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13736 Search Results for sword

Dido (w/c on paper)
Dido (w/c on paper)

PNH353700: Dido (w/c on paper), Hamilton, William (1751-1801) / Bridgeman Images

ID: PNH353700

Dido (w/c on paper)

Hamilton, William (1751-1801)

Illustration of Arthur After Pulling the Sword Excalibur from the Stone, 1923 (screenprint)
Illustration of Arthur After Pulling the Sword Excalibur from the Stone, 1923 (screenprint)

GRC1126032: Illustration of Arthur After Pulling the Sword Excalibur from the Stone, 1923 (screenprint), Unknown Artist, (20th century) / Bridgeman Images

ID: GRC1126032

Illustration of Arthur After Pulling the Sword Excalibur from the Stone, 1923 (screenprint)

Unknown Artist, (20th century)

Portrait of the Right Honourable John Johnson, Lord Mayor (engraving)
Portrait of the Right Honourable John Johnson, Lord Mayor (engraving)

LLJ607093: Portrait of the Right Honourable John Johnson, Lord Mayor (engraving), English School, (19th century) / Bridgeman Images

ID: LLJ607093

Portrait of the Right Honourable John Johnson, Lord Mayor (engraving)

English School, (19th century)

Nine courtiers and servants of the Raja Patiala, c.1817 (pencil & gouache on paper)
Nine courtiers and servants of the Raja Patiala, c.1817 (pencil & gouache on paper)

BAL36333: Nine courtiers and servants of the Raja Patiala, c.1817 (pencil & gouache on paper), Indian School, (19th century) / Bridgeman Images

ID: BAL36333

Nine courtiers and servants of the Raja Patiala, c.1817 (pencil & gouache on paper)

Indian School, (19th century)

Captain Arthur Layard, 1855 (b/w photo)
Captain Arthur Layard, 1855 (b/w photo)

NAM261101: Captain Arthur Layard, 1855 (b/w photo), Fenton, Roger (1819-69) / Bridgeman Images

ID: NAM261101

Captain Arthur Layard, 1855 (b/w photo)

Fenton, Roger (1819-69)

Figure of the Hindu Goddess Kali (ivory)
Figure of the Hindu Goddess Kali (ivory)

BAL130029: Figure of the Hindu Goddess Kali (ivory) / Bridgeman Images

ID: BAL130029

Figure of the Hindu Goddess Kali (ivory)

Large Bowie Knife with horsehead pommel circa 1850
Large Bowie Knife with horsehead pommel circa 1850

DTO3031893: Large Bowie Knife with horsehead pommel circa 1850 / Bridgeman Images

ID: DTO3031893

Large Bowie Knife with horsehead pommel circa 1850

United States, United States, Bowie Knife with Ivory Grips and German Silver scabbard circa 1850
United States, United States, Bowie Knife with Ivory Grips and German Silver scabbard circa 1850

DTO3031712: United States, United States, Bowie Knife with Ivory Grips and German Silver scabbard circa 1850 / Bridgeman Images

ID: DTO3031712

United States, United States, Bowie Knife with Ivory Grips and German Silver scabbard circa 1850

Costume of a Freemason for his reception into the grade of Master, c.1848 (engraving)
Costume of a Freemason for his reception into the grade of Master, c.1848 (engraving)

CHT741508: Costume of a Freemason for his reception into the grade of Master, c.1848 (engraving), French School, (19th century) / Bridgeman Images

ID: CHT741508

Costume of a Freemason for his reception into the grade of Master, c.1848 (engraving)

French School, (19th century)

Dining Hall (oil on canvas)
Dining Hall (oil on canvas)

USB132370: Dining Hall (oil on canvas), English School, (18th century) / Bridgeman Images

ID: USB132370

Dining Hall (oil on canvas)

English School, (18th century)

Elector Friedrich Wilhelm I of Hessen-Kassel with his Officers on Parade, 1854 (oil on canvas)
Elector Friedrich Wilhelm I of Hessen-Kassel with his Officers on Parade, 1854 (oil on canvas)

KSL269366: Elector Friedrich Wilhelm I of Hessen-Kassel with his Officers on Parade, 1854 (oil on canvas), Hummel, Fritz (1828-1905) / Bridgeman Images

ID: KSL269366

Elector Friedrich Wilhelm I of Hessen-Kassel with his Officers on Parade, 1854 (oil on canvas)

Hummel, Fritz (1828-1905)

Sir Arnold Joost van Keppel, 1st Earl of Albemarle (oil on canvas)
Sir Arnold Joost van Keppel, 1st Earl of Albemarle (oil on canvas)

USB1159295: Sir Arnold Joost van Keppel, 1st Earl of Albemarle (oil on canvas), Kneller, Godfrey (1646-1723) (studio of) / Bridgeman Images

ID: USB1159295

Sir Arnold Joost van Keppel, 1st Earl of Albemarle (oil on canvas)

Kneller, Godfrey (1646-1723) (studio of)

French writer Jean Louis Vaudoyer with the suit and the sword of the Academie Francaise, a few days before his induction, Paris, June 19, 1950 (b/w photo)
French writer Jean Louis Vaudoyer with the suit and the sword of the Academie Francaise, a few days before his induction, Paris, June 19, 1950 (b/w photo)

XRA2674511: French writer Jean Louis Vaudoyer with the suit and the sword of the Academie Francaise, a few days before his induction, Paris, June 19, 1950 (b/w photo) / Bridgeman Images

ID: XRA2674511

French writer Jean Louis Vaudoyer with the suit and the sword of the Academie Francaise, a few days before his induction, Paris, June 19, 1950 (b/w photo)

Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).
Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).

FLO4708528: Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade). / Bridgeman Images

ID: FLO4708528

Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).

Guards from a Guild
Guards from a Guild

BAL85478: Guards from a Guild, Kick, Simon (1603-52) / Bridgeman Images

ID: BAL85478

Guards from a Guild

Kick, Simon (1603-52)

Portrait of the Katchef Dahouth, Christian Mameluke, 1804 (oil on canvas)
Portrait of the Katchef Dahouth, Christian Mameluke, 1804 (oil on canvas)

XCC2970827: Portrait of the Katchef Dahouth, Christian Mameluke, 1804 (oil on canvas), Girodet de Roucy-Trioson, Anne Louis (1767-1824) / Bridgeman Images

ID: XCC2970827

Portrait of the Katchef Dahouth, Christian Mameluke, 1804 (oil on canvas)

Girodet de Roucy-Trioson, Anne Louis (1767-1824)

St Ivel (chromolitho)
St Ivel (chromolitho)

LLH3639479: St Ivel (chromolitho), English School, (20th century) / Bridgeman Images

ID: LLH3639479

St Ivel (chromolitho)

English School, (20th century)

Knights of the Order of the Hospital or Hospitallers, later called to the Order of Malta, during the Crusades. Middle Ages. Old engraving, colour setting.
Knights of the Order of the Hospital or Hospitallers, later called to the Order of Malta, during the Crusades. Middle Ages. Old engraving, colour setting.

NWI4957631: Knights of the Order of the Hospital or Hospitallers, later called to the Order of Malta, during the Crusades. Middle Ages. Old engraving, colour setting. / Bridgeman Images

ID: NWI4957631

Knights of the Order of the Hospital or Hospitallers, later called to the Order of Malta, during the Crusades. Middle Ages. Old engraving, colour setting.

Seated Gladiator (oil on canvas)
Seated Gladiator (oil on canvas)

XIR231702: Seated Gladiator (oil on canvas), Drouais, Jean-Germain (1763-1788) / Bridgeman Images

ID: XIR231702

Seated Gladiator (oil on canvas)

Drouais, Jean-Germain (1763-1788)

A fakir (chromolitho)
A fakir (chromolitho)

LLM2782687: A fakir (chromolitho), European School, (19th century) / Bridgeman Images

ID: LLM2782687

A fakir (chromolitho)

European School, (19th century)

Portrait of Godfrey de Bouillon (oil on panel)
Portrait of Godfrey de Bouillon (oil on panel)

MOU281467: Portrait of Godfrey de Bouillon (oil on panel), German School, (16th century) / Bridgeman Images

ID: MOU281467

Portrait of Godfrey de Bouillon (oil on panel)

German School, (16th century)

Jacob de Graeff, c.1674 (oil on panel)
Jacob de Graeff, c.1674 (oil on panel)

STM620342: Jacob de Graeff, c.1674 (oil on panel), Borch or Terborch, Gerard ter (1617-81) / Bridgeman Images

ID: STM620342

Jacob de Graeff, c.1674 (oil on panel)

Borch or Terborch, Gerard ter (1617-81)

A Muhunt and Gosaeens, from 'A Mahratta Camp', 5th April 1813 (colour engraving)
A Muhunt and Gosaeens, from 'A Mahratta Camp', 5th April 1813 (colour engraving)

XCF273122: A Muhunt and Gosaeens, from 'A Mahratta Camp', 5th April 1813 (colour engraving), Atkinson, John Augustus (1775-1831) (after) / Bridgeman Images

ID: XCF273122

A Muhunt and Gosaeens, from 'A Mahratta Camp', 5th April 1813 (colour engraving)

Atkinson, John Augustus (1775-1831) (after)

The Stain of Censure, from 'Punch', 1906 (pen & ink on paper)
The Stain of Censure, from 'Punch', 1906 (pen & ink on paper)

NCO292157: The Stain of Censure, from 'Punch', 1906 (pen & ink on paper), Sambourne, Edward Linley (1844-1910) / Bridgeman Images

ID: NCO292157

The Stain of Censure, from 'Punch', 1906 (pen & ink on paper)

Sambourne, Edward Linley (1844-1910)

Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820
Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820

GIA4813040: Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820, Ferrario, Giulio (1767-1847) / Bridgeman Images

ID: GIA4813040

Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820

Ferrario, Giulio (1767-1847)

David with the Head of Goliath, c.1636 (oil on canvas)
David with the Head of Goliath, c.1636 (oil on canvas)

CIN402958: David with the Head of Goliath, c.1636 (oil on canvas), Strozzi, Bernardo (1581-1644) / Bridgeman Images

ID: CIN402958

David with the Head of Goliath, c.1636 (oil on canvas)

Strozzi, Bernardo (1581-1644)

Cultic stele bearing the image of an Aramean god, from Bethsaida, 9th- 8th century BC (basalt)
Cultic stele bearing the image of an Aramean god, from Bethsaida, 9th- 8th century BC (basalt)

IMJ407258: Cultic stele bearing the image of an Aramean god, from Bethsaida, 9th- 8th century BC (basalt), Iron Age (1000-750 BC) / Bridgeman Images

ID: IMJ407258

Cultic stele bearing the image of an Aramean god, from Bethsaida, 9th- 8th century BC (basalt)

Iron Age (1000-750 BC)

The Nine Worthies and the Nine Worthy Women, detail of Hippolyte, 1418-30 (fresco)
The Nine Worthies and the Nine Worthy Women, detail of Hippolyte, 1418-30 (fresco)

XAL230115: The Nine Worthies and the Nine Worthy Women, detail of Hippolyte, 1418-30 (fresco), Jaquerio, Giacomo (fl.1403-53) / Bridgeman Images

ID: XAL230115

The Nine Worthies and the Nine Worthy Women, detail of Hippolyte, 1418-30 (fresco)

Jaquerio, Giacomo (fl.1403-53)

Jack and Jill and the Old Castle
Jack and Jill and the Old Castle

LAL300811: Jack and Jill and the Old Castle, English School, (20th century) / Bridgeman Images

ID: LAL300811

Jack and Jill and the Old Castle

English School, (20th century)

Portrait of Alfonso XII (1857-85) 1876 (oil on canvas)
Portrait of Alfonso XII (1857-85) 1876 (oil on canvas)

XJL214610: Portrait of Alfonso XII (1857-85) 1876 (oil on canvas), Martinez Cubells, Salvador (1845-1914) / Bridgeman Images

ID: XJL214610

Portrait of Alfonso XII (1857-85) 1876 (oil on canvas)

Martinez Cubells, Salvador (1845-1914)

Portrait of Etienne Marcel (1315-1358) - chromo., deb. 20th century
Portrait of Etienne Marcel (1315-1358) - chromo., deb. 20th century

LSE4106849: Portrait of Etienne Marcel (1315-1358) - chromo., deb. 20th century, Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4106849

Portrait of Etienne Marcel (1315-1358) - chromo., deb. 20th century

Unknown Artist, (20th century)

The Death of Dido, 1778 (oil on copper)
The Death of Dido, 1778 (oil on copper)

RAF400889: The Death of Dido, 1778 (oil on copper), Cipriani, Giovanni Battista (1727-85) / Bridgeman Images

ID: RAF400889

The Death of Dido, 1778 (oil on copper)

Cipriani, Giovanni Battista (1727-85)

Man from a Neighbouring Tribe to the Picts, from 'Admiranda Narratio..', engraved by Theodore de Bry (1528-98) 1585-88 (coloured engraving)
Man from a Neighbouring Tribe to the Picts, from 'Admiranda Narratio..', engraved by Theodore de Bry (1528-98) 1585-88 (coloured engraving)

XIR223422: Man from a Neighbouring Tribe to the Picts, from 'Admiranda Narratio..', engraved by Theodore de Bry (1528-98) 1585-88 (coloured engraving), White, John (fl.1570-93) (after) / Bridgeman Images

ID: XIR223422

Man from a Neighbouring Tribe to the Picts, from 'Admiranda Narratio..', engraved by Theodore de Bry (1528-98) 1585-88 (coloured engraving)

White, John (fl.1570-93) (after)

View of the Baba-Naunee Mountain, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho)
View of the Baba-Naunee Mountain, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho)

STC135155: View of the Baba-Naunee Mountain, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho), Atkinson, James (1780-1852) (after) / Bridgeman Images

ID: STC135155

View of the Baba-Naunee Mountain, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho)

Atkinson, James (1780-1852) (after)

Gauls riding under the domination of the Roman Empire. 19th century colour engraving.
Gauls riding under the domination of the Roman Empire. 19th century colour engraving.

NWI4857661: Gauls riding under the domination of the Roman Empire. 19th century colour engraving. / Bridgeman Images

ID: NWI4857661

Gauls riding under the domination of the Roman Empire. 19th century colour engraving.

One last tremendous cut which would certainly have split him to the chine had it not been intercepted by our big signboard of Admiral Benbow, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho)
One last tremendous cut which would certainly have split him to the chine had it not been intercepted by our big signboard of Admiral Benbow, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho)

STC321024: One last tremendous cut which would certainly have split him to the chine had it not been intercepted by our big signboard of Admiral Benbow, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

ID: STC321024

One last tremendous cut which would certainly have split him to the chine had it not been intercepted by our big signboard of Admiral Benbow, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho)

Wyeth, Newell Convers (1882-1945)


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