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13773 Search Results for sword

Evelyn Waugh with his wife, 1959 (photo)
Evelyn Waugh with his wife, 1959 (photo)

MGP617764: Evelyn Waugh with his wife, 1959 (photo), Gerson, Mark / Bridgeman Images

ID: MGP617764

Evelyn Waugh with his wife, 1959 (photo)

Gerson, Mark

General John Egerton, 7th Earl of Bridgewater John Egerton (1753-1823)
General John Egerton, 7th Earl of Bridgewater John Egerton (1753-1823)

USB1158586: General John Egerton, 7th Earl of Bridgewater John Egerton (1753-1823), Owen, William (1769-1825) (after) / Bridgeman Images

ID: USB1158586

General John Egerton, 7th Earl of Bridgewater John Egerton (1753-1823)

Owen, William (1769-1825) (after)

A Battle Scene
A Battle Scene

USB1155820: A Battle Scene, Wyck, Jan (1640-1700) (style of) / Bridgeman Images

ID: USB1155820

A Battle Scene

Wyck, Jan (1640-1700) (style of)

Essex - Earls Colne Church - Monument, 1824 (w/c on paper)
Essex - Earls Colne Church - Monument, 1824 (w/c on paper)

WSL5895611: Essex - Earls Colne Church - Monument, 1824 (w/c on paper), Buckler, John Chessell (1793-1894) / Bridgeman Images

ID: WSL5895611

Essex - Earls Colne Church - Monument, 1824 (w/c on paper)

Buckler, John Chessell (1793-1894)

Under the razor of a madman! (colour litho)
Under the razor of a madman! (colour litho)

LLM2784896: Under the razor of a madman! (colour litho), Molino, Walter (1915-1997) / Bridgeman Images

ID: LLM2784896

Under the razor of a madman! (colour litho)

Molino, Walter (1915-1997)

At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn!
At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn!

PCT4277943: At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn! / Bridgeman Images

ID: PCT4277943

At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn!

Thomas Middleton and William Rowley 's play 'Fair Quarrel', 1617 (engraving)
Thomas Middleton and William Rowley 's play 'Fair Quarrel', 1617 (engraving)

XLA3772608: Thomas Middleton and William Rowley 's play 'Fair Quarrel', 1617 (engraving) / Bridgeman Images

ID: XLA3772608

Thomas Middleton and William Rowley 's play 'Fair Quarrel', 1617 (engraving)

A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678553: A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678553

A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Chushingura. Act 5 (Godanme), 19th century (woodblock print on paper)
Chushingura. Act 5 (Godanme), 19th century (woodblock print on paper)

MAI6404889: Chushingura. Act 5 (Godanme), 19th century (woodblock print on paper), Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: MAI6404889

Chushingura. Act 5 (Godanme), 19th century (woodblock print on paper)

Toyokuni, Utagawa (1769-1825)

Swearing-in of soldiers of the regiment 'General Goering', 1935 (b/w photo)
Swearing-in of soldiers of the regiment 'General Goering', 1935 (b/w photo)

SZT3014289: Swearing-in of soldiers of the regiment 'General Goering', 1935 (b/w photo) / Bridgeman Images

ID: SZT3014289

Swearing-in of soldiers of the regiment 'General Goering', 1935 (b/w photo)

Photo Ak Prince Leopold to Lippe, Portrait, Uniform, Saber, Badge (b/w photo)
Photo Ak Prince Leopold to Lippe, Portrait, Uniform, Saber, Badge (b/w photo)

ARV704905: Photo Ak Prince Leopold to Lippe, Portrait, Uniform, Saber, Badge (b/w photo), German Photographer / Bridgeman Images

ID: ARV704905

Photo Ak Prince Leopold to Lippe, Portrait, Uniform, Saber, Badge (b/w photo)

German Photographer

Ak Prince Friedrich Christian of Saxony, uniform, helmet, sabre (b/w photo)
Ak Prince Friedrich Christian of Saxony, uniform, helmet, sabre (b/w photo)

ARV707910: Ak Prince Friedrich Christian of Saxony, uniform, helmet, sabre (b/w photo), German Photographer / Bridgeman Images

ID: ARV707910

Ak Prince Friedrich Christian of Saxony, uniform, helmet, sabre (b/w photo)

German Photographer

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”
Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

PCT4260936: Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260936

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Turkey: A levha or panel honouring Imam 'Ali ibn Abi Talib I(r. 656-661 CE) and his celebrated bifurcated sword Dhu'l-fiqar (Zulfiqar), 'The Cleaver of Vertebrae'. Calligraphy attributed to Farid al-Din, early 19th century
Turkey: A levha or panel honouring Imam 'Ali ibn Abi Talib I(r. 656-661 CE) and his celebrated bifurcated sword Dhu'l-fiqar (Zulfiqar), 'The Cleaver of Vertebrae'. Calligraphy attributed to Farid al-Din, early 19th century

PFH1774311: Turkey: A levha or panel honouring Imam 'Ali ibn Abi Talib I(r. 656-661 CE) and his celebrated bifurcated sword Dhu'l-fiqar (Zulfiqar), 'The Cleaver of Vertebrae'. Calligraphy attributed to Farid al-Din, early 19th century / Bridgeman Images

ID: PFH1774311

Turkey: A levha or panel honouring Imam 'Ali ibn Abi Talib I(r. 656-661 CE) and his celebrated bifurcated sword Dhu'l-fiqar (Zulfiqar), 'The Cleaver of Vertebrae'. Calligraphy attributed to Farid al-Din, early 19th century

'The Three Musketeers' - (photo)
'The Three Musketeers' - (photo)

COY3890451: 'The Three Musketeers' - (photo), Conway, Dee (b.1947) / Bridgeman Images

ID: COY3890451

'The Three Musketeers' - (photo)

Conway, Dee (b.1947)

Jack and the Wall Street giants, from 'Puck', 13th January 1904 (colour litho)
Jack and the Wall Street giants, from 'Puck', 13th January 1904 (colour litho)

XOS2657702: Jack and the Wall Street giants, from 'Puck', 13th January 1904 (colour litho), Keppler, Udo (Joseph Keppler, Jr.) (1872-1956) / Bridgeman Images

ID: XOS2657702

Jack and the Wall Street giants, from 'Puck', 13th January 1904 (colour litho)

Keppler, Udo (Joseph Keppler, Jr.) (1872-1956)

Mabou Mines Dollhouse -
Mabou Mines Dollhouse -

FAD3893818: Mabou Mines Dollhouse - / Bridgeman Images

ID: FAD3893818

Mabou Mines Dollhouse -

World War II Invasion of France Part of the British invasion fleet bound for the Gold Juno and Sword Normandy beaches seen here on the morning of D-day from the cliffs overlooking Folkestone. Destroyers of the Royal Navy lay a smoke screen to hide the fleet from the French coast The Pier at Folkstone, Kent, with war ships in the distance June 1944 (b/w photo)
World War II Invasion of France Part of the British invasion fleet bound for the Gold Juno and Sword Normandy beaches seen here on the morning of D-day from the cliffs overlooking Folkestone. Destroyers of the Royal Navy lay a smoke screen to hide the fleet from the French coast The Pier at Folkstone, Kent, with war ships in the distance June 1944 (b/w photo)

MPX5121244: World War II Invasion of France Part of the British invasion fleet bound for the Gold Juno and Sword Normandy beaches seen here on the morning of D-day from the cliffs overlooking Folkestone. Destroyers of the Royal Navy lay a smoke screen to hide the fleet from the French coast The Pier at Folkstone, Kent, with war ships in the distance June 1944 (b/w photo) / Bridgeman Images

ID: MPX5121244

World War II Invasion of France Part of the British invasion fleet bound for the Gold Juno and Sword Normandy beaches seen here on the morning of D-day from the cliffs overlooking Folkestone. Destroyers of the Royal Navy lay a smoke screen to hide the fleet from the French coast The Pier at Folkstone, Kent, with war ships in the distance June 1944 (b/w photo)

Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676984: Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861 / Bridgeman Images

ID: FLO4676984

Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Ak Crown Prince George of Saxony, stand portrait, sabre, uniform, visor cap (b/w photo)
Ak Crown Prince George of Saxony, stand portrait, sabre, uniform, visor cap (b/w photo)

ARV705529: Ak Crown Prince George of Saxony, stand portrait, sabre, uniform, visor cap (b/w photo), German Photographer / Bridgeman Images

ID: ARV705529

Ak Crown Prince George of Saxony, stand portrait, sabre, uniform, visor cap (b/w photo)

German Photographer

Arlequin (Harlequin) costume dated
Arlequin (Harlequin) costume dated

XLE3768353: Arlequin (Harlequin) costume dated / Bridgeman Images

ID: XLE3768353

Arlequin (Harlequin) costume dated

Alexandre Nevski (1220-1263), North Ballad, 1943 (oil on canvas)
Alexandre Nevski (1220-1263), North Ballad, 1943 (oil on canvas)

FIA5375472: Alexandre Nevski (1220-1263), North Ballad, 1943 (oil on canvas), Korin, Pavel Dmitrievich (1892-1967) / Bridgeman Images

ID: FIA5375472

Alexandre Nevski (1220-1263), North Ballad, 1943 (oil on canvas)

Korin, Pavel Dmitrievich (1892-1967)

Costume of Henry IV of France (1553-1610), called the Bearnais, 16th century. Lace ruff, suit of black silk with slashed breeches, sword. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.
Costume of Henry IV of France (1553-1610), called the Bearnais, 16th century. Lace ruff, suit of black silk with slashed breeches, sword. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

FLO4565238: Costume of Henry IV of France (1553-1610), called the Bearnais, 16th century. Lace ruff, suit of black silk with slashed breeches, sword. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher. / Bridgeman Images

ID: FLO4565238

Costume of Henry IV of France (1553-1610), called the Bearnais, 16th century. Lace ruff, suit of black silk with slashed breeches, sword. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Mabou Mines Dollhouse -
Mabou Mines Dollhouse -

FAD3893837: Mabou Mines Dollhouse - / Bridgeman Images

ID: FAD3893837

Mabou Mines Dollhouse -

Along the Brandywine, 1881 (oil on canvas)
Along the Brandywine, 1881 (oil on canvas)

BRR5896110: Along the Brandywine, 1881 (oil on canvas), Sword, James Brade (1839-1915) / Bridgeman Images

ID: BRR5896110

Along the Brandywine, 1881 (oil on canvas)

Sword, James Brade (1839-1915)

Shore Scene with Figures (oil on canvas)
Shore Scene with Figures (oil on canvas)

CMN3743879: Shore Scene with Figures (oil on canvas), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: CMN3743879

Shore Scene with Figures (oil on canvas)

Good, Thomas Sword (1789-1872)

Cap badge, c.1960-85 (metal)
Cap badge, c.1960-85 (metal)

NAM3043146: Cap badge, c.1960-85 (metal), English School, (20th century) / Bridgeman Images

ID: NAM3043146

Cap badge, c.1960-85 (metal)

English School, (20th century)

The Prince of Wales Galop, 1860 (colour litho)
The Prince of Wales Galop, 1860 (colour litho)

ATH496293: The Prince of Wales Galop, 1860 (colour litho), American School, (19th century) / Bridgeman Images

ID: ATH496293

The Prince of Wales Galop, 1860 (colour litho)

American School, (19th century)

Ak Prince Wolrad to Waldeck Pyrmont in uniform, helmet, sabre (b/w photo)
Ak Prince Wolrad to Waldeck Pyrmont in uniform, helmet, sabre (b/w photo)

ARV708051: Ak Prince Wolrad to Waldeck Pyrmont in uniform, helmet, sabre (b/w photo), German Photographer / Bridgeman Images

ID: ARV708051

Ak Prince Wolrad to Waldeck Pyrmont in uniform, helmet, sabre (b/w photo)

German Photographer

A Northumbrian Farmer, c.1820-34 (oil on canvas)
A Northumbrian Farmer, c.1820-34 (oil on canvas)

TW426865: A Northumbrian Farmer, c.1820-34 (oil on canvas), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW426865

A Northumbrian Farmer, c.1820-34 (oil on canvas)

Good, Thomas Sword (1789-1872)

Self Portrait (oil on wood)
Self Portrait (oil on wood)

CMN3743878: Self Portrait (oil on wood), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: CMN3743878

Self Portrait (oil on wood)

Good, Thomas Sword (1789-1872)

Deborah's Rock (West Chester), 1881 (oil on canvas)
Deborah's Rock (West Chester), 1881 (oil on canvas)

BRR5896109: Deborah's Rock (West Chester), 1881 (oil on canvas), Sword, James Brade (1839-1915) / Bridgeman Images

ID: BRR5896109

Deborah's Rock (West Chester), 1881 (oil on canvas)

Sword, James Brade (1839-1915)

A Recruiting Sergeant of the 33rd Regiment of Foot, 1814 (coloured aquatint)
A Recruiting Sergeant of the 33rd Regiment of Foot, 1814 (coloured aquatint)

NAM3037525: A Recruiting Sergeant of the 33rd Regiment of Foot, 1814 (coloured aquatint), Walker, George (fl.1803-15) (after) / Bridgeman Images

ID: NAM3037525

A Recruiting Sergeant of the 33rd Regiment of Foot, 1814 (coloured aquatint)

Walker, George (fl.1803-15) (after)

The Power of Music, 1823 (oil on panel)
The Power of Music, 1823 (oil on panel)

TW426845: The Power of Music, 1823 (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW426845

The Power of Music, 1823 (oil on panel)

Good, Thomas Sword (1789-1872)

A Northumbrian Farmer (oil on panel)
A Northumbrian Farmer (oil on panel)

TW1212652: A Northumbrian Farmer (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW1212652

A Northumbrian Farmer (oil on panel)

Good, Thomas Sword (1789-1872)

Hilt of a double-edged sword of a general-in-command during the coup d'etat at Saint Cloud on 18 brumaire an 8 (9 November 1799) (metal) (see also 391164) 8:Napoleon Bonaparte (1769-1821);glaive de commandement de general en chef;
Hilt of a double-edged sword of a general-in-command during the coup d'etat at Saint Cloud on 18 brumaire an 8 (9 November 1799) (metal) (see also 391164) 8:Napoleon Bonaparte (1769-1821);glaive de commandement de general en chef;

XIR391192: Hilt of a double-edged sword of a general-in-command during the coup d'etat at Saint Cloud on 18 brumaire an 8 (9 November 1799) (metal) (see also 391164) 8:Napoleon Bonaparte (1769-1821);glaive de commandement de general en chef;, Boutet, Nicolas Noel (1761-1833) / Bridgeman Images

ID: XIR391192

Hilt of a double-edged sword of a general-in-command during the coup d'etat at Saint Cloud on 18 brumaire an 8 (9 November 1799) (metal) (see also 391164) 8:Napoleon Bonaparte (1769-1821);glaive de commandement de general en chef;

Boutet, Nicolas Noel (1761-1833)


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