Cox, David (1783-1859) Assets (223 in total)

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The Skylark, 1849 (oil on canvas)
The Skylark, 1849 (oil on canvas)

XBM189893: The Skylark, 1849 (oil on canvas), Cox, David (1783-1859) / Bridgeman Images

Old Houses and Wye Bridge, Hereford, 1820 (w/c over pencil on paper)
Old Houses and Wye Bridge, Hereford, 1820 (w/c over pencil on paper)

XBM189867: Old Houses and Wye Bridge, Hereford, 1820 (w/c over pencil on paper), Cox, David (1783-1859) / Bridgeman Images

Birmingham (w/c on paper)
Birmingham (w/c on paper)

AGN356154: Birmingham (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

Keep the Left Road, 1854 (w/c & bodycolour on rough 'Scotch' paper)
Keep the Left Road, 1854 (w/c & bodycolour on rough 'Scotch' paper)

XBM5972419: Keep the Left Road, 1854 (w/c & bodycolour on rough 'Scotch' paper), Cox, David (1783-1859) / Bridgeman Images

Capel Curig, Caernarvonshire, Wales (w/c over graphite on paper)
Capel Curig, Caernarvonshire, Wales (w/c over graphite on paper)

XYC281104: Capel Curig, Caernarvonshire, Wales (w/c over graphite on paper), Cox, David (1783-1859) / Bridgeman Images

A View from above Bettws-y-Coed, Moel Siabod and the Snowdon Range in the Distance, 1853 (oil on canvas)
A View from above Bettws-y-Coed, Moel Siabod and the Snowdon Range in the Distance, 1853 (oil on canvas)

AGN356122: A View from above Bettws-y-Coed, Moel Siabod and the Snowdon Range in the Distance, 1853 (oil on canvas), Cox, David (1783-1859) / Bridgeman Images

Windermere During the Regatta, 1832 (w/c & bodycolour over graphite on paper)
Windermere During the Regatta, 1832 (w/c & bodycolour over graphite on paper)

XYC245531: Windermere During the Regatta, 1832 (w/c & bodycolour over graphite on paper), Cox, David (1783-1859) / Bridgeman Images

On Lancaster Sands, Sunset (Crossing Lancaster Sands) c.1835 (w/c & bodycolour over graphite on paper)
On Lancaster Sands, Sunset (Crossing Lancaster Sands) c.1835 (w/c & bodycolour over graphite on paper)

XYC245528: On Lancaster Sands, Sunset (Crossing Lancaster Sands) c.1835 (w/c & bodycolour over graphite on paper), Cox, David (1783-1859) / Bridgeman Images

The Poplar Avenue (w/c over pencil & black chalk on paper)
The Poplar Avenue (w/c over pencil & black chalk on paper)

XYC266773: The Poplar Avenue (w/c over pencil & black chalk on paper), Cox, David (1783-1859) / Bridgeman Images

Crossing the Sands, 1848 (oil on panel)
Crossing the Sands, 1848 (oil on panel)

XBM189880: Crossing the Sands, 1848 (oil on panel), Cox, David (1783-1859) / Bridgeman Images

Going to the Hayfield, 1853 (oil on millboard)
Going to the Hayfield, 1853 (oil on millboard)

XYC165932: Going to the Hayfield, 1853 (oil on millboard), Cox, David (1783-1859) / Bridgeman Images

The Challenge on the Moors, near Bettws-y-Coed, North Wales, 1853, (w/c and gouache)
The Challenge on the Moors, near Bettws-y-Coed, North Wales, 1853, (w/c and gouache)

SC14465: The Challenge on the Moors, near Bettws-y-Coed, North Wales, 1853, (w/c and gouache), Cox, David (1783-1859) / Bridgeman Images

Worcester Cathedral, River Severn (oil on canvas)
Worcester Cathedral, River Severn (oil on canvas)

WSC3601697: Worcester Cathedral, River Severn (oil on canvas), Cox, David (1783-1859) / Bridgeman Images

The Meeting of the Waters (bodycolour on paper)
The Meeting of the Waters (bodycolour on paper)

TW1214304: The Meeting of the Waters (bodycolour on paper), Cox, David (1783-1859) / Bridgeman Images

Laugharne Castle, 1849 (w/c on paper)
Laugharne Castle, 1849 (w/c on paper)

AGN130327: Laugharne Castle, 1849 (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

The Shepherd, Return of the Flock, 1850 (oil on board)
The Shepherd, Return of the Flock, 1850 (oil on board)

NGW239414: The Shepherd, Return of the Flock, 1850 (oil on board), Cox, David (1783-1859) / Bridgeman Images

View of Harborne Church and Harborne Hall, Birmingham (w/c & black chalk)
View of Harborne Church and Harborne Hall, Birmingham (w/c & black chalk)

HMG392043: View of Harborne Church and Harborne Hall, Birmingham (w/c & black chalk), Cox, David (1783-1859) / Bridgeman Images

A Sussex Windmill (oil on board)
A Sussex Windmill (oil on board)

MAM712770: A Sussex Windmill (oil on board), Cox, David (1783-1859) / Bridgeman Images

Landscape with Shepherd (oil on paper)
Landscape with Shepherd (oil on paper)

GNV5673676: Landscape with Shepherd (oil on paper), Cox, David (1783-1859) / Bridgeman Images

High Street, Bath (w/c on paper)
High Street, Bath (w/c on paper)

VIB781482: High Street, Bath (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

Calais Pier (w/c on paper)
Calais Pier (w/c on paper)

AGN9587: Calais Pier (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

The Junction of the River Severn and the River Wye with Chepstow Castle in the Distance (w/c on paper)
The Junction of the River Severn and the River Wye with Chepstow Castle in the Distance (w/c on paper)

AGN47552: The Junction of the River Severn and the River Wye with Chepstow Castle in the Distance (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

No.1789 Returning from the Hayfield, with a distant view of Haddon Hall (w/c on paper)
No.1789 Returning from the Hayfield, with a distant view of Haddon Hall (w/c on paper)

FIT66016: No.1789 Returning from the Hayfield, with a distant view of Haddon Hall (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

Goodrich Castle (w/c on paper)
Goodrich Castle (w/c on paper)

AGN65455: Goodrich Castle (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

Scarborough
Scarborough

USH57166: Scarborough, Cox, David (1783-1859) / Bridgeman Images

Haymakers in a Welsh Landscape, 1852 (oil on panel)
Haymakers in a Welsh Landscape, 1852 (oil on panel)

AGN95358: Haymakers in a Welsh Landscape, 1852 (oil on panel), Cox, David (1783-1859) / Bridgeman Images

Bettws-y-Coed Church, North Wales, 1852 (w/c on paper)
Bettws-y-Coed Church, North Wales, 1852 (w/c on paper)

AGN95211: Bettws-y-Coed Church, North Wales, 1852 (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

A View of Westminster Bridge looking west towards Lambeth Palace and Westminster Abbey (pencil & w/c on paper)
A View of Westminster Bridge looking west towards Lambeth Palace and Westminster Abbey (pencil & w/c on paper)

AGN252228: A View of Westminster Bridge looking west towards Lambeth Palace and Westminster Abbey (pencil & w/c on paper), Cox, David (1783-1859) / Bridgeman Images

A Cottage and Byre at the Edge of a Wood, 1845 (w/c on paper)
A Cottage and Byre at the Edge of a Wood, 1845 (w/c on paper)

AGN260372: A Cottage and Byre at the Edge of a Wood, 1845 (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

A Derbyshire River, 1845 (w/c on paper)
A Derbyshire River, 1845 (w/c on paper)

AGN264329: A Derbyshire River, 1845 (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

Welsh Landscape (chalk on paper)
Welsh Landscape (chalk on paper)

AGN264330: Welsh Landscape (chalk on paper), Cox, David (1783-1859) / Bridgeman Images

Llugwy Meadows (w/c on paper)
Llugwy Meadows (w/c on paper)

AGN356162: Llugwy Meadows (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

Beech no. 18, illustration from 'Progressive Lessons on Landscape for Young Beginners', 1816 (soft ground etching)
Beech no. 18, illustration from 'Progressive Lessons on Landscape for Young Beginners', 1816 (soft ground etching)

XYC286287: Beech no. 18, illustration from 'Progressive Lessons on Landscape for Young Beginners', 1816 (soft ground etching), Cox, David (1783-1859) / Bridgeman Images

A Baggage Train Crossing a Plain (w/c on paper)
A Baggage Train Crossing a Plain (w/c on paper)

AGN48007: A Baggage Train Crossing a Plain (w/c on paper), Cox, David (1783-1859) / Bridgeman Images

Haymaking, c.1808 (w/c with bodycolour over graphite on paper)
Haymaking, c.1808 (w/c with bodycolour over graphite on paper)

XYC252120: Haymaking, c.1808 (w/c with bodycolour over graphite on paper), Cox, David (1783-1859) / Bridgeman Images

Riders at Ulverstone (w/c on paper)
Riders at Ulverstone (w/c on paper)

AGN260359: Riders at Ulverstone (w/c on paper), Cox, David (1783-1859) / Bridgeman Images


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