Cruikshank, George (1792-1878) Assets (915 in total)

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Baby-Lonian University, In advance of the Age (engraving)
Baby-Lonian University, In advance of the Age (engraving)

LLM5997835: Baby-Lonian University, In advance of the Age (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Over population (engraving)
Over population (engraving)

LLM5997853: Over population (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Rebecca and the Templar (engraving)
Rebecca and the Templar (engraving)

LLM5995764: Rebecca and the Templar (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Nobody desires the Painter to make him as Ugly and as ridiculous as possible (engraving)
Nobody desires the Painter to make him as Ugly and as ridiculous as possible (engraving)

LLM6000794: Nobody desires the Painter to make him as Ugly and as ridiculous as possible (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Pleading at the Bar, or Popular Education (engraving)
Pleading at the Bar, or Popular Education (engraving)

LLM6000793: Pleading at the Bar, or Popular Education (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Tails (engraving)
Tails (engraving)

LLM6000799: Tails (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Design for a Ritualist High Church Tower and Steeple, dedicated to Dr. Pusey and the Vicar of Bray, 1868 (print)
Design for a Ritualist High Church Tower and Steeple, dedicated to Dr. Pusey and the Vicar of Bray, 1868 (print)

XTD70026: Design for a Ritualist High Church Tower and Steeple, dedicated to Dr. Pusey and the Vicar of Bray, 1868 (print), Cruikshank, George (1792-1878) / Bridgeman Images

Juvenile Monstrosities, 1825
Juvenile Monstrosities, 1825

BAL1317: Juvenile Monstrosities, 1825, Cruikshank, George (1792-1878) / Bridgeman Images

The Breach of Promise - cartoon hand coloured etching
The Breach of Promise - cartoon hand coloured etching

SC26388: The Breach of Promise - cartoon hand coloured etching, Cruikshank, George (1792-1878) / Bridgeman Images

The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122934: The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Battle Royal in the Church Yard, from 'Tom Jones, the History of a Foundling', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
The Battle Royal in the Church Yard, from 'Tom Jones, the History of a Foundling', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122922: The Battle Royal in the Church Yard, from 'Tom Jones, the History of a Foundling', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Doctor seizing Lawyer Murphy, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
The Doctor seizing Lawyer Murphy, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122935: The Doctor seizing Lawyer Murphy, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Amelia's Unexpected Visit, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
Amelia's Unexpected Visit, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122930: Amelia's Unexpected Visit, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Scene at Vauxhall, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
Scene at Vauxhall, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122933: Scene at Vauxhall, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Flight of Bonaparte from the Field of Waterloo accompanied by his Guide, 1816 (litho)
Flight of Bonaparte from the Field of Waterloo accompanied by his Guide, 1816 (litho)

XJF477741: Flight of Bonaparte from the Field of Waterloo accompanied by his Guide, 1816 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

The Battle of Waterloo (coloured engraving)
The Battle of Waterloo (coloured engraving)

STC780302: The Battle of Waterloo (coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Escape No. 2, from 'Jack Sheppard' by W. H. Ainsworth, published 1839 (engraving)
The Escape No. 2, from 'Jack Sheppard' by W. H. Ainsworth, published 1839 (engraving)

XJF778817: The Escape No. 2, from 'Jack Sheppard' by W. H. Ainsworth, published 1839 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

A Runaway Knock,  (oil on paper on canvas)
A Runaway Knock,  (oil on paper on canvas)

CH827244: A Runaway Knock, (oil on paper on canvas), Cruikshank, George (1792-1878) / Bridgeman Images

Top sketch by George Cruikshank is a study for Oliver Twist Asking For More, and the bottom one is the final published drawing.  From The Strand Magazine published 1897.
Top sketch by George Cruikshank is a study for Oliver Twist Asking For More, and the bottom one is the final published drawing.  From The Strand Magazine published 1897.

KWE878566: Top sketch by George Cruikshank is a study for Oliver Twist Asking For More, and the bottom one is the final published drawing. From The Strand Magazine published 1897., Cruikshank, George (1792-1878) / Bridgeman Images

Mr B. promoted to Lieut. & first putting on his uniform, 1835 (hand-coloured aquatint)
Mr B. promoted to Lieut. & first putting on his uniform, 1835 (hand-coloured aquatint)

STC1630653: Mr B. promoted to Lieut. & first putting on his uniform, 1835 (hand-coloured aquatint), Cruikshank, George (1792-1878) / Bridgeman Images

Charles Dickens Sketches by Boz What Do You Mean by that Scoundrel ? Exclaimed Mr. Samuel Wilkins.
Charles Dickens Sketches by Boz What Do You Mean by that Scoundrel ? Exclaimed Mr. Samuel Wilkins.

LZT1033798: Charles Dickens Sketches by Boz What Do You Mean by that Scoundrel ? Exclaimed Mr. Samuel Wilkins., Cruikshank, George (1792-1878) / Bridgeman Images

Man and Woman in the Garden (etching)
Man and Woman in the Garden (etching)

XDM1067651: Man and Woman in the Garden (etching), Cruikshank, George (1792-1878) / Bridgeman Images

Charles Dickens Sketches by Boz the Pawnbroker's Shop
Charles Dickens Sketches by Boz the Pawnbroker's Shop

LZT1033797: Charles Dickens Sketches by Boz the Pawnbroker's Shop, Cruikshank, George (1792-1878) / Bridgeman Images

Jack Sheppard's irons knocked off in the Stone Hall at Newgate, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (etching)
Jack Sheppard's irons knocked off in the Stone Hall at Newgate, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (etching)

STC239049: Jack Sheppard's irons knocked off in the Stone Hall at Newgate, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (etching), Cruikshank, George (1792-1878) / Bridgeman Images

Oliver waited on by the Bow Street Runners, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving)
Oliver waited on by the Bow Street Runners, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving)

KWE243071: Oliver waited on by the Bow Street Runners, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Winter Fashions (w/c on paper)
Winter Fashions (w/c on paper)

PNH351329: Winter Fashions (w/c on paper), Cruikshank, George (1792-1878) / Bridgeman Images

Titlepage of 'The Life of Napoleon: A Hudibrastic Poem in Fifteen Cantos by Doctor Syntax', London, 1817 (hand-coloured engraving)
Titlepage of 'The Life of Napoleon: A Hudibrastic Poem in Fifteen Cantos by Doctor Syntax', London, 1817 (hand-coloured engraving)

SWG360169: Titlepage of 'The Life of Napoleon: A Hudibrastic Poem in Fifteen Cantos by Doctor Syntax', London, 1817 (hand-coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Cardinal John of Belue chasing a Boar, illustration from 'Quentin Durward' by Sir Walter Scott (1771-1832) published 1845 (litho)
Cardinal John of Belue chasing a Boar, illustration from 'Quentin Durward' by Sir Walter Scott (1771-1832) published 1845 (litho)

KWE284710: Cardinal John of Belue chasing a Boar, illustration from 'Quentin Durward' by Sir Walter Scott (1771-1832) published 1845 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

The Battle of the Nile, published by James Robins & Co., 1st July 1825 (coloured etching)
The Battle of the Nile, published by James Robins & Co., 1st July 1825 (coloured etching)

RNM286340: The Battle of the Nile, published by James Robins & Co., 1st July 1825 (coloured etching), Cruikshank, George (1792-1878) / Bridgeman Images

Oliver claimed by his affectionate friends, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838 (engraving)
Oliver claimed by his affectionate friends, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838 (engraving)

XJF393871: Oliver claimed by his affectionate friends, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Self portrait (pencil on paper)
Self portrait (pencil on paper)

XJF384045: Self portrait (pencil on paper), Cruikshank, George (1792-1878) / Bridgeman Images

'The same Sir John, the very same. I saw him break Skogan's head at the court gate, when he was a crack not thus high', 1890 (colour litho)
'The same Sir John, the very same. I saw him break Skogan's head at the court gate, when he was a crack not thus high', 1890 (colour litho)

KWE428140: 'The same Sir John, the very same. I saw him break Skogan's head at the court gate, when he was a crack not thus high', 1890 (colour litho), Cruikshank, George (1792-1878) / Bridgeman Images

'I do begin to perceive that I am made an ass', 1890 (colour litho)
'I do begin to perceive that I am made an ass', 1890 (colour litho)

KWE428120: 'I do begin to perceive that I am made an ass', 1890 (colour litho), Cruikshank, George (1792-1878) / Bridgeman Images

'Omnibus's to the Great Exhibition every ten minutes', detail from Odds and Ends, in, out and about, 1851 (etching) (detail of 151675)
'Omnibus's to the Great Exhibition every ten minutes', detail from Odds and Ends, in, out and about, 1851 (etching) (detail of 151675)

XJF451350: 'Omnibus's to the Great Exhibition every ten minutes', detail from Odds and Ends, in, out and about, 1851 (etching) (detail of 151675), Cruikshank, George (1792-1878) / Bridgeman Images

State Physicians Bleeding John Bull to Death!!, Cruikshank, George, 1792-1878, Artist, Engraving 1816., Vansittart and Castlereagh, As Surgeons, Bleeding Coins from the Arms of John Bull. The Coins Are Collected by Prince Leopold, Princess Charlotte, a Tiny Mahon, a Chinese Mandarin, and the Gouty Regent. Brougham, Stands on the Left, Pointing Finger at John Bull, Saying, Retrench! Johnny, Retrench! Practise a Little More Economy.
State Physicians Bleeding John Bull to Death!!, Cruikshank, George, 1792-1878, Artist, Engraving 1816., Vansittart and Castlereagh, As Surgeons, Bleeding Coins from the Arms of John Bull. The Coins Are Collected by Prince Leopold, Princess Charlotte, a Tiny Mahon, a Chinese Mandarin, and the Gouty Regent. Brougham, Stands on the Left, Pointing Finger at John Bull, Saying, Retrench! Johnny, Retrench! Practise a Little More Economy.

LZT1012585: State Physicians Bleeding John Bull to Death!!, Cruikshank, George, 1792-1878, Artist, Engraving 1816., Vansittart and Castlereagh, As Surgeons, Bleeding Coins from the Arms of John Bull. The Coins Are Collected by Prince Leopold, Princess Charlotte, a Tiny Mahon, a Chinese Mandarin, and the Gouty Regent. Brougham, Stands on the Left, Pointing Finger at John Bull, Saying, Retrench! Johnny, Retrench! Practise a Little More Economy., Cruikshank, George (1792-1878) / Bridgeman Images

Jack Sheppard visits his Mother in Bedlam, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching)
Jack Sheppard visits his Mother in Bedlam, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching)

STC2958393: Jack Sheppard visits his Mother in Bedlam, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching), Cruikshank, George (1792-1878) / Bridgeman Images


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