraving)
Recollections of the Court of Common Pleas, pub. 1834 (hand coloured engraving)

STC2909749: Recollections of the Court of Common Pleas, pub. 1834 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Seven Dials, c.1836 (etching)
Seven Dials, c.1836 (etching)

XJF3058153: Seven Dials, c.1836 (etching), Cruikshank, George (1792-1878) / Bridgeman Images

The Gin shop, c.1836 (litho)
The Gin shop, c.1836 (litho)

DHM3071337: The Gin shop, c.1836 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

Jack Sheppard Escapes from the Prisoner's Cage, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching)
Jack Sheppard Escapes from the Prisoner's Cage, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching)

STC2958392: Jack Sheppard Escapes from the Prisoner's Cage, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching), Cruikshank, George (1792-1878) / Bridgeman Images

Heigho! Says Thimble!, pub. 1809 (hand  coloured engraving)
Heigho! Says Thimble!, pub. 1809 (hand  coloured engraving)

STC2958363: Heigho! Says Thimble!, pub. 1809 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images


Back to top