TAD1749400: Engraving of Briffart extracted from the edition of the Middle-class man Gentleman written by Moliere (Jean-Baptiste Poquelin) (1622-1673), in 1670. In this scene probably extracted from the act IV, Mr the Jordain, in Turkish costum (without sword and turban) is surrounded by of Dervis, the Turks and the Mufti / Bridgeman Images
XEE4151586: First Abdication, 1814 - Napoleon (1769-1821), receiving the farewell of the marechal Jacques Alexandre (Jacques Alexandre) Macdonald (1765-1840), gave him the sword of Mourad Bey, one of the trophees of the Battle of Aboukir - in “History of the empire following the history of the consulate” by Adolphe Thiers - 1818 79 - private collection, French School, (19th century) / Bridgeman Images
HGP3526686: Simon Peter, St. Peter, cuts off ear of Malchus, servant of Caiaphas, with sword, in Garden of Gethsemane, for betraying Jesus, stained glass Passion Window by Adolph Didron of Paris, 1860, Feltwell, Norfolk, England, UK, The Easter Story, French School, (19th century) / Bridgeman Images
FLO4734163: Iris fetide or Iris Leg or stink sword (Iris foetidissima). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Stinking iris, Iris foetidissima. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images
FLO4673797: Charlemagne, King of France, Caroligian Emperor, 742-814. He wears an imperial crown in the oriental style, a short tunic, a chlamys cape, sword, stockings and shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images
PCT4290628: Illustration of Jihad or Jihad, holy war of Muslims - composition combining a Koran, a rosary (misbaha or masbaha, sabha, sebha, subha or tasbih) and a sword (cemeterre) - Muslim religion, Islam - engraving mid 19th century - illustration by Raffet for the book “L'Algerie ancienne et moderne” by Leon Galibert, edition 1844 - Yeah. / Bridgeman Images