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13713 Search Results for sword

Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820
Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820

GIA4813040: Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820, Ferrario, Giulio (1767-1847) / Bridgeman Images

ID: GIA4813040

Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820

Ferrario, Giulio (1767-1847)

Grand Princes Rurik, Igor and Sviatoslav, mural by Palekh masters in the Faceted Chamber, 1882 (mural)
Grand Princes Rurik, Igor and Sviatoslav, mural by Palekh masters in the Faceted Chamber, 1882 (mural)

BCC423463: Grand Princes Rurik, Igor and Sviatoslav, mural by Palekh masters in the Faceted Chamber, 1882 (mural), Russian School, (19th century) / Bridgeman Images

ID: BCC423463

Grand Princes Rurik, Igor and Sviatoslav, mural by Palekh masters in the Faceted Chamber, 1882 (mural)

Russian School, (19th century)

Minamoto no Muneyuki Ason, from the series '100 Poems by 100 Poets Explained by a Nurse', c.1835 (woodblock print)
Minamoto no Muneyuki Ason, from the series '100 Poems by 100 Poets Explained by a Nurse', c.1835 (woodblock print)

FIT111460: Minamoto no Muneyuki Ason, from the series '100 Poems by 100 Poets Explained by a Nurse', c.1835 (woodblock print), Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: FIT111460

Minamoto no Muneyuki Ason, from the series '100 Poems by 100 Poets Explained by a Nurse', c.1835 (woodblock print)

Hokusai, Katsushika (1760-1849)

Portrait of a British Infantry Officer, c.1740-50 (oil on canvas)
Portrait of a British Infantry Officer, c.1740-50 (oil on canvas)

DTO3267437: Portrait of a British Infantry Officer, c.1740-50 (oil on canvas), Morier, David (1705-70) (attr. to) / Bridgeman Images

ID: DTO3267437

Portrait of a British Infantry Officer, c.1740-50 (oil on canvas)

Morier, David (1705-70) (attr. to)

Play Scapin's Schemings by Moliere: Argante, Scapin and Sylvestre, engraving by Delannoy after a drawing by G. Staal (1870)
Play Scapin's Schemings by Moliere: Argante, Scapin and Sylvestre, engraving by Delannoy after a drawing by G. Staal (1870)

PVD1688383: Play Scapin's Schemings by Moliere: Argante, Scapin and Sylvestre, engraving by Delannoy after a drawing by G. Staal (1870), Delannoy (19th century) / Bridgeman Images

ID: PVD1688383

Play Scapin's Schemings by Moliere: Argante, Scapin and Sylvestre, engraving by Delannoy after a drawing by G. Staal (1870)

Delannoy (19th century)

Damocles's sword: Damocles king of goldsmithing having replaced Denys the Elder, tyrant of Syracuse, for a day in his role as ruler finds out during a feast that a sword held by a horsehair is suspended above his head symbolizing the sense of power and the risk of death that can strike at any moment (Sword of Damocles, sword suspended by a human hair used by Dionysus to show Damocles what happiness is, reminder that wealth and happiness cannot last) Engraving from “History of the world” by Ridpath 1885 Private collection
Damocles's sword: Damocles king of goldsmithing having replaced Denys the Elder, tyrant of Syracuse, for a day in his role as ruler finds out during a feast that a sword held by a horsehair is suspended above his head symbolizing the sense of power and the risk of death that can strike at any moment (Sword of Damocles, sword suspended by a human hair used by Dionysus to show Damocles what happiness is, reminder that wealth and happiness cannot last) Engraving from “History of the world” by Ridpath 1885 Private collection

ELD4931990: Damocles's sword: Damocles king of goldsmithing having replaced Denys the Elder, tyrant of Syracuse, for a day in his role as ruler finds out during a feast that a sword held by a horsehair is suspended above his head symbolizing the sense of power and the risk of death that can strike at any moment (Sword of Damocles, sword suspended by a human hair used by Dionysus to show Damocles what happiness is, reminder that wealth and happiness cannot last) Engraving from “History of the world” by Ridpath 1885 Private collection / Bridgeman Images

ID: ELD4931990

Damocles's sword: Damocles king of goldsmithing having replaced Denys the Elder, tyrant of Syracuse, for a day in his role as ruler finds out during a feast that a sword held by a horsehair is suspended above his head symbolizing the sense of power and the risk of death that can strike at any moment (Sword of Damocles, sword suspended by a human hair used by Dionysus to show Damocles what happiness is, reminder that wealth and happiness cannot last) Engraving from “History of the world” by Ridpath 1885 Private collection

He was compelled to yield, from 'The Stories of Wagner's Operas' by J. Walker McSpadden (1874-1960), 1905 (colour litho)
He was compelled to yield, from 'The Stories of Wagner's Operas' by J. Walker McSpadden (1874-1960), 1905 (colour litho)

STC323685: He was compelled to yield, from 'The Stories of Wagner's Operas' by J. Walker McSpadden (1874-1960), 1905 (colour litho), Leeke, Ferdinand (1859-1923) / Bridgeman Images

ID: STC323685

He was compelled to yield, from 'The Stories of Wagner's Operas' by J. Walker McSpadden (1874-1960), 1905 (colour litho)

Leeke, Ferdinand (1859-1923)

Capture of Benin - Military Tournament, 1893-97 (b/w photo)
Capture of Benin - Military Tournament, 1893-97 (b/w photo)

NAM2973896: Capture of Benin - Military Tournament, 1893-97 (b/w photo) / Bridgeman Images

ID: NAM2973896

Capture of Benin - Military Tournament, 1893-97 (b/w photo)

A Fencing Match, 1788 (coloured engraving)
A Fencing Match, 1788 (coloured engraving)

BSA266472: A Fencing Match, 1788 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BSA266472

A Fencing Match, 1788 (coloured engraving)

Rowlandson, Thomas (1756-1827)

Indra, engraved by Marlet et Cie (colour litho)
Indra, engraved by Marlet et Cie (colour litho)

STC107467: Indra, engraved by Marlet et Cie (colour litho), Bardel, Louis Thomas (1804-p.1841) (after) / Bridgeman Images

ID: STC107467

Indra, engraved by Marlet et Cie (colour litho)

Bardel, Louis Thomas (1804-p.1841) (after)

Presentation Smallsword with Scabbard, 1798-99 (steel, silver, enamel & leather)
Presentation Smallsword with Scabbard, 1798-99 (steel, silver, enamel & leather)

PHL441754: Presentation Smallsword with Scabbard, 1798-99 (steel, silver, enamel & leather), Morisset, James (1738-1815) / Bridgeman Images

ID: PHL441754

Presentation Smallsword with Scabbard, 1798-99 (steel, silver, enamel & leather)

Morisset, James (1738-1815)

Weapons including swords and spears, c.1400, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho)
Weapons including swords and spears, c.1400, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho)

STC2957678: Weapons including swords and spears, c.1400, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho), Reibisch, Friedrich Martin von (fl.1842) / Bridgeman Images

ID: STC2957678

Weapons including swords and spears, c.1400, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho)

Reibisch, Friedrich Martin von (fl.1842)

Sir Gareth doeth Battle with the Knight of the River Ford, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)
Sir Gareth doeth Battle with the Knight of the River Ford, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)

STC335762: Sir Gareth doeth Battle with the Knight of the River Ford, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335762

Sir Gareth doeth Battle with the Knight of the River Ford, illustration from 'The Story of Sir Launcelot and his Companions', 1907 (litho)

Pyle, Howard (1853-1911)

The Persian, from the 'Recueil d'Estampes sur les Costumes du Levant', engraved by Gerard Jean Baptiste Scotin (1671-1716) 1707-08 (coloured engraving)
The Persian, from the 'Recueil d'Estampes sur les Costumes du Levant', engraved by Gerard Jean Baptiste Scotin (1671-1716) 1707-08 (coloured engraving)

CHT171849: The Persian, from the 'Recueil d'Estampes sur les Costumes du Levant', engraved by Gerard Jean Baptiste Scotin (1671-1716) 1707-08 (coloured engraving), French School, (18th century) / Bridgeman Images

ID: CHT171849

The Persian, from the 'Recueil d'Estampes sur les Costumes du Levant', engraved by Gerard Jean Baptiste Scotin (1671-1716) 1707-08 (coloured engraving)

French School, (18th century)

French Revolution Cockade, c.1792-94 (textile)
French Revolution Cockade, c.1792-94 (textile)

TML2959882: French Revolution Cockade, c.1792-94 (textile), French School, (18th century) / Bridgeman Images

ID: TML2959882

French Revolution Cockade, c.1792-94 (textile)

French School, (18th century)

Julius Caesar as a boy, watching Roman soldiers returning from battle (gouache on paper)
Julius Caesar as a boy, watching Roman soldiers returning from battle (gouache on paper)

LAL723949: Julius Caesar as a boy, watching Roman soldiers returning from battle (gouache on paper), Jackson, Peter (1922-2003) / Bridgeman Images

ID: LAL723949

Julius Caesar as a boy, watching Roman soldiers returning from battle (gouache on paper)

Jackson, Peter (1922-2003)

Actors Ichikawa Danjuro VII as Kan Shojo (top) and Segawa Kikunojo V as Umeo-maru, 1832 (woodblock engraving)
Actors Ichikawa Danjuro VII as Kan Shojo (top) and Segawa Kikunojo V as Umeo-maru, 1832 (woodblock engraving)

FIT110142: Actors Ichikawa Danjuro VII as Kan Shojo (top) and Segawa Kikunojo V as Umeo-maru, 1832 (woodblock engraving), Kunisada, Utagawa (Toyokuni III) (1786-1865) / Bridgeman Images

ID: FIT110142

Actors Ichikawa Danjuro VII as Kan Shojo (top) and Segawa Kikunojo V as Umeo-maru, 1832 (woodblock engraving)

Kunisada, Utagawa (Toyokuni III) (1786-1865)

Guildiner (taler) of Sigismund (1439-96) Count of Tirol, Hall Mint, 1486 (obverse) (silver) (for reverse see 168059)
Guildiner (taler) of Sigismund (1439-96) Count of Tirol, Hall Mint, 1486 (obverse) (silver) (for reverse see 168059)

FIT168058: Guildiner (taler) of Sigismund (1439-96) Count of Tirol, Hall Mint, 1486 (obverse) (silver) (for reverse see 168059), German School, (15th century) / Bridgeman Images

ID: FIT168058

Guildiner (taler) of Sigismund (1439-96) Count of Tirol, Hall Mint, 1486 (obverse) (silver) (for reverse see 168059)

German School, (15th century)

Crusaders, printed by Wynkyn de Worde (d.1534) (woodcut)
Crusaders, printed by Wynkyn de Worde (d.1534) (woodcut)

XJF311236: Crusaders, printed by Wynkyn de Worde (d.1534) (woodcut), English School, (15th century) / Bridgeman Images

ID: XJF311236

Crusaders, printed by Wynkyn de Worde (d.1534) (woodcut)

English School, (15th century)

Grand Elizabethan staircase, Aldermaston, Berkshire, from 'Architecture of the Middle Ages', published 1838 (colour litho)
Grand Elizabethan staircase, Aldermaston, Berkshire, from 'Architecture of the Middle Ages', published 1838 (colour litho)

STC425561: Grand Elizabethan staircase, Aldermaston, Berkshire, from 'Architecture of the Middle Ages', published 1838 (colour litho), Nash, Joseph (1809-78) / Bridgeman Images

ID: STC425561

Grand Elizabethan staircase, Aldermaston, Berkshire, from 'Architecture of the Middle Ages', published 1838 (colour litho)

Nash, Joseph (1809-78)

Don Quixote Reading (La Lecture de Don Quichotte), by Célestin Nanteuil, 1873, 19th Century
Don Quixote Reading (La Lecture de Don Quichotte), by Célestin Nanteuil, 1873, 19th Century

MEP3599340: Don Quixote Reading (La Lecture de Don Quichotte), by Célestin Nanteuil, 1873, 19th Century, Nanteuil, Celestin Francois (1813-73) / Bridgeman Images

ID: MEP3599340

Don Quixote Reading (La Lecture de Don Quichotte), by Célestin Nanteuil, 1873, 19th Century

Nanteuil, Celestin Francois (1813-73)

Henry F. Steward, Sergeant in the 54th Massachusetts Volunteer Infantry Regiment, 1863 (hand-coloured quarter-plate ambrotype)
Henry F. Steward, Sergeant in the 54th Massachusetts Volunteer Infantry Regiment, 1863 (hand-coloured quarter-plate ambrotype)

MHS239835: Henry F. Steward, Sergeant in the 54th Massachusetts Volunteer Infantry Regiment, 1863 (hand-coloured quarter-plate ambrotype), American Photographer, (19th century) / Bridgeman Images

ID: MHS239835

Henry F. Steward, Sergeant in the 54th Massachusetts Volunteer Infantry Regiment, 1863 (hand-coloured quarter-plate ambrotype)

American Photographer, (19th century)

The head of Donald Macwilliam presented to Alexander II, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)
The head of Donald Macwilliam presented to Alexander II, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)

STC363662: The head of Donald Macwilliam presented to Alexander II, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho), Dovaston, Margaret (1884-1954) / Bridgeman Images

ID: STC363662

The head of Donald Macwilliam presented to Alexander II, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)

Dovaston, Margaret (1884-1954)

Arabian Art (chromolitho)
Arabian Art (chromolitho)

LLR735410: Arabian Art (chromolitho), European School, (19th century) / Bridgeman Images

ID: LLR735410

Arabian Art (chromolitho)

European School, (19th century)

Dyeing and swordmaking (chromolitho)
Dyeing and swordmaking (chromolitho)

LLL3105745: Dyeing and swordmaking (chromolitho), French School, (20th century) / Bridgeman Images

ID: LLL3105745

Dyeing and swordmaking (chromolitho)

French School, (20th century)

The Lord Mayor presenting the City Sword to His Majesty George III on his procession to St Paul's, 23 April 1789 (engraving)
The Lord Mayor presenting the City Sword to His Majesty George III on his procession to St Paul's, 23 April 1789 (engraving)

LLE1108006: The Lord Mayor presenting the City Sword to His Majesty George III on his procession to St Paul's, 23 April 1789 (engraving), English School, (18th century) / Bridgeman Images

ID: LLE1108006

The Lord Mayor presenting the City Sword to His Majesty George III on his procession to St Paul's, 23 April 1789 (engraving)

English School, (18th century)

The National Exposition at Paris (engraving)
The National Exposition at Paris (engraving)

LIP1096291: The National Exposition at Paris (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1096291

The National Exposition at Paris (engraving)

English School, (19th century)

US Model 1840 Heavy Cavalry saber
US Model 1840 Heavy Cavalry saber

DTO3028768: US Model 1840 Heavy Cavalry saber / Bridgeman Images

ID: DTO3028768

US Model 1840 Heavy Cavalry saber

Uniform of an Officer of the 9th Light dragoons in Review Order, from 'Costume of the British Empire, according to the Last Regulations', published 1812-15 (hand-coloured aquatint)
Uniform of an Officer of the 9th Light dragoons in Review Order, from 'Costume of the British Empire, according to the Last Regulations', published 1812-15 (hand-coloured aquatint)

STC708942: Uniform of an Officer of the 9th Light dragoons in Review Order, from 'Costume of the British Empire, according to the Last Regulations', published 1812-15 (hand-coloured aquatint) , Smith, Charles Hamilton (1776-1859) (after) / Bridgeman Images

ID: STC708942

Uniform of an Officer of the 9th Light dragoons in Review Order, from 'Costume of the British Empire, according to the Last Regulations', published 1812-15 (hand-coloured aquatint)

Smith, Charles Hamilton (1776-1859) (after)

A Victorian Paper Scrap Relief of Father Christmas with toys on his back holding a sword, c.1880 (colour litho)
A Victorian Paper Scrap Relief of Father Christmas with toys on his back holding a sword, c.1880 (colour litho)

CFA3605512: A Victorian Paper Scrap Relief of Father Christmas with toys on his back holding a sword, c.1880 (colour litho), English School, (19th century) / Bridgeman Images

ID: CFA3605512

A Victorian Paper Scrap Relief of Father Christmas with toys on his back holding a sword, c.1880 (colour litho)

English School, (19th century)

King Chulalongkorn, c.1880 (b/w photo)
King Chulalongkorn, c.1880 (b/w photo)

ASF3504612: King Chulalongkorn, c.1880 (b/w photo), Unknown photographer, (19th century) / Bridgeman Images

ID: ASF3504612

King Chulalongkorn, c.1880 (b/w photo)

Unknown photographer, (19th century)

Death of Admiral Carter, 1692 (engraving)
Death of Admiral Carter, 1692 (engraving)

XJF869908: Death of Admiral Carter, 1692 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869908

Death of Admiral Carter, 1692 (engraving)

English School, (19th century)

Alfred Raymond Gourron called Alvarez (1861-1933) in 'La Damnation de Faust' by Hector Berlioz (1803-69) (b/w photo)
Alfred Raymond Gourron called Alvarez (1861-1933) in 'La Damnation de Faust' by Hector Berlioz (1803-69) (b/w photo)

LRS164950: Alfred Raymond Gourron called Alvarez (1861-1933) in 'La Damnation de Faust' by Hector Berlioz (1803-69) (b/w photo), Du Guy (fl.c.1900) / Bridgeman Images

ID: LRS164950

Alfred Raymond Gourron called Alvarez (1861-1933) in 'La Damnation de Faust' by Hector Berlioz (1803-69) (b/w photo)

Du Guy (fl.c.1900)

A Private of the 3rd, or King's Own Dragoons, from 'Costumes of the Army of the British Empire, according to the last regulations 1812', engraved by J.C. Stadler, published by Colnaghi & Co. 1812-15 (coloured aquatint)
A Private of the 3rd, or King's Own Dragoons, from 'Costumes of the Army of the British Empire, according to the last regulations 1812', engraved by J.C. Stadler, published by Colnaghi & Co. 1812-15 (coloured aquatint)

NAM254111: A Private of the 3rd, or King's Own Dragoons, from 'Costumes of the Army of the British Empire, according to the last regulations 1812', engraved by J.C. Stadler, published by Colnaghi & Co. 1812-15 (coloured aquatint), Smith, Charles Hamilton (1776-1859) (after) / Bridgeman Images

ID: NAM254111

A Private of the 3rd, or King's Own Dragoons, from 'Costumes of the Army of the British Empire, according to the last regulations 1812', engraved by J.C. Stadler, published by Colnaghi & Co. 1812-15 (coloured aquatint)

Smith, Charles Hamilton (1776-1859) (after)

Knight lamenting
Knight lamenting

LAL319205: Knight lamenting, Howat, Andrew (20th Century) / Bridgeman Images

ID: LAL319205

Knight lamenting

Howat, Andrew (20th Century)

Moses and Abraham (tempera on panel)
Moses and Abraham (tempera on panel)

AII80319: Moses and Abraham (tempera on panel), Rosselli, Cosimo (1439-1507) / Bridgeman Images

ID: AII80319

Moses and Abraham (tempera on panel)

Rosselli, Cosimo (1439-1507)


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