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Nash, Paul (1889-1946) Assets (220 in total)

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Shellburst, Zillebeke, 1917 (coloured chalks on brown paper)
Shellburst, Zillebeke, 1917 (coloured chalks on brown paper)

FAS246003: Shellburst, Zillebeke, 1917 (coloured chalks on brown paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: FAS246003

Shellburst, Zillebeke, 1917 (coloured chalks on brown paper)

Nash, Paul (1889-1946)

A Dawn, 1912 (ink, w/c & chalk on paper)
A Dawn, 1912 (ink, w/c & chalk on paper)

FAS238995: A Dawn, 1912 (ink, w/c & chalk on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: FAS238995

A Dawn, 1912 (ink, w/c & chalk on paper)

Nash, Paul (1889-1946)

Sheepfold, Romney Marsh, 1920 (w/c with pen & ink)
Sheepfold, Romney Marsh, 1920 (w/c with pen & ink)

MAA283731: Sheepfold, Romney Marsh, 1920 (w/c with pen & ink), Nash, Paul (1889-1946) / Bridgeman Images

ID: MAA283731

Sheepfold, Romney Marsh, 1920 (w/c with pen & ink)

Nash, Paul (1889-1946)

Wood on the Hill, 1937 (pencil & w/c on paper)
Wood on the Hill, 1937 (pencil & w/c on paper)

CH496194: Wood on the Hill, 1937 (pencil & w/c on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: CH496194

Wood on the Hill, 1937 (pencil & w/c on paper)

Nash, Paul (1889-1946)

The Field at Passchendaele, British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)
The Field at Passchendaele, British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)

STC255973: The Field at Passchendaele, British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho), Nash, Paul (1889-1946) / Bridgeman Images

ID: STC255973

The Field at Passchendaele, British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)

Nash, Paul (1889-1946)

The Raider on the Shore, 1940 (w/c with black crayon and brown pastel on paper)
The Raider on the Shore, 1940 (w/c with black crayon and brown pastel on paper)

GLS230513: The Raider on the Shore, 1940 (w/c with black crayon and brown pastel on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: GLS230513

The Raider on the Shore, 1940 (w/c with black crayon and brown pastel on paper)

Nash, Paul (1889-1946)

Mirror and window, 1924
Mirror and window, 1924

PFA69422: Mirror and window, 1924, Nash, Paul (1889-1946) / Bridgeman Images

ID: PFA69422

Mirror and window, 1924

Nash, Paul (1889-1946)

Mineral Objects, 1935 (oil on canvas)
Mineral Objects, 1935 (oil on canvas)

XYC111996: Mineral Objects, 1935 (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: XYC111996

Mineral Objects, 1935 (oil on canvas)

Nash, Paul (1889-1946)

The Stackyard, c.1925 (oil on canvas)
The Stackyard, c.1925 (oil on canvas)

COV3506322: The Stackyard, c.1925 (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: COV3506322

The Stackyard, c.1925 (oil on canvas)

Nash, Paul (1889-1946)

The Ridge, Wytschaete (w/c, pen & black ink and coloured chalk)
The Ridge, Wytschaete (w/c, pen & black ink and coloured chalk)

CH378044: The Ridge, Wytschaete (w/c, pen & black ink and coloured chalk), Nash, Paul (1889-1946) / Bridgeman Images

ID: CH378044

The Ridge, Wytschaete (w/c, pen & black ink and coloured chalk)

Nash, Paul (1889-1946)

Sunrise, Ruins of a Hospice, north west of Wytschaete, destroyed by bombardment in 1917, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)
Sunrise, Ruins of a Hospice, north west of Wytschaete, destroyed by bombardment in 1917, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)

STC255972: Sunrise, Ruins of a Hospice, north west of Wytschaete, destroyed by bombardment in 1917, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho), Nash, Paul (1889-1946) / Bridgeman Images

ID: STC255972

Sunrise, Ruins of a Hospice, north west of Wytschaete, destroyed by bombardment in 1917, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)

Nash, Paul (1889-1946)

Harbour and Room, 1931 (w/c & pencil on paper)
Harbour and Room, 1931 (w/c & pencil on paper)

PNH356307: Harbour and Room, 1931 (w/c & pencil on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: PNH356307

Harbour and Room, 1931 (w/c & pencil on paper)

Nash, Paul (1889-1946)

Landscape Composition (Objects in Relation) 1934 (tempera on hardboard)
Landscape Composition (Objects in Relation) 1934 (tempera on hardboard)

PAL263412: Landscape Composition (Objects in Relation) 1934 (tempera on hardboard), Nash, Paul (1889-1946) / Bridgeman Images

ID: PAL263412

Landscape Composition (Objects in Relation) 1934 (tempera on hardboard)

Nash, Paul (1889-1946)

Lupins and Cactus, 1927 (oil on canvas)
Lupins and Cactus, 1927 (oil on canvas)

PNH356240: Lupins and Cactus, 1927 (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: PNH356240

Lupins and Cactus, 1927 (oil on canvas)

Nash, Paul (1889-1946)

Trees in Bird Garden, Iver Heath, 1913 (w/c & pencil on paper)
Trees in Bird Garden, Iver Heath, 1913 (w/c & pencil on paper)

XBM189245: Trees in Bird Garden, Iver Heath, 1913 (w/c & pencil on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: XBM189245

Trees in Bird Garden, Iver Heath, 1913 (w/c & pencil on paper)

Nash, Paul (1889-1946)

The Caterpillar Crater, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)
The Caterpillar Crater, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)

STC255956: The Caterpillar Crater, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho), Nash, Paul (1889-1946) / Bridgeman Images

ID: STC255956

The Caterpillar Crater, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)

Nash, Paul (1889-1946)

Strange Coast, 1920 (lithograph)
Strange Coast, 1920 (lithograph)

WHT6817065: Strange Coast, 1920 (lithograph), Nash, Paul (1889-1946) / Bridgeman Images

ID: WHT6817065

Strange Coast, 1920 (lithograph)

Nash, Paul (1889-1946)

A Landscape at Wood Lane, 1913 (w/c on paper)
A Landscape at Wood Lane, 1913 (w/c on paper)

MAN2975531: A Landscape at Wood Lane, 1913 (w/c on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: MAN2975531

A Landscape at Wood Lane, 1913 (w/c on paper)

Nash, Paul (1889-1946)

Cumberland Landscape, 1924 (oil on canvas)
Cumberland Landscape, 1924 (oil on canvas)

OFW264037: Cumberland Landscape, 1924 (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: OFW264037

Cumberland Landscape, 1924 (oil on canvas)

Nash, Paul (1889-1946)

The Comer, 1919 (pencil, w/c & chalk with wash on paper)
The Comer, 1919 (pencil, w/c & chalk with wash on paper)

JRD3593594: The Comer, 1919 (pencil, w/c & chalk with wash on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: JRD3593594

The Comer, 1919 (pencil, w/c & chalk with wash on paper)

Nash, Paul (1889-1946)

Object at Scarbank, 1939 (w/c on paper)
Object at Scarbank, 1939 (w/c on paper)

PNH356241: Object at Scarbank, 1939 (w/c on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: PNH356241

Object at Scarbank, 1939 (w/c on paper)

Nash, Paul (1889-1946)

The Field Path, 1918 (ink on paper)
The Field Path, 1918 (ink on paper)

TLH496345: The Field Path, 1918 (ink on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: TLH496345

The Field Path, 1918 (ink on paper)

Nash, Paul (1889-1946)

The Archer, 1930-42 (oil on canvas)
The Archer, 1930-42 (oil on canvas)

SOU80730: The Archer, 1930-42 (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: SOU80730

The Archer, 1930-42 (oil on canvas)

Nash, Paul (1889-1946)

Encounter in the Afternoon, 1936 (oil on canvas)
Encounter in the Afternoon, 1936 (oil on canvas)

GR24696: Encounter in the Afternoon, 1936 (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: GR24696

Encounter in the Afternoon, 1936 (oil on canvas)

Nash, Paul (1889-1946)

November Moon, 1942 (oil on canvas)
November Moon, 1942 (oil on canvas)

FIT69673: November Moon, 1942 (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: FIT69673

November Moon, 1942 (oil on canvas)

Nash, Paul (1889-1946)

The Mine Crater, Hill 60, Ypres Salient (b/w litho)
The Mine Crater, Hill 60, Ypres Salient (b/w litho)

PFA170750: The Mine Crater, Hill 60, Ypres Salient (b/w litho), Nash, Paul (1889-1946) / Bridgeman Images

ID: PFA170750

The Mine Crater, Hill 60, Ypres Salient (b/w litho)

Nash, Paul (1889-1946)

Edge of the Wood, 1914-15 (pen & ink and wash on paper)`
Edge of the Wood, 1914-15 (pen & ink and wash on paper)`

MAN3552347: Edge of the Wood, 1914-15 (pen & ink and wash on paper)`, Nash, Paul (1889-1946) / Bridgeman Images

ID: MAN3552347

Edge of the Wood, 1914-15 (pen & ink and wash on paper)`

Nash, Paul (1889-1946)

Earth, Sky, 1937 (pencil and w/c)
Earth, Sky, 1937 (pencil and w/c)

FAS71053: Earth, Sky, 1937 (pencil and w/c), Nash, Paul (1889-1946) / Bridgeman Images

ID: FAS71053

Earth, Sky, 1937 (pencil and w/c)

Nash, Paul (1889-1946)

Silbury Hill (oil on canvas)
Silbury Hill (oil on canvas)

CK93276: Silbury Hill (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: CK93276

Silbury Hill (oil on canvas)

Nash, Paul (1889-1946)

Mantel-Piece, 1928 (oil on canvas)
Mantel-Piece, 1928 (oil on canvas)

CH378043: Mantel-Piece, 1928 (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: CH378043

Mantel-Piece, 1928 (oil on canvas)

Nash, Paul (1889-1946)

Silbury Hill (w/c on paper)
Silbury Hill (w/c on paper)

AGN252249: Silbury Hill (w/c on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: AGN252249

Silbury Hill (w/c on paper)

Nash, Paul (1889-1946)

Oxenbridge Pond, 1927-28 (oil on canvas)
Oxenbridge Pond, 1927-28 (oil on canvas)

XBM189249: Oxenbridge Pond, 1927-28 (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: XBM189249

Oxenbridge Pond, 1927-28 (oil on canvas)

Nash, Paul (1889-1946)

Sanctuary Wood, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)
Sanctuary Wood, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)

STC255946: Sanctuary Wood, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho), Nash, Paul (1889-1946) / Bridgeman Images

ID: STC255946

Sanctuary Wood, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)

Nash, Paul (1889-1946)

Dymchurch, Kent, 1922 (ink and watercolour on paper)
Dymchurch, Kent, 1922 (ink and watercolour on paper)

CEC128107: Dymchurch, Kent, 1922 (ink and watercolour on paper), Nash, Paul (1889-1946) / Bridgeman Images

ID: CEC128107

Dymchurch, Kent, 1922 (ink and watercolour on paper)

Nash, Paul (1889-1946)

Souvenir of Florence, 1929 (oil on canvas)
Souvenir of Florence, 1929 (oil on canvas)

GR24695: Souvenir of Florence, 1929 (oil on canvas), Nash, Paul (1889-1946) / Bridgeman Images

ID: GR24695

Souvenir of Florence, 1929 (oil on canvas)

Nash, Paul (1889-1946)

Only Egg, 1937 (photos, flint & shale)
Only Egg, 1937 (photos, flint & shale)

LMG440301: Only Egg, 1937 (photos, flint & shale), Nash, Paul (1889-1946) / Bridgeman Images

ID: LMG440301

Only Egg, 1937 (photos, flint & shale)

Nash, Paul (1889-1946)


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