Cole, Thomas (1801-1848) Assets (233 in total)

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Daniel Boone, c.1825-1826 (pencil, pen, wash drawing)
Daniel Boone, c.1825-1826 (pencil, pen, wash drawing)

MAM712546: Daniel Boone, c.1825-1826 (pencil, pen, wash drawing), Cole, Thomas (1801-1848) / Bridgeman Images

Arcade in Palermo, Sicily, 1842 (pencil on paper)
Arcade in Palermo, Sicily, 1842 (pencil on paper)

DTR875803: Arcade in Palermo, Sicily, 1842 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Ear of Dionysus in the Latomia del Paradiso, Syracuse, Sicily, 1842 (pencil on paper)
Ear of Dionysus in the Latomia del Paradiso, Syracuse, Sicily, 1842 (pencil on paper)

DTR995584: Ear of Dionysus in the Latomia del Paradiso, Syracuse, Sicily, 1842 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Florence with Views of the Duomo and Campagnale, 1831 (pencil on paper)
Florence with Views of the Duomo and Campagnale, 1831 (pencil on paper)

DTR1073101: Florence with Views of the Duomo and Campagnale, 1831 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Monreale, Sicily, 1842 (pencil heightened with white chalk on paper)
Monreale, Sicily, 1842 (pencil heightened with white chalk on paper)

DTR995588: Monreale, Sicily, 1842 (pencil heightened with white chalk on paper), Cole, Thomas (1801-1848) / Bridgeman Images

View near Lentini, Sicily, 1842 (pencil on paper)
View near Lentini, Sicily, 1842 (pencil on paper)

DTR875792: View near Lentini, Sicily, 1842 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Palermo, Sicily, from the Ancient Saracen Tower of the Zisa, 1842 (pencil on paper)
Palermo, Sicily, from the Ancient Saracen Tower of the Zisa, 1842 (pencil on paper)

DTR875816: Palermo, Sicily, from the Ancient Saracen Tower of the Zisa, 1842 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Untitled, 1841 (pencil on paper)
Untitled, 1841 (pencil on paper)

DTR875820: Untitled, 1841 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Calatafimi, Sicily, 1842 (pencil on paper)
Calatafimi, Sicily, 1842 (pencil on paper)

DTR1065922: Calatafimi, Sicily, 1842 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Temple of Zeus and Papyrus on the Anapo River, near Syracuse, Sicily, 1842 (pencil heightened with white chalk on paper)
Temple of Zeus and Papyrus on the Anapo River, near Syracuse, Sicily, 1842 (pencil heightened with white chalk on paper)

DTR995580: Temple of Zeus and Papyrus on the Anapo River, near Syracuse, Sicily, 1842 (pencil heightened with white chalk on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Aetna from a Distance of Thirty Miles, 1842 (pencil on paper)
Aetna from a Distance of Thirty Miles, 1842 (pencil on paper)

DTR1144251: Aetna from a Distance of Thirty Miles, 1842 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Plans for Basement, First and Second Floors of Proposed Villa at Catskill, 1801-48 (pencil on paper)
Plans for Basement, First and Second Floors of Proposed Villa at Catskill, 1801-48 (pencil on paper)

DTR7141113: Plans for Basement, First and Second Floors of Proposed Villa at Catskill, 1801-48 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Summer Twilight, A Recollection of a Scene in New England, 1834 (oil on wood panel)
Summer Twilight, A Recollection of a Scene in New England, 1834 (oil on wood panel)

NYH1079282: Summer Twilight, A Recollection of a Scene in New England, 1834 (oil on wood panel), Cole, Thomas (1801-1848) / Bridgeman Images

Landscape, 1832 (pencil on paper)
Landscape, 1832 (pencil on paper)

DTR497408: Landscape, 1832 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Two Elevations for New Studio at Cedar Grove (pencil on paper)
Two Elevations for New Studio at Cedar Grove (pencil on paper)

DTR984604: Two Elevations for New Studio at Cedar Grove (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Selinute, Sicily, 1842 (pencil on paper)
Selinute, Sicily, 1842 (pencil on paper)

DTR1065923: Selinute, Sicily, 1842 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Details of Capitals in the Church at Monreale, 1842 (pencil on paper)
Details of Capitals in the Church at Monreale, 1842 (pencil on paper)

DTR995587: Details of Capitals in the Church at Monreale, 1842 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

View on the Arno, near Florence, 1837 (oil on canvas)
View on the Arno, near Florence, 1837 (oil on canvas)

WAM242514: View on the Arno, near Florence, 1837 (oil on canvas), Cole, Thomas (1801-1848) / Bridgeman Images

Elevation of the State House, Columbus, Ohio, c.1838 (graphite pencil on beige wove paper)
Elevation of the State House, Columbus, Ohio, c.1838 (graphite pencil on beige wove paper)

DTR340986: Elevation of the State House, Columbus, Ohio, c.1838 (graphite pencil on beige wove paper), Cole, Thomas (1801-1848) / Bridgeman Images

Schroon Mountain from Near the Head of Schroon Lake, 1837 (graphite pencil on off-white wove paper)
Schroon Mountain from Near the Head of Schroon Lake, 1837 (graphite pencil on off-white wove paper)

DTR6040968: Schroon Mountain from Near the Head of Schroon Lake, 1837 (graphite pencil on off-white wove paper), Cole, Thomas (1801-1848) / Bridgeman Images

Untitled (detail of a cliff with foliage) 1831 (pencil on paper)
Untitled (detail of a cliff with foliage) 1831 (pencil on paper)

DTR3481197: Untitled (detail of a cliff with foliage) 1831 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Standing Nude Male Figure (chalks on paper)
Standing Nude Male Figure (chalks on paper)

DTR3481193: Standing Nude Male Figure (chalks on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Untitled (study of a river scene with boats) 1831 (pen & ink over pencil on paper)
Untitled (study of a river scene with boats) 1831 (pen & ink over pencil on paper)

DTR3481195: Untitled (study of a river scene with boats) 1831 (pen & ink over pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Composition Study of Three Shepherds, 1832-34 (pen & ink with chalk over pencil on paper
Composition Study of Three Shepherds, 1832-34 (pen & ink with chalk over pencil on paper

DTR3481191: Composition Study of Three Shepherds, 1832-34 (pen & ink with chalk over pencil on paper, Cole, Thomas (1801-1848) / Bridgeman Images

The Rocca Nuova (or Torre Maschio, Volterra) c.1831 (pencil on paper)
The Rocca Nuova (or Torre Maschio, Volterra) c.1831 (pencil on paper)

DTR3514863: The Rocca Nuova (or Torre Maschio, Volterra) c.1831 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

The Ilissus, from the Parthenon West Pediment, 1829 or 1830 (black chalk heightened with white chalk on grayish blue wove paper)
The Ilissus, from the Parthenon West Pediment, 1829 or 1830 (black chalk heightened with white chalk on grayish blue wove paper)

DTR3514893: The Ilissus, from the Parthenon West Pediment, 1829 or 1830 (black chalk heightened with white chalk on grayish blue wove paper), Cole, Thomas (1801-1848) / Bridgeman Images

General Brock's Monument, Queenston, Ontario, 1829 (graphite pencil on off-white wove paper)
General Brock's Monument, Queenston, Ontario, 1829 (graphite pencil on off-white wove paper)

DTR3550923: General Brock's Monument, Queenston, Ontario, 1829 (graphite pencil on off-white wove paper), Cole, Thomas (1801-1848) / Bridgeman Images

Proposed Villa at Catskill, 1801-48 (pencil on paper)
Proposed Villa at Catskill, 1801-48 (pencil on paper)

DTR7141115: Proposed Villa at Catskill, 1801-48 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Front Elevation of Proposed Villa at Catskill, 19th century (pen and ink on paper)
Front Elevation of Proposed Villa at Catskill, 19th century (pen and ink on paper)

DTR7141111: Front Elevation of Proposed Villa at Catskill, 19th century (pen and ink on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Floor Plan of the Second Floor of the Proposed Villa at Catskill, 1801-48 (pen, ink, pencil on paper)
Floor Plan of the Second Floor of the Proposed Villa at Catskill, 1801-48 (pen, ink, pencil on paper)

DTR7141114: Floor Plan of the Second Floor of the Proposed Villa at Catskill, 1801-48 (pen, ink, pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Grand Plan of the Ohio State House, c.1838 (pencil on paper)
Grand Plan of the Ohio State House, c.1838 (pencil on paper)

DTR2629436: Grand Plan of the Ohio State House, c.1838 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

White Pine, c.1832 (pen & ink over pencil on paper)
White Pine, c.1832 (pen & ink over pencil on paper)

DTR3514872: White Pine, c.1832 (pen & ink over pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

Westminster Abbey from the North, St. James Park, c.1830 (graphite pencil on off-white wove paper)
Westminster Abbey from the North, St. James Park, c.1830 (graphite pencil on off-white wove paper)

DTR3514894: Westminster Abbey from the North, St. James Park, c.1830 (graphite pencil on off-white wove paper), Cole, Thomas (1801-1848) / Bridgeman Images

Untitled, sketch of Catskill landscape and study of Sumack tree, c.1832 (graphite pencil on off-white wove paper)
Untitled, sketch of Catskill landscape and study of Sumack tree, c.1832 (graphite pencil on off-white wove paper)

DTR3514895: Untitled, sketch of Catskill landscape and study of Sumack tree, c.1832 (graphite pencil on off-white wove paper) , Cole, Thomas (1801-1848) / Bridgeman Images

Mist Over the Lower Country from the Catskill Mountains, between 1801 and 1848 (pen and brown ink over graphite pencil on off-white wove paper)
Mist Over the Lower Country from the Catskill Mountains, between 1801 and 1848 (pen and brown ink over graphite pencil on off-white wove paper)

DTR3593881: Mist Over the Lower Country from the Catskill Mountains, between 1801 and 1848 (pen and brown ink over graphite pencil on off-white wove paper), Cole, Thomas (1801-1848) / Bridgeman Images

Untitled ('Extracts from The Art of Colouring), c.1825 (pen & ink on paper)
Untitled ('Extracts from The Art of Colouring), c.1825 (pen & ink on paper)

DTR3598133: Untitled ('Extracts from The Art of Colouring), c.1825 (pen & ink on paper), Cole, Thomas (1801-1848) / Bridgeman Images


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