Shaw, John Byam Liston (1872-1919) Assets (197 in total)

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IL3552039: "I dreamt I dewlt in marble halls", illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

IL3552029: "One price there is -on I know and that to you I offer", illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

IL3552031: "Thou art my rival? What though it were so?", illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Spring, c.1910 (gouache on paper)
Spring, c.1910 (gouache on paper)

PNH692888: Spring, c.1910 (gouache on paper) , Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Brunnhilde gives herself to the flames (colour litho)
Brunnhilde gives herself to the flames (colour litho)

LLM971579: Brunnhilde gives herself to the flames (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Elizabeth pleads for Tannhauser (colour litho)
Elizabeth pleads for Tannhauser (colour litho)

LLM971597: Elizabeth pleads for Tannhauser (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

And who knoweth whether he shall be wise man or a fool, 1901 (oil on panel)
And who knoweth whether he shall be wise man or a fool, 1901 (oil on panel)

CH989551: And who knoweth whether he shall be wise man or a fool, 1901 (oil on panel), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

There is a great Field Marshall, my friend, who arrays our battalions; Let us to Provdence trust, and abide and work in our stations',  (oil on panel)
There is a great Field Marshall, my friend, who arrays our battalions; Let us to Provdence trust, and abide and work in our stations',  (oil on panel)

CH828442: There is a great Field Marshall, my friend, who arrays our battalions; Let us to Provdence trust, and abide and work in our stations', (oil on panel), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

'Dead together! All are dead!' (colour litho)
'Dead together! All are dead!' (colour litho)

LLM971586: 'Dead together! All are dead!' (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

It is better to hear the rebuke of the wise than for a man to hear the song of fools, 1901 (oil on panel)
It is better to hear the rebuke of the wise than for a man to hear the song of fools, 1901 (oil on panel)

CH989552: It is better to hear the rebuke of the wise than for a man to hear the song of fools, 1901 (oil on panel), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

The king he called her back again, and unto her he gave his chain, 1928 (colour litho)
The king he called her back again, and unto her he gave his chain, 1928 (colour litho)

IL1122944: The king he called her back again, and unto her he gave his chain, 1928 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Love liketh not the falling fruit, nor yet the withered tree, 1928 (colour litho)
Love liketh not the falling fruit, nor yet the withered tree, 1928 (colour litho)

IL1122953: Love liketh not the falling fruit, nor yet the withered tree, 1928 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

AFF5615798: "Evangelist points out the way to the Wicket Gate" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919) showing Evangelist showing Christian the way., Shaw, John Byam Liston (1872-1919) / Bridgeman Images

AFF5615822: "Yet it was governed by a woman" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919), the beast with 7 heads and 10 horns., Shaw, John Byam Liston (1872-1919) / Bridgeman Images

AFF5615825: "The Messenger comes to Christiana" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919), an angel arrives summoning Christiana to the Celestial City ., Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Title Page, 1928 (colour litho)
Title Page, 1928 (colour litho)

IL1122943: Title Page, 1928 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

They filled the great vessel of silver with pure water (litho)
They filled the great vessel of silver with pure water (litho)

LLM3101664: They filled the great vessel of silver with pure water (litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Queen of Hearts, 1896 (oil on canvas)
Queen of Hearts, 1896 (oil on canvas)

HTL97257: Queen of Hearts, 1896 (oil on canvas), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

The owner of the Castle was Giant Despair, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho)
The owner of the Castle was Giant Despair, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho)

STC308573: The owner of the Castle was Giant Despair, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

They saw one man called Fool, and another called Want-Wit, washing a man who came from a country where all men were black, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho)
They saw one man called Fool, and another called Want-Wit, washing a man who came from a country where all men were black, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho)

STC308576: They saw one man called Fool, and another called Want-Wit, washing a man who came from a country where all men were black, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

The Baptism at Tara, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)
The Baptism at Tara, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)

STC393335: The Baptism at Tara, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Cupid's Pastime (w/c, gouache on paper)
Cupid's Pastime (w/c, gouache on paper)

CBE98209: Cupid's Pastime (w/c, gouache on paper), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

The Homage of the Peers, 1911
The Homage of the Peers, 1911

HRP5246129: The Homage of the Peers, 1911, Shaw, John Byam Liston (1872-1919) / Bridgeman Images

King George V with this train-bearers, 1911
King George V with this train-bearers, 1911

HRP5246132: King George V with this train-bearers, 1911, Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Guarding the Regalia on Coronation Eve, 1911
Guarding the Regalia on Coronation Eve, 1911

HRP5246121: Guarding the Regalia on Coronation Eve, 1911, Shaw, John Byam Liston (1872-1919) / Bridgeman Images

For Ever, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho)
For Ever, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho)

IL3552025: For Ever, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

IL3552034: "I will dance for thy pleasure", illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Madame Butterfly, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho)
Madame Butterfly, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho)

IL3552040: Madame Butterfly, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Nedda and her lover, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho)
Nedda and her lover, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho)

IL3552052: Nedda and her lover, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

While old Mammon leads the ball, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho)
While old Mammon leads the ball, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho)

IL3552024: While old Mammon leads the ball, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

IL3552030: "Do you all know this woman?", illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Exit Yamadori, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho)
Exit Yamadori, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho)

IL3552048: Exit Yamadori, illustration from Favourite Operas published by Thomas Nelson and Sons Ltd, c.1930 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Belle Sauvage, for 'Wild Beasts in Captivity', a poem by Charles and Mary Lamb (pen & ink on card)
Belle Sauvage, for 'Wild Beasts in Captivity', a poem by Charles and Mary Lamb (pen & ink on card)

PNH371950: Belle Sauvage, for 'Wild Beasts in Captivity', a poem by Charles and Mary Lamb (pen & ink on card), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Great-Heart drives back the lion (colour litho)
Great-Heart drives back the lion (colour litho)

IL956045: Great-Heart drives back the lion (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Telramund and Ortrud on the steps of the Minster (colour litho)
Telramund and Ortrud on the steps of the Minster (colour litho)

LLM971593: Telramund and Ortrud on the steps of the Minster (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Tannhauser is allured back to Venusberg (colour litho)
Tannhauser is allured back to Venusberg (colour litho)

LLM971596: Tannhauser is allured back to Venusberg (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images


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